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What a year (almost!) it’s been since we opened A FIRE IN MY BELLY at JSC Berlin and I’m both very happy and tiny bit sad to be saying goodbye to this massive show. Certain soundtracks will surely haunt me in my sleep 😅

I never posted the installation views from the basement section, which features another 12 works by a cross-generational group of artists spanning work made from 1969 to 2019!

Images inorder of appearance:

Weed Killer (2017) by P. Staff @p___staff

I Was/ I am; X; Psychosynthesis (1973-75) by Barbara Hammer

Get Rid of Yourself (2003) by Bernadette Corporation

Crystal Anarchy Sign (pink) (2007) by Brock Enright

Song for Rent (1969) by Jack Smith

Beast Type Song (2019) by Sophia Al-Maria @sxfyx_xl_mxrri

anarchiving KIRKPINAR (Joy Mariama Smith) (2020) by caner teker @canerteker__ & It is April (JSC) (2019) by Rindon Johnson

Mandy’s Solo Piano in Columbine Cafeteria (2016) by Bunny Rogers

Candle (2007) by Robin Rhode @robinrhodeofficial

@juliastoschekcollection @juliastoschek @yiunamcheung @robertschulte_ @sven.w_____ @1akorte1 #juliastoschekcollection #jscberlin #afireinmybelly #artinberlin #kunstvermittlung #sophialmaria #peggyahwesh #monicabonvicini #bernadettecorporation #paulchan #thomasdemand #karlwilhelmdiefenbach #traceyemin #cypriengaillard #barbarahammer #leilahekmat #leilahekmat #anneimhof #arthurjafa #rindonjohnson #anamendieta #adrianpiper #laureprouvost #robpruitt #bunnyrogers #mariannasimnett #jacksmith #pstaff #canerteker #kandiswilliams #davidwojnarowicz

What a year (almost!) it’s been since we opened A FIRE IN MY BELLY at JSC Berlin and I’m both very happy and tiny bit sad to be saying goodbye to this massive show. Certain soundtracks will surely haunt me in my sleep 😅

I never posted the installation views from the basement section, which features another 12 works by a cross-generational group of artists spanning work made from 1969 to 2019!

Images inorder of appearance:

Weed Killer (2017) by P. Staff @p___staff

I Was/ I am; X; Psychosynthesis (1973-75) by Barbara Hammer

Get Rid of Yourself (2003) by Bernadette Corporation

Crystal Anarchy Sign (pink) (2007) by Brock Enright

Song for Rent (1969) by Jack Smith

Beast Type Song (2019) by Sophia Al-Maria @sxfyx_xl_mxrri

anarchiving KIRKPINAR (Joy Mariama Smith) (2020) by caner teker @canerteker__ & It is April (JSC) (2019) by Rindon Johnson

Mandy’s Solo Piano in Columbine Cafeteria (2016) by Bunny Rogers

Candle (2007) by Robin Rhode @robinrhodeofficial

@juliastoschekcollection @juliastoschek @yiunamcheung @robertschulte_ @sven.w_____ @1akorte1 #juliastoschekcollection #jscberlin #afireinmybelly #artinberlin #kunstvermittlung #sophialmaria #peggyahwesh #monicabonvicini #bernadettecorporation #paulchan #thomasdemand #karlwilhelmdiefenbach #traceyemin #cypriengaillard #barbarahammer #leilahekmat #leilahekmat #anneimhof #arthurjafa #rindonjohnson #anamendieta #adrianpiper #laureprouvost #robpruitt #bunnyrogers #mariannasimnett #jacksmith #pstaff #canerteker #kandiswilliams #davidwojnarowicz

What a year (almost!) it’s been since we opened A FIRE IN MY BELLY at JSC Berlin and I’m both very happy and tiny bit sad to be saying goodbye to this massive show. Certain soundtracks will surely haunt me in my sleep 😅

I never posted the installation views from the basement section, which features another 12 works by a cross-generational group of artists spanning work made from 1969 to 2019!

Images inorder of appearance:

Weed Killer (2017) by P. Staff @p___staff

I Was/ I am; X; Psychosynthesis (1973-75) by Barbara Hammer

Get Rid of Yourself (2003) by Bernadette Corporation

Crystal Anarchy Sign (pink) (2007) by Brock Enright

Song for Rent (1969) by Jack Smith

Beast Type Song (2019) by Sophia Al-Maria @sxfyx_xl_mxrri

anarchiving KIRKPINAR (Joy Mariama Smith) (2020) by caner teker @canerteker__ & It is April (JSC) (2019) by Rindon Johnson

Mandy’s Solo Piano in Columbine Cafeteria (2016) by Bunny Rogers

Candle (2007) by Robin Rhode @robinrhodeofficial

@juliastoschekcollection @juliastoschek @yiunamcheung @robertschulte_ @sven.w_____ @1akorte1 #juliastoschekcollection #jscberlin #afireinmybelly #artinberlin #kunstvermittlung #sophialmaria #peggyahwesh #monicabonvicini #bernadettecorporation #paulchan #thomasdemand #karlwilhelmdiefenbach #traceyemin #cypriengaillard #barbarahammer #leilahekmat #leilahekmat #anneimhof #arthurjafa #rindonjohnson #anamendieta #adrianpiper #laureprouvost #robpruitt #bunnyrogers #mariannasimnett #jacksmith #pstaff #canerteker #kandiswilliams #davidwojnarowicz

What a year (almost!) it’s been since we opened A FIRE IN MY BELLY at JSC Berlin and I’m both very happy and tiny bit sad to be saying goodbye to this massive show. Certain soundtracks will surely haunt me in my sleep 😅

I never posted the installation views from the basement section, which features another 12 works by a cross-generational group of artists spanning work made from 1969 to 2019!

Images inorder of appearance:

Weed Killer (2017) by P. Staff @p___staff

I Was/ I am; X; Psychosynthesis (1973-75) by Barbara Hammer

Get Rid of Yourself (2003) by Bernadette Corporation

Crystal Anarchy Sign (pink) (2007) by Brock Enright

Song for Rent (1969) by Jack Smith

Beast Type Song (2019) by Sophia Al-Maria @sxfyx_xl_mxrri

anarchiving KIRKPINAR (Joy Mariama Smith) (2020) by caner teker @canerteker__ & It is April (JSC) (2019) by Rindon Johnson

Mandy’s Solo Piano in Columbine Cafeteria (2016) by Bunny Rogers

Candle (2007) by Robin Rhode @robinrhodeofficial

@juliastoschekcollection @juliastoschek @yiunamcheung @robertschulte_ @sven.w_____ @1akorte1 #juliastoschekcollection #jscberlin #afireinmybelly #artinberlin #kunstvermittlung #sophialmaria #peggyahwesh #monicabonvicini #bernadettecorporation #paulchan #thomasdemand #karlwilhelmdiefenbach #traceyemin #cypriengaillard #barbarahammer #leilahekmat #leilahekmat #anneimhof #arthurjafa #rindonjohnson #anamendieta #adrianpiper #laureprouvost #robpruitt #bunnyrogers #mariannasimnett #jacksmith #pstaff #canerteker #kandiswilliams #davidwojnarowicz

What a year (almost!) it’s been since we opened A FIRE IN MY BELLY at JSC Berlin and I’m both very happy and tiny bit sad to be saying goodbye to this massive show. Certain soundtracks will surely haunt me in my sleep 😅

I never posted the installation views from the basement section, which features another 12 works by a cross-generational group of artists spanning work made from 1969 to 2019!

Images inorder of appearance:

Weed Killer (2017) by P. Staff @p___staff

I Was/ I am; X; Psychosynthesis (1973-75) by Barbara Hammer

Get Rid of Yourself (2003) by Bernadette Corporation

Crystal Anarchy Sign (pink) (2007) by Brock Enright

Song for Rent (1969) by Jack Smith

Beast Type Song (2019) by Sophia Al-Maria @sxfyx_xl_mxrri

anarchiving KIRKPINAR (Joy Mariama Smith) (2020) by caner teker @canerteker__ & It is April (JSC) (2019) by Rindon Johnson

Mandy’s Solo Piano in Columbine Cafeteria (2016) by Bunny Rogers

Candle (2007) by Robin Rhode @robinrhodeofficial

@juliastoschekcollection @juliastoschek @yiunamcheung @robertschulte_ @sven.w_____ @1akorte1 #juliastoschekcollection #jscberlin #afireinmybelly #artinberlin #kunstvermittlung #sophialmaria #peggyahwesh #monicabonvicini #bernadettecorporation #paulchan #thomasdemand #karlwilhelmdiefenbach #traceyemin #cypriengaillard #barbarahammer #leilahekmat #leilahekmat #anneimhof #arthurjafa #rindonjohnson #anamendieta #adrianpiper #laureprouvost #robpruitt #bunnyrogers #mariannasimnett #jacksmith #pstaff #canerteker #kandiswilliams #davidwojnarowicz

What a year (almost!) it’s been since we opened A FIRE IN MY BELLY at JSC Berlin and I’m both very happy and tiny bit sad to be saying goodbye to this massive show. Certain soundtracks will surely haunt me in my sleep 😅

I never posted the installation views from the basement section, which features another 12 works by a cross-generational group of artists spanning work made from 1969 to 2019!

Images inorder of appearance:

Weed Killer (2017) by P. Staff @p___staff

I Was/ I am; X; Psychosynthesis (1973-75) by Barbara Hammer

Get Rid of Yourself (2003) by Bernadette Corporation

Crystal Anarchy Sign (pink) (2007) by Brock Enright

Song for Rent (1969) by Jack Smith

Beast Type Song (2019) by Sophia Al-Maria @sxfyx_xl_mxrri

anarchiving KIRKPINAR (Joy Mariama Smith) (2020) by caner teker @canerteker__ & It is April (JSC) (2019) by Rindon Johnson

Mandy’s Solo Piano in Columbine Cafeteria (2016) by Bunny Rogers

Candle (2007) by Robin Rhode @robinrhodeofficial

@juliastoschekcollection @juliastoschek @yiunamcheung @robertschulte_ @sven.w_____ @1akorte1 #juliastoschekcollection #jscberlin #afireinmybelly #artinberlin #kunstvermittlung #sophialmaria #peggyahwesh #monicabonvicini #bernadettecorporation #paulchan #thomasdemand #karlwilhelmdiefenbach #traceyemin #cypriengaillard #barbarahammer #leilahekmat #leilahekmat #anneimhof #arthurjafa #rindonjohnson #anamendieta #adrianpiper #laureprouvost #robpruitt #bunnyrogers #mariannasimnett #jacksmith #pstaff #canerteker #kandiswilliams #davidwojnarowicz

What a year (almost!) it’s been since we opened A FIRE IN MY BELLY at JSC Berlin and I’m both very happy and tiny bit sad to be saying goodbye to this massive show. Certain soundtracks will surely haunt me in my sleep 😅

I never posted the installation views from the basement section, which features another 12 works by a cross-generational group of artists spanning work made from 1969 to 2019!

Images inorder of appearance:

Weed Killer (2017) by P. Staff @p___staff

I Was/ I am; X; Psychosynthesis (1973-75) by Barbara Hammer

Get Rid of Yourself (2003) by Bernadette Corporation

Crystal Anarchy Sign (pink) (2007) by Brock Enright

Song for Rent (1969) by Jack Smith

Beast Type Song (2019) by Sophia Al-Maria @sxfyx_xl_mxrri

anarchiving KIRKPINAR (Joy Mariama Smith) (2020) by caner teker @canerteker__ & It is April (JSC) (2019) by Rindon Johnson

Mandy’s Solo Piano in Columbine Cafeteria (2016) by Bunny Rogers

Candle (2007) by Robin Rhode @robinrhodeofficial

@juliastoschekcollection @juliastoschek @yiunamcheung @robertschulte_ @sven.w_____ @1akorte1 #juliastoschekcollection #jscberlin #afireinmybelly #artinberlin #kunstvermittlung #sophialmaria #peggyahwesh #monicabonvicini #bernadettecorporation #paulchan #thomasdemand #karlwilhelmdiefenbach #traceyemin #cypriengaillard #barbarahammer #leilahekmat #leilahekmat #anneimhof #arthurjafa #rindonjohnson #anamendieta #adrianpiper #laureprouvost #robpruitt #bunnyrogers #mariannasimnett #jacksmith #pstaff #canerteker #kandiswilliams #davidwojnarowicz

What a year (almost!) it’s been since we opened A FIRE IN MY BELLY at JSC Berlin and I’m both very happy and tiny bit sad to be saying goodbye to this massive show. Certain soundtracks will surely haunt me in my sleep 😅

I never posted the installation views from the basement section, which features another 12 works by a cross-generational group of artists spanning work made from 1969 to 2019!

Images inorder of appearance:

Weed Killer (2017) by P. Staff @p___staff

I Was/ I am; X; Psychosynthesis (1973-75) by Barbara Hammer

Get Rid of Yourself (2003) by Bernadette Corporation

Crystal Anarchy Sign (pink) (2007) by Brock Enright

Song for Rent (1969) by Jack Smith

Beast Type Song (2019) by Sophia Al-Maria @sxfyx_xl_mxrri

anarchiving KIRKPINAR (Joy Mariama Smith) (2020) by caner teker @canerteker__ & It is April (JSC) (2019) by Rindon Johnson

Mandy’s Solo Piano in Columbine Cafeteria (2016) by Bunny Rogers

Candle (2007) by Robin Rhode @robinrhodeofficial

@juliastoschekcollection @juliastoschek @yiunamcheung @robertschulte_ @sven.w_____ @1akorte1 #juliastoschekcollection #jscberlin #afireinmybelly #artinberlin #kunstvermittlung #sophialmaria #peggyahwesh #monicabonvicini #bernadettecorporation #paulchan #thomasdemand #karlwilhelmdiefenbach #traceyemin #cypriengaillard #barbarahammer #leilahekmat #leilahekmat #anneimhof #arthurjafa #rindonjohnson #anamendieta #adrianpiper #laureprouvost #robpruitt #bunnyrogers #mariannasimnett #jacksmith #pstaff #canerteker #kandiswilliams #davidwojnarowicz

What a year (almost!) it’s been since we opened A FIRE IN MY BELLY at JSC Berlin and I’m both very happy and tiny bit sad to be saying goodbye to this massive show. Certain soundtracks will surely haunt me in my sleep 😅

I never posted the installation views from the basement section, which features another 12 works by a cross-generational group of artists spanning work made from 1969 to 2019!

Images inorder of appearance:

Weed Killer (2017) by P. Staff @p___staff

I Was/ I am; X; Psychosynthesis (1973-75) by Barbara Hammer

Get Rid of Yourself (2003) by Bernadette Corporation

Crystal Anarchy Sign (pink) (2007) by Brock Enright

Song for Rent (1969) by Jack Smith

Beast Type Song (2019) by Sophia Al-Maria @sxfyx_xl_mxrri

anarchiving KIRKPINAR (Joy Mariama Smith) (2020) by caner teker @canerteker__ & It is April (JSC) (2019) by Rindon Johnson

Mandy’s Solo Piano in Columbine Cafeteria (2016) by Bunny Rogers

Candle (2007) by Robin Rhode @robinrhodeofficial

@juliastoschekcollection @juliastoschek @yiunamcheung @robertschulte_ @sven.w_____ @1akorte1 #juliastoschekcollection #jscberlin #afireinmybelly #artinberlin #kunstvermittlung #sophialmaria #peggyahwesh #monicabonvicini #bernadettecorporation #paulchan #thomasdemand #karlwilhelmdiefenbach #traceyemin #cypriengaillard #barbarahammer #leilahekmat #leilahekmat #anneimhof #arthurjafa #rindonjohnson #anamendieta #adrianpiper #laureprouvost #robpruitt #bunnyrogers #mariannasimnett #jacksmith #pstaff #canerteker #kandiswilliams #davidwojnarowicz

It’s been quite the emotional process to put on this show in the past year. Finally sharing install shots from A FIRE IN MY BELLY at JSC Berlin. The show will be up until the end of 2021, so hopefully, despite the constant back and forth between being open and needing to close, we can welcome as many visitors as possible! 🔥❤️
47 works are on view in total, 6 are loans, the rest from the collection.
Beginning with the ground floor:

1. David Wojnarowicz, A Fire In My Belly (Film In Progress), 1986-87
2. Zoe Leonard, Untitled Aerial, 1988/2008
3. Karl Wilhelm Dieffenbach, Capri, 1911 / Anne Imhof, Untitled (Wave), 2021
4. Anne Imhof, Untitled (Wave), 2021
5. Laure Prouvost, They Parlaient Idéale, 2019
6. Kandis Williams, Eurydice, 2018@juliastoschekcollection @juliastoschek #davidwojnarowicz @zoe_leonard_studio @anne_imhof #karlwilhelmdiefenbach @studioprouvostsocialclub @kandis_williams 📷 @alwin_lay

It’s been quite the emotional process to put on this show in the past year. Finally sharing install shots from A FIRE IN MY BELLY at JSC Berlin. The show will be up until the end of 2021, so hopefully, despite the constant back and forth between being open and needing to close, we can welcome as many visitors as possible! 🔥❤️
47 works are on view in total, 6 are loans, the rest from the collection.
Beginning with the ground floor:

1. David Wojnarowicz, A Fire In My Belly (Film In Progress), 1986-87
2. Zoe Leonard, Untitled Aerial, 1988/2008
3. Karl Wilhelm Dieffenbach, Capri, 1911 / Anne Imhof, Untitled (Wave), 2021
4. Anne Imhof, Untitled (Wave), 2021
5. Laure Prouvost, They Parlaient Idéale, 2019
6. Kandis Williams, Eurydice, 2018@juliastoschekcollection @juliastoschek #davidwojnarowicz @zoe_leonard_studio @anne_imhof #karlwilhelmdiefenbach @studioprouvostsocialclub @kandis_williams 📷 @alwin_lay

It’s been quite the emotional process to put on this show in the past year. Finally sharing install shots from A FIRE IN MY BELLY at JSC Berlin. The show will be up until the end of 2021, so hopefully, despite the constant back and forth between being open and needing to close, we can welcome as many visitors as possible! 🔥❤️
47 works are on view in total, 6 are loans, the rest from the collection.
Beginning with the ground floor:

1. David Wojnarowicz, A Fire In My Belly (Film In Progress), 1986-87
2. Zoe Leonard, Untitled Aerial, 1988/2008
3. Karl Wilhelm Dieffenbach, Capri, 1911 / Anne Imhof, Untitled (Wave), 2021
4. Anne Imhof, Untitled (Wave), 2021
5. Laure Prouvost, They Parlaient Idéale, 2019
6. Kandis Williams, Eurydice, 2018@juliastoschekcollection @juliastoschek #davidwojnarowicz @zoe_leonard_studio @anne_imhof #karlwilhelmdiefenbach @studioprouvostsocialclub @kandis_williams 📷 @alwin_lay

It’s been quite the emotional process to put on this show in the past year. Finally sharing install shots from A FIRE IN MY BELLY at JSC Berlin. The show will be up until the end of 2021, so hopefully, despite the constant back and forth between being open and needing to close, we can welcome as many visitors as possible! 🔥❤️
47 works are on view in total, 6 are loans, the rest from the collection.
Beginning with the ground floor:

1. David Wojnarowicz, A Fire In My Belly (Film In Progress), 1986-87
2. Zoe Leonard, Untitled Aerial, 1988/2008
3. Karl Wilhelm Dieffenbach, Capri, 1911 / Anne Imhof, Untitled (Wave), 2021
4. Anne Imhof, Untitled (Wave), 2021
5. Laure Prouvost, They Parlaient Idéale, 2019
6. Kandis Williams, Eurydice, 2018@juliastoschekcollection @juliastoschek #davidwojnarowicz @zoe_leonard_studio @anne_imhof #karlwilhelmdiefenbach @studioprouvostsocialclub @kandis_williams 📷 @alwin_lay

It’s been quite the emotional process to put on this show in the past year. Finally sharing install shots from A FIRE IN MY BELLY at JSC Berlin. The show will be up until the end of 2021, so hopefully, despite the constant back and forth between being open and needing to close, we can welcome as many visitors as possible! 🔥❤️
47 works are on view in total, 6 are loans, the rest from the collection.
Beginning with the ground floor:

1. David Wojnarowicz, A Fire In My Belly (Film In Progress), 1986-87
2. Zoe Leonard, Untitled Aerial, 1988/2008
3. Karl Wilhelm Dieffenbach, Capri, 1911 / Anne Imhof, Untitled (Wave), 2021
4. Anne Imhof, Untitled (Wave), 2021
5. Laure Prouvost, They Parlaient Idéale, 2019
6. Kandis Williams, Eurydice, 2018@juliastoschekcollection @juliastoschek #davidwojnarowicz @zoe_leonard_studio @anne_imhof #karlwilhelmdiefenbach @studioprouvostsocialclub @kandis_williams 📷 @alwin_lay

It’s been quite the emotional process to put on this show in the past year. Finally sharing install shots from A FIRE IN MY BELLY at JSC Berlin. The show will be up until the end of 2021, so hopefully, despite the constant back and forth between being open and needing to close, we can welcome as many visitors as possible! 🔥❤️
47 works are on view in total, 6 are loans, the rest from the collection.
Beginning with the ground floor:

1. David Wojnarowicz, A Fire In My Belly (Film In Progress), 1986-87
2. Zoe Leonard, Untitled Aerial, 1988/2008
3. Karl Wilhelm Dieffenbach, Capri, 1911 / Anne Imhof, Untitled (Wave), 2021
4. Anne Imhof, Untitled (Wave), 2021
5. Laure Prouvost, They Parlaient Idéale, 2019
6. Kandis Williams, Eurydice, 2018@juliastoschekcollection @juliastoschek #davidwojnarowicz @zoe_leonard_studio @anne_imhof #karlwilhelmdiefenbach @studioprouvostsocialclub @kandis_williams 📷 @alwin_lay

“We are the editors,” says Lynn Hershman Leeson✨ And now we’ve edited A History of Her Own.Greetings from the countryside where I’ve been howling to the book spirits @moussemagazine and @juliastoschekfoundation. I’m not going to lie, making books is a wondrous and treacherous task because unlike exhibitions, they remain and every typo haunts you in your sleep. 400 pages; reprints, new essays, articles, interviews, and writing by @lynn.l.leeson herself. We kept all the original formats (a lesson learned), and tried to incorporate as many facets as possible but still so many aspects of her practice are missing.

I couldn’t have done this without these patient and sharp-minded ladies @josefingranetoft and @lineajan, who also contributed with new essays. Makes me proud. A big thank you to the team at Mousse @ilariabombelli @francescovaltolina, @emma.passarella, and to all the contributors for their permissions and support. Thank you @hoffman.donahue and @altmansiegel for your dedication. And to the editors of the editor and the new commissions: Hannah Gregory @hnnh_eg and Kat Black!

@juliastoschek, without you none of this happens ♥️

With texts by Katherine C. M. Adams (@katherine.1433), Line Ajan (@lineajan ), Hilton Als (@hilton.als ), Karen Archey (@karenarchey), Robert Atkins, Jack Chipman, Hilaire Dufresne, Judith Dunham, Alfred Frankenstein, Rudolf Frieling (@rudolf.frieling), Gabriella Giannachi (@ggiannachi), Herbert Goode, Josefin Granetoft (@josefingranetoft), Isobel Harbison (@isobel.harbison), Martin Herbert (@martinlherbert), Lynn Hershman Leeson (@lynn.l.leeson), Sabine Himmelsbach (@sabinehimmelsbach22), Juliana Huxtable (@julianahuxtable), David E. James, Amelia Jones (@amelia.jones.la1987), Prudence Juris, Pamela M. Lee, Lisa Long (@_lisa_long_), James Minton, Margaret Morse, Margot Norton (@margotnorton), Peggy Phelan, Laura Poitras, Moira Roth, Abigail Solomon-Godeau, Yvonne Spielmann, Jordan Stein (@cushion_works_and_friends), Kyle Stephan (@object_choice), and Diane Tani.

“We are the editors,” says Lynn Hershman Leeson✨ And now we’ve edited A History of Her Own.Greetings from the countryside where I’ve been howling to the book spirits @moussemagazine and @juliastoschekfoundation. I’m not going to lie, making books is a wondrous and treacherous task because unlike exhibitions, they remain and every typo haunts you in your sleep. 400 pages; reprints, new essays, articles, interviews, and writing by @lynn.l.leeson herself. We kept all the original formats (a lesson learned), and tried to incorporate as many facets as possible but still so many aspects of her practice are missing.

I couldn’t have done this without these patient and sharp-minded ladies @josefingranetoft and @lineajan, who also contributed with new essays. Makes me proud. A big thank you to the team at Mousse @ilariabombelli @francescovaltolina, @emma.passarella, and to all the contributors for their permissions and support. Thank you @hoffman.donahue and @altmansiegel for your dedication. And to the editors of the editor and the new commissions: Hannah Gregory @hnnh_eg and Kat Black!

@juliastoschek, without you none of this happens ♥️

With texts by Katherine C. M. Adams (@katherine.1433), Line Ajan (@lineajan ), Hilton Als (@hilton.als ), Karen Archey (@karenarchey), Robert Atkins, Jack Chipman, Hilaire Dufresne, Judith Dunham, Alfred Frankenstein, Rudolf Frieling (@rudolf.frieling), Gabriella Giannachi (@ggiannachi), Herbert Goode, Josefin Granetoft (@josefingranetoft), Isobel Harbison (@isobel.harbison), Martin Herbert (@martinlherbert), Lynn Hershman Leeson (@lynn.l.leeson), Sabine Himmelsbach (@sabinehimmelsbach22), Juliana Huxtable (@julianahuxtable), David E. James, Amelia Jones (@amelia.jones.la1987), Prudence Juris, Pamela M. Lee, Lisa Long (@_lisa_long_), James Minton, Margaret Morse, Margot Norton (@margotnorton), Peggy Phelan, Laura Poitras, Moira Roth, Abigail Solomon-Godeau, Yvonne Spielmann, Jordan Stein (@cushion_works_and_friends), Kyle Stephan (@object_choice), and Diane Tani.

“We are the editors,” says Lynn Hershman Leeson✨ And now we’ve edited A History of Her Own.Greetings from the countryside where I’ve been howling to the book spirits @moussemagazine and @juliastoschekfoundation. I’m not going to lie, making books is a wondrous and treacherous task because unlike exhibitions, they remain and every typo haunts you in your sleep. 400 pages; reprints, new essays, articles, interviews, and writing by @lynn.l.leeson herself. We kept all the original formats (a lesson learned), and tried to incorporate as many facets as possible but still so many aspects of her practice are missing.

I couldn’t have done this without these patient and sharp-minded ladies @josefingranetoft and @lineajan, who also contributed with new essays. Makes me proud. A big thank you to the team at Mousse @ilariabombelli @francescovaltolina, @emma.passarella, and to all the contributors for their permissions and support. Thank you @hoffman.donahue and @altmansiegel for your dedication. And to the editors of the editor and the new commissions: Hannah Gregory @hnnh_eg and Kat Black!

@juliastoschek, without you none of this happens ♥️

With texts by Katherine C. M. Adams (@katherine.1433), Line Ajan (@lineajan ), Hilton Als (@hilton.als ), Karen Archey (@karenarchey), Robert Atkins, Jack Chipman, Hilaire Dufresne, Judith Dunham, Alfred Frankenstein, Rudolf Frieling (@rudolf.frieling), Gabriella Giannachi (@ggiannachi), Herbert Goode, Josefin Granetoft (@josefingranetoft), Isobel Harbison (@isobel.harbison), Martin Herbert (@martinlherbert), Lynn Hershman Leeson (@lynn.l.leeson), Sabine Himmelsbach (@sabinehimmelsbach22), Juliana Huxtable (@julianahuxtable), David E. James, Amelia Jones (@amelia.jones.la1987), Prudence Juris, Pamela M. Lee, Lisa Long (@_lisa_long_), James Minton, Margaret Morse, Margot Norton (@margotnorton), Peggy Phelan, Laura Poitras, Moira Roth, Abigail Solomon-Godeau, Yvonne Spielmann, Jordan Stein (@cushion_works_and_friends), Kyle Stephan (@object_choice), and Diane Tani.

“We are the editors,” says Lynn Hershman Leeson✨ And now we’ve edited A History of Her Own.Greetings from the countryside where I’ve been howling to the book spirits @moussemagazine and @juliastoschekfoundation. I’m not going to lie, making books is a wondrous and treacherous task because unlike exhibitions, they remain and every typo haunts you in your sleep. 400 pages; reprints, new essays, articles, interviews, and writing by @lynn.l.leeson herself. We kept all the original formats (a lesson learned), and tried to incorporate as many facets as possible but still so many aspects of her practice are missing.

I couldn’t have done this without these patient and sharp-minded ladies @josefingranetoft and @lineajan, who also contributed with new essays. Makes me proud. A big thank you to the team at Mousse @ilariabombelli @francescovaltolina, @emma.passarella, and to all the contributors for their permissions and support. Thank you @hoffman.donahue and @altmansiegel for your dedication. And to the editors of the editor and the new commissions: Hannah Gregory @hnnh_eg and Kat Black!

@juliastoschek, without you none of this happens ♥️

With texts by Katherine C. M. Adams (@katherine.1433), Line Ajan (@lineajan ), Hilton Als (@hilton.als ), Karen Archey (@karenarchey), Robert Atkins, Jack Chipman, Hilaire Dufresne, Judith Dunham, Alfred Frankenstein, Rudolf Frieling (@rudolf.frieling), Gabriella Giannachi (@ggiannachi), Herbert Goode, Josefin Granetoft (@josefingranetoft), Isobel Harbison (@isobel.harbison), Martin Herbert (@martinlherbert), Lynn Hershman Leeson (@lynn.l.leeson), Sabine Himmelsbach (@sabinehimmelsbach22), Juliana Huxtable (@julianahuxtable), David E. James, Amelia Jones (@amelia.jones.la1987), Prudence Juris, Pamela M. Lee, Lisa Long (@_lisa_long_), James Minton, Margaret Morse, Margot Norton (@margotnorton), Peggy Phelan, Laura Poitras, Moira Roth, Abigail Solomon-Godeau, Yvonne Spielmann, Jordan Stein (@cushion_works_and_friends), Kyle Stephan (@object_choice), and Diane Tani.

“We are the editors,” says Lynn Hershman Leeson✨ And now we’ve edited A History of Her Own.Greetings from the countryside where I’ve been howling to the book spirits @moussemagazine and @juliastoschekfoundation. I’m not going to lie, making books is a wondrous and treacherous task because unlike exhibitions, they remain and every typo haunts you in your sleep. 400 pages; reprints, new essays, articles, interviews, and writing by @lynn.l.leeson herself. We kept all the original formats (a lesson learned), and tried to incorporate as many facets as possible but still so many aspects of her practice are missing.

I couldn’t have done this without these patient and sharp-minded ladies @josefingranetoft and @lineajan, who also contributed with new essays. Makes me proud. A big thank you to the team at Mousse @ilariabombelli @francescovaltolina, @emma.passarella, and to all the contributors for their permissions and support. Thank you @hoffman.donahue and @altmansiegel for your dedication. And to the editors of the editor and the new commissions: Hannah Gregory @hnnh_eg and Kat Black!

@juliastoschek, without you none of this happens ♥️

With texts by Katherine C. M. Adams (@katherine.1433), Line Ajan (@lineajan ), Hilton Als (@hilton.als ), Karen Archey (@karenarchey), Robert Atkins, Jack Chipman, Hilaire Dufresne, Judith Dunham, Alfred Frankenstein, Rudolf Frieling (@rudolf.frieling), Gabriella Giannachi (@ggiannachi), Herbert Goode, Josefin Granetoft (@josefingranetoft), Isobel Harbison (@isobel.harbison), Martin Herbert (@martinlherbert), Lynn Hershman Leeson (@lynn.l.leeson), Sabine Himmelsbach (@sabinehimmelsbach22), Juliana Huxtable (@julianahuxtable), David E. James, Amelia Jones (@amelia.jones.la1987), Prudence Juris, Pamela M. Lee, Lisa Long (@_lisa_long_), James Minton, Margaret Morse, Margot Norton (@margotnorton), Peggy Phelan, Laura Poitras, Moira Roth, Abigail Solomon-Godeau, Yvonne Spielmann, Jordan Stein (@cushion_works_and_friends), Kyle Stephan (@object_choice), and Diane Tani.

“We are the editors,” says Lynn Hershman Leeson✨ And now we’ve edited A History of Her Own.Greetings from the countryside where I’ve been howling to the book spirits @moussemagazine and @juliastoschekfoundation. I’m not going to lie, making books is a wondrous and treacherous task because unlike exhibitions, they remain and every typo haunts you in your sleep. 400 pages; reprints, new essays, articles, interviews, and writing by @lynn.l.leeson herself. We kept all the original formats (a lesson learned), and tried to incorporate as many facets as possible but still so many aspects of her practice are missing.

I couldn’t have done this without these patient and sharp-minded ladies @josefingranetoft and @lineajan, who also contributed with new essays. Makes me proud. A big thank you to the team at Mousse @ilariabombelli @francescovaltolina, @emma.passarella, and to all the contributors for their permissions and support. Thank you @hoffman.donahue and @altmansiegel for your dedication. And to the editors of the editor and the new commissions: Hannah Gregory @hnnh_eg and Kat Black!

@juliastoschek, without you none of this happens ♥️

With texts by Katherine C. M. Adams (@katherine.1433), Line Ajan (@lineajan ), Hilton Als (@hilton.als ), Karen Archey (@karenarchey), Robert Atkins, Jack Chipman, Hilaire Dufresne, Judith Dunham, Alfred Frankenstein, Rudolf Frieling (@rudolf.frieling), Gabriella Giannachi (@ggiannachi), Herbert Goode, Josefin Granetoft (@josefingranetoft), Isobel Harbison (@isobel.harbison), Martin Herbert (@martinlherbert), Lynn Hershman Leeson (@lynn.l.leeson), Sabine Himmelsbach (@sabinehimmelsbach22), Juliana Huxtable (@julianahuxtable), David E. James, Amelia Jones (@amelia.jones.la1987), Prudence Juris, Pamela M. Lee, Lisa Long (@_lisa_long_), James Minton, Margaret Morse, Margot Norton (@margotnorton), Peggy Phelan, Laura Poitras, Moira Roth, Abigail Solomon-Godeau, Yvonne Spielmann, Jordan Stein (@cushion_works_and_friends), Kyle Stephan (@object_choice), and Diane Tani.

“We are the editors,” says Lynn Hershman Leeson✨ And now we’ve edited A History of Her Own.Greetings from the countryside where I’ve been howling to the book spirits @moussemagazine and @juliastoschekfoundation. I’m not going to lie, making books is a wondrous and treacherous task because unlike exhibitions, they remain and every typo haunts you in your sleep. 400 pages; reprints, new essays, articles, interviews, and writing by @lynn.l.leeson herself. We kept all the original formats (a lesson learned), and tried to incorporate as many facets as possible but still so many aspects of her practice are missing.

I couldn’t have done this without these patient and sharp-minded ladies @josefingranetoft and @lineajan, who also contributed with new essays. Makes me proud. A big thank you to the team at Mousse @ilariabombelli @francescovaltolina, @emma.passarella, and to all the contributors for their permissions and support. Thank you @hoffman.donahue and @altmansiegel for your dedication. And to the editors of the editor and the new commissions: Hannah Gregory @hnnh_eg and Kat Black!

@juliastoschek, without you none of this happens ♥️

With texts by Katherine C. M. Adams (@katherine.1433), Line Ajan (@lineajan ), Hilton Als (@hilton.als ), Karen Archey (@karenarchey), Robert Atkins, Jack Chipman, Hilaire Dufresne, Judith Dunham, Alfred Frankenstein, Rudolf Frieling (@rudolf.frieling), Gabriella Giannachi (@ggiannachi), Herbert Goode, Josefin Granetoft (@josefingranetoft), Isobel Harbison (@isobel.harbison), Martin Herbert (@martinlherbert), Lynn Hershman Leeson (@lynn.l.leeson), Sabine Himmelsbach (@sabinehimmelsbach22), Juliana Huxtable (@julianahuxtable), David E. James, Amelia Jones (@amelia.jones.la1987), Prudence Juris, Pamela M. Lee, Lisa Long (@_lisa_long_), James Minton, Margaret Morse, Margot Norton (@margotnorton), Peggy Phelan, Laura Poitras, Moira Roth, Abigail Solomon-Godeau, Yvonne Spielmann, Jordan Stein (@cushion_works_and_friends), Kyle Stephan (@object_choice), and Diane Tani.

“We are the editors,” says Lynn Hershman Leeson✨ And now we’ve edited A History of Her Own.Greetings from the countryside where I’ve been howling to the book spirits @moussemagazine and @juliastoschekfoundation. I’m not going to lie, making books is a wondrous and treacherous task because unlike exhibitions, they remain and every typo haunts you in your sleep. 400 pages; reprints, new essays, articles, interviews, and writing by @lynn.l.leeson herself. We kept all the original formats (a lesson learned), and tried to incorporate as many facets as possible but still so many aspects of her practice are missing.

I couldn’t have done this without these patient and sharp-minded ladies @josefingranetoft and @lineajan, who also contributed with new essays. Makes me proud. A big thank you to the team at Mousse @ilariabombelli @francescovaltolina, @emma.passarella, and to all the contributors for their permissions and support. Thank you @hoffman.donahue and @altmansiegel for your dedication. And to the editors of the editor and the new commissions: Hannah Gregory @hnnh_eg and Kat Black!

@juliastoschek, without you none of this happens ♥️

With texts by Katherine C. M. Adams (@katherine.1433), Line Ajan (@lineajan ), Hilton Als (@hilton.als ), Karen Archey (@karenarchey), Robert Atkins, Jack Chipman, Hilaire Dufresne, Judith Dunham, Alfred Frankenstein, Rudolf Frieling (@rudolf.frieling), Gabriella Giannachi (@ggiannachi), Herbert Goode, Josefin Granetoft (@josefingranetoft), Isobel Harbison (@isobel.harbison), Martin Herbert (@martinlherbert), Lynn Hershman Leeson (@lynn.l.leeson), Sabine Himmelsbach (@sabinehimmelsbach22), Juliana Huxtable (@julianahuxtable), David E. James, Amelia Jones (@amelia.jones.la1987), Prudence Juris, Pamela M. Lee, Lisa Long (@_lisa_long_), James Minton, Margaret Morse, Margot Norton (@margotnorton), Peggy Phelan, Laura Poitras, Moira Roth, Abigail Solomon-Godeau, Yvonne Spielmann, Jordan Stein (@cushion_works_and_friends), Kyle Stephan (@object_choice), and Diane Tani.

Dora Budor, Inner Vampire
May 13 - June 29, 2025, DFI e.V. @towards.photography in collaboration with @companion_culture

Maybe one of my favorite exhibition titles ever. Had the pleasure of grounding with the unstoppable @dorabudor who went on an adventure with me earlier this year. Thanks for agreeing to be a part of Companion Culture’s first project! 🥰
Another big thanks to the team @towards.photography and @galeriemolitor

“Inner Vampire” featured a selection of existing works of photography and moving image, as well as a newly produced video by the artist Dora Budor. Made with a range of contemporary consumer tools and materials, the works reference or transpose historical media formats—from 1920s cinema and early television broadcasting to structural film and digital video; and from Polaroid to its contemporary incarnation, Instax.

Dora Budor, Inner Vampire
May 13 - June 29, 2025, DFI e.V. @towards.photography in collaboration with @companion_culture

Maybe one of my favorite exhibition titles ever. Had the pleasure of grounding with the unstoppable @dorabudor who went on an adventure with me earlier this year. Thanks for agreeing to be a part of Companion Culture’s first project! 🥰
Another big thanks to the team @towards.photography and @galeriemolitor

“Inner Vampire” featured a selection of existing works of photography and moving image, as well as a newly produced video by the artist Dora Budor. Made with a range of contemporary consumer tools and materials, the works reference or transpose historical media formats—from 1920s cinema and early television broadcasting to structural film and digital video; and from Polaroid to its contemporary incarnation, Instax.

Dora Budor, Inner Vampire
May 13 - June 29, 2025, DFI e.V. @towards.photography in collaboration with @companion_culture

Maybe one of my favorite exhibition titles ever. Had the pleasure of grounding with the unstoppable @dorabudor who went on an adventure with me earlier this year. Thanks for agreeing to be a part of Companion Culture’s first project! 🥰
Another big thanks to the team @towards.photography and @galeriemolitor

“Inner Vampire” featured a selection of existing works of photography and moving image, as well as a newly produced video by the artist Dora Budor. Made with a range of contemporary consumer tools and materials, the works reference or transpose historical media formats—from 1920s cinema and early television broadcasting to structural film and digital video; and from Polaroid to its contemporary incarnation, Instax.

Dora Budor, Inner Vampire
May 13 - June 29, 2025, DFI e.V. @towards.photography in collaboration with @companion_culture

Maybe one of my favorite exhibition titles ever. Had the pleasure of grounding with the unstoppable @dorabudor who went on an adventure with me earlier this year. Thanks for agreeing to be a part of Companion Culture’s first project! 🥰
Another big thanks to the team @towards.photography and @galeriemolitor

“Inner Vampire” featured a selection of existing works of photography and moving image, as well as a newly produced video by the artist Dora Budor. Made with a range of contemporary consumer tools and materials, the works reference or transpose historical media formats—from 1920s cinema and early television broadcasting to structural film and digital video; and from Polaroid to its contemporary incarnation, Instax.

Dora Budor, Inner Vampire
May 13 - June 29, 2025, DFI e.V. @towards.photography in collaboration with @companion_culture

Maybe one of my favorite exhibition titles ever. Had the pleasure of grounding with the unstoppable @dorabudor who went on an adventure with me earlier this year. Thanks for agreeing to be a part of Companion Culture’s first project! 🥰
Another big thanks to the team @towards.photography and @galeriemolitor

“Inner Vampire” featured a selection of existing works of photography and moving image, as well as a newly produced video by the artist Dora Budor. Made with a range of contemporary consumer tools and materials, the works reference or transpose historical media formats—from 1920s cinema and early television broadcasting to structural film and digital video; and from Polaroid to its contemporary incarnation, Instax.

Dora Budor, Inner Vampire
May 13 - June 29, 2025, DFI e.V. @towards.photography in collaboration with @companion_culture

Maybe one of my favorite exhibition titles ever. Had the pleasure of grounding with the unstoppable @dorabudor who went on an adventure with me earlier this year. Thanks for agreeing to be a part of Companion Culture’s first project! 🥰
Another big thanks to the team @towards.photography and @galeriemolitor

“Inner Vampire” featured a selection of existing works of photography and moving image, as well as a newly produced video by the artist Dora Budor. Made with a range of contemporary consumer tools and materials, the works reference or transpose historical media formats—from 1920s cinema and early television broadcasting to structural film and digital video; and from Polaroid to its contemporary incarnation, Instax.

Dora Budor, Inner Vampire
May 13 - June 29, 2025, DFI e.V. @towards.photography in collaboration with @companion_culture

Maybe one of my favorite exhibition titles ever. Had the pleasure of grounding with the unstoppable @dorabudor who went on an adventure with me earlier this year. Thanks for agreeing to be a part of Companion Culture’s first project! 🥰
Another big thanks to the team @towards.photography and @galeriemolitor

“Inner Vampire” featured a selection of existing works of photography and moving image, as well as a newly produced video by the artist Dora Budor. Made with a range of contemporary consumer tools and materials, the works reference or transpose historical media formats—from 1920s cinema and early television broadcasting to structural film and digital video; and from Polaroid to its contemporary incarnation, Instax.

Dora Budor, Inner Vampire
May 13 - June 29, 2025, DFI e.V. @towards.photography in collaboration with @companion_culture

Maybe one of my favorite exhibition titles ever. Had the pleasure of grounding with the unstoppable @dorabudor who went on an adventure with me earlier this year. Thanks for agreeing to be a part of Companion Culture’s first project! 🥰
Another big thanks to the team @towards.photography and @galeriemolitor

“Inner Vampire” featured a selection of existing works of photography and moving image, as well as a newly produced video by the artist Dora Budor. Made with a range of contemporary consumer tools and materials, the works reference or transpose historical media formats—from 1920s cinema and early television broadcasting to structural film and digital video; and from Polaroid to its contemporary incarnation, Instax.

Dora Budor, Inner Vampire
May 13 - June 29, 2025, DFI e.V. @towards.photography in collaboration with @companion_culture

Maybe one of my favorite exhibition titles ever. Had the pleasure of grounding with the unstoppable @dorabudor who went on an adventure with me earlier this year. Thanks for agreeing to be a part of Companion Culture’s first project! 🥰
Another big thanks to the team @towards.photography and @galeriemolitor

“Inner Vampire” featured a selection of existing works of photography and moving image, as well as a newly produced video by the artist Dora Budor. Made with a range of contemporary consumer tools and materials, the works reference or transpose historical media formats—from 1920s cinema and early television broadcasting to structural film and digital video; and from Polaroid to its contemporary incarnation, Instax.

Dora Budor, Inner Vampire
May 13 - June 29, 2025, DFI e.V. @towards.photography in collaboration with @companion_culture

Maybe one of my favorite exhibition titles ever. Had the pleasure of grounding with the unstoppable @dorabudor who went on an adventure with me earlier this year. Thanks for agreeing to be a part of Companion Culture’s first project! 🥰
Another big thanks to the team @towards.photography and @galeriemolitor

“Inner Vampire” featured a selection of existing works of photography and moving image, as well as a newly produced video by the artist Dora Budor. Made with a range of contemporary consumer tools and materials, the works reference or transpose historical media formats—from 1920s cinema and early television broadcasting to structural film and digital video; and from Polaroid to its contemporary incarnation, Instax.

What can I say?! She’s an icon. Always writing a history of her own @lynn.l.leeson @juliastoschek ✨❤️

Lynn’s solo show in Düsseldorf was on view until April 2025 and now I cant wait to publish the upcoming 420 page reader on her 60-year career, which features over forty texts from the past fifty years including seven new commissions. Stay tuned for our release in Spring 2026 @moussemagazine Almost there @josefingranetoft @lineajan 💃🏻

What can I say?! She’s an icon. Always writing a history of her own @lynn.l.leeson @juliastoschek ✨❤️

Lynn’s solo show in Düsseldorf was on view until April 2025 and now I cant wait to publish the upcoming 420 page reader on her 60-year career, which features over forty texts from the past fifty years including seven new commissions. Stay tuned for our release in Spring 2026 @moussemagazine Almost there @josefingranetoft @lineajan 💃🏻

What can I say?! She’s an icon. Always writing a history of her own @lynn.l.leeson @juliastoschek ✨❤️

Lynn’s solo show in Düsseldorf was on view until April 2025 and now I cant wait to publish the upcoming 420 page reader on her 60-year career, which features over forty texts from the past fifty years including seven new commissions. Stay tuned for our release in Spring 2026 @moussemagazine Almost there @josefingranetoft @lineajan 💃🏻

What can I say?! She’s an icon. Always writing a history of her own @lynn.l.leeson @juliastoschek ✨❤️

Lynn’s solo show in Düsseldorf was on view until April 2025 and now I cant wait to publish the upcoming 420 page reader on her 60-year career, which features over forty texts from the past fifty years including seven new commissions. Stay tuned for our release in Spring 2026 @moussemagazine Almost there @josefingranetoft @lineajan 💃🏻

What can I say?! She’s an icon. Always writing a history of her own @lynn.l.leeson @juliastoschek ✨❤️

Lynn’s solo show in Düsseldorf was on view until April 2025 and now I cant wait to publish the upcoming 420 page reader on her 60-year career, which features over forty texts from the past fifty years including seven new commissions. Stay tuned for our release in Spring 2026 @moussemagazine Almost there @josefingranetoft @lineajan 💃🏻

What can I say?! She’s an icon. Always writing a history of her own @lynn.l.leeson @juliastoschek ✨❤️

Lynn’s solo show in Düsseldorf was on view until April 2025 and now I cant wait to publish the upcoming 420 page reader on her 60-year career, which features over forty texts from the past fifty years including seven new commissions. Stay tuned for our release in Spring 2026 @moussemagazine Almost there @josefingranetoft @lineajan 💃🏻

What can I say?! She’s an icon. Always writing a history of her own @lynn.l.leeson @juliastoschek ✨❤️

Lynn’s solo show in Düsseldorf was on view until April 2025 and now I cant wait to publish the upcoming 420 page reader on her 60-year career, which features over forty texts from the past fifty years including seven new commissions. Stay tuned for our release in Spring 2026 @moussemagazine Almost there @josefingranetoft @lineajan 💃🏻

What can I say?! She’s an icon. Always writing a history of her own @lynn.l.leeson @juliastoschek ✨❤️

Lynn’s solo show in Düsseldorf was on view until April 2025 and now I cant wait to publish the upcoming 420 page reader on her 60-year career, which features over forty texts from the past fifty years including seven new commissions. Stay tuned for our release in Spring 2026 @moussemagazine Almost there @josefingranetoft @lineajan 💃🏻

What can I say?! She’s an icon. Always writing a history of her own @lynn.l.leeson @juliastoschek ✨❤️

Lynn’s solo show in Düsseldorf was on view until April 2025 and now I cant wait to publish the upcoming 420 page reader on her 60-year career, which features over forty texts from the past fifty years including seven new commissions. Stay tuned for our release in Spring 2026 @moussemagazine Almost there @josefingranetoft @lineajan 💃🏻

What can I say?! She’s an icon. Always writing a history of her own @lynn.l.leeson @juliastoschek ✨❤️

Lynn’s solo show in Düsseldorf was on view until April 2025 and now I cant wait to publish the upcoming 420 page reader on her 60-year career, which features over forty texts from the past fifty years including seven new commissions. Stay tuned for our release in Spring 2026 @moussemagazine Almost there @josefingranetoft @lineajan 💃🏻

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

I’ve been recently informed (by a trusted colleague, who was informed by her very trusted babysitter, and I mean that seriously) that according to numerology, we are at the end of a nine year cycle which will start anew next year. Some good news, hopefully, and also my opportunity to catch up on my digital portfolio while we’re still in this old cycle, relating to past projects that I didn’t post during my two year break from Instagram. It was nice being away, I recommend, but also, my cooking has again improved and the chihuahua content is off the charts.

After Images was my final exhibition at @juliastoschekfoundation in Berlin and it, like my numerological reference, signaled an ending and new beginning. The show featured over 30 works, including six new commissions and interventions that embraced an expanded definition of time-based art. No video (or barely) and no representational images. Instead, we proposed a shift from the purely visual to the haptic and multi-sensorial.

Im so proud of all the new work we produced and I want to say thank you thank you thank you to all the artists and the whole team, especially the curatorial department with @lineajan and @josefingranetoft ❤️❤️❤️ We’re missing some images here bc that is part of Trisha Donnelly’s practice so you had to have seen it to get the whole experience ✌🏼

Artists: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. Kang, LABOUR, Ghislaine Leung, David Medalla, Carsten Nicolai, Norbert Pape & Simon Speiser, Giovanna Repetto, Chaveli Sifre, Jesse Stecklow, Anicka Yi

The 16th edition of the international contemporary art fair ArtVilnius’25 is inviting you all to ArtVilnius Talks studio, for discussions, conversations and talks about art and art collecting.

ArtVilnius Talks studio is curated by Dr Paco Barragán @dr.pacobarragan (Spain) and Dr. Simona Skaisgirė (Lithuania)

ARTVILNIUS’25 TALKS 🎤
Lisa Long @_lisa_long_
Curating Time-Based Art: Sensory Montage

▪️October 4th, Saturday, 12 –1 p.m.
▪️In English
▪️Live stream on the ArtVilnius Facebook page.

 📍Location: ArtVilnius TALKS studio, Hall 5 (in English)

In her presentation, Lisa Long will speak about her curatorial approach to time-based art, emphasizing the interplay between exhibition dramaturgy, affect, and the political and ethical dimensions of contemporary image production. Drawing on three key projects from her tenure as curator at the Julia Stoschek Foundation, Long will introduce her concept of “exhibition as sensual montage,” a curatorial adaptation of Sergei Eisenstein’s cinematic theory of montage.

ABOUT
Lisa Long (b. California, lives in Berlin) is a curator and writer specializing in contemporary and time-based art.

From 2018 to 2025 Long served as Artistic Director and Curator of the Julia Stoschek Foundation, where she oversaw exhibitions, new commissions, and discursive formats across both locations.
Long has curated solo exhibitions by artists such as Sophia Al-Maria, Meriem Bennani, A.K. Burns, Stephanie Comilang & Simon Speiser, Rindon Johnson, Lynn Hershman Leeson, Ulysses Jenkins, Theodolous Polyviou, WangShui or Young-jun Tak, among others.

Recent large-scale group exhibitions include A Fire in My Belly (2021); at dawn (2022) Unbound: Performance as Rupture (2023); and After Images (2024). Prominent performances include presentations by caner teker, Labour (Farahnaz Hatam & Colin Hacklander), (La)Horde, Matana Roberts, Marina Rosenfeld or Colin Self. Long has been the co-host of two podcasts, “Unreliable Narrator” and “Unbound,” and is the editor of Lynn Hershman Leeson: A History of Her Own (Mousse Publishing).

The 16th edition of the international contemporary art fair ArtVilnius’25 is inviting you all to ArtVilnius Talks studio, for discussions, conversations and talks about art and art collecting.

ArtVilnius Talks studio is curated by Dr Paco Barragán @dr.pacobarragan (Spain) and Dr. Simona Skaisgirė (Lithuania)

ARTVILNIUS’25 TALKS 🎤
Lisa Long @_lisa_long_
Curating Time-Based Art: Sensory Montage

▪️October 4th, Saturday, 12 –1 p.m.
▪️In English
▪️Live stream on the ArtVilnius Facebook page.

 📍Location: ArtVilnius TALKS studio, Hall 5 (in English)

In her presentation, Lisa Long will speak about her curatorial approach to time-based art, emphasizing the interplay between exhibition dramaturgy, affect, and the political and ethical dimensions of contemporary image production. Drawing on three key projects from her tenure as curator at the Julia Stoschek Foundation, Long will introduce her concept of “exhibition as sensual montage,” a curatorial adaptation of Sergei Eisenstein’s cinematic theory of montage.

ABOUT
Lisa Long (b. California, lives in Berlin) is a curator and writer specializing in contemporary and time-based art.

From 2018 to 2025 Long served as Artistic Director and Curator of the Julia Stoschek Foundation, where she oversaw exhibitions, new commissions, and discursive formats across both locations.
Long has curated solo exhibitions by artists such as Sophia Al-Maria, Meriem Bennani, A.K. Burns, Stephanie Comilang & Simon Speiser, Rindon Johnson, Lynn Hershman Leeson, Ulysses Jenkins, Theodolous Polyviou, WangShui or Young-jun Tak, among others.

Recent large-scale group exhibitions include A Fire in My Belly (2021); at dawn (2022) Unbound: Performance as Rupture (2023); and After Images (2024). Prominent performances include presentations by caner teker, Labour (Farahnaz Hatam & Colin Hacklander), (La)Horde, Matana Roberts, Marina Rosenfeld or Colin Self. Long has been the co-host of two podcasts, “Unreliable Narrator” and “Unbound,” and is the editor of Lynn Hershman Leeson: A History of Her Own (Mousse Publishing).

The 16th edition of the international contemporary art fair ArtVilnius’25 is inviting you all to ArtVilnius Talks studio, for discussions, conversations and talks about art and art collecting.

ArtVilnius Talks studio is curated by Dr Paco Barragán @dr.pacobarragan (Spain) and Dr. Simona Skaisgirė (Lithuania)

ARTVILNIUS’25 TALKS 🎤
Lisa Long @_lisa_long_
Curating Time-Based Art: Sensory Montage

▪️October 4th, Saturday, 12 –1 p.m.
▪️In English
▪️Live stream on the ArtVilnius Facebook page.

 📍Location: ArtVilnius TALKS studio, Hall 5 (in English)

In her presentation, Lisa Long will speak about her curatorial approach to time-based art, emphasizing the interplay between exhibition dramaturgy, affect, and the political and ethical dimensions of contemporary image production. Drawing on three key projects from her tenure as curator at the Julia Stoschek Foundation, Long will introduce her concept of “exhibition as sensual montage,” a curatorial adaptation of Sergei Eisenstein’s cinematic theory of montage.

ABOUT
Lisa Long (b. California, lives in Berlin) is a curator and writer specializing in contemporary and time-based art.

From 2018 to 2025 Long served as Artistic Director and Curator of the Julia Stoschek Foundation, where she oversaw exhibitions, new commissions, and discursive formats across both locations.
Long has curated solo exhibitions by artists such as Sophia Al-Maria, Meriem Bennani, A.K. Burns, Stephanie Comilang & Simon Speiser, Rindon Johnson, Lynn Hershman Leeson, Ulysses Jenkins, Theodolous Polyviou, WangShui or Young-jun Tak, among others.

Recent large-scale group exhibitions include A Fire in My Belly (2021); at dawn (2022) Unbound: Performance as Rupture (2023); and After Images (2024). Prominent performances include presentations by caner teker, Labour (Farahnaz Hatam & Colin Hacklander), (La)Horde, Matana Roberts, Marina Rosenfeld or Colin Self. Long has been the co-host of two podcasts, “Unreliable Narrator” and “Unbound,” and is the editor of Lynn Hershman Leeson: A History of Her Own (Mousse Publishing).

On September 10, Crit Club Berlin takes on the question: Should art be competitive?

This edition brings together:

Kate Brown, art critic and curator based in Berlin

Flaka Haliti, artist and educator based between Prishtina and Berlin
Kabir Jhala, journalist based in between London and Mumbai
Lisa Long, curator and writer, based in Berlin
Abbas Zahedi, artist based in Ladbroke Grove, West London

Crit Club, conceived by Cem A., stages debates where teams argue both sides of an impossible question,then switch positions midway.
In Berlin, the intensity of American football comes into play through the Berlin Adler.

Presented by TRAUMA in collaboration with Texte zur Kunst, as part of Berlin Art Week.

Free access | RSVP link in bio

On September 10, Crit Club Berlin takes on the question: Should art be competitive?

This edition brings together:

Kate Brown, art critic and curator based in Berlin

Flaka Haliti, artist and educator based between Prishtina and Berlin
Kabir Jhala, journalist based in between London and Mumbai
Lisa Long, curator and writer, based in Berlin
Abbas Zahedi, artist based in Ladbroke Grove, West London

Crit Club, conceived by Cem A., stages debates where teams argue both sides of an impossible question,then switch positions midway.
In Berlin, the intensity of American football comes into play through the Berlin Adler.

Presented by TRAUMA in collaboration with Texte zur Kunst, as part of Berlin Art Week.

Free access | RSVP link in bio

On September 10, Crit Club Berlin takes on the question: Should art be competitive?

This edition brings together:

Kate Brown, art critic and curator based in Berlin

Flaka Haliti, artist and educator based between Prishtina and Berlin
Kabir Jhala, journalist based in between London and Mumbai
Lisa Long, curator and writer, based in Berlin
Abbas Zahedi, artist based in Ladbroke Grove, West London

Crit Club, conceived by Cem A., stages debates where teams argue both sides of an impossible question,then switch positions midway.
In Berlin, the intensity of American football comes into play through the Berlin Adler.

Presented by TRAUMA in collaboration with Texte zur Kunst, as part of Berlin Art Week.

Free access | RSVP link in bio

On September 10, Crit Club Berlin takes on the question: Should art be competitive?

This edition brings together:

Kate Brown, art critic and curator based in Berlin

Flaka Haliti, artist and educator based between Prishtina and Berlin
Kabir Jhala, journalist based in between London and Mumbai
Lisa Long, curator and writer, based in Berlin
Abbas Zahedi, artist based in Ladbroke Grove, West London

Crit Club, conceived by Cem A., stages debates where teams argue both sides of an impossible question,then switch positions midway.
In Berlin, the intensity of American football comes into play through the Berlin Adler.

Presented by TRAUMA in collaboration with Texte zur Kunst, as part of Berlin Art Week.

Free access | RSVP link in bio

On September 10, Crit Club Berlin takes on the question: Should art be competitive?

This edition brings together:

Kate Brown, art critic and curator based in Berlin

Flaka Haliti, artist and educator based between Prishtina and Berlin
Kabir Jhala, journalist based in between London and Mumbai
Lisa Long, curator and writer, based in Berlin
Abbas Zahedi, artist based in Ladbroke Grove, West London

Crit Club, conceived by Cem A., stages debates where teams argue both sides of an impossible question,then switch positions midway.
In Berlin, the intensity of American football comes into play through the Berlin Adler.

Presented by TRAUMA in collaboration with Texte zur Kunst, as part of Berlin Art Week.

Free access | RSVP link in bio

“Is it important to give [spectators] a break?” 🖇️

Curator and Writer Lisa Long @_lisa_long_ tells us the importance of rhythm as a narrative tool when curating time-based art. How should visitor experience be considered when sculpting the space for a work?

At Loop Symposium 2024, curated by @filipaaaaaaaaaaa at Loop Barcelona, professionals from major art institutions shared their approaches to exhibiting artists’ films. Watch the full discussion on our website or YouTube channel.

Lisa Long is a curator specializing in contemporary and time-based art. She is the former Artistic Director of the Julia Stoschek Foundation (2018-2025) (@juliastoschekfoundation) and founder and director of Companion Culture (@companion_culture), a curatorial agency that fosters projects at the forefront of contemporary art by connecting companies, foundations, entrepreneurs, and patrons with artists and institutions.

Packstation149⁣, Prinzenstrasse.
2024⁣ ⁣
150 x 190 cm

Installation shots from Winter Salon hosted by @_lisa_long_

Packstation149⁣, Prinzenstrasse.
2024⁣ ⁣
150 x 190 cm

Installation shots from Winter Salon hosted by @_lisa_long_

𝘍𝘪𝘳𝘦𝘸𝘰𝘳𝘬, 4 𝘑𝘢𝘯𝘶𝘢𝘳𝘺, 𝘌𝘮𝘴𝘦𝘳 𝘚𝘵𝘳𝘢𝘴𝘴𝘦. 
2024 
200 x 145 cm

Installation shotsWinter Salon hosted by @_lisa_long_

𝘍𝘪𝘳𝘦𝘸𝘰𝘳𝘬, 4 𝘑𝘢𝘯𝘶𝘢𝘳𝘺, 𝘌𝘮𝘴𝘦𝘳 𝘚𝘵𝘳𝘢𝘴𝘴𝘦. 
2024 
200 x 145 cm

Installation shotsWinter Salon hosted by @_lisa_long_

Open during the weekend > DOUBLE FEATURE

12 September 2024 – 27 April 2025 @juliastoschekfoundation

Curated by Line Ajan and Lisa Long
Architectural design in collaboration with @loukismenelaou
📸 by Alwin Lay

Open during the weekend > DOUBLE FEATURE

12 September 2024 – 27 April 2025 @juliastoschekfoundation

Curated by Line Ajan and Lisa Long
Architectural design in collaboration with @loukismenelaou
📸 by Alwin Lay

Open during the weekend > DOUBLE FEATURE

12 September 2024 – 27 April 2025 @juliastoschekfoundation

Curated by Line Ajan and Lisa Long
Architectural design in collaboration with @loukismenelaou
📸 by Alwin Lay