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Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

Gamrot: Beyond the Odds. Blood, Sweat & Victory @kodak_shootfilm

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

I’m excited to present my new work for @omodajaecoopolska.

This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.

The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.

Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.

This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.

CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal

DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski

Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk

motherlode #CBWMIXTAPE2

motherlode #CBWMIXTAPE2

motherlode #CBWMIXTAPE2

motherlode #CBWMIXTAPE2

motherlode #CBWMIXTAPE2

motherlode #CBWMIXTAPE2

motherlode #CBWMIXTAPE2

motherlode #CBWMIXTAPE2

motherlode #CBWMIXTAPE2

motherlode #CBWMIXTAPE2

I want to show you a small breakdown of our latest commercial for Felix Crispers. Here you can see how storyboards and iPhone test shots slowly turn into the final frames - and how closely we managed to recreate the original vision in the finished film.
I always try to prepare as thoroughly as possible before shooting: testing the edit, rhythm, lenses, and camera angles in advance, so that once we are on set, every scene already has a very clear purpose and structure. For me, pre-production is the most important part of a director’s work. Intro/outro made with @higgsfield.ai @higgsfield.creators
Edit: @sashaponyal
Production: @highnoon.pl

This is how we built a cyberpunk version of Warsaw from scratch for OMODA 7!
A real car placed inside a fully designed digital world - shaped by light, movement, and a clear visual language of a near-future city.
Big respect to @platigeimage for bringing this vision to life. Using Unreal Engine, the team not only constructed the city itself, but focused on atmosphere and cohesion so every element feels grounded on screen.

🚨Disclaimer: the AI slop in the intro was used strictly for humorous purposes. The actual visuals in the commercial were crafted through extensive work by the Platige team. Intro/outro made with @higgsfield.creators @higgsfield.ai

Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.

Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world

Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio

Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.

Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world

Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio

Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.

Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world

Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio

Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.

Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world

Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio

Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.

Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world

Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio

Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.

Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world

Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio

Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.

Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world

Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio

Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.

Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world

Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio

Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.

Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod. Full wideo made with @higgsfield.creators @higgsfield.ai

Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect

Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.

Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod. Full wideo made with @higgsfield.creators @higgsfield.ai

Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect

Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.

Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod. Full wideo made with @higgsfield.creators @higgsfield.ai

Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect

Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.

Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod. Full wideo made with @higgsfield.creators @higgsfield.ai

Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect

Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.

Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod. Full wideo made with @higgsfield.creators @higgsfield.ai

Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect

Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.

Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod. Full wideo made with @higgsfield.creators @higgsfield.ai

Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect

Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.

Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod. Full wideo made with @higgsfield.creators @higgsfield.ai

Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect

Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.

Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod. Full wideo made with @higgsfield.creators @higgsfield.ai

Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.

Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films

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Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

Rossmann, Tymek, OG Kamka

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