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Big thanks to @bandcamp for including our album in their “Best Hip-Hop of 2025” section!

More scavenging to come in 2026 🧀🐀

Upcoming shows:

15.05 NOKNOK, Paris
28.06 Les Siestes, Toulouse
03.07 Down the Rabbit Hole, Beuningen
14.08 Salad Days Festival, Samsø

🪱🪱🪱 Come wiggle 🪱🪱🪱🪱 In the meantime eat the rich 🥄🥄🥄🥄

𝗡𝗢𝗞 𝗡𝗢𝗞 — who’s back?

Cette fois-ci sous les arbres du @le_sample_bagnolet, un festin de collages rythmiques badigeonné de raps expérimentaux, de dub gonflé aux résonances élastiques venus vibrer les silhouettes dansantes sorties de cavernes de cristal, guette bien car on glisse!
À travers explorations auriculaires & oculaires—le son porté par @tweaksoundsystem

@_la_rat live*
@obsolater
@axel_larsen live*
@tabula_fabula performance*
@elviruselvira & @subsism_

Scénographie par @violablovia and @giuliadelbello_ 

Vendredi 15 mai
17:00–00:00
Prix 10 euros
Tickets à la porte uniquement, venez tôt!
Repas & bar
Le SAMPLE
18 avenue de la République,
Bagnolet

Graphic @ellefaitquoilavic 


🚪ㅤᵕ̈🚪ᵕ̈🚪ᵕ̈🚪

𝗡𝗢𝗞 𝗡𝗢𝗞 — who’s back?

Cette fois-ci sous les arbres du @le_sample_bagnolet, un festin de collages rythmiques badigeonné de raps expérimentaux, de dub gonflé aux résonances élastiques venus vibrer les silhouettes dansantes sorties de cavernes de cristal, guette bien car on glisse!
À travers explorations auriculaires & oculaires—le son porté par @tweaksoundsystem

@_la_rat live*
@obsolater
@axel_larsen live*
@tabula_fabula performance*
@elviruselvira & @subsism_

Scénographie par @violablovia and @giuliadelbello_ 

Vendredi 15 mai
17:00–00:00
Prix 10 euros
Tickets à la porte uniquement, venez tôt!
Repas & bar
Le SAMPLE
18 avenue de la République,
Bagnolet

Graphic @ellefaitquoilavic 


🚪ㅤᵕ̈🚪ᵕ̈🚪ᵕ̈🚪

Mix for @echoboxradio now online in the archives. 🔗🔗🔗 in the bio.

Sunny tunes praying for better days🌞

Stay sane, besiots
Xxxx

Mix for @echoboxradio now online in the archives. 🔗🔗🔗 in the bio.

Sunny tunes praying for better days🌞

Stay sane, besiots
Xxxx

Lil skribble for @kraakrecords festival tonight. No sleep pull up. 🔫🔫🔫

Lil skribble for @kraakrecords festival tonight. No sleep pull up. 🔫🔫🔫

F.E.A.R. at B**** RATLAS
All-rat. No cage.
🐀🔊

wed 18 March 2026 | start: 20:00
location: B**** RATLAS, Brussel (DM)
admission: €10,- (cash only)

F.E.A.R.
= Futura Expanded Audio Resistenza
(Powered by Public Sound)

F.E.A.R. at B**** RATLAS
All-rat. No cage.
🐀🔊

wed 18 March 2026 | start: 20:00
location: B**** RATLAS, Brussel (DM)
admission: €10,- (cash only)

F.E.A.R.
= Futura Expanded Audio Resistenza
(Powered by Public Sound)

F.E.A.R. at B**** RATLAS
All-rat. No cage.
🐀🔊

wed 18 March 2026 | start: 20:00
location: B**** RATLAS, Brussel (DM)
admission: €10,- (cash only)

F.E.A.R.
= Futura Expanded Audio Resistenza
(Powered by Public Sound)

F.E.A.R. at B**** RATLAS
All-rat. No cage.
🐀🔊

wed 18 March 2026 | start: 20:00
location: B**** RATLAS, Brussel (DM)
admission: €10,- (cash only)

F.E.A.R.
= Futura Expanded Audio Resistenza
(Powered by Public Sound)

_this saturday kleine crack & slagter + la rat + eigen risico + frank zaza b2b ruben steell @veragroningen
_go get ur tickets at vera webpage*
_poster by @rubensteell
@kleinecrack @slagtervhs @_la_rat @aryanhamyani @rubensteell @laputahache

Esta noche en Madrid. Right now live on @relativaradio and tonight with @musikmattin

Esta noche en Madrid. Right now live on @relativaradio and tonight with @musikmattin

Esta noche en Madrid. Right now live on @relativaradio and tonight with @musikmattin

Confirmed Mainstage: Eigen Risico + La Rat + Kleine Crack & Slagter + Frank Zaza b2b Ruben Steell (DJ's After Downstage) // Eigen Risico Presents // Saturday 28 February // Unstoppable genre smashing hip hop

Tickets & info: vera-groningen.nl

AVISO A LAS RATAS DE BARCELONA!!

THURSDAY 19/02
La Rat first debut concert in Barcelona + the birth of Peradam

>>Doors open at 20:00
>>Laut, Barcelona

LA RAT (@_la_rat )

La Rat steps up to the center circle with a collection of funk and soul-soaked loops and bars, soundtracks for a late night drive through a rainy city. The La Rat aesthetic weaves wider than a drunken cyclist on a busy gracht, delivering ripostes to the status quo across eight tracks, with nods to psych and blues, jazz and latin. The resulting beat collages then laid the foundations for a flurry of outer-limits raps, beamed in from the mind of a cut ‘n’ paste lyricist. The collaborative duo take inspiration from such varying sources as Georgia O’Keeffe, MC Hellshit and DJ Carhouse, Pauline Oliveros, and Rammellzee, and end up reclaiming a slice of hip-hop’s supercharged universe for themselves.

La Rat aka @grapevin3 & @tttttbbbbbzzzzz
Text by @fizzy_veins

PERADAM (@peradamm )

Peradam is a cosmic trip of emotion and rhythm.Formed by musicians with different backgrounds influenced by post-rock, ambient, jazz and hip hop. Allowing for introspection, dance and movement, their dialogue and exploration combine these influences on distorted and oniric textures, subterranean bass and hypnotic rhythms.

Band members are:
Skyland Dallal Rice (@____skyland ) keyboard/synthesizers, Marcos Horus (@marcoshorus ) electric guitar and Enzo Cimillo (@enzocimillo ), drums.

Graphic designer: @pkr.std
Photos by: @r010_lucas

Multi-instrumentalist and vocalist Goya van der Heijden (@grapevin3) – of @devonrexi – and DJ and producer Tobias Jansen – aka @tttttbbbbbzzzzz – are @_la_rat: an experimental hip hop duo whose eponymous LP on @south_of_north sprung up out of the gutter in 2025. With pitch-shifted vocals accompanied by Madlib-esque beats, they take well-loved hip hop sounds and drench them in the murky strange canals of Danksterdam. The duo cite influences as far apart as bizarro turntablist noise-makers MC Hellshit & DJ Carhouse are to deep-listening composer Pauline Oliveros.⁠
⁠
This mashing of high and low art carries into their ethos; they've created something special and sonically intricate which manages to not take itself too seriously. There's humour leaking out of every corner of 'La Rat' (2025), leaving a trail back to the nest they scurried out of. La Rat aren't only rodent scavengers of soulful crunchy samples but of chunky lyrics too, whose dribbling verses are assembled artfully into an esoteric trash-tableaux.⁠
⁠
La Rat perform at Rewire 2026 on Friday 10 April. Find out who else is on the Rewire 2026 line-up via the 🔗 in bio.

Multi-instrumentalist and vocalist Goya van der Heijden (@grapevin3) – of @devonrexi – and DJ and producer Tobias Jansen – aka @tttttbbbbbzzzzz – are @_la_rat: an experimental hip hop duo whose eponymous LP on @south_of_north sprung up out of the gutter in 2025. With pitch-shifted vocals accompanied by Madlib-esque beats, they take well-loved hip hop sounds and drench them in the murky strange canals of Danksterdam. The duo cite influences as far apart as bizarro turntablist noise-makers MC Hellshit & DJ Carhouse are to deep-listening composer Pauline Oliveros.⁠
⁠
This mashing of high and low art carries into their ethos; they've created something special and sonically intricate which manages to not take itself too seriously. There's humour leaking out of every corner of 'La Rat' (2025), leaving a trail back to the nest they scurried out of. La Rat aren't only rodent scavengers of soulful crunchy samples but of chunky lyrics too, whose dribbling verses are assembled artfully into an esoteric trash-tableaux.⁠
⁠
La Rat perform at Rewire 2026 on Friday 10 April. Find out who else is on the Rewire 2026 line-up via the 🔗 in bio.

31.10.25 20:00
BEEK has been haunting nights for three years now! Happy to invite you to celebrate this occasion together with three irresponsible concerts accompanied by two psychoactive dj sets and a little surprise for the end. Very much looking forward to spook you there.

Loma Doom’s signature style revolves around electronic experimentalism, both for mind and movement, seeking the outliers, one that avoids linearity, towards a space where intuition and understanding meet. Actively incorporating styles predating the computer era, she sources from her fondness for freak folk, psychedelic and hardcore punk.
@loma_doom

Inkasso´s turbulent synths ooze and oscillate, roaming like searchlight beacons across darkened shores. Their experimental and idiosyncratic sound explores the feeling of being cast adrift in disorienting, mechanical, and bubbled worlds. The pair from Berlin improvise live with drills, string instruments, field recordings, and everyday objects to create a hypnotic cacophony.
@inkss.biz

Sax Tape comes around with some leftfield freshness from the ever-prescient Spettro microverse: Simone and Luisali sonically enmesh for one of the most confoundingly enjoyable musical trips in recent memory. Luisalis tape manipulations which cover field-recordungs, warbled disco sampled beats and indiscernible cosmic soundings provide a launchpad for Simone´s sax diversions, looping and echoing seemingly from another time and place.
@saxxtape

Andrea Ida a listener, collector and radio show host. She digs Tss Ka Tss tss Kas, Boom Clack Boom boom Clacks, Zggghhh Doom Krrraaaks via Shhhk tak a tak dmm dmms, Waaaaooow Chk chk chk Pings, Bwoo Bleeep Zzzrrrps all the way to Hooooo shhhhwwww mmmmms, Thrrrmmm Zeeehhh Plink zzzzzzzz ploinks.
@andrea_ida

La Rat steps up to the center circle with a collection of funk and soul-soaked loops and bars, soundtracks for a late night drive through a rainy city. The La Rat aesthetic weaves wider than a drunken cyclist on a busy gracht, delivering ripostes to the status quo across eight tracks, with nods to psych and blues, jazz and latin.
@_la_rat

Supported by @musikfonds.de

31.10.25 20:00
BEEK has been haunting nights for three years now! Happy to invite you to celebrate this occasion together with three irresponsible concerts accompanied by two psychoactive dj sets and a little surprise for the end. Very much looking forward to spook you there.

Loma Doom’s signature style revolves around electronic experimentalism, both for mind and movement, seeking the outliers, one that avoids linearity, towards a space where intuition and understanding meet. Actively incorporating styles predating the computer era, she sources from her fondness for freak folk, psychedelic and hardcore punk.
@loma_doom

Inkasso´s turbulent synths ooze and oscillate, roaming like searchlight beacons across darkened shores. Their experimental and idiosyncratic sound explores the feeling of being cast adrift in disorienting, mechanical, and bubbled worlds. The pair from Berlin improvise live with drills, string instruments, field recordings, and everyday objects to create a hypnotic cacophony.
@inkss.biz

Sax Tape comes around with some leftfield freshness from the ever-prescient Spettro microverse: Simone and Luisali sonically enmesh for one of the most confoundingly enjoyable musical trips in recent memory. Luisalis tape manipulations which cover field-recordungs, warbled disco sampled beats and indiscernible cosmic soundings provide a launchpad for Simone´s sax diversions, looping and echoing seemingly from another time and place.
@saxxtape

Andrea Ida a listener, collector and radio show host. She digs Tss Ka Tss tss Kas, Boom Clack Boom boom Clacks, Zggghhh Doom Krrraaaks via Shhhk tak a tak dmm dmms, Waaaaooow Chk chk chk Pings, Bwoo Bleeep Zzzrrrps all the way to Hooooo shhhhwwww mmmmms, Thrrrmmm Zeeehhh Plink zzzzzzzz ploinks.
@andrea_ida

La Rat steps up to the center circle with a collection of funk and soul-soaked loops and bars, soundtracks for a late night drive through a rainy city. The La Rat aesthetic weaves wider than a drunken cyclist on a busy gracht, delivering ripostes to the status quo across eight tracks, with nods to psych and blues, jazz and latin.
@_la_rat

Supported by @musikfonds.de

31.10.25 20:00
BEEK has been haunting nights for three years now! Happy to invite you to celebrate this occasion together with three irresponsible concerts accompanied by two psychoactive dj sets and a little surprise for the end. Very much looking forward to spook you there.

Loma Doom’s signature style revolves around electronic experimentalism, both for mind and movement, seeking the outliers, one that avoids linearity, towards a space where intuition and understanding meet. Actively incorporating styles predating the computer era, she sources from her fondness for freak folk, psychedelic and hardcore punk.
@loma_doom

Inkasso´s turbulent synths ooze and oscillate, roaming like searchlight beacons across darkened shores. Their experimental and idiosyncratic sound explores the feeling of being cast adrift in disorienting, mechanical, and bubbled worlds. The pair from Berlin improvise live with drills, string instruments, field recordings, and everyday objects to create a hypnotic cacophony.
@inkss.biz

Sax Tape comes around with some leftfield freshness from the ever-prescient Spettro microverse: Simone and Luisali sonically enmesh for one of the most confoundingly enjoyable musical trips in recent memory. Luisalis tape manipulations which cover field-recordungs, warbled disco sampled beats and indiscernible cosmic soundings provide a launchpad for Simone´s sax diversions, looping and echoing seemingly from another time and place.
@saxxtape

Andrea Ida a listener, collector and radio show host. She digs Tss Ka Tss tss Kas, Boom Clack Boom boom Clacks, Zggghhh Doom Krrraaaks via Shhhk tak a tak dmm dmms, Waaaaooow Chk chk chk Pings, Bwoo Bleeep Zzzrrrps all the way to Hooooo shhhhwwww mmmmms, Thrrrmmm Zeeehhh Plink zzzzzzzz ploinks.
@andrea_ida

La Rat steps up to the center circle with a collection of funk and soul-soaked loops and bars, soundtracks for a late night drive through a rainy city. The La Rat aesthetic weaves wider than a drunken cyclist on a busy gracht, delivering ripostes to the status quo across eight tracks, with nods to psych and blues, jazz and latin.
@_la_rat

Supported by @musikfonds.de

31.10.25 20:00
BEEK has been haunting nights for three years now! Happy to invite you to celebrate this occasion together with three irresponsible concerts accompanied by two psychoactive dj sets and a little surprise for the end. Very much looking forward to spook you there.

Loma Doom’s signature style revolves around electronic experimentalism, both for mind and movement, seeking the outliers, one that avoids linearity, towards a space where intuition and understanding meet. Actively incorporating styles predating the computer era, she sources from her fondness for freak folk, psychedelic and hardcore punk.
@loma_doom

Inkasso´s turbulent synths ooze and oscillate, roaming like searchlight beacons across darkened shores. Their experimental and idiosyncratic sound explores the feeling of being cast adrift in disorienting, mechanical, and bubbled worlds. The pair from Berlin improvise live with drills, string instruments, field recordings, and everyday objects to create a hypnotic cacophony.
@inkss.biz

Sax Tape comes around with some leftfield freshness from the ever-prescient Spettro microverse: Simone and Luisali sonically enmesh for one of the most confoundingly enjoyable musical trips in recent memory. Luisalis tape manipulations which cover field-recordungs, warbled disco sampled beats and indiscernible cosmic soundings provide a launchpad for Simone´s sax diversions, looping and echoing seemingly from another time and place.
@saxxtape

Andrea Ida a listener, collector and radio show host. She digs Tss Ka Tss tss Kas, Boom Clack Boom boom Clacks, Zggghhh Doom Krrraaaks via Shhhk tak a tak dmm dmms, Waaaaooow Chk chk chk Pings, Bwoo Bleeep Zzzrrrps all the way to Hooooo shhhhwwww mmmmms, Thrrrmmm Zeeehhh Plink zzzzzzzz ploinks.
@andrea_ida

La Rat steps up to the center circle with a collection of funk and soul-soaked loops and bars, soundtracks for a late night drive through a rainy city. The La Rat aesthetic weaves wider than a drunken cyclist on a busy gracht, delivering ripostes to the status quo across eight tracks, with nods to psych and blues, jazz and latin.
@_la_rat

Supported by @musikfonds.de

31.10.25 20:00
BEEK has been haunting nights for three years now! Happy to invite you to celebrate this occasion together with three irresponsible concerts accompanied by two psychoactive dj sets and a little surprise for the end. Very much looking forward to spook you there.

Loma Doom’s signature style revolves around electronic experimentalism, both for mind and movement, seeking the outliers, one that avoids linearity, towards a space where intuition and understanding meet. Actively incorporating styles predating the computer era, she sources from her fondness for freak folk, psychedelic and hardcore punk.
@loma_doom

Inkasso´s turbulent synths ooze and oscillate, roaming like searchlight beacons across darkened shores. Their experimental and idiosyncratic sound explores the feeling of being cast adrift in disorienting, mechanical, and bubbled worlds. The pair from Berlin improvise live with drills, string instruments, field recordings, and everyday objects to create a hypnotic cacophony.
@inkss.biz

Sax Tape comes around with some leftfield freshness from the ever-prescient Spettro microverse: Simone and Luisali sonically enmesh for one of the most confoundingly enjoyable musical trips in recent memory. Luisalis tape manipulations which cover field-recordungs, warbled disco sampled beats and indiscernible cosmic soundings provide a launchpad for Simone´s sax diversions, looping and echoing seemingly from another time and place.
@saxxtape

Andrea Ida a listener, collector and radio show host. She digs Tss Ka Tss tss Kas, Boom Clack Boom boom Clacks, Zggghhh Doom Krrraaaks via Shhhk tak a tak dmm dmms, Waaaaooow Chk chk chk Pings, Bwoo Bleeep Zzzrrrps all the way to Hooooo shhhhwwww mmmmms, Thrrrmmm Zeeehhh Plink zzzzzzzz ploinks.
@andrea_ida

La Rat steps up to the center circle with a collection of funk and soul-soaked loops and bars, soundtracks for a late night drive through a rainy city. The La Rat aesthetic weaves wider than a drunken cyclist on a busy gracht, delivering ripostes to the status quo across eight tracks, with nods to psych and blues, jazz and latin.
@_la_rat

Supported by @musikfonds.de

31.10.25 20:00
BEEK has been haunting nights for three years now! Happy to invite you to celebrate this occasion together with three irresponsible concerts accompanied by two psychoactive dj sets and a little surprise for the end. Very much looking forward to spook you there.

Loma Doom’s signature style revolves around electronic experimentalism, both for mind and movement, seeking the outliers, one that avoids linearity, towards a space where intuition and understanding meet. Actively incorporating styles predating the computer era, she sources from her fondness for freak folk, psychedelic and hardcore punk.
@loma_doom

Inkasso´s turbulent synths ooze and oscillate, roaming like searchlight beacons across darkened shores. Their experimental and idiosyncratic sound explores the feeling of being cast adrift in disorienting, mechanical, and bubbled worlds. The pair from Berlin improvise live with drills, string instruments, field recordings, and everyday objects to create a hypnotic cacophony.
@inkss.biz

Sax Tape comes around with some leftfield freshness from the ever-prescient Spettro microverse: Simone and Luisali sonically enmesh for one of the most confoundingly enjoyable musical trips in recent memory. Luisalis tape manipulations which cover field-recordungs, warbled disco sampled beats and indiscernible cosmic soundings provide a launchpad for Simone´s sax diversions, looping and echoing seemingly from another time and place.
@saxxtape

Andrea Ida a listener, collector and radio show host. She digs Tss Ka Tss tss Kas, Boom Clack Boom boom Clacks, Zggghhh Doom Krrraaaks via Shhhk tak a tak dmm dmms, Waaaaooow Chk chk chk Pings, Bwoo Bleeep Zzzrrrps all the way to Hooooo shhhhwwww mmmmms, Thrrrmmm Zeeehhh Plink zzzzzzzz ploinks.
@andrea_ida

La Rat steps up to the center circle with a collection of funk and soul-soaked loops and bars, soundtracks for a late night drive through a rainy city. The La Rat aesthetic weaves wider than a drunken cyclist on a busy gracht, delivering ripostes to the status quo across eight tracks, with nods to psych and blues, jazz and latin.
@_la_rat

Supported by @musikfonds.de

31.10.25 20:00
BEEK has been haunting nights for three years now! Happy to invite you to celebrate this occasion together with three irresponsible concerts accompanied by two psychoactive dj sets and a little surprise for the end. Very much looking forward to spook you there.

Loma Doom’s signature style revolves around electronic experimentalism, both for mind and movement, seeking the outliers, one that avoids linearity, towards a space where intuition and understanding meet. Actively incorporating styles predating the computer era, she sources from her fondness for freak folk, psychedelic and hardcore punk.
@loma_doom

Inkasso´s turbulent synths ooze and oscillate, roaming like searchlight beacons across darkened shores. Their experimental and idiosyncratic sound explores the feeling of being cast adrift in disorienting, mechanical, and bubbled worlds. The pair from Berlin improvise live with drills, string instruments, field recordings, and everyday objects to create a hypnotic cacophony.
@inkss.biz

Sax Tape comes around with some leftfield freshness from the ever-prescient Spettro microverse: Simone and Luisali sonically enmesh for one of the most confoundingly enjoyable musical trips in recent memory. Luisalis tape manipulations which cover field-recordungs, warbled disco sampled beats and indiscernible cosmic soundings provide a launchpad for Simone´s sax diversions, looping and echoing seemingly from another time and place.
@saxxtape

Andrea Ida a listener, collector and radio show host. She digs Tss Ka Tss tss Kas, Boom Clack Boom boom Clacks, Zggghhh Doom Krrraaaks via Shhhk tak a tak dmm dmms, Waaaaooow Chk chk chk Pings, Bwoo Bleeep Zzzrrrps all the way to Hooooo shhhhwwww mmmmms, Thrrrmmm Zeeehhh Plink zzzzzzzz ploinks.
@andrea_ida

La Rat steps up to the center circle with a collection of funk and soul-soaked loops and bars, soundtracks for a late night drive through a rainy city. The La Rat aesthetic weaves wider than a drunken cyclist on a busy gracht, delivering ripostes to the status quo across eight tracks, with nods to psych and blues, jazz and latin.
@_la_rat

Supported by @musikfonds.de