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[RÉSIDENCE - THE PERFECT MOMENT]

Découvert dans FUCK ME BLIND à @trentetrente.lesrencontres en janvier, le duo Matteo Sedda - Marco Labellarte s'installe à l'Atelier des Marches pour une semaine de résidence dédiée à la prochaine création de @_matteosedda_ : THE PERFECT MOMENT.

Peu avant de mourir de complications liées au sida, une rétrospective intitulée "The Perfect Moment" fut consacrée au photographe Robert Mapplethorpe. Un titre qui évoque l’instant exact où l’image capte le regard et le retient dans une tension entre impulsion érotique et puissance esthétique. De ce piège hypnotique naît le point de départ du nouveau duo chorégraphique.

📍 Atelier des Marches, Le Bouscat
Résidence du 11 au 15 mai
Présentation d'un étape de travail vendredi 15 mai à 16h
Sur réservation : contact@marchesdelete.com

Fuck me blind di @_matteosedda_ é un viaggio che parte dalla fiducia, attraversa l’eros e arriva alla morte. Un vortice che ha coinvolto tutto il pubblico di @orlandobergamocon cuore e occhi.

Foto di Festival ORLANDO 2026 ⓒ Ludovica Belotti e Carlo Valtellina

#FestivalORLANDO #FestivalDanzaEstate #FDE38 #DanzaContemporanea#BergamoCultura

Fuck me blind di @_matteosedda_ é un viaggio che parte dalla fiducia, attraversa l’eros e arriva alla morte. Un vortice che ha coinvolto tutto il pubblico di @orlandobergamocon cuore e occhi.

Foto di Festival ORLANDO 2026 ⓒ Ludovica Belotti e Carlo Valtellina

#FestivalORLANDO #FestivalDanzaEstate #FDE38 #DanzaContemporanea#BergamoCultura

Fuck me blind di @_matteosedda_ é un viaggio che parte dalla fiducia, attraversa l’eros e arriva alla morte. Un vortice che ha coinvolto tutto il pubblico di @orlandobergamocon cuore e occhi.

Foto di Festival ORLANDO 2026 ⓒ Ludovica Belotti e Carlo Valtellina

#FestivalORLANDO #FestivalDanzaEstate #FDE38 #DanzaContemporanea#BergamoCultura

Fuck me blind di @_matteosedda_ é un viaggio che parte dalla fiducia, attraversa l’eros e arriva alla morte. Un vortice che ha coinvolto tutto il pubblico di @orlandobergamocon cuore e occhi.

Foto di Festival ORLANDO 2026 ⓒ Ludovica Belotti e Carlo Valtellina

#FestivalORLANDO #FestivalDanzaEstate #FDE38 #DanzaContemporanea#BergamoCultura

Fuck me blind di @_matteosedda_ é un viaggio che parte dalla fiducia, attraversa l’eros e arriva alla morte. Un vortice che ha coinvolto tutto il pubblico di @orlandobergamocon cuore e occhi.

Foto di Festival ORLANDO 2026 ⓒ Ludovica Belotti e Carlo Valtellina

#FestivalORLANDO #FestivalDanzaEstate #FDE38 #DanzaContemporanea#BergamoCultura

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

All these photos were taken during the creation process of FUCK ME BLIND within the DNA Appunti Coreografici framework. A wave of images, like a wave of emotions that carried us through 2025 and 2026! ❤️

It’s been a year full of research, new encounters, and the deepening of old friendships, making this journey absolutely on fire 🔥

👾 Me, @oneclaphand , @margherita_scalise , and @men_in_pain want to thank DNA and all its partners for the incredible support through residencies and presentations at their festivals, giving FUCK ME BLIND the chance to find its form.

The first and the second photo are not part of DNA. The first was taken at the end of a powerful residency in @boraboraresidencycentre with Igor and @moreno_solinas , who worked with us as artistic mentors. Without you, FUCK ME BLIND would not have the same taste 👅 The second one is one of Derek Jarman’s last painting FUCK ME BLIND.

And of course big thank you to @fuorimarginesardegna for the production support, @olivierdubois.officiel , @anoukaspisi and @bolzanodanza_tanzbozen for their trust, @grandstudiobruxelles for the incredible mentoring and support, and thank you to everyone who crossed this path with us in any way 🫶🏻

@romaeuropa @centroproduzionedanza_cango_fi @gender_bender_festival @larboretoteatrodimora @triennalemilano @operaestate @theatredevanves @cwb_paris @sala.sassari @studiothor @le_bamp @libitumresidencies @festival_pedra_dura_ @balsamine1030 @david_dibilio

Due settimane fa siamo stati ospiti al FOG Performing Arts Festival in @triennalemilano ✨

Grazie di cuore a tutta l’equipe per la cura e la meravigliosa accoglienza, e a tutte le persone e amiche venute a vederci ❤️
Un grazie speciale a @lorenzadaveriophoto per aver catturato tutto questo con il suo sguardo!

Prossima data FUCK ME BLIND
6 maggio @orlandobergamo …e non vediamo già l’ora 🔥

@oneclaphand @men_in_pain @margherita_scalise @grandstudiobruxelles

Due settimane fa siamo stati ospiti al FOG Performing Arts Festival in @triennalemilano ✨

Grazie di cuore a tutta l’equipe per la cura e la meravigliosa accoglienza, e a tutte le persone e amiche venute a vederci ❤️
Un grazie speciale a @lorenzadaveriophoto per aver catturato tutto questo con il suo sguardo!

Prossima data FUCK ME BLIND
6 maggio @orlandobergamo …e non vediamo già l’ora 🔥

@oneclaphand @men_in_pain @margherita_scalise @grandstudiobruxelles

Due settimane fa siamo stati ospiti al FOG Performing Arts Festival in @triennalemilano ✨

Grazie di cuore a tutta l’equipe per la cura e la meravigliosa accoglienza, e a tutte le persone e amiche venute a vederci ❤️
Un grazie speciale a @lorenzadaveriophoto per aver catturato tutto questo con il suo sguardo!

Prossima data FUCK ME BLIND
6 maggio @orlandobergamo …e non vediamo già l’ora 🔥

@oneclaphand @men_in_pain @margherita_scalise @grandstudiobruxelles

@_matteosedda_, chorégraphe, danseur et activiste, a été choisi par Grand Studio pour la promotion 2026-2027 du @reseaugrandluxe !

Fort de ses collaborations, en tant qu’interprète, avec plusieurs artistes dont Jan Fabre, Enzo Cosimi, Igor x Moreno et Aïda Gabriëls, Matteo Sedda mène une recherche chorégraphique marquée par son expérience avec le VIH, qui rend hommage aux artistes disparus à cause du GRID (Gay-Related Immune Deficiency) / sida.
Explorant la tension entre éros et mort, il se réapproprie les codes des danses du passé pour faire dialoguer mémoire historique et réinterprétation artistique. Dans ce dialogue entre présent et passé, son corps infecté devient le point de départ d’une nouvelle écriture chorégraphique.

Peu avant son décès de complications liées au sida, une rétrospective intitulée « The Perfect Moment » fut consacrée au photographe Robert Mapplethorpe. Un titre qui évoque l’instant précis où l’image capture le regard du public et l’emprisonne dans un rapport de pouvoir entre impulsion érotique et puissance esthétique. C’est dans ce piège hypnotique que Matteo Sedda établit le point de départ de sa nouvelle création intitulée
« The Perfect Moment ».

📸
1. Matteo Sedda par Marcel Lennartz
2. FUCK ME BLIND (2025) par Vibe Stalpaert
3. POZ! (2018) par Paolo-Ferreri

@_matteosedda_, chorégraphe, danseur et activiste, a été choisi par Grand Studio pour la promotion 2026-2027 du @reseaugrandluxe !

Fort de ses collaborations, en tant qu’interprète, avec plusieurs artistes dont Jan Fabre, Enzo Cosimi, Igor x Moreno et Aïda Gabriëls, Matteo Sedda mène une recherche chorégraphique marquée par son expérience avec le VIH, qui rend hommage aux artistes disparus à cause du GRID (Gay-Related Immune Deficiency) / sida.
Explorant la tension entre éros et mort, il se réapproprie les codes des danses du passé pour faire dialoguer mémoire historique et réinterprétation artistique. Dans ce dialogue entre présent et passé, son corps infecté devient le point de départ d’une nouvelle écriture chorégraphique.

Peu avant son décès de complications liées au sida, une rétrospective intitulée « The Perfect Moment » fut consacrée au photographe Robert Mapplethorpe. Un titre qui évoque l’instant précis où l’image capture le regard du public et l’emprisonne dans un rapport de pouvoir entre impulsion érotique et puissance esthétique. C’est dans ce piège hypnotique que Matteo Sedda établit le point de départ de sa nouvelle création intitulée
« The Perfect Moment ».

📸
1. Matteo Sedda par Marcel Lennartz
2. FUCK ME BLIND (2025) par Vibe Stalpaert
3. POZ! (2018) par Paolo-Ferreri

@_matteosedda_, chorégraphe, danseur et activiste, a été choisi par Grand Studio pour la promotion 2026-2027 du @reseaugrandluxe !

Fort de ses collaborations, en tant qu’interprète, avec plusieurs artistes dont Jan Fabre, Enzo Cosimi, Igor x Moreno et Aïda Gabriëls, Matteo Sedda mène une recherche chorégraphique marquée par son expérience avec le VIH, qui rend hommage aux artistes disparus à cause du GRID (Gay-Related Immune Deficiency) / sida.
Explorant la tension entre éros et mort, il se réapproprie les codes des danses du passé pour faire dialoguer mémoire historique et réinterprétation artistique. Dans ce dialogue entre présent et passé, son corps infecté devient le point de départ d’une nouvelle écriture chorégraphique.

Peu avant son décès de complications liées au sida, une rétrospective intitulée « The Perfect Moment » fut consacrée au photographe Robert Mapplethorpe. Un titre qui évoque l’instant précis où l’image capture le regard du public et l’emprisonne dans un rapport de pouvoir entre impulsion érotique et puissance esthétique. C’est dans ce piège hypnotique que Matteo Sedda établit le point de départ de sa nouvelle création intitulée
« The Perfect Moment ».

📸
1. Matteo Sedda par Marcel Lennartz
2. FUCK ME BLIND (2025) par Vibe Stalpaert
3. POZ! (2018) par Paolo-Ferreri

Rencontre avec Matteo Sedda pour son spectacle « fuck me blind » à voir du 10 au 14 mars à 21h

une coprésentation charleroi danse 💙et la balsamine

🌼Info et tickets : lien en bio 🌼

Idée et direction : Matteo Sedda
Chorégraphie et performance : Marco Labellarte, Matteo Sedda
Son : Gio Megrelishvili
Dramaturgie et lumières : Margherita Scalise
Création de costumes : Maarten Van Mulken
Mentors : Igor Urzelai Hernando, Moreno Solinas

Présentation : Charleroi danse, centre chorégraphique de Wallonie-Bruxelles (Be), la Balsamine (Bruxelles, Be)
Production : Fuorimargine - Centro di Produzione di danza e arti performative (It)
Production déléguée : la Balsamine (Bruxelles, Be)
Coproduction : la Balsamine (Bruxelles, Be), Théâtre de Vanves (Fr)
Soutien et résidences : S’ALA – spazio per artist* (Sassari, It), Ad Lib – Résidences Belgium’s LIBITUM (Bruxelles, Be), Destelheide (Dwoop, Be), Résidence au Studio Thor, avec le soutien de la Compagnie Thor / Thierry Smits (Bruxelles, Be), Festival Pedra Dura (Lagos, Pt), Bora Bora (Aarhus, Dk), BAMP (Bruxelles, Be)
Remerciements : Festival + DE GENRES (Marseille, Fr), Aids, archives, and arts assemblies in Belgium (Be), oester (Be), LILA Cagliari (It) et Benoit Van Aken Matteo Sedda est accompagné par Grand Studio (Bruxelles, Be)
Projet gagnant du DNAappunticoreografici promu et soutenu en collaboration entre Fondazione Romaeuropa (It), Gender Bender Festival (Bologna, It), Triennale Milano Teatro (It), Centro Nazionale di produzione della danza Virgilio Sieni (Firenze,It), Operaestate Festival/Centro per la scena contemporanea del Comune di Bassano del Grappa (It), L’arboreto - Teatro Dimora di Mondaino (It)

@matteosedda1990 @oneclaphand @men_in_pain @margherita_scalise @maartenvanmulken @iurzelai @moreno_solinas @fuorimarginesardegna @sala.sassari @adlibdiffusion @studiothor @festival_pedra_dura_ @boraboradans @klapkelemenis @oester.club @lilacagliari

FUCK ME BLIND
Matteo Sedda
10> 14 mars - 21h
une coprésentation @charleroidanse 💙 la Balsamine

FR - FUCK ME BLIND est un duo chorégraphique inspiré du film Blue de Derek Jarman.
Dans ce film, Jarman fait de sa mort imminente, due aux complications liées au sida dont il est affecté, l’ultime et active justification de son existence. Il réalise ainsi un film dont la seule image est un plan fixe de l’International Klein Blue. Une image fixe et pourtant active, physique.
Pour FUCK ME BLIND, Matteo Sedda utilise les mêmes outils non narratifs du film de Jarman, pour créer à son tour une expérience hypnotique qui entrelace les corps dans un paysage homoérotique. Dans cette force centrifuge, les danseurs s’enroulent et se façonnent l’un l’autre tandis que l’Éros et le Thanatos se pénètrent. Ils tournent et tournent encore jusqu’à invoquer une nouvelle danse homo-folk comme une ultime et active justification de leurs existences.

EN - FUCK ME BLIND is a choreographic duet inspired by Derek Jarman’s film Blue.In this film, Jarman turns his imminent death, due to complications related to AIDS, into the ultimate and active justification of his existence. He thus creates a film whose only image is a still shot of International Klein Blue. A still yet active and physical image.
For FUCK ME BLIND, Matteo Sedda uses the same non-narrative tools as in Jarman’s film to create a hypnotic experience that interweaves bodies in a homoerotic landscape. In this centrifugal force, the dancers embrace and shape each other while Eros and Thanatos interpenetrate. They turn and turn around again until they conjure up a new homo-folk dance as the ultimate and active justification for their existence.

@matteosedda1990 @oneclaphand @men_in_pain @margherita_scalise @maartenvanmulken @iurzelai @moreno_solinas @fuorimarginesardegna @sala.sassari @adlibdiffusion @studiothor @festival_pedra_dura_ @boraboradans @klapkelemenis @oester.club @lilacagliari

🌸Tickets : Link in bio🌸
booking a pass to see two shows in the evening:Le chemin se fait en marchant et FUCK ME BLIND
Design : @kidnap.your.designer📸 @nour_beetch

FUCK ME BLIND
Matteo Sedda
10> 14 mars - 21h
une coprésentation @charleroidanse 💙 la Balsamine

FR - FUCK ME BLIND est un duo chorégraphique inspiré du film Blue de Derek Jarman.
Dans ce film, Jarman fait de sa mort imminente, due aux complications liées au sida dont il est affecté, l’ultime et active justification de son existence. Il réalise ainsi un film dont la seule image est un plan fixe de l’International Klein Blue. Une image fixe et pourtant active, physique.
Pour FUCK ME BLIND, Matteo Sedda utilise les mêmes outils non narratifs du film de Jarman, pour créer à son tour une expérience hypnotique qui entrelace les corps dans un paysage homoérotique. Dans cette force centrifuge, les danseurs s’enroulent et se façonnent l’un l’autre tandis que l’Éros et le Thanatos se pénètrent. Ils tournent et tournent encore jusqu’à invoquer une nouvelle danse homo-folk comme une ultime et active justification de leurs existences.

EN - FUCK ME BLIND is a choreographic duet inspired by Derek Jarman’s film Blue.In this film, Jarman turns his imminent death, due to complications related to AIDS, into the ultimate and active justification of his existence. He thus creates a film whose only image is a still shot of International Klein Blue. A still yet active and physical image.
For FUCK ME BLIND, Matteo Sedda uses the same non-narrative tools as in Jarman’s film to create a hypnotic experience that interweaves bodies in a homoerotic landscape. In this centrifugal force, the dancers embrace and shape each other while Eros and Thanatos interpenetrate. They turn and turn around again until they conjure up a new homo-folk dance as the ultimate and active justification for their existence.

@matteosedda1990 @oneclaphand @men_in_pain @margherita_scalise @maartenvanmulken @iurzelai @moreno_solinas @fuorimarginesardegna @sala.sassari @adlibdiffusion @studiothor @festival_pedra_dura_ @boraboradans @klapkelemenis @oester.club @lilacagliari

🌸Tickets : Link in bio🌸
booking a pass to see two shows in the evening:Le chemin se fait en marchant et FUCK ME BLIND
Design : @kidnap.your.designer📸 @nour_beetch

( FUCK ME BLIND - Matteo Sedda )

SAM 24 JAN
Halle des Chartrons - 21h
Danse - 35 minutes
----------
Duo chorégraphique inspiré de Blue, le film-testament du réalisateur Derek Jarman. Ce dernier transforme sa mort imminente, due aux complications liées au sida, en une justification active de son existence. Pour FUCK ME BLIND, Matteo Sedda donne vie à une expérience hypnotique où, poussés par la force centrifuge, les danseurs évoquent un équilibre fatal dans lequel Éros et Thanatos s’entrelacent.

@matteosedda1990, chorégraphe, danseur et activiste il mène une recherche chorégraphique profondément marquée par son expérience avec le VIH. En explorant le désir et la vulnérabilité, il cherche à en créer de nouvelles représentations.

Tarif unique : 8€
Lien billetterie dans la bio ❤️
----------
Poursuivez l'expérience lors de l'atelier danse et vidéo encadré par @matteosedda1990, Marco Labellarte et Giulio Boato !
3h pour explorer les questions de la performance à l'image. Dimanche 25 janvier à la Halle des Chartrons.
Lien d'inscription toujours dans la bio ❤️❤️

( FUCK ME BLIND - Matteo Sedda )

SAM 24 JAN
Halle des Chartrons - 21h
Danse - 35 minutes
----------
Duo chorégraphique inspiré de Blue, le film-testament du réalisateur Derek Jarman. Ce dernier transforme sa mort imminente, due aux complications liées au sida, en une justification active de son existence. Pour FUCK ME BLIND, Matteo Sedda donne vie à une expérience hypnotique où, poussés par la force centrifuge, les danseurs évoquent un équilibre fatal dans lequel Éros et Thanatos s’entrelacent.

@matteosedda1990, chorégraphe, danseur et activiste il mène une recherche chorégraphique profondément marquée par son expérience avec le VIH. En explorant le désir et la vulnérabilité, il cherche à en créer de nouvelles représentations.

Tarif unique : 8€
Lien billetterie dans la bio ❤️
----------
Poursuivez l'expérience lors de l'atelier danse et vidéo encadré par @matteosedda1990, Marco Labellarte et Giulio Boato !
3h pour explorer les questions de la performance à l'image. Dimanche 25 janvier à la Halle des Chartrons.
Lien d'inscription toujours dans la bio ❤️❤️

( FUCK ME BLIND - Matteo Sedda )

SAM 24 JAN
Halle des Chartrons - 21h
Danse - 35 minutes
----------
Duo chorégraphique inspiré de Blue, le film-testament du réalisateur Derek Jarman. Ce dernier transforme sa mort imminente, due aux complications liées au sida, en une justification active de son existence. Pour FUCK ME BLIND, Matteo Sedda donne vie à une expérience hypnotique où, poussés par la force centrifuge, les danseurs évoquent un équilibre fatal dans lequel Éros et Thanatos s’entrelacent.

@matteosedda1990, chorégraphe, danseur et activiste il mène une recherche chorégraphique profondément marquée par son expérience avec le VIH. En explorant le désir et la vulnérabilité, il cherche à en créer de nouvelles représentations.

Tarif unique : 8€
Lien billetterie dans la bio ❤️
----------
Poursuivez l'expérience lors de l'atelier danse et vidéo encadré par @matteosedda1990, Marco Labellarte et Giulio Boato !
3h pour explorer les questions de la performance à l'image. Dimanche 25 janvier à la Halle des Chartrons.
Lien d'inscription toujours dans la bio ❤️❤️

( FUCK ME BLIND - Matteo Sedda )

SAM 24 JAN
Halle des Chartrons - 21h
Danse - 35 minutes
----------
Duo chorégraphique inspiré de Blue, le film-testament du réalisateur Derek Jarman. Ce dernier transforme sa mort imminente, due aux complications liées au sida, en une justification active de son existence. Pour FUCK ME BLIND, Matteo Sedda donne vie à une expérience hypnotique où, poussés par la force centrifuge, les danseurs évoquent un équilibre fatal dans lequel Éros et Thanatos s’entrelacent.

@matteosedda1990, chorégraphe, danseur et activiste il mène une recherche chorégraphique profondément marquée par son expérience avec le VIH. En explorant le désir et la vulnérabilité, il cherche à en créer de nouvelles représentations.

Tarif unique : 8€
Lien billetterie dans la bio ❤️
----------
Poursuivez l'expérience lors de l'atelier danse et vidéo encadré par @matteosedda1990, Marco Labellarte et Giulio Boato !
3h pour explorer les questions de la performance à l'image. Dimanche 25 janvier à la Halle des Chartrons.
Lien d'inscription toujours dans la bio ❤️❤️

Progetto vincitore di DNAppunti Coreografici 2024, presentato nell’ambito di Dancing Days al Romaeuropa Festival, FUCK ME BLIND di Matteo Sedda è un duo ispirato a Blue di Derek Jarman, dove il blu diventa corpo, materia e respiro condiviso.

I due performer si muovono attorno a un unico punto di gravità, attraversando tensione e abbandono in una danza ipnotica in cui eros e dissoluzione convivono.
Un’esperienza che trasporta lo spettatore in uno spazio sospeso, tra sogno e realtà.

DNAppunti coreografici è un progetto di sostegno per la giovane coreografia italiana under 35, promosso e sostenuto in collaborazione tra@compagnia_virgilio_sieniCSC Centro per la Scena Contemporanea, @larboretoteatrodimora, @triennalemilano, @gender_bender_festival, Romaeuropa Festival.

Foto di @cosimo.trimboli

@matteosedda1990

Progetto vincitore di DNAppunti Coreografici 2024, presentato nell’ambito di Dancing Days al Romaeuropa Festival, FUCK ME BLIND di Matteo Sedda è un duo ispirato a Blue di Derek Jarman, dove il blu diventa corpo, materia e respiro condiviso.

I due performer si muovono attorno a un unico punto di gravità, attraversando tensione e abbandono in una danza ipnotica in cui eros e dissoluzione convivono.
Un’esperienza che trasporta lo spettatore in uno spazio sospeso, tra sogno e realtà.

DNAppunti coreografici è un progetto di sostegno per la giovane coreografia italiana under 35, promosso e sostenuto in collaborazione tra@compagnia_virgilio_sieniCSC Centro per la Scena Contemporanea, @larboretoteatrodimora, @triennalemilano, @gender_bender_festival, Romaeuropa Festival.

Foto di @cosimo.trimboli

@matteosedda1990

Progetto vincitore di DNAppunti Coreografici 2024, presentato nell’ambito di Dancing Days al Romaeuropa Festival, FUCK ME BLIND di Matteo Sedda è un duo ispirato a Blue di Derek Jarman, dove il blu diventa corpo, materia e respiro condiviso.

I due performer si muovono attorno a un unico punto di gravità, attraversando tensione e abbandono in una danza ipnotica in cui eros e dissoluzione convivono.
Un’esperienza che trasporta lo spettatore in uno spazio sospeso, tra sogno e realtà.

DNAppunti coreografici è un progetto di sostegno per la giovane coreografia italiana under 35, promosso e sostenuto in collaborazione tra@compagnia_virgilio_sieniCSC Centro per la Scena Contemporanea, @larboretoteatrodimora, @triennalemilano, @gender_bender_festival, Romaeuropa Festival.

Foto di @cosimo.trimboli

@matteosedda1990

Progetto vincitore di DNAppunti Coreografici 2024, presentato nell’ambito di Dancing Days al Romaeuropa Festival, FUCK ME BLIND di Matteo Sedda è un duo ispirato a Blue di Derek Jarman, dove il blu diventa corpo, materia e respiro condiviso.

I due performer si muovono attorno a un unico punto di gravità, attraversando tensione e abbandono in una danza ipnotica in cui eros e dissoluzione convivono.
Un’esperienza che trasporta lo spettatore in uno spazio sospeso, tra sogno e realtà.

DNAppunti coreografici è un progetto di sostegno per la giovane coreografia italiana under 35, promosso e sostenuto in collaborazione tra@compagnia_virgilio_sieniCSC Centro per la Scena Contemporanea, @larboretoteatrodimora, @triennalemilano, @gender_bender_festival, Romaeuropa Festival.

Foto di @cosimo.trimboli

@matteosedda1990

Progetto vincitore di DNAppunti Coreografici 2024, presentato nell’ambito di Dancing Days al Romaeuropa Festival, FUCK ME BLIND di Matteo Sedda è un duo ispirato a Blue di Derek Jarman, dove il blu diventa corpo, materia e respiro condiviso.

I due performer si muovono attorno a un unico punto di gravità, attraversando tensione e abbandono in una danza ipnotica in cui eros e dissoluzione convivono.
Un’esperienza che trasporta lo spettatore in uno spazio sospeso, tra sogno e realtà.

DNAppunti coreografici è un progetto di sostegno per la giovane coreografia italiana under 35, promosso e sostenuto in collaborazione tra@compagnia_virgilio_sieniCSC Centro per la Scena Contemporanea, @larboretoteatrodimora, @triennalemilano, @gender_bender_festival, Romaeuropa Festival.

Foto di @cosimo.trimboli

@matteosedda1990

Abbiamo intervistato @matteosedda1990 , coreografo tra le voci più potenti della scena contemporanea, che sarà protagonista a Dancing Days (15–19 ottobre) all’interno di ULTRA REF, il programma del @romaeuropa festival dedicato alla creatività emergente e ai linguaggi più sperimentali.

Il Romaeuropa Festival, nato nel 1986 e giunto quest’anno alla sua 40ª edizione (4 settembre – 16 novembre), conferma la sua vocazione internazionale intrecciando grandi nomi e nuove generazioni di artisti.

Leggi l’intervista di @alessandro_marzo completa a Matteo Sedda al link in bio.

Foto di scena: @bruno_____simao e @zwartpaart

#tohmagazine

Abbiamo intervistato @matteosedda1990 , coreografo tra le voci più potenti della scena contemporanea, che sarà protagonista a Dancing Days (15–19 ottobre) all’interno di ULTRA REF, il programma del @romaeuropa festival dedicato alla creatività emergente e ai linguaggi più sperimentali.

Il Romaeuropa Festival, nato nel 1986 e giunto quest’anno alla sua 40ª edizione (4 settembre – 16 novembre), conferma la sua vocazione internazionale intrecciando grandi nomi e nuove generazioni di artisti.

Leggi l’intervista di @alessandro_marzo completa a Matteo Sedda al link in bio.

Foto di scena: @bruno_____simao e @zwartpaart

#tohmagazine

Abbiamo intervistato @matteosedda1990 , coreografo tra le voci più potenti della scena contemporanea, che sarà protagonista a Dancing Days (15–19 ottobre) all’interno di ULTRA REF, il programma del @romaeuropa festival dedicato alla creatività emergente e ai linguaggi più sperimentali.

Il Romaeuropa Festival, nato nel 1986 e giunto quest’anno alla sua 40ª edizione (4 settembre – 16 novembre), conferma la sua vocazione internazionale intrecciando grandi nomi e nuove generazioni di artisti.

Leggi l’intervista di @alessandro_marzo completa a Matteo Sedda al link in bio.

Foto di scena: @bruno_____simao e @zwartpaart

#tohmagazine

After almost 6 years, back with @marcellennartzphotography

FUCK ME BLIND

première 19 octobre 2025 au @romaeuropa

idée et direction Matteo Sedda
chorégraphie et performance @oneclaphand , Matteo Sedda
son @men_in_pain
dramaturgie et lumières @margherita_scalise
création de costumes @maarten.van.mulken
mentors @iurzelai , @moreno_solinas

production @fuorimarginesardegna
coproduction @theatredevanves

résidences @sala.sassari , avec l’aide d’ @adlibdiffusion - résidences Belgium’s LIBITUM, @destelheide_ , résidence au @studiothor , avec le soutien de la Compagnie Thor / Thierry Smits, @festival_pedra_dura_ , @boraboradans , @le_bamp 

remerciements @klapkelemenisFESTIVAL + DE GENRES, Aids, archives, and arts assemblies in Belgium, @oester.club , @lilacagliari et @kuretko

Matteo Sedda est accompagné par @grandstudiobruxelles

projet gagnant du DNAappunticoreografici promu et soutenu en collaboration entre Fondazione Romaeuropa , @gender_bender_festival , @triennalemilano , @compagnia_virgilio_sieni , @operaestate , @larboretoteatrodimora

Video @zwartpaart