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_ellll_
ELLLL
composer ⊹ producer
makes music ⊹ dj sometimes
𓆝 𓆟 𓆞 𓆝 𓆟
@refugeworldwide | @gash_collective | @___murmurberlin
· not here much
I’ve just released a debut album 𝘌𝘢𝘳𝘵𝘩 𝘙𝘰𝘵𝘢𝘵𝘪𝘰𝘯 on @brukrecords
“BRUK welcomes the daring shapes and textures of ELLLL for her debut album, Earth Rotation. Across 13 scuffed cuts and grubby miniatures the Irish producer shapes out a distinctive sound world, steeped in sample science and powered by low-slung grooves…”
Bigs ups Miles @demdikestare for mastering @bus.group for the amazing amphibious design.
Massive thanks to @lowendactivist for the faith and bringing this to life! 🌀
Out now, digital and physical, link in bio. Plus all the usual brick and mortar spots ˙ᵕ˙
I’ve just released a debut album 𝘌𝘢𝘳𝘵𝘩 𝘙𝘰𝘵𝘢𝘵𝘪𝘰𝘯 on @brukrecords
“BRUK welcomes the daring shapes and textures of ELLLL for her debut album, Earth Rotation. Across 13 scuffed cuts and grubby miniatures the Irish producer shapes out a distinctive sound world, steeped in sample science and powered by low-slung grooves…”
Bigs ups Miles @demdikestare for mastering @bus.group for the amazing amphibious design.
Massive thanks to @lowendactivist for the faith and bringing this to life! 🌀
Out now, digital and physical, link in bio. Plus all the usual brick and mortar spots ˙ᵕ˙
I’ve just released a debut album 𝘌𝘢𝘳𝘵𝘩 𝘙𝘰𝘵𝘢𝘵𝘪𝘰𝘯 on @brukrecords
“BRUK welcomes the daring shapes and textures of ELLLL for her debut album, Earth Rotation. Across 13 scuffed cuts and grubby miniatures the Irish producer shapes out a distinctive sound world, steeped in sample science and powered by low-slung grooves…”
Bigs ups Miles @demdikestare for mastering @bus.group for the amazing amphibious design.
Massive thanks to @lowendactivist for the faith and bringing this to life! 🌀
Out now, digital and physical, link in bio. Plus all the usual brick and mortar spots ˙ᵕ˙
pres. ELLLL
/// 13.05 at OHM
ELLLL is a genre-bending producer and DJ from Ireland, reshaping club music with a bass-heavy, off-kilter approach to dance music. Her debut album Earth Rotation (Bruk Records, 2024) blends prepared piano, warped samples and skewed percussive elements, moving fluidly between forms, just like her regular radio shows on Refuge Worldwide.
Catch ELLLL on Wednesday for a special midnight dancefloor session, increasing intensity for the liveset to follow. 💙💜
13.10 - 10pm - OHM
pres. ELLLL
/// 13.05 at OHM
ELLLL is a genre-bending producer and DJ from Ireland, reshaping club music with a bass-heavy, off-kilter approach to dance music. Her debut album Earth Rotation (Bruk Records, 2024) blends prepared piano, warped samples and skewed percussive elements, moving fluidly between forms, just like her regular radio shows on Refuge Worldwide.
Catch ELLLL on Wednesday for a special midnight dancefloor session, increasing intensity for the liveset to follow. 💙💜
13.10 - 10pm - OHM
pres. ELLLL
/// 13.05 at OHM
ELLLL is a genre-bending producer and DJ from Ireland, reshaping club music with a bass-heavy, off-kilter approach to dance music. Her debut album Earth Rotation (Bruk Records, 2024) blends prepared piano, warped samples and skewed percussive elements, moving fluidly between forms, just like her regular radio shows on Refuge Worldwide.
Catch ELLLL on Wednesday for a special midnight dancefloor session, increasing intensity for the liveset to follow. 💙💜
13.10 - 10pm - OHM
pres. ELLLL
/// 13.05 at OHM
ELLLL is a genre-bending producer and DJ from Ireland, reshaping club music with a bass-heavy, off-kilter approach to dance music. Her debut album Earth Rotation (Bruk Records, 2024) blends prepared piano, warped samples and skewed percussive elements, moving fluidly between forms, just like her regular radio shows on Refuge Worldwide.
Catch ELLLL on Wednesday for a special midnight dancefloor session, increasing intensity for the liveset to follow. 💙💜
13.10 - 10pm - OHM
pres. ELLLL
/// 13.05 at OHM
ELLLL is a genre-bending producer and DJ from Ireland, reshaping club music with a bass-heavy, off-kilter approach to dance music. Her debut album Earth Rotation (Bruk Records, 2024) blends prepared piano, warped samples and skewed percussive elements, moving fluidly between forms, just like her regular radio shows on Refuge Worldwide.
Catch ELLLL on Wednesday for a special midnight dancefloor session, increasing intensity for the liveset to follow. 💙💜
13.10 - 10pm - OHM
After recent excursions into deeper realms of techno and electro, ULTRA LIGHT PLUS returns to OHM for a special low-end focus on Wednesday night, 22:00, ahead of the bank holiday the next day. Diving into weightier territory, Jean Redondo, ELLLL and Marie Tjong Ayong join for an eclectic ULP edition exploring the physical and cerebral.
True to the ULP DNA, the night continues to inhabit the “space between” genres, touching on the funkier side of bass, acid, electro, glitch, footwork, ghettotech, percussive techno, and rhythms that bend sideways rather than straight ahead.
Jean Redondo loves the infinite possibilities of experimental music, while also being deeply drawn to footwork and ghetto music. Over the years, he has tried to merge these somewhat opposing influences. While footwork and ghetto music consist of raw elements, experimental music is often based on the use of effects. He progressively reached a satisfying balance between cold, technological and surgical sound design, bouncy rhythms, and warm sub frequencies. Jean returns to Berlin from Marseille for the first time in 10 years, presenting his new live set for the first time. Not to be missed!
ELLLL is a genre-bending producer and DJ from Ireland, reshaping club music with a bass-heavy, off- kilter approach to dance music. Her debut album Earth Rotation (Bruk Records, 2024) blends prepared piano, warped samples and skewed percussive elements, moving fluidly between forms.
Marie Tjong Ayong is a Berlin-based producer, DJ, and jazz trumpet player (also part of Rundfunk- Tanzorchester Ehrenfeld), whose sound weaves percussive richness, warm harmonies, and genre- defying grooves into immersive, abstract sonic spaces. Airy, dreamy, and deeply groovy, her music invites listeners into a world shaped by texture and emotional depth, often reconnecting with her roots through layered, expressive sound design.
Rounding off the night are hosts Syrtaki and Thomas Hoffmann as Ultra Light Plus DJs. As usual, they guide the journey’s beginning and end, weaving the night’s threads into one cohesive narrative.
After recent excursions into deeper realms of techno and electro, ULTRA LIGHT PLUS returns to OHM for a special low-end focus on Wednesday night, 22:00, ahead of the bank holiday the next day. Diving into weightier territory, Jean Redondo, ELLLL and Marie Tjong Ayong join for an eclectic ULP edition exploring the physical and cerebral.
True to the ULP DNA, the night continues to inhabit the “space between” genres, touching on the funkier side of bass, acid, electro, glitch, footwork, ghettotech, percussive techno, and rhythms that bend sideways rather than straight ahead.
Jean Redondo loves the infinite possibilities of experimental music, while also being deeply drawn to footwork and ghetto music. Over the years, he has tried to merge these somewhat opposing influences. While footwork and ghetto music consist of raw elements, experimental music is often based on the use of effects. He progressively reached a satisfying balance between cold, technological and surgical sound design, bouncy rhythms, and warm sub frequencies. Jean returns to Berlin from Marseille for the first time in 10 years, presenting his new live set for the first time. Not to be missed!
ELLLL is a genre-bending producer and DJ from Ireland, reshaping club music with a bass-heavy, off- kilter approach to dance music. Her debut album Earth Rotation (Bruk Records, 2024) blends prepared piano, warped samples and skewed percussive elements, moving fluidly between forms.
Marie Tjong Ayong is a Berlin-based producer, DJ, and jazz trumpet player (also part of Rundfunk- Tanzorchester Ehrenfeld), whose sound weaves percussive richness, warm harmonies, and genre- defying grooves into immersive, abstract sonic spaces. Airy, dreamy, and deeply groovy, her music invites listeners into a world shaped by texture and emotional depth, often reconnecting with her roots through layered, expressive sound design.
Rounding off the night are hosts Syrtaki and Thomas Hoffmann as Ultra Light Plus DJs. As usual, they guide the journey’s beginning and end, weaving the night’s threads into one cohesive narrative.
After recent excursions into deeper realms of techno and electro, ULTRA LIGHT PLUS returns to OHM for a special low-end focus on Wednesday night, 22:00, ahead of the bank holiday the next day. Diving into weightier territory, Jean Redondo, ELLLL and Marie Tjong Ayong join for an eclectic ULP edition exploring the physical and cerebral.
True to the ULP DNA, the night continues to inhabit the “space between” genres, touching on the funkier side of bass, acid, electro, glitch, footwork, ghettotech, percussive techno, and rhythms that bend sideways rather than straight ahead.
Jean Redondo loves the infinite possibilities of experimental music, while also being deeply drawn to footwork and ghetto music. Over the years, he has tried to merge these somewhat opposing influences. While footwork and ghetto music consist of raw elements, experimental music is often based on the use of effects. He progressively reached a satisfying balance between cold, technological and surgical sound design, bouncy rhythms, and warm sub frequencies. Jean returns to Berlin from Marseille for the first time in 10 years, presenting his new live set for the first time. Not to be missed!
ELLLL is a genre-bending producer and DJ from Ireland, reshaping club music with a bass-heavy, off- kilter approach to dance music. Her debut album Earth Rotation (Bruk Records, 2024) blends prepared piano, warped samples and skewed percussive elements, moving fluidly between forms.
Marie Tjong Ayong is a Berlin-based producer, DJ, and jazz trumpet player (also part of Rundfunk- Tanzorchester Ehrenfeld), whose sound weaves percussive richness, warm harmonies, and genre- defying grooves into immersive, abstract sonic spaces. Airy, dreamy, and deeply groovy, her music invites listeners into a world shaped by texture and emotional depth, often reconnecting with her roots through layered, expressive sound design.
Rounding off the night are hosts Syrtaki and Thomas Hoffmann as Ultra Light Plus DJs. As usual, they guide the journey’s beginning and end, weaving the night’s threads into one cohesive narrative.
After recent excursions into deeper realms of techno and electro, ULTRA LIGHT PLUS returns to OHM for a special low-end focus on Wednesday night, 22:00, ahead of the bank holiday the next day. Diving into weightier territory, Jean Redondo, ELLLL and Marie Tjong Ayong join for an eclectic ULP edition exploring the physical and cerebral.
True to the ULP DNA, the night continues to inhabit the “space between” genres, touching on the funkier side of bass, acid, electro, glitch, footwork, ghettotech, percussive techno, and rhythms that bend sideways rather than straight ahead.
Jean Redondo loves the infinite possibilities of experimental music, while also being deeply drawn to footwork and ghetto music. Over the years, he has tried to merge these somewhat opposing influences. While footwork and ghetto music consist of raw elements, experimental music is often based on the use of effects. He progressively reached a satisfying balance between cold, technological and surgical sound design, bouncy rhythms, and warm sub frequencies. Jean returns to Berlin from Marseille for the first time in 10 years, presenting his new live set for the first time. Not to be missed!
ELLLL is a genre-bending producer and DJ from Ireland, reshaping club music with a bass-heavy, off- kilter approach to dance music. Her debut album Earth Rotation (Bruk Records, 2024) blends prepared piano, warped samples and skewed percussive elements, moving fluidly between forms.
Marie Tjong Ayong is a Berlin-based producer, DJ, and jazz trumpet player (also part of Rundfunk- Tanzorchester Ehrenfeld), whose sound weaves percussive richness, warm harmonies, and genre- defying grooves into immersive, abstract sonic spaces. Airy, dreamy, and deeply groovy, her music invites listeners into a world shaped by texture and emotional depth, often reconnecting with her roots through layered, expressive sound design.
Rounding off the night are hosts Syrtaki and Thomas Hoffmann as Ultra Light Plus DJs. As usual, they guide the journey’s beginning and end, weaving the night’s threads into one cohesive narrative.
After recent excursions into deeper realms of techno and electro, ULTRA LIGHT PLUS returns to OHM for a special low-end focus on Wednesday night, 22:00, ahead of the bank holiday the next day. Diving into weightier territory, Jean Redondo, ELLLL and Marie Tjong Ayong join for an eclectic ULP edition exploring the physical and cerebral.
True to the ULP DNA, the night continues to inhabit the “space between” genres, touching on the funkier side of bass, acid, electro, glitch, footwork, ghettotech, percussive techno, and rhythms that bend sideways rather than straight ahead.
Jean Redondo loves the infinite possibilities of experimental music, while also being deeply drawn to footwork and ghetto music. Over the years, he has tried to merge these somewhat opposing influences. While footwork and ghetto music consist of raw elements, experimental music is often based on the use of effects. He progressively reached a satisfying balance between cold, technological and surgical sound design, bouncy rhythms, and warm sub frequencies. Jean returns to Berlin from Marseille for the first time in 10 years, presenting his new live set for the first time. Not to be missed!
ELLLL is a genre-bending producer and DJ from Ireland, reshaping club music with a bass-heavy, off- kilter approach to dance music. Her debut album Earth Rotation (Bruk Records, 2024) blends prepared piano, warped samples and skewed percussive elements, moving fluidly between forms.
Marie Tjong Ayong is a Berlin-based producer, DJ, and jazz trumpet player (also part of Rundfunk- Tanzorchester Ehrenfeld), whose sound weaves percussive richness, warm harmonies, and genre- defying grooves into immersive, abstract sonic spaces. Airy, dreamy, and deeply groovy, her music invites listeners into a world shaped by texture and emotional depth, often reconnecting with her roots through layered, expressive sound design.
Rounding off the night are hosts Syrtaki and Thomas Hoffmann as Ultra Light Plus DJs. As usual, they guide the journey’s beginning and end, weaving the night’s threads into one cohesive narrative.
13.05 - 10pm - OHM
After recent excursions into the deeper realms of techno and electro, ULTRA LIGHT PLUS returns to OHM for a special focus on the low-end, Wednesday night, ahead of a bank holiday.
This time Jean Redondo, ELLLL and Marie Tjong Ayong will join for an eclectic edition that explores the physical and the cerebral.
LINE UP:
- JEAN REDONDO *LIVE* (BFDM, Tresor Records / FR)
- ELLLL (Bruk Records, First Second Label / IE)
- MARIE TJONG AYONG (Qeone, SFX / DE)
- ULP DJs (aka Syrtaki & T.Hoffmann / DE)
Join RA / Telegram via link in bio. 💙
Moss Signal, new track of mine, included on this gorgeous comp via @ghostdancetapes.
Big ups to @brahimlumiere for the thoughtful curation and @granados_gregory for the tape-inspired sculptural piece (!!) featured above.
[TAPE005] REMANENCES_V/A — fragmented cassette tape, hand-assembled, non-functional, now a sculptural relic.
Edition of 40, each one unique. Designed by Gregory Granados.
Digital + cassette out now :>
⊹ link in bio
Last weeks rehearsals have been hot, sweaty and chaotic in all the best ways - Tech week is on 🫡🍚
@gdocs.co capturing all the BTS, rehearsals and documentation for Bahala/o since Day 1 💌🌾
🗓️Nov 19 - 29
📍New Benner Theatre
🎟️ Bahala na and book your tickets now via bio link!
Reel by @gdocs.co 🔒
Music by @_ellll_ 🔮
Crazy times to be sharing work on here - more updates on typhoon relief soon 💌
9 days until PREVIEW ‼️
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
10 Years Of First Second Label - This Saturday at Paloma, Berlin 23:30-08:00
A short breakdown of what to expect this Saturday at Kotbusser Tor. 10 years of releases, parties and friendships with a super stacked line up.
@_ellll_ @_glimmerman_
@_smallcrab_ @leibniz_hundert
@george.coe.w @paloma_berlin
@der_opium__queen
@_ellll_ | BERLIN CLUB CULTURE | PART 1
OHM | THURS OCT 23 | RESIDENT ADVISOR 4 ATTENDANCE & MORE INFO | LINK IN BIO
The 31 day countdown is on until the chaos of Bahala/o rains down at @metroarts this NOV 19 - 29 ☔️🍚
🌾From early seeds to the world premiere season, make sure you secure your tickets now (link in bio) 🌾
If you came to experience some seeds of Bahala/o during our @backbone_brisbane development showing last year be sure to expect:
More RICE.
More HEAT.
More BAHALA NA energy.
Backbone festival 2025 is happening now and we are so grateful for their support on the work’s journey 💫
Truly blessed to have received 2 major development support with @studio1_bne after this showing last OCT - more on this soon !!
Each development the work grew louder. More BAHALA NA energy. More itself. And we can’t wait to show you all where it has become 🍚👯♀️
Documentation footage by the @gdocs.co 🎥
Original sound composition by @_ellll_ 🎶
CLOCK IT: @_ellll_ (IRL) 🇮🇪
OHM | THURS 23 OCT | RESIDENT ADVISOR 4 ATTENDANCE & INFO | LINK IN BIO
CLOCK IT: @_ellll_ (IRL) 🇮🇪
OHM | THURS 23 OCT | RESIDENT ADVISOR 4 ATTENDANCE & INFO | LINK IN BIO
CLOCK IT: @_ellll_ (IRL) 🇮🇪
OHM | THURS 23 OCT | RESIDENT ADVISOR 4 ATTENDANCE & INFO | LINK IN BIO
CLOCK IT: @_ellll_ (IRL) 🇮🇪
OHM | THURS 23 OCT | RESIDENT ADVISOR 4 ATTENDANCE & INFO | LINK IN BIO
CLOCK IT: @_ellll_ (IRL) 🇮🇪
OHM | THURS 23 OCT | RESIDENT ADVISOR 4 ATTENDANCE & INFO | LINK IN BIO
some berlin shows coming up:
23.10 - ohm - @greenroomberlin
06.11 - radio - @refugeworldwide
08.11 - paloma - FSL 10 year anniversary (E2E w/ @_glimmerman_
videos from @dosecork back in July 𓆝 𓆟 𓆞
some berlin shows coming up:
23.10 - ohm - @greenroomberlin
06.11 - radio - @refugeworldwide
08.11 - paloma - FSL 10 year anniversary (E2E w/ @_glimmerman_
videos from @dosecork back in July 𓆝 𓆟 𓆞
some berlin shows coming up:
23.10 - ohm - @greenroomberlin
06.11 - radio - @refugeworldwide
08.11 - paloma - FSL 10 year anniversary (E2E w/ @_glimmerman_
videos from @dosecork back in July 𓆝 𓆟 𓆞
some berlin shows coming up:
23.10 - ohm - @greenroomberlin
06.11 - radio - @refugeworldwide
08.11 - paloma - FSL 10 year anniversary (E2E w/ @_glimmerman_
videos from @dosecork back in July 𓆝 𓆟 𓆞
some berlin shows coming up:
23.10 - ohm - @greenroomberlin
06.11 - radio - @refugeworldwide
08.11 - paloma - FSL 10 year anniversary (E2E w/ @_glimmerman_
videos from @dosecork back in July 𓆝 𓆟 𓆞
Hi. New track of mine featured alongside many fantastic artists for compilation + limited-edition cassette, ‘The Sky Was A Mouth Again’.
Proceeds will be donated to Medical Aid for Palestinians (MAP) and the United Nations Relief and Works Agency (UNRWA) @medicalaidpal @unrwa 🍉
Physical + digital available now via @_dietofworms_ Bandcamp. Artwork by @_cian_walker_
Link in bio
﹌﹌﹌﹌﹌
Following the powerful statement of 2024’s Hunger Is Violence compilation in aid of the Ireland Palestine Solidarity Campaign, Diet of Worms returns with a new international release in solidarity with the people of Palestine.
This time, the project reaches beyond Ireland’s borders, bringing together an eclectic group of international artists to reinterpret one of music’s most mythic and enigmatic songs: Louie Louie.
Titled The Sky Was a Mouth Again, the compilation is a bold reimagining of Richard Berry’s 1955 garage anthem - a song that has echoed through decades of protest, censorship, and counterculture.
Across continents and genres, artists have responded to the track with interpretations that are urgent, fractured, defiant, and deeply moving.
Hi. New track of mine featured alongside many fantastic artists for compilation + limited-edition cassette, ‘The Sky Was A Mouth Again’.
Proceeds will be donated to Medical Aid for Palestinians (MAP) and the United Nations Relief and Works Agency (UNRWA) @medicalaidpal @unrwa 🍉
Physical + digital available now via @_dietofworms_ Bandcamp. Artwork by @_cian_walker_
Link in bio
﹌﹌﹌﹌﹌
Following the powerful statement of 2024’s Hunger Is Violence compilation in aid of the Ireland Palestine Solidarity Campaign, Diet of Worms returns with a new international release in solidarity with the people of Palestine.
This time, the project reaches beyond Ireland’s borders, bringing together an eclectic group of international artists to reinterpret one of music’s most mythic and enigmatic songs: Louie Louie.
Titled The Sky Was a Mouth Again, the compilation is a bold reimagining of Richard Berry’s 1955 garage anthem - a song that has echoed through decades of protest, censorship, and counterculture.
Across continents and genres, artists have responded to the track with interpretations that are urgent, fractured, defiant, and deeply moving.
Hi. New track of mine featured alongside many fantastic artists for compilation + limited-edition cassette, ‘The Sky Was A Mouth Again’.
Proceeds will be donated to Medical Aid for Palestinians (MAP) and the United Nations Relief and Works Agency (UNRWA) @medicalaidpal @unrwa 🍉
Physical + digital available now via @_dietofworms_ Bandcamp. Artwork by @_cian_walker_
Link in bio
﹌﹌﹌﹌﹌
Following the powerful statement of 2024’s Hunger Is Violence compilation in aid of the Ireland Palestine Solidarity Campaign, Diet of Worms returns with a new international release in solidarity with the people of Palestine.
This time, the project reaches beyond Ireland’s borders, bringing together an eclectic group of international artists to reinterpret one of music’s most mythic and enigmatic songs: Louie Louie.
Titled The Sky Was a Mouth Again, the compilation is a bold reimagining of Richard Berry’s 1955 garage anthem - a song that has echoed through decades of protest, censorship, and counterculture.
Across continents and genres, artists have responded to the track with interpretations that are urgent, fractured, defiant, and deeply moving.
Hi. New track of mine featured alongside many fantastic artists for compilation + limited-edition cassette, ‘The Sky Was A Mouth Again’.
Proceeds will be donated to Medical Aid for Palestinians (MAP) and the United Nations Relief and Works Agency (UNRWA) @medicalaidpal @unrwa 🍉
Physical + digital available now via @_dietofworms_ Bandcamp. Artwork by @_cian_walker_
Link in bio
﹌﹌﹌﹌﹌
Following the powerful statement of 2024’s Hunger Is Violence compilation in aid of the Ireland Palestine Solidarity Campaign, Diet of Worms returns with a new international release in solidarity with the people of Palestine.
This time, the project reaches beyond Ireland’s borders, bringing together an eclectic group of international artists to reinterpret one of music’s most mythic and enigmatic songs: Louie Louie.
Titled The Sky Was a Mouth Again, the compilation is a bold reimagining of Richard Berry’s 1955 garage anthem - a song that has echoed through decades of protest, censorship, and counterculture.
Across continents and genres, artists have responded to the track with interpretations that are urgent, fractured, defiant, and deeply moving.
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