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_davemay
Dave May ACS
Emmy nominated cinematographer
Occasional director
Sydney 🦘
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
Over the weekend Love on the Spectrum S3 picked up a golden tripod at the @austcine national awards.
Thank you @ciantharwa for having me along for the ride and the whole @northernpictures LOTS family who made those 5 months spent in the US filming the show a once in a lifetime experience.
For years now we’ve shot the show on Canon gear, so big thank you to @highzoltage, @canonanz and @canonanzpro for the ongoing support.
And thank you to the ACS. I’ve been a member since 2016, so it’s been a decade of being part of this community that supports, educates, and pushes each other forward. It’s a special organisation and the door always feels open, so I look forward to being a part of things there for many years to come.
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
🍾🍾🍾
Beyond stoked. Really proud of this concert film and love that it’s gone on to connected with so many people.
This project was the definition of a team effort, but absolutely couldn’t have done it without the incredible @patrickrohl and @jackcrombie. Huge thanks to @stuartbuchanan, @amzobrownie, @benmarshall_sydneyoperahouse and @esmebsmith. It was a privilege to work alongside the teams at @sydneyoperahouse and @underworld to bring it all together.
The connection Underworld have with their audience is something special. Grateful that we’ve been able to capture some of that connection with this film so that a record of it will live on for years to come.
Link to watch in bio and finally, if you’re ever offered the opportunity to see Underworld live - say yes. They’re like nothing else.
Selected credits
Underworld
Rick Smith and @karlhydedailydiary
Management: @esmebsmith
Tall Story
Director/DOPs: @_davemay, @patrickrohl
Technical Supervisor: @jackcrombie
Camera Operators: @adrian_emerton, @calebgrahamfilms, @instabanca, @mitchellgmckay
Handycam sniper: @walker__sean
Sound/Sync: @movisonics
Edit: @_davemay
Colourist: @abewynen
BTS Sound Mix: @soundscrubs
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Producer, Screen: @amzobrownie
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Filming @king_dylan_01 was one of my favourite things about working on Love on the Spectrum. He is an incredibly sweet guy and I’m so glad to see that people around the world have fallen in love with him and his delightful family.
Dylan’s mum was so warm and generous and it’s lovely to finally see the moment she sent him out on his first date on screen. She talks so beautifully about how she wants Dylan to finally have some of the life experiences that so many others do and it captures everything that I think makes this show special.
Also the date on the Santa Monica Pier was absolute chaos to shoot and I loved every second of it.
Shoutout director @ciantharwa (or is it Sean?) and @geoff_thomas_acs for the fantastic work on S4. Also to @bluethefilm2017 @ayeemahh @nostraseanus @chloehendersontv @connorjaycolebrook @jamesdanspicer @justintran01 and the rest of the LOTS team who work so hard to make the show what it is 🌹
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Wanted to focus on the crowd for this final collection of stills from Thom Yorke live at Sydney Opera House.
The audience for these shows were really special and it was a privilege to be able to document the deep connection so many have with these songs. Everywhere you looked there were people hugging, crying or just lost in the music. Also, I knew Radiohead had resonated with a new generation but even so I wasn’t expecting to see so many young faces in the front row, singing along to every word.
Shoutout again to the amazing camera team who brought so much skill and care to this project and to capturing these frames.
Selected credits
Tall Story
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf, @adrian_emerton
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Production Company: @tallstoryfilms
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Integrating the show visuals into the Thom Yorke concert film was a lot of fun. Initially we thought the show would be a lot more stripped back so when we discovered that the screens would play such a big role in the show it opened up a lot of possibilities.
Thom’s Creative director @deadskinboy, Lighting Designer @pryderibaskerville, Video Director Ellie Clement and Video Technician @dan.english.lights_video created some incredible looks for the different tracks in the show, often tied to live on-stage video feeds. This meant the screen visuals reacted to Thom’s performance in real-time and were different every night.
By capturing this screen content for the edit and extending the visuals beyond the stage, the hope is that the concert film can be both an extension of the live experience, and also be immersive in its own way.
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankmunns @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Thom Yorke live at Sydney Opera House
When I was growing up my older sister had an eclectic taste in music and one day she brought home Thom Yorke’s The Eraser on CD, which I promptly “borrowed”. It absolutely knocked my socks off. It was my gateway into @radiohead and a whole new world of music, and is probably a big part of the reason I do the work I do today. Thanks @sarahrebeccamay, I owe you!
Forever grateful to @stuartbuchanan and the @sydneyoperahouse team for wanting to collaborate on this project and to @thomyorke, @adeb1968, Julie Calland, Simon Hodge and the rest of Thom’s team for the trust.
Really proud of what we’ve achieved with this concert film and it’s only been possible because of the amazing crew who went above and beyond on it. Especially @jackcrombie who was all in from the start, couldn’t have done it without you 🫡
Now available to stream worldwide on the Opera House Youtube channel, link in bio
Selected credits
Tall Story
Production Company: @tallstoryfilms
Director/DOP: @_davemay
Technical Director: @jackcrombie
Camera Operators: @adrian_emerton, @james.s.gilligan, @instabanca, @mitchellgmckay, @patrickrohl, @regalwolf
Camera Assistant: @jacquisharah
Sound/Sync Operator: @s4soundproduction
Drone: @flyingglassau @darianwoodsss
Edit: @_davemay
Additional VFX: @mchellyer
Colourist: @marcus.friedlander
Re-Recording Mixer: @semantix
Opera House
Head of Screen: @stuartbuchanan
Head of Contemporary Music: @benmarshall_sydneyoperahouse
Programming Coordinator, Screen: @georgia.dsouza
Stills: @jordankm @daniel.boud
Special thanks
@_camerondrew
@katemurphie
@canonanzpro
@camerahire
@lemac_australia
@southerncrosscameras
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Couple of live vids for the next big thing out of Arkansas, @waylonwyatt
Great experience filming this on the @collingwoodchildrensfarm in front of a live crowd with a fantastic Melbourne crew. Shot at dusk with the @truelensservices rehoused Rangefinders aiming for maximum golden flareage. They delivered, and so did @lettersfromro which the beautiful grade 🙏
All the videos are out now on Waylon’s Youtube
Selected credits
@waylonwyatt
@jratkinsmusic
Label: @darkroomrecordings
@alexxkohan
@oliverhjordan
@brittanhhny
Prod Co: @tallstoryfilms
Direcotr/DOP: @_davemay
Cameras: @stuheppell @ryansauer
Sound: @borisb.sound, Trevor Bryan Cotton
Prod Assistants: @bennyrausa, @patricklives_y
Grade: @lettersfromro
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
Delta Goodrem - Eclipse
Bit of fun out in the dunes with a top notch team of filmmaking professionals, aka The Delta Force. Superhuman effort by @liampethickphoto and @brianstorm.jpg pulling this video together at short notice.
Shot on @truelensservices rehoused Canon Rangefinders in all their flarey goodness.
Really think this track is going to go down a treat at Eurovision 🇦🇺
Selected Credits
Artist: @deltagoodrem
Management: @liswilko
Prod Co: @mushroomcreative
Director: @liampethickphoto
Producer: @brianstorm.jpg
DOP: @_davemay
2nd Cam: @adrian_emerton
ACs: @camxrobertson @jacob__laser
Gaffer: @riffraffgaffing
LX Assist: @rwotoole
Art Department: @morganfergusonstylist
Colourist: @apluscolour
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@lasersloth.vwx appreciation post
(also blown away that the @domdolla Allianz set has hit 300k views in 3 days)
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
@domdolla live at Allianz Stadium was a big one. 40,000 people celebrating the first Aussie electronic act to headline a stadium show with an appropriately turbo 2h set.
Thanks @liampethickphoto and @shevindphoto for the call up to DOP and @drwbrd, @brianstorm.jpg, @heyitshicham and the team at @mushroomcreative for having me on board. So many talented live music shooters and creatives made themselves available to work on this, was like the whole local industry teamed up to be part of something special.
Dom and his team absolutely nailed this show. Congrats @jamesfava @sam_tozer @visionfactory @fairlesscreative @lasersloth.vwx @daneboulton and so many others on setting a high bar for how good a stadium gig can look and sound.
Thanks @canonanz for lending us a hand. We got to throw the new C50s on this as well as some of their high-end cine kit and I think the result speaks for itself. Also a big thanks to the teams at @va_digital and @thehelmtech for pulling everything together on a tight deadline.
Full set out now on YouTube 🪩
Selected credits
Directors: @liampethickphoto @shevindphoto
EP: @drwbrd
Producers: @brianstorm.jpg @jessicagalea.filmmaker
Tech Producer: @heyitshicham
DOP: @_davemay
Cam Assists: @camxrobertson @pauldhoad @jacob__laser
Cameras: @mitchellgmckay @patrickrohl @mattcolemanfilm @adrian_emerton @bcsimaging @phillip.antoniolemos @regalwolf Gemma Thorton, Mick Eady
Drone: @flyingglassau @cameronboard @dave_svc @bryanpcheney @kalvingueli
Motion Control: @d2motion_filmtech @actiondanxoxo
Agito: @ginomoodley Jake Parsons
PTZ: Alex Morrison
Sound/sync: @movisonics
Grade: @wearecrayon
Photographers: @samverbisky @jordankmunns @jessgleeson @patstevenson @charliehardy @joel_tinker
Broadcast Services: @thehelmtech
Lead Engineer: @jbuesnelmay
Tech Supervisor: Paul Barrett
Tech Assists: @tanuj__naicker Michael Doney, Andrew
RF Tech: Peter Pagnac
Hard Hat Enthusiast: @daneboulton
Rental House: @va_digital
Canon Aus: @highzoltage @jessdondon @ross.turley @neale_head @m___a___r___k
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Sunset boat sets with the @mansionair gang + a few frames from some of my favourite shoots with them over the last little while. Life is good when you get to make things with your friends
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
Vanuatu has bit of a reputation for being a sunny place for shady people and a while back @thisisjamiecrawford and I went there to shoot part of the BBC’s new true crime series, The Great Art Fraud. We followed Victoria Baker-Harber, the wife of disgraced art dealer Inigo Philbrick, as she retraced their movements around the island on the days leading up to his arrest and deportation.
Vanuatu threw us some real curve balls (and I discovered I’m pretty good at driving a 25 seater bus), but I loved working with Jamie. He directed the Woodstock 99’ doc for Netflix that I was a big fan of and he steered us through this brilliantly.
Available on iView and BBC iPlayer
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