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I'm excited to share that my video artwork "Bojagi (Shades of L.A.)" is currently on view in "Love, Leimert" at the Leimert Park Station along the K Line. Featuring historical images from the Los Angeles Public Library’s Shades of L.A.archive, "Bojagi (Shades of L.A.)" stitches together photos of the diverse communities that have called Leimert Park home since 1920. Using the visual motif of quilting, I portray the Korean tradition of “Bojagi” together with the colors and patterns used by Gee’s Bend quilters to create a composition blending East Asian and African-American cultural traditions. Woven together, Bojagi (Shades of L.A.) presents a gift of stitched-together memories for the Leimert Park community.

I’m honored to have my work be part of this love letter to Leimert Park which features moving image artworks by ten incredible artists including @jessica.wimbley @julieorser @russham@ahreelee @annaluisapetrisko @iam_afro_ @smprojekts @yoshie_sakai_studio @navidsinaki @artby_isaiah

For more information visit metro.net/art @metro.art.la
#MetroArtLA #LoveLeimert #MetroArtDigital

I'm excited to share that my video artwork "Bojagi (Shades of L.A.)" is currently on view in "Love, Leimert" at the Leimert Park Station along the K Line. Featuring historical images from the Los Angeles Public Library’s Shades of L.A.archive, "Bojagi (Shades of L.A.)" stitches together photos of the diverse communities that have called Leimert Park home since 1920. Using the visual motif of quilting, I portray the Korean tradition of “Bojagi” together with the colors and patterns used by Gee’s Bend quilters to create a composition blending East Asian and African-American cultural traditions. Woven together, Bojagi (Shades of L.A.) presents a gift of stitched-together memories for the Leimert Park community.

I’m honored to have my work be part of this love letter to Leimert Park which features moving image artworks by ten incredible artists including @jessica.wimbley @julieorser @russham@ahreelee @annaluisapetrisko @iam_afro_ @smprojekts @yoshie_sakai_studio @navidsinaki @artby_isaiah

For more information visit metro.net/art @metro.art.la
#MetroArtLA #LoveLeimert #MetroArtDigital

These are the last 3 weeks to see my solo exhibition "Home Maker Space" at the Craft Contemporary (@craftcontemporary) before it closes on May 4.

"Home Maker Space" expands on my most recent work, TEXTILE 1.0, blending weaving, video, and electronic textiles to reimagine what technology would exist in our homes had it evolved differently in the 20th century. The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the hand-woven textiles’ gridded patterns evoke mainframe computer panels and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid. Set in a “studio-like” environment, the installation invites visitors to engage with the creative process through displays of a loom, various work samples, historical references, and works in progress.

Exhibition installation photos by Marc Walker, courtesy of Craft Contemporary.

These are the last 3 weeks to see my solo exhibition "Home Maker Space" at the Craft Contemporary (@craftcontemporary) before it closes on May 4.

"Home Maker Space" expands on my most recent work, TEXTILE 1.0, blending weaving, video, and electronic textiles to reimagine what technology would exist in our homes had it evolved differently in the 20th century. The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the hand-woven textiles’ gridded patterns evoke mainframe computer panels and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid. Set in a “studio-like” environment, the installation invites visitors to engage with the creative process through displays of a loom, various work samples, historical references, and works in progress.

Exhibition installation photos by Marc Walker, courtesy of Craft Contemporary.

These are the last 3 weeks to see my solo exhibition "Home Maker Space" at the Craft Contemporary (@craftcontemporary) before it closes on May 4.

"Home Maker Space" expands on my most recent work, TEXTILE 1.0, blending weaving, video, and electronic textiles to reimagine what technology would exist in our homes had it evolved differently in the 20th century. The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the hand-woven textiles’ gridded patterns evoke mainframe computer panels and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid. Set in a “studio-like” environment, the installation invites visitors to engage with the creative process through displays of a loom, various work samples, historical references, and works in progress.

Exhibition installation photos by Marc Walker, courtesy of Craft Contemporary.

These are the last 3 weeks to see my solo exhibition "Home Maker Space" at the Craft Contemporary (@craftcontemporary) before it closes on May 4.

"Home Maker Space" expands on my most recent work, TEXTILE 1.0, blending weaving, video, and electronic textiles to reimagine what technology would exist in our homes had it evolved differently in the 20th century. The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the hand-woven textiles’ gridded patterns evoke mainframe computer panels and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid. Set in a “studio-like” environment, the installation invites visitors to engage with the creative process through displays of a loom, various work samples, historical references, and works in progress.

Exhibition installation photos by Marc Walker, courtesy of Craft Contemporary.

These are the last 3 weeks to see my solo exhibition "Home Maker Space" at the Craft Contemporary (@craftcontemporary) before it closes on May 4.

"Home Maker Space" expands on my most recent work, TEXTILE 1.0, blending weaving, video, and electronic textiles to reimagine what technology would exist in our homes had it evolved differently in the 20th century. The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the hand-woven textiles’ gridded patterns evoke mainframe computer panels and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid. Set in a “studio-like” environment, the installation invites visitors to engage with the creative process through displays of a loom, various work samples, historical references, and works in progress.

Exhibition installation photos by Marc Walker, courtesy of Craft Contemporary.

These are the last 3 weeks to see my solo exhibition "Home Maker Space" at the Craft Contemporary (@craftcontemporary) before it closes on May 4.

"Home Maker Space" expands on my most recent work, TEXTILE 1.0, blending weaving, video, and electronic textiles to reimagine what technology would exist in our homes had it evolved differently in the 20th century. The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the hand-woven textiles’ gridded patterns evoke mainframe computer panels and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid. Set in a “studio-like” environment, the installation invites visitors to engage with the creative process through displays of a loom, various work samples, historical references, and works in progress.

Exhibition installation photos by Marc Walker, courtesy of Craft Contemporary.

These are the last 3 weeks to see my solo exhibition "Home Maker Space" at the Craft Contemporary (@craftcontemporary) before it closes on May 4.

"Home Maker Space" expands on my most recent work, TEXTILE 1.0, blending weaving, video, and electronic textiles to reimagine what technology would exist in our homes had it evolved differently in the 20th century. The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the hand-woven textiles’ gridded patterns evoke mainframe computer panels and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid. Set in a “studio-like” environment, the installation invites visitors to engage with the creative process through displays of a loom, various work samples, historical references, and works in progress.

Exhibition installation photos by Marc Walker, courtesy of Craft Contemporary.

I have been so thrilled to be a part of the exhibition “Day Jobs” at @cantorarts , which is closing already this Sunday. But now this beautiful catalog of the exhibition is available from @radius.books . You can see me struggling with the weight and size of this book – it’s literally substantial! Each artist wrote about how their day job impacted their art practice, and I share how my experience working in Silicon Valley became the raw material for my current body of work. I’ve gleaned so much from the other artists’ essays, and am thankful to curator @veronicacroberts and curatorial assistant @seren1to for bringing all of us artists together both in the exhibition and the catalog.

You can buy the catalog from the Cantor or directly from Radius Books. Links in bio.

. . .

“Day Jobs”reevalutes how day jobs influence visual artists, often providing new materials, methods, and a stable income that can fuel creative innovation. The exhibition is comprised of over 90 works by 36 artists, including notable Californians like Barbara Kruger, Margaret Kilgallen, Jim Campbell, Narsiso Martinez, Sandy Rodriguez, Jay Lynn Gomez, and Ahree Lee. Accompanied by a catalogue with insights from artists like Larry Bell and Mark Bradford, the exhibition challenges the romantic notion of artists isolated in their studios and highlights the practical interplay between economic means and artistic creation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

💡 Lightbulb moment: you can create a woven circuit that illuminates with conductive threads, LEDs, and a battery.

🧶 Last Saturday, 15 participants learned how to make their own #Etextiles at SJMA! Thank you to exhibiting artist @ahreelee for teaching the workshop.

💽 This Art 101 was presented in connection to the exhibition “Motherboards” which explores the foundational contributions of women’s work to the technology industry.

Support for the program is provided by @artbridgesfoundation.

What happens when thread becomes pixel?

In “Video Craft”, artists transform the language of traditional crafts into moving image, revealing how patterns and memory persist across mediums. Side by side, Ahree Lee’s “Bojagi (Memories to Light)”, 2015 (right) (@ahreelee) and Shaheer Zazai’s “ECfdV_EC”, 2023 (left) (@szazai._) reimagine textiles through digital means.

Lee stitches together found footage of mid-century Asian American home movies into a luminous, kinetic bojagi, honoring histories often left unseen, while Zazai “weaves” intricate Afghani carpet-like patterns using Microsoft Word and all its constraints.

From traditions to pixel grids, both artists translate the tactile logic of textiles into video, where repetition, fragmentation, and time become acts of storytelling.

Plan your visit and experience “Video Craft” in person, or explore it now through our virtual 360° tour, available on our website.

What happens when thread becomes pixel?

In “Video Craft”, artists transform the language of traditional crafts into moving image, revealing how patterns and memory persist across mediums. Side by side, Ahree Lee’s “Bojagi (Memories to Light)”, 2015 (right) (@ahreelee) and Shaheer Zazai’s “ECfdV_EC”, 2023 (left) (@szazai._) reimagine textiles through digital means.

Lee stitches together found footage of mid-century Asian American home movies into a luminous, kinetic bojagi, honoring histories often left unseen, while Zazai “weaves” intricate Afghani carpet-like patterns using Microsoft Word and all its constraints.

From traditions to pixel grids, both artists translate the tactile logic of textiles into video, where repetition, fragmentation, and time become acts of storytelling.

Plan your visit and experience “Video Craft” in person, or explore it now through our virtual 360° tour, available on our website.

What happens when thread becomes pixel?

In “Video Craft”, artists transform the language of traditional crafts into moving image, revealing how patterns and memory persist across mediums. Side by side, Ahree Lee’s “Bojagi (Memories to Light)”, 2015 (right) (@ahreelee) and Shaheer Zazai’s “ECfdV_EC”, 2023 (left) (@szazai._) reimagine textiles through digital means.

Lee stitches together found footage of mid-century Asian American home movies into a luminous, kinetic bojagi, honoring histories often left unseen, while Zazai “weaves” intricate Afghani carpet-like patterns using Microsoft Word and all its constraints.

From traditions to pixel grids, both artists translate the tactile logic of textiles into video, where repetition, fragmentation, and time become acts of storytelling.

Plan your visit and experience “Video Craft” in person, or explore it now through our virtual 360° tour, available on our website.

I’m thrilled to have three works on view in Motherboards, opening this Friday, April 10 at the @sanjosemuseumofart !

Motherboards explores the foundational yet overlooked contributions of under-recognized women to the technology industry. Featuring artists from California and beyond, Motherboards creatively maps an extensive network in technology, connecting Silicon Valley’s labs and mythic garages to vital work performed at looms, desks, kitchens, and assembly lines across the globe.

One of my featured artworks, TEXTILE 1.0, combines weaving, video, and electronics to imagine an alternate timeline: what might our domestic technology look like if they had evolved differently in the 20th century? The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the gridded patterns of the hand-woven textiles evoke mainframe computers and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid.

I unfortunately can’t be at the opening, but will be there in May to teach a workshop — more on that soon!

#Motherboards #SanJoseMuseumOfArt #SJMA #ContemporaryArt #TextileArt #WomenInTech #AltHistory #FiberArt #NewMediaArt #ArtAndTechnology

I’m thrilled to have three works on view in Motherboards, opening this Friday, April 10 at the @sanjosemuseumofart !

Motherboards explores the foundational yet overlooked contributions of under-recognized women to the technology industry. Featuring artists from California and beyond, Motherboards creatively maps an extensive network in technology, connecting Silicon Valley’s labs and mythic garages to vital work performed at looms, desks, kitchens, and assembly lines across the globe.

One of my featured artworks, TEXTILE 1.0, combines weaving, video, and electronics to imagine an alternate timeline: what might our domestic technology look like if they had evolved differently in the 20th century? The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the gridded patterns of the hand-woven textiles evoke mainframe computers and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid.

I unfortunately can’t be at the opening, but will be there in May to teach a workshop — more on that soon!

#Motherboards #SanJoseMuseumOfArt #SJMA #ContemporaryArt #TextileArt #WomenInTech #AltHistory #FiberArt #NewMediaArt #ArtAndTechnology

I’m thrilled to have three works on view in Motherboards, opening this Friday, April 10 at the @sanjosemuseumofart !

Motherboards explores the foundational yet overlooked contributions of under-recognized women to the technology industry. Featuring artists from California and beyond, Motherboards creatively maps an extensive network in technology, connecting Silicon Valley’s labs and mythic garages to vital work performed at looms, desks, kitchens, and assembly lines across the globe.

One of my featured artworks, TEXTILE 1.0, combines weaving, video, and electronics to imagine an alternate timeline: what might our domestic technology look like if they had evolved differently in the 20th century? The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the gridded patterns of the hand-woven textiles evoke mainframe computers and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid.

I unfortunately can’t be at the opening, but will be there in May to teach a workshop — more on that soon!

#Motherboards #SanJoseMuseumOfArt #SJMA #ContemporaryArt #TextileArt #WomenInTech #AltHistory #FiberArt #NewMediaArt #ArtAndTechnology

I’m thrilled to have three works on view in Motherboards, opening this Friday, April 10 at the @sanjosemuseumofart !

Motherboards explores the foundational yet overlooked contributions of under-recognized women to the technology industry. Featuring artists from California and beyond, Motherboards creatively maps an extensive network in technology, connecting Silicon Valley’s labs and mythic garages to vital work performed at looms, desks, kitchens, and assembly lines across the globe.

One of my featured artworks, TEXTILE 1.0, combines weaving, video, and electronics to imagine an alternate timeline: what might our domestic technology look like if they had evolved differently in the 20th century? The modular steel structure is based on the proportions of home kitchen cabinetry and appliances, while the gridded patterns of the hand-woven textiles evoke mainframe computers and factory machinery. Four mini-videos projected onto the surface demonstrate the imagined functionality of this computer-appliance-machine hybrid.

I unfortunately can’t be at the opening, but will be there in May to teach a workshop — more on that soon!

#Motherboards #SanJoseMuseumOfArt #SJMA #ContemporaryArt #TextileArt #WomenInTech #AltHistory #FiberArt #NewMediaArt #ArtAndTechnology

Hey Bay Area people! I’m going to be at the Exploratorium @exploratorium sharing my mathy craftiness at two events this week:

*After Dark: Crafty and Calculating*
Thursday, March 12, 6-10 pm
This evening is all about the intersection of math and craft. I’ll have artwork on display, do an artist talk at 8, demo weaving on my loom, and lead a drop-in weaving activity.

*Pi Day*
Saturday, March 14, 11 am-1:30 pm
It’s the Exploratorium’s legendary Pi Day celebration! I’ll contribute my weaving demo, artwork display, and drop-in weaving activity to the festivities.

Link in bio for more info and registration. It’s going to be so much fun!

We can’t wait to welcome you to “Video Craft,” opening this Saturday at the Museum of Craft and Design!

“Video Craft“ is a new exhibition curated by Sarah Mills, PhD, and Ariel Zaccheo, MCD Curatorial Director, that explores what happens when the moving image meets the handmade, bringing film and digital technologies into dialogue with craft media like ceramics, textiles, and glass to reconsider materiality, process, and perception. This exhibition brings together 19 artists at different stages of their careers, from early pioneers of video production to emerging digital natives.

Participating Artists: Danielle Andress(@danielle_andress), Sydney Cash (@_sydney_cash_), Gregory Climer (@gregoryclimer), William Cobbing (@william.cobbing), Kelly Egan, Sabrina Gschwandtner (@filmquilts), Kira Dominguez-Hultgren (@kiradominguezhultgren), Lauren Kalman (@laurenkalman), Beryl Korot, Ahree Lee (@ahreelee), Jodie Mack (@jodiemack), Aarron Marcus, Kate Nartker (@knart), Megumi Naitoh (@meguminaitoh), Senga Nengudi (@senganengudi), Sarah Rosalena (@sarah_rosalena), Richard Vijgen (@richardvijgen), Jennifer West (@jwest20011), and Shaheer Zazai (@szazai._).⁠

⁠Learn more about “Video Craft” and get your tickets to opening weekend and beyond through the link in our bio!⁠

*Elements designed by Freepik are used in some of the visual identity and marketing media for the Video Craft exhibit.

We can’t wait to welcome you to “Video Craft,” opening this Saturday at the Museum of Craft and Design!

“Video Craft“ is a new exhibition curated by Sarah Mills, PhD, and Ariel Zaccheo, MCD Curatorial Director, that explores what happens when the moving image meets the handmade, bringing film and digital technologies into dialogue with craft media like ceramics, textiles, and glass to reconsider materiality, process, and perception. This exhibition brings together 19 artists at different stages of their careers, from early pioneers of video production to emerging digital natives.

Participating Artists: Danielle Andress(@danielle_andress), Sydney Cash (@_sydney_cash_), Gregory Climer (@gregoryclimer), William Cobbing (@william.cobbing), Kelly Egan, Sabrina Gschwandtner (@filmquilts), Kira Dominguez-Hultgren (@kiradominguezhultgren), Lauren Kalman (@laurenkalman), Beryl Korot, Ahree Lee (@ahreelee), Jodie Mack (@jodiemack), Aarron Marcus, Kate Nartker (@knart), Megumi Naitoh (@meguminaitoh), Senga Nengudi (@senganengudi), Sarah Rosalena (@sarah_rosalena), Richard Vijgen (@richardvijgen), Jennifer West (@jwest20011), and Shaheer Zazai (@szazai._).⁠

⁠Learn more about “Video Craft” and get your tickets to opening weekend and beyond through the link in our bio!⁠

*Elements designed by Freepik are used in some of the visual identity and marketing media for the Video Craft exhibit.

We can’t wait to welcome you to “Video Craft,” opening this Saturday at the Museum of Craft and Design!

“Video Craft“ is a new exhibition curated by Sarah Mills, PhD, and Ariel Zaccheo, MCD Curatorial Director, that explores what happens when the moving image meets the handmade, bringing film and digital technologies into dialogue with craft media like ceramics, textiles, and glass to reconsider materiality, process, and perception. This exhibition brings together 19 artists at different stages of their careers, from early pioneers of video production to emerging digital natives.

Participating Artists: Danielle Andress(@danielle_andress), Sydney Cash (@_sydney_cash_), Gregory Climer (@gregoryclimer), William Cobbing (@william.cobbing), Kelly Egan, Sabrina Gschwandtner (@filmquilts), Kira Dominguez-Hultgren (@kiradominguezhultgren), Lauren Kalman (@laurenkalman), Beryl Korot, Ahree Lee (@ahreelee), Jodie Mack (@jodiemack), Aarron Marcus, Kate Nartker (@knart), Megumi Naitoh (@meguminaitoh), Senga Nengudi (@senganengudi), Sarah Rosalena (@sarah_rosalena), Richard Vijgen (@richardvijgen), Jennifer West (@jwest20011), and Shaheer Zazai (@szazai._).⁠

⁠Learn more about “Video Craft” and get your tickets to opening weekend and beyond through the link in our bio!⁠

*Elements designed by Freepik are used in some of the visual identity and marketing media for the Video Craft exhibit.

We can’t wait to welcome you to “Video Craft,” opening this Saturday at the Museum of Craft and Design!

“Video Craft“ is a new exhibition curated by Sarah Mills, PhD, and Ariel Zaccheo, MCD Curatorial Director, that explores what happens when the moving image meets the handmade, bringing film and digital technologies into dialogue with craft media like ceramics, textiles, and glass to reconsider materiality, process, and perception. This exhibition brings together 19 artists at different stages of their careers, from early pioneers of video production to emerging digital natives.

Participating Artists: Danielle Andress(@danielle_andress), Sydney Cash (@_sydney_cash_), Gregory Climer (@gregoryclimer), William Cobbing (@william.cobbing), Kelly Egan, Sabrina Gschwandtner (@filmquilts), Kira Dominguez-Hultgren (@kiradominguezhultgren), Lauren Kalman (@laurenkalman), Beryl Korot, Ahree Lee (@ahreelee), Jodie Mack (@jodiemack), Aarron Marcus, Kate Nartker (@knart), Megumi Naitoh (@meguminaitoh), Senga Nengudi (@senganengudi), Sarah Rosalena (@sarah_rosalena), Richard Vijgen (@richardvijgen), Jennifer West (@jwest20011), and Shaheer Zazai (@szazai._).⁠

⁠Learn more about “Video Craft” and get your tickets to opening weekend and beyond through the link in our bio!⁠

*Elements designed by Freepik are used in some of the visual identity and marketing media for the Video Craft exhibit.

We can’t wait to welcome you to “Video Craft,” opening this Saturday at the Museum of Craft and Design!

“Video Craft“ is a new exhibition curated by Sarah Mills, PhD, and Ariel Zaccheo, MCD Curatorial Director, that explores what happens when the moving image meets the handmade, bringing film and digital technologies into dialogue with craft media like ceramics, textiles, and glass to reconsider materiality, process, and perception. This exhibition brings together 19 artists at different stages of their careers, from early pioneers of video production to emerging digital natives.

Participating Artists: Danielle Andress(@danielle_andress), Sydney Cash (@_sydney_cash_), Gregory Climer (@gregoryclimer), William Cobbing (@william.cobbing), Kelly Egan, Sabrina Gschwandtner (@filmquilts), Kira Dominguez-Hultgren (@kiradominguezhultgren), Lauren Kalman (@laurenkalman), Beryl Korot, Ahree Lee (@ahreelee), Jodie Mack (@jodiemack), Aarron Marcus, Kate Nartker (@knart), Megumi Naitoh (@meguminaitoh), Senga Nengudi (@senganengudi), Sarah Rosalena (@sarah_rosalena), Richard Vijgen (@richardvijgen), Jennifer West (@jwest20011), and Shaheer Zazai (@szazai._).⁠

⁠Learn more about “Video Craft” and get your tickets to opening weekend and beyond through the link in our bio!⁠

*Elements designed by Freepik are used in some of the visual identity and marketing media for the Video Craft exhibit.

I'm excited to announce that "Bojagi (Memories to Light)" is part of "Video Craft," opening at the Museum of Craft and Design @museumofcraftanddesign on February 28! "Video Craft" explores the formal and technical properties that video, film, and early moving image technologies share with more traditional craft media like ceramics, textiles, and glass.

"Bojagi (Memories to Light)" is inspired by Korean wrapping cloths, or “bojagi”, which women traditionally pieced together out of scraps of spare material, creating an heirloom full of beauty and utility from what would otherwise be waste. Often made by mothers for their daughters before getting married, bojagis served as a memento from the past that bridged the transition from childhood home to future home. I reimagined the bojagi as a video that uses home movies from Asian American families to create a collective wrapping cloth of memories.

Many thanks to curators Ariel Zaccheo and Sarah Mills @sarahvmills . Link in bio.

I'm excited to announce that "Bojagi (Memories to Light)" is part of "Video Craft," opening at the Museum of Craft and Design @museumofcraftanddesign on February 28! "Video Craft" explores the formal and technical properties that video, film, and early moving image technologies share with more traditional craft media like ceramics, textiles, and glass.

"Bojagi (Memories to Light)" is inspired by Korean wrapping cloths, or “bojagi”, which women traditionally pieced together out of scraps of spare material, creating an heirloom full of beauty and utility from what would otherwise be waste. Often made by mothers for their daughters before getting married, bojagis served as a memento from the past that bridged the transition from childhood home to future home. I reimagined the bojagi as a video that uses home movies from Asian American families to create a collective wrapping cloth of memories.

Many thanks to curators Ariel Zaccheo and Sarah Mills @sarahvmills . Link in bio.

Please join me for the opening of “A Stitch & Glitch in Time” next Thursday, Jan 29 at CSUN Galleries in Northridge! I’m so thrilled to be part of this exhibition that brings together so many textile-based artists I know and admire.

My multi-media weaving “Binary System,” pictured here,evokes early mainframe computers and the punched paper tape on which their programs were input. The projected video’s scrolling pattern merges punched tape code interchangeably with loom weaving patterns. Both weaving and coding are based on binary systems: warp/weft, zero/one. In the early 20th century the division of computing labor also fell along a gender binary with men assuming the heroic role of building hardware while the task of software programming, perceived as less important, was given to women.
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🧵⚡ 𝘼 𝙎𝙩𝙞𝙩𝙘𝙝 & 𝙂𝙡𝙞𝙩𝙘𝙝 𝙞𝙣 𝙏𝙞𝙢𝙚 ⚡🧵
January 20 – March 12, 2026

𝘼 𝙎𝙩𝙞𝙩𝙘𝙝 & 𝙂𝙡𝙞𝙩𝙘𝙝 𝙞𝙣 𝙏𝙞𝙢𝙚 brings together thirteen Los Angeles–based artists whose textile practices explore technology, fashion, and collective histories. Rooted in LA’s long legacy of textile production—industrial and artistic alike—the works reflect how cloth can carry deeply personal stories while revealing broader economic, social, and historical forces.

📍 𝗖𝗦𝗨𝗡 𝗔𝗿𝘁 𝗚𝗮𝗹𝗹𝗲𝗿𝗶𝗲𝘀 | 𝗠𝗮𝗶𝗻 𝗚𝗮𝗹𝗹𝗲𝗿𝘆 (𝗔𝗖 𝟮𝟬𝟬)
🎉 𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗥𝗲𝗰𝗲𝗽𝘁𝗶𝗼𝗻: Thursday, January 29 | 5:00–7:30 PM
🎟️ Always FREE

🧶 𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗔𝗿𝘁𝗶𝘀𝘁𝘀:
Fafnir Adamites, Ekta Aggarwal, Diane Briones Williams, Lavialle Campbell, Mimi Haddon, Lorenzo Hurtado Segovia, Ahree Lee, Aubrey Longley-Cook, Kayla Mattes, Minga Opazo, Aneesa Shami Zizzo, Irene Georgia Tsatsos, Jenny Yurshansky

Curated by 𝗛𝗼𝗹𝗹𝘆 𝗝𝗲𝗿𝗴𝗲𝗿, CSUN Art Galleries Director.
Part of 𝗛𝗮𝗻𝗱𝘄𝗼𝗿𝗸 𝟮𝟬𝟮𝟲, Craft in America’s nationwide semiquincentennial collaboration celebrating the power and diversity of the handmade. 

#AStitchAndGlitchInTime #CSUNArtGalleries#TextileArt #FiberArt #GlitchArt#Handwork2026 #LosAngelesArt#CraftAndTechnology #ContemporaryTextiles

I’m excited to finally reveal the artwork I donated to INCOGNITO in these photos I just received back from @theicala . I’m happy that this piece, the first in the next iteration of my Motherboard series which includes copper conductive thread in the Anni Albers-derived weaving structure, is now in a new home. There are still several feet of warp remaining on the loom — more explorations to follow in the coming months...

I’m excited to finally reveal the artwork I donated to INCOGNITO in these photos I just received back from @theicala . I’m happy that this piece, the first in the next iteration of my Motherboard series which includes copper conductive thread in the Anni Albers-derived weaving structure, is now in a new home. There are still several feet of warp remaining on the loom — more explorations to follow in the coming months...

I’m excited to finally reveal the artwork I donated to INCOGNITO in these photos I just received back from @theicala . I’m happy that this piece, the first in the next iteration of my Motherboard series which includes copper conductive thread in the Anni Albers-derived weaving structure, is now in a new home. There are still several feet of warp remaining on the loom — more explorations to follow in the coming months...

I’m excited to finally reveal the artwork I donated to INCOGNITO in these photos I just received back from @theicala . I’m happy that this piece, the first in the next iteration of my Motherboard series which includes copper conductive thread in the Anni Albers-derived weaving structure, is now in a new home. There are still several feet of warp remaining on the loom — more explorations to follow in the coming months...

I’m thrilled to share that I am a participating artist in @theicala’s INCOGNITO, taking place at @hauserwirthlosangeles on Saturday, November 15! More than 350 artists—both emerging and established—are contributing 12 x 12-inch works, each sold for $750, with all proceeds supporting ICA LA’s free exhibitions and programs. All artworks are anonymous until purchased, so I can't tell you which one is mine, but if you trust your instincts you'll certainly take home something you love!

To purchase your tickets, visit https://www.theicala.org/en/incognito. INCOGNITO 2025 logo by Patrick Martinez (@patrick_martinez_studio).

I’m thrilled to share that I am a participating artist in @theicala’s INCOGNITO, taking place at @hauserwirthlosangeles on Saturday, November 15! More than 350 artists—both emerging and established—are contributing 12 x 12-inch works, each sold for $750, with all proceeds supporting ICA LA’s free exhibitions and programs. All artworks are anonymous until purchased, so I can't tell you which one is mine, but if you trust your instincts you'll certainly take home something you love!

To purchase your tickets, visit https://www.theicala.org/en/incognito. INCOGNITO 2025 logo by Patrick Martinez (@patrick_martinez_studio).

I’m thrilled to share that I am a participating artist in @theicala’s INCOGNITO, taking place at @hauserwirthlosangeles on Saturday, November 15! More than 350 artists—both emerging and established—are contributing 12 x 12-inch works, each sold for $750, with all proceeds supporting ICA LA’s free exhibitions and programs. All artworks are anonymous until purchased, so I can't tell you which one is mine, but if you trust your instincts you'll certainly take home something you love!

To purchase your tickets, visit https://www.theicala.org/en/incognito. INCOGNITO 2025 logo by Patrick Martinez (@patrick_martinez_studio).

I’m thrilled to share that I am a participating artist in @theicala’s INCOGNITO, taking place at @hauserwirthlosangeles on Saturday, November 15! More than 350 artists—both emerging and established—are contributing 12 x 12-inch works, each sold for $750, with all proceeds supporting ICA LA’s free exhibitions and programs. All artworks are anonymous until purchased, so I can't tell you which one is mine, but if you trust your instincts you'll certainly take home something you love!

To purchase your tickets, visit https://www.theicala.org/en/incognito. INCOGNITO 2025 logo by Patrick Martinez (@patrick_martinez_studio).