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Out today: Dreamhouse by Chloe Landau is now available on all platforms.

We are proud to welcome Chloe Landau with her first full-length release — an artist to watch, with a singular voice, sharp poetry, and a new language of femininity and empowerment.

Dreamhouse unfolds as a fragile, grotesque pop universe — moving between intimacy, war, and glamorous collapse. The album reflects the experience of a generation growing up in wartime Ukraine: deeply perceptive, forced to mature fast, yet still playful, alive, and radically creative.

Known for her uncompromising, hyper-sexy, feminine performances on stage, Chloe now opens a deeper space through her music. This record reveals the depth behind the persona — intimate, poetic, and fearless. Through her lyrics, written entirely in Ukrainian, we encounter both vulnerability and control, collapse and tenderness.

Listen closely. Dreamhouse is here.

Mixing and mastering @demianferiy
Photography @joshua.olley
Make up @ranevskaya_makeup
Hair @eidiswuclr
Special thanks to @lileonovaa

State of Latitude, the new album by Khrystyna Kirik, is out today on Standard Deviation.

A research-based sound document, the album is dedicated to four Ukrainian landscapes transformed by war — Sviati Hory, Syvash, Velykyi Chapelskyi Pid, and Kamianska Sich — translating environmental damage and disrupted natural rhythms into music. The project was originally developed as an audiovisual installation during the Echoes of the Earth residency at Kyiv’s ∄, in collaboration with @_u2203_ and ecologist Anna Kuzemko, supported by @goetheukraine.

The release comes ahead of Khrystyna’s performance on 31 January at Radialsystem as part of Disturbed Ground, a collaboration between Kyiv’s ∄ @theredoesnotexist.club and CTM Festival, supported by @goetheinstitut, where she presents The Core, a live audiovisual work with Mark Bain.

Artwork by Myk Rudik @_u2203_, under the artistic direction of @alen.hast
Mastering by @demianferiy

EP Transitioning Practice is now available on all platforms.

Standard Deviation presents Transitioning Practice — a split vinyl EP by Nastya Vogan and Phase Fatale.

Four tracks tracing memory, displacement, and return. Melancholic yet charged techno — made both for the dance floor and for moments of deep inner stillness.

The visual concept by @crosslucid expands the record’s scope beyond sound, turning personal references into potent symbols. Inspired by Paul Klee’s Angelus Novus, the artwork holds the weight of history while gesturing toward forgotten innocence and imagined beginnings.

The EP is now available on all platforms.
Oeder vinyl via Bandcamp
Link in bio.
______

Мініальбом Transitioning Practice вже доступний на всіх платформах.

Standard Deviation презентує Transitioning Practice — спліт-вініл від Nastya Vogan і Phase Fatale.

Чотири треки про пам’ять, переміщення та повернення. Меланхолійне, проте напружене техно — водночас для танцполу й для моментів глибокої внутрішньої тиші.

Візуальне оформлення від @crosslucid розширює межі звучання — перетворює особисті референси на символи. Натхненне Angelus Novus Пауля Клеє, воно поєднує трагізм свідчення історії з уявною можливістю нового початку.

Слухайте Transitioning Practice на всіх платформах.
Купуйте платівку EP Transitioning Practice на Bandcamp.
Посилання в біо.

Новий сет із серії «Before The Curfew», зіграний David Elimelech на Glass Tower 31.01.2026, вже доступний у нас на SoundCloud.

Для свого дебюту берлінський диджей David Elimelech (він/його), співзасновник серії квір-подій Laundrette, провів нас крізь власні знахідки old school гаусу, зосереджуючись на безперервній ритміці протягом усього сету.

Before the Curfew — серія записів з подій ∄, яка почалася після 2023 року, під час повномасштабної війни в Україні.
Це відображення сучасної української музичної сцени в умовах викликів, що постають перед нею.

Слухайте за посилання в біо. 
______

A new set from the Before The Curfew series, performed by David Elimelech at Glass Tower on 31.01.2026, is now available on our SoundCloud.

For his debut, Berlin-based DJ David Elimelech (he/him), co-founder of the queer party series Laundrette, guided us through his own old school house discoveries, focusing on continuous rhythm throughout the entire set.

Before the Curfew is a series of recordings from ∄ events that began after 2023, during the full-scale war in Ukraine.
It reflects the contemporary Ukrainian music scene in the face of the challenges confronting it.

Listen via the link in bio.

Новий сет із серії «Before The Curfew», зіграний David Elimelech на Glass Tower 31.01.2026, вже доступний у нас на SoundCloud.

Для свого дебюту берлінський диджей David Elimelech (він/його), співзасновник серії квір-подій Laundrette, провів нас крізь власні знахідки old school гаусу, зосереджуючись на безперервній ритміці протягом усього сету.

Before the Curfew — серія записів з подій ∄, яка почалася після 2023 року, під час повномасштабної війни в Україні.
Це відображення сучасної української музичної сцени в умовах викликів, що постають перед нею.

Слухайте за посилання в біо. 
______

A new set from the Before The Curfew series, performed by David Elimelech at Glass Tower on 31.01.2026, is now available on our SoundCloud.

For his debut, Berlin-based DJ David Elimelech (he/him), co-founder of the queer party series Laundrette, guided us through his own old school house discoveries, focusing on continuous rhythm throughout the entire set.

Before the Curfew is a series of recordings from ∄ events that began after 2023, during the full-scale war in Ukraine.
It reflects the contemporary Ukrainian music scene in the face of the challenges confronting it.

Listen via the link in bio.

Новий сет із серії «Before The Curfew», зіграний David Elimelech на Glass Tower 31.01.2026, вже доступний у нас на SoundCloud.

Для свого дебюту берлінський диджей David Elimelech (він/його), співзасновник серії квір-подій Laundrette, провів нас крізь власні знахідки old school гаусу, зосереджуючись на безперервній ритміці протягом усього сету.

Before the Curfew — серія записів з подій ∄, яка почалася після 2023 року, під час повномасштабної війни в Україні.
Це відображення сучасної української музичної сцени в умовах викликів, що постають перед нею.

Слухайте за посилання в біо. 
______

A new set from the Before The Curfew series, performed by David Elimelech at Glass Tower on 31.01.2026, is now available on our SoundCloud.

For his debut, Berlin-based DJ David Elimelech (he/him), co-founder of the queer party series Laundrette, guided us through his own old school house discoveries, focusing on continuous rhythm throughout the entire set.

Before the Curfew is a series of recordings from ∄ events that began after 2023, during the full-scale war in Ukraine.
It reflects the contemporary Ukrainian music scene in the face of the challenges confronting it.

Listen via the link in bio.

Новий сет із серії «Before The Curfew», зіграний David Elimelech на Glass Tower 31.01.2026, вже доступний у нас на SoundCloud.

Для свого дебюту берлінський диджей David Elimelech (він/його), співзасновник серії квір-подій Laundrette, провів нас крізь власні знахідки old school гаусу, зосереджуючись на безперервній ритміці протягом усього сету.

Before the Curfew — серія записів з подій ∄, яка почалася після 2023 року, під час повномасштабної війни в Україні.
Це відображення сучасної української музичної сцени в умовах викликів, що постають перед нею.

Слухайте за посилання в біо. 
______

A new set from the Before The Curfew series, performed by David Elimelech at Glass Tower on 31.01.2026, is now available on our SoundCloud.

For his debut, Berlin-based DJ David Elimelech (he/him), co-founder of the queer party series Laundrette, guided us through his own old school house discoveries, focusing on continuous rhythm throughout the entire set.

Before the Curfew is a series of recordings from ∄ events that began after 2023, during the full-scale war in Ukraine.
It reflects the contemporary Ukrainian music scene in the face of the challenges confronting it.

Listen via the link in bio.

Новий сет із серії «Before The Curfew», зіграний David Elimelech на Glass Tower 31.01.2026, вже доступний у нас на SoundCloud.

Для свого дебюту берлінський диджей David Elimelech (він/його), співзасновник серії квір-подій Laundrette, провів нас крізь власні знахідки old school гаусу, зосереджуючись на безперервній ритміці протягом усього сету.

Before the Curfew — серія записів з подій ∄, яка почалася після 2023 року, під час повномасштабної війни в Україні.
Це відображення сучасної української музичної сцени в умовах викликів, що постають перед нею.

Слухайте за посилання в біо. 
______

A new set from the Before The Curfew series, performed by David Elimelech at Glass Tower on 31.01.2026, is now available on our SoundCloud.

For his debut, Berlin-based DJ David Elimelech (he/him), co-founder of the queer party series Laundrette, guided us through his own old school house discoveries, focusing on continuous rhythm throughout the entire set.

Before the Curfew is a series of recordings from ∄ events that began after 2023, during the full-scale war in Ukraine.
It reflects the contemporary Ukrainian music scene in the face of the challenges confronting it.

Listen via the link in bio.

Новий сет із серії «Before The Curfew», зіграний David Elimelech на Glass Tower 31.01.2026, вже доступний у нас на SoundCloud.

Для свого дебюту берлінський диджей David Elimelech (він/його), співзасновник серії квір-подій Laundrette, провів нас крізь власні знахідки old school гаусу, зосереджуючись на безперервній ритміці протягом усього сету.

Before the Curfew — серія записів з подій ∄, яка почалася після 2023 року, під час повномасштабної війни в Україні.
Це відображення сучасної української музичної сцени в умовах викликів, що постають перед нею.

Слухайте за посилання в біо. 
______

A new set from the Before The Curfew series, performed by David Elimelech at Glass Tower on 31.01.2026, is now available on our SoundCloud.

For his debut, Berlin-based DJ David Elimelech (he/him), co-founder of the queer party series Laundrette, guided us through his own old school house discoveries, focusing on continuous rhythm throughout the entire set.

Before the Curfew is a series of recordings from ∄ events that began after 2023, during the full-scale war in Ukraine.
It reflects the contemporary Ukrainian music scene in the face of the challenges confronting it.

Listen via the link in bio.

Chloe Landau — Фосфорні Бомби

Слухайте новий альбом Dreamhouse від @chloelandau1972 на всіх платформах 🔪

We’ve been hacked (again)
Instagram takeover by @chloelandau1972 starts now💒📱

photo: @hristinazhopa2

Ти моя трагедія скнилівська,
ти живеш в мене десь під ребрами.
Роздроблю їх — і вмить тебе випущу,
як маленьку і хвору пташечку.

Слухайте новий альбом Dreamhouse від Chloe Landau на всіх платформах.

@khrystyna_kirik’s work moves between improvisation, electronics, voice, double bass, piano, and field recordings, shaped by a “beginner’s mind” — an attentive way of listening that allows the overlooked and the everyday to resonate. Trained in jazz and free improvisation, she approaches sound as something physical and relational, experienced through the body and shared collectively.

Kirik’s new album State of Latitude, released on Standard Deviation on 30.01, grows out of this practice — a work rooted in listening and presence, exploring subtle shifts between landscape, memory, and perception. The artwork was created by Myk Rudik (@u2203), under the artistic direction of @alen.hast.

On 31.01, Khrystyna performed at CTM Festival together with Mark Bain, presenting The Core as part of the broader project Disturbed Ground — a collaboration unfolding across performance, ecological and artistic research, and long-term exchange. The project is co-curated by ∄ (@theredoesnotexist.club), CTM Festival, @mariana_berezovskiiiii, alen hast, and Anastasiia Syradoieva from @u2203, and supported by @goetheinstitut. Light by @zerodayyy.

@khrystyna_kirik’s work moves between improvisation, electronics, voice, double bass, piano, and field recordings, shaped by a “beginner’s mind” — an attentive way of listening that allows the overlooked and the everyday to resonate. Trained in jazz and free improvisation, she approaches sound as something physical and relational, experienced through the body and shared collectively.

Kirik’s new album State of Latitude, released on Standard Deviation on 30.01, grows out of this practice — a work rooted in listening and presence, exploring subtle shifts between landscape, memory, and perception. The artwork was created by Myk Rudik (@u2203), under the artistic direction of @alen.hast.

On 31.01, Khrystyna performed at CTM Festival together with Mark Bain, presenting The Core as part of the broader project Disturbed Ground — a collaboration unfolding across performance, ecological and artistic research, and long-term exchange. The project is co-curated by ∄ (@theredoesnotexist.club), CTM Festival, @mariana_berezovskiiiii, alen hast, and Anastasiia Syradoieva from @u2203, and supported by @goetheinstitut. Light by @zerodayyy.

🧚‍♀️ 6 лютого за підтримки лейбла Standard Deviation світ побачить дебютний альбом Chloe Landau — “Dreamhouse”. Це свого роду альманах творчості молодої та перспективної артистки за останній рік.

✨ Сьогодні маємо нагоду і честь презентувати другий сингл з цього альбому — трек “Снігова Фея”. Ексклюзивно для Neformat виконавиця розповіла більше про свій процес творення, війну і сумну історію, що надихнула Chloe на цю роботу.

“У мене є друзі, за якими я дуже сумую, але їх уже немає поруч і ніколи більше не буде, й іноді мені досить важко прийняти цей факт та змиритися з ним. […] Для мене ця пісня про те, як іноді ти горюєш за кимось, і дні стають важчими та висять таким сірим тягарем, але все одно потрібно жити далі”, — Chloe.

Mixing and mastering @demianfeiry
Photography @joshua.olley
Photo Assistant @pavlogorbachenko
Make up @ranevskaya_makeup
Hair @eidiswuclr
Special thanks to @lileonovaa

🧚‍♀️ 6 лютого за підтримки лейбла Standard Deviation світ побачить дебютний альбом Chloe Landau — “Dreamhouse”. Це свого роду альманах творчості молодої та перспективної артистки за останній рік.

✨ Сьогодні маємо нагоду і честь презентувати другий сингл з цього альбому — трек “Снігова Фея”. Ексклюзивно для Neformat виконавиця розповіла більше про свій процес творення, війну і сумну історію, що надихнула Chloe на цю роботу.

“У мене є друзі, за якими я дуже сумую, але їх уже немає поруч і ніколи більше не буде, й іноді мені досить важко прийняти цей факт та змиритися з ним. […] Для мене ця пісня про те, як іноді ти горюєш за кимось, і дні стають важчими та висять таким сірим тягарем, але все одно потрібно жити далі”, — Chloe.

Mixing and mastering @demianfeiry
Photography @joshua.olley
Photo Assistant @pavlogorbachenko
Make up @ranevskaya_makeup
Hair @eidiswuclr
Special thanks to @lileonovaa

🧚‍♀️ 6 лютого за підтримки лейбла Standard Deviation світ побачить дебютний альбом Chloe Landau — “Dreamhouse”. Це свого роду альманах творчості молодої та перспективної артистки за останній рік.

✨ Сьогодні маємо нагоду і честь презентувати другий сингл з цього альбому — трек “Снігова Фея”. Ексклюзивно для Neformat виконавиця розповіла більше про свій процес творення, війну і сумну історію, що надихнула Chloe на цю роботу.

“У мене є друзі, за якими я дуже сумую, але їх уже немає поруч і ніколи більше не буде, й іноді мені досить важко прийняти цей факт та змиритися з ним. […] Для мене ця пісня про те, як іноді ти горюєш за кимось, і дні стають важчими та висять таким сірим тягарем, але все одно потрібно жити далі”, — Chloe.

Mixing and mastering @demianfeiry
Photography @joshua.olley
Photo Assistant @pavlogorbachenko
Make up @ranevskaya_makeup
Hair @eidiswuclr
Special thanks to @lileonovaa

🧚‍♀️ 6 лютого за підтримки лейбла Standard Deviation світ побачить дебютний альбом Chloe Landau — “Dreamhouse”. Це свого роду альманах творчості молодої та перспективної артистки за останній рік.

✨ Сьогодні маємо нагоду і честь презентувати другий сингл з цього альбому — трек “Снігова Фея”. Ексклюзивно для Neformat виконавиця розповіла більше про свій процес творення, війну і сумну історію, що надихнула Chloe на цю роботу.

“У мене є друзі, за якими я дуже сумую, але їх уже немає поруч і ніколи більше не буде, й іноді мені досить важко прийняти цей факт та змиритися з ним. […] Для мене ця пісня про те, як іноді ти горюєш за кимось, і дні стають важчими та висять таким сірим тягарем, але все одно потрібно жити далі”, — Chloe.

Mixing and mastering @demianfeiry
Photography @joshua.olley
Photo Assistant @pavlogorbachenko
Make up @ranevskaya_makeup
Hair @eidiswuclr
Special thanks to @lileonovaa

🧚‍♀️ 6 лютого за підтримки лейбла Standard Deviation світ побачить дебютний альбом Chloe Landau — “Dreamhouse”. Це свого роду альманах творчості молодої та перспективної артистки за останній рік.

✨ Сьогодні маємо нагоду і честь презентувати другий сингл з цього альбому — трек “Снігова Фея”. Ексклюзивно для Neformat виконавиця розповіла більше про свій процес творення, війну і сумну історію, що надихнула Chloe на цю роботу.

“У мене є друзі, за якими я дуже сумую, але їх уже немає поруч і ніколи більше не буде, й іноді мені досить важко прийняти цей факт та змиритися з ним. […] Для мене ця пісня про те, як іноді ти горюєш за кимось, і дні стають важчими та висять таким сірим тягарем, але все одно потрібно жити далі”, — Chloe.

Mixing and mastering @demianfeiry
Photography @joshua.olley
Photo Assistant @pavlogorbachenko
Make up @ranevskaya_makeup
Hair @eidiswuclr
Special thanks to @lileonovaa

🧚‍♀️ 6 лютого за підтримки лейбла Standard Deviation світ побачить дебютний альбом Chloe Landau — “Dreamhouse”. Це свого роду альманах творчості молодої та перспективної артистки за останній рік.

✨ Сьогодні маємо нагоду і честь презентувати другий сингл з цього альбому — трек “Снігова Фея”. Ексклюзивно для Neformat виконавиця розповіла більше про свій процес творення, війну і сумну історію, що надихнула Chloe на цю роботу.

“У мене є друзі, за якими я дуже сумую, але їх уже немає поруч і ніколи більше не буде, й іноді мені досить важко прийняти цей факт та змиритися з ним. […] Для мене ця пісня про те, як іноді ти горюєш за кимось, і дні стають важчими та висять таким сірим тягарем, але все одно потрібно жити далі”, — Chloe.

Mixing and mastering @demianfeiry
Photography @joshua.olley
Photo Assistant @pavlogorbachenko
Make up @ranevskaya_makeup
Hair @eidiswuclr
Special thanks to @lileonovaa

🧚‍♀️ 6 лютого за підтримки лейбла Standard Deviation світ побачить дебютний альбом Chloe Landau — “Dreamhouse”. Це свого роду альманах творчості молодої та перспективної артистки за останній рік.

✨ Сьогодні маємо нагоду і честь презентувати другий сингл з цього альбому — трек “Снігова Фея”. Ексклюзивно для Neformat виконавиця розповіла більше про свій процес творення, війну і сумну історію, що надихнула Chloe на цю роботу.

“У мене є друзі, за якими я дуже сумую, але їх уже немає поруч і ніколи більше не буде, й іноді мені досить важко прийняти цей факт та змиритися з ним. […] Для мене ця пісня про те, як іноді ти горюєш за кимось, і дні стають важчими та висять таким сірим тягарем, але все одно потрібно жити далі”, — Chloe.

Mixing and mastering @demianfeiry
Photography @joshua.olley
Photo Assistant @pavlogorbachenko
Make up @ranevskaya_makeup
Hair @eidiswuclr
Special thanks to @lileonovaa

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

As CTM 2026 begins, we’re grateful to share the presence of Ukrainian artists who work closely with the @_standard_deviation and @theredoesnotexist.club across the festival.

From a moderated talk Ecology as Transmission: Listening with the Land (24.01) by , @mariana_berezovskiiiii, to an electro-acoustic improvisation workshop by @khrystyna_kirik (28.01), to newly commissioned audiovisual performances within Disturbed Ground (31.01), Ukrainian artists are present across formats — discourse, practice, and performance
.
Disturbed Ground, a collaboration by Kyiv’s ∄ and CTM Festival, brings together Ukrainian and international artists to respond to the ecological consequences of war in Ukraine. Newly commissioned works were created by pairing undo despot, @zeyblade_, @khrystyna_kirik, Mark Bain, @alen.hast + @mykyta_rudik , and lighting concept by @zerodayyy . The project builds on earlier research developed at ∄ under Echoes of the Earth.
Created within that context @artvartan’s »Horizons of Disappearance« navigates the tension of the forest as a space of ecological richness and respite, and potential catastrophe due to large-scale anthropogenic factors such as climate change and war.

CTM 2026 also opens with the exhibition Echoes of Tumult at Kunstraum Kreuzberg and daadgalerie, featuring works by nikita.kadan and @jannkad, among others.

Follow our updates from the festival, go see the artists, join the conversations — and stay tuned for more.

Корея (Koreia) by Chloe Landau is out now on all platforms.
The first single from Dreamhouse—her debut album and first release on Standard Deviation.

Chloe is the songwriter behind all of her music. Her lyrics are poetic, romantic, and apocalyptic—written entirely in Ukrainian—marking a new generation of Ukrainian songwriters and performers. Moving between fragility and control, Koreia speaks of war, codependency, and emotional collapse, carried by Chloe’s unmistakable presence.

Also available: a special music card dedicated to this release.
Listen and explore—links in bio.


Mixing and mastering @demianfeiry
Photography @joshua.olley
Make up @ranevskaya_makeup
Hair @eidiswuclr
Special thanks to @lileonovaa

We’re announcing Dreamhouse, the debut album by Chloe Landau — the newest addition to Standard Deviation and a rising voice of the Ukrainian underground.

The first single, Корея/Koreia, is out tomorrow on all platforms. Get ready.

Chloe is a Kyiv-based singer and songwriter whose music blends grotesque, confessional lyrics with glossy early-2000s pop energy — fragile, confrontational, and powerful at once. Singing about war, codependency, and collapse, she fully owns her presence.

The full album follows in the coming weeks.
Chloe Landau is a name to watch closely.

Photography @joshua.olley
Make up @ranevskaya_makeup
Hair @eidiswuclr
Special thanks to @lileonovaa