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Music production and sound design for Puma x Butter Goods for Keller X

@buttergoods @puma @pumasportstyle @keller.x
.
Talents
Tabea @vtabea
David @thisisdavidwhite
Lukasz @lukaszlive
.
Director: @wolejkowolejszo
DoP: @federicoboccardi_
Photographer: @wolejkowolejszo
Art Director: Anna @_its_annabanana
1st photo assistant: @benjamin_jehne
2st photo assistant: @birkalisch
Music: Francesco @_solofrancesco_
Waredrobe Stylist: Lucien Fabien @lucienfabien
Production: CONCEPTUALculture @conceptualculture
Rental: Delight @delightrent

#musicproduction #sounddesign #fashionbrand #berlin #puma

🎶 for @armaniexchange
@tobeconfirmed.studio
Edit: @federicoboccardi_
Models: @janette__avantage @mariagabrielladiana

Today I’m sharing MANAW Vol.1
[bio to listen]

A personal sound project I’ve been developing alongside my daily sound work, shaped by listening rather than intention.

Vol.1 is made of short sound units: raw recordings, worked into dense, tactile textures within a minimal structure. It also marks the start of a longer process: a project meant to unfold over time, consistent in approach, open in form.

Quiet, heavy at times, intimate throughout, it allows discomfort and uncertainty to surface, to linger, and to soften in their own time.
And because it allows perception to come before explanation, the listening will unfold differently for everyone.

Where does singular perception begin, and where does it overlap with that of others? And what, ultimately, is perception made of?

What remains is not a conclusion, but a state: dense, intimate, and unfiltered.

If you feel like listening, it’s on the usual platforms, or directly on my website.
.
.
.
.
.
#fieldrecording #ambientmusic #sounddesign

Today I’m sharing MANAW Vol.1
[bio to listen]

A personal sound project I’ve been developing alongside my daily sound work, shaped by listening rather than intention.

Vol.1 is made of short sound units: raw recordings, worked into dense, tactile textures within a minimal structure. It also marks the start of a longer process: a project meant to unfold over time, consistent in approach, open in form.

Quiet, heavy at times, intimate throughout, it allows discomfort and uncertainty to surface, to linger, and to soften in their own time.
And because it allows perception to come before explanation, the listening will unfold differently for everyone.

Where does singular perception begin, and where does it overlap with that of others? And what, ultimately, is perception made of?

What remains is not a conclusion, but a state: dense, intimate, and unfiltered.

If you feel like listening, it’s on the usual platforms, or directly on my website.
.
.
.
.
.
#fieldrecording #ambientmusic #sounddesign

Today I’m sharing MANAW Vol.1
[bio to listen]

A personal sound project I’ve been developing alongside my daily sound work, shaped by listening rather than intention.

Vol.1 is made of short sound units: raw recordings, worked into dense, tactile textures within a minimal structure. It also marks the start of a longer process: a project meant to unfold over time, consistent in approach, open in form.

Quiet, heavy at times, intimate throughout, it allows discomfort and uncertainty to surface, to linger, and to soften in their own time.
And because it allows perception to come before explanation, the listening will unfold differently for everyone.

Where does singular perception begin, and where does it overlap with that of others? And what, ultimately, is perception made of?

What remains is not a conclusion, but a state: dense, intimate, and unfiltered.

If you feel like listening, it’s on the usual platforms, or directly on my website.
.
.
.
.
.
#fieldrecording #ambientmusic #sounddesign

Today I’m sharing MANAW Vol.1
[bio to listen]

A personal sound project I’ve been developing alongside my daily sound work, shaped by listening rather than intention.

Vol.1 is made of short sound units: raw recordings, worked into dense, tactile textures within a minimal structure. It also marks the start of a longer process: a project meant to unfold over time, consistent in approach, open in form.

Quiet, heavy at times, intimate throughout, it allows discomfort and uncertainty to surface, to linger, and to soften in their own time.
And because it allows perception to come before explanation, the listening will unfold differently for everyone.

Where does singular perception begin, and where does it overlap with that of others? And what, ultimately, is perception made of?

What remains is not a conclusion, but a state: dense, intimate, and unfiltered.

If you feel like listening, it’s on the usual platforms, or directly on my website.
.
.
.
.
.
#fieldrecording #ambientmusic #sounddesign

Today I’m sharing MANAW Vol.1
[bio to listen]

A personal sound project I’ve been developing alongside my daily sound work, shaped by listening rather than intention.

Vol.1 is made of short sound units: raw recordings, worked into dense, tactile textures within a minimal structure. It also marks the start of a longer process: a project meant to unfold over time, consistent in approach, open in form.

Quiet, heavy at times, intimate throughout, it allows discomfort and uncertainty to surface, to linger, and to soften in their own time.
And because it allows perception to come before explanation, the listening will unfold differently for everyone.

Where does singular perception begin, and where does it overlap with that of others? And what, ultimately, is perception made of?

What remains is not a conclusion, but a state: dense, intimate, and unfiltered.

If you feel like listening, it’s on the usual platforms, or directly on my website.
.
.
.
.
.
#fieldrecording #ambientmusic #sounddesign

Today I’m sharing MANAW Vol.1
[bio to listen]

A personal sound project I’ve been developing alongside my daily sound work, shaped by listening rather than intention.

Vol.1 is made of short sound units: raw recordings, worked into dense, tactile textures within a minimal structure. It also marks the start of a longer process: a project meant to unfold over time, consistent in approach, open in form.

Quiet, heavy at times, intimate throughout, it allows discomfort and uncertainty to surface, to linger, and to soften in their own time.
And because it allows perception to come before explanation, the listening will unfold differently for everyone.

Where does singular perception begin, and where does it overlap with that of others? And what, ultimately, is perception made of?

What remains is not a conclusion, but a state: dense, intimate, and unfiltered.

If you feel like listening, it’s on the usual platforms, or directly on my website.
.
.
.
.
.
#fieldrecording #ambientmusic #sounddesign

Today I’m sharing MANAW Vol.1
[bio to listen]

A personal sound project I’ve been developing alongside my daily sound work, shaped by listening rather than intention.

Vol.1 is made of short sound units: raw recordings, worked into dense, tactile textures within a minimal structure. It also marks the start of a longer process: a project meant to unfold over time, consistent in approach, open in form.

Quiet, heavy at times, intimate throughout, it allows discomfort and uncertainty to surface, to linger, and to soften in their own time.
And because it allows perception to come before explanation, the listening will unfold differently for everyone.

Where does singular perception begin, and where does it overlap with that of others? And what, ultimately, is perception made of?

What remains is not a conclusion, but a state: dense, intimate, and unfiltered.

If you feel like listening, it’s on the usual platforms, or directly on my website.
.
.
.
.
.
#fieldrecording #ambientmusic #sounddesign

Today I’m sharing MANAW Vol.1
[bio to listen]

A personal sound project I’ve been developing alongside my daily sound work, shaped by listening rather than intention.

Vol.1 is made of short sound units: raw recordings, worked into dense, tactile textures within a minimal structure. It also marks the start of a longer process: a project meant to unfold over time, consistent in approach, open in form.

Quiet, heavy at times, intimate throughout, it allows discomfort and uncertainty to surface, to linger, and to soften in their own time.
And because it allows perception to come before explanation, the listening will unfold differently for everyone.

Where does singular perception begin, and where does it overlap with that of others? And what, ultimately, is perception made of?

What remains is not a conclusion, but a state: dense, intimate, and unfiltered.

If you feel like listening, it’s on the usual platforms, or directly on my website.
.
.
.
.
.
#fieldrecording #ambientmusic #sounddesign

Rethink 003.

Rain, rain, and more rain.🌧️

#travelling #rain #cartrip #sound #rain #rain #morerain

Rethink 002

City is being emotional lately🌦️

Awarded Best Sound Design at the Berlin Indie Film Festival 2025 for “LOU”, directed by Linda Flemming @flemmingworx 🥂🎬
Big thanks to the team for the great work that helped shape this intimate and unique experience!🙏🏼🤍 @lou_movie
Very thankful to @berlinindiefilmfestival for this honor! Proud to see ‘LOU’ resonate through sound too.🎧🤍

TEASER - “LOU”
„Best Psychological Drama“ at the @berlinshortfilmawards 🎬
Written and directed by: Linda Flemming
Assistant Director: Roman Weber, Juergen Hirsch
DoP: Lili Krasteva
Cast: Sydney Tombrink, Anastasia Weinmar, Frida Morgenroth Navarro

Crew
@flemmingworx
@lilikrasteva_cinematography
@juergenhirsch66
@rweebz
@sydney_tombrink
@anastasia.weinmar
@bmorgenroth
@charlotte.soell
@anamihaljevic_
@gvantsaarevadze
@leanderbuege
flemmingjutta
@nour.yazbeck.3
@_crde_

Rethink 001.

Redefining the bounce.
Skipped the real audio, let the movement drive the sound and its dynamic textures.

#tennis #sport #bounce #sound #reimagined

TRAILER - DARK PLACES I HAVE KNOWN - Episode Three “Too far too close”

Writer & Director @juergenhirsch66
Producer @flemmingworx
Starring @annevonkeller indirafelina & Sebastian Ganz
Editor @juergenhirsch66
Colorist @annahitova.color
Composer, Sound Design & Mix @_crde_

Wrapped up another lovely adventure as sound designer and music composer for “LOU”, an intimate and warming short movie by producer and director Linda Flemming✨
June 2, 2025, at 15:45 premiere at Kino Babylon, Rosa-Luxembourg-Str. 30, 10178, Berlin🎬 See you there! @lou_movie @flemmingworx

Big screen, big sound!✨
Glad to have contributed as sound designer, music composer and re-recording mixer for DARK PLACES I HAVE KNOWN- Ep.3 “Too Far Too Close” by writer/director Juergen Hirsch.
June 2, 2025, at 15:45 premiere at Kino Babylon, Rosa-Luxembourg-Str. 30, 10178, Berlin.🎬
Great opportunity to meet fellow creatives, you are invited! See you there! @dark_places_i_have_known