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maelhaus and cool plus london showroom

We are overjoyed to announce our joint showroom at Canonbury Yard in Islington.

Clothing, footwear and accessories, all sourced worldwide, will be available for loan and purchase.

Appointments available now!

Photo credits:

Photographer: @daxdezille
Stylist: @b333333lla
Talent: @herbkofi @death_to_efan

maelhaus and cool plus london showroom

We are overjoyed to announce our joint showroom at Canonbury Yard in Islington.

Clothing, footwear and accessories, all sourced worldwide, will be available for loan and purchase.

Appointments available now!

Photo credits:

Photographer: @daxdezille
Stylist: @b333333lla
Talent: @herbkofi @death_to_efan

maelhaus and cool plus london showroom

We are overjoyed to announce our joint showroom at Canonbury Yard in Islington.

Clothing, footwear and accessories, all sourced worldwide, will be available for loan and purchase.

Appointments available now!

Photo credits:

Photographer: @daxdezille
Stylist: @b333333lla
Talent: @herbkofi @death_to_efan

maelhaus and cool plus london showroom

We are overjoyed to announce our joint showroom at Canonbury Yard in Islington.

Clothing, footwear and accessories, all sourced worldwide, will be available for loan and purchase.

Appointments available now!

Photo credits:

Photographer: @daxdezille
Stylist: @b333333lla
Talent: @herbkofi @death_to_efan

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Thank you @coilvintage @ether_jp @hooman.log @fruitsfamily.co @slowslow.coffee for the amazing popups in Kyoto, Tokyo and Seoul last month!

And big thank you @imo_c @cordula.wvn @191214_ @siawaseinterior @nita.syu_ @atomicnumbernine for the hospitality 🥺

Be back soon!

Our residency at Haut Corporation is now wrapped up - we’ve been really touched by the support.

Thanks so much to anyone who came to hang out, chat or try things on. It makes a principally online job worth doing.

Major thank you to Hanna (and Avelina) for giving us the chance to try something like this.

Thanks also to @record28books @twos.care @forthesoup_ and @monamoloko for your help.

More in person events to come!

Our residency at Haut Corporation is now wrapped up - we’ve been really touched by the support.

Thanks so much to anyone who came to hang out, chat or try things on. It makes a principally online job worth doing.

Major thank you to Hanna (and Avelina) for giving us the chance to try something like this.

Thanks also to @record28books @twos.care @forthesoup_ and @monamoloko for your help.

More in person events to come!

Our residency at Haut Corporation is now wrapped up - we’ve been really touched by the support.

Thanks so much to anyone who came to hang out, chat or try things on. It makes a principally online job worth doing.

Major thank you to Hanna (and Avelina) for giving us the chance to try something like this.

Thanks also to @record28books @twos.care @forthesoup_ and @monamoloko for your help.

More in person events to come!

Our residency at Haut Corporation is now wrapped up - we’ve been really touched by the support.

Thanks so much to anyone who came to hang out, chat or try things on. It makes a principally online job worth doing.

Major thank you to Hanna (and Avelina) for giving us the chance to try something like this.

Thanks also to @record28books @twos.care @forthesoup_ and @monamoloko for your help.

More in person events to come!

Our residency at Haut Corporation is now wrapped up - we’ve been really touched by the support.

Thanks so much to anyone who came to hang out, chat or try things on. It makes a principally online job worth doing.

Major thank you to Hanna (and Avelina) for giving us the chance to try something like this.

Thanks also to @record28books @twos.care @forthesoup_ and @monamoloko for your help.

More in person events to come!

Our residency at Haut Corporation is now wrapped up - we’ve been really touched by the support.

Thanks so much to anyone who came to hang out, chat or try things on. It makes a principally online job worth doing.

Major thank you to Hanna (and Avelina) for giving us the chance to try something like this.

Thanks also to @record28books @twos.care @forthesoup_ and @monamoloko for your help.

More in person events to come!

Our residency at Haut Corporation is now wrapped up - we’ve been really touched by the support.

Thanks so much to anyone who came to hang out, chat or try things on. It makes a principally online job worth doing.

Major thank you to Hanna (and Avelina) for giving us the chance to try something like this.

Thanks also to @record28books @twos.care @forthesoup_ and @monamoloko for your help.

More in person events to come!

Our residency at Haut Corporation is now wrapped up - we’ve been really touched by the support.

Thanks so much to anyone who came to hang out, chat or try things on. It makes a principally online job worth doing.

Major thank you to Hanna (and Avelina) for giving us the chance to try something like this.

Thanks also to @record28books @twos.care @forthesoup_ and @monamoloko for your help.

More in person events to come!

Our residency at Haut Corporation is now wrapped up - we’ve been really touched by the support.

Thanks so much to anyone who came to hang out, chat or try things on. It makes a principally online job worth doing.

Major thank you to Hanna (and Avelina) for giving us the chance to try something like this.

Thanks also to @record28books @twos.care @forthesoup_ and @monamoloko for your help.

More in person events to come!

More photos from our shoot announcing @_coolplus and @maelhaus London showroom, shot by @daxdezille

Appointments available now via form in @maelhaus bio or DM.

Photographer: @daxdezille
Stylist: @b333333lla
Talent: @herbkofi @death_to_efan

More photos from our shoot announcing @_coolplus and @maelhaus London showroom, shot by @daxdezille

Appointments available now via form in @maelhaus bio or DM.

Photographer: @daxdezille
Stylist: @b333333lla
Talent: @herbkofi @death_to_efan

More photos from our shoot announcing @_coolplus and @maelhaus London showroom, shot by @daxdezille

Appointments available now via form in @maelhaus bio or DM.

Photographer: @daxdezille
Stylist: @b333333lla
Talent: @herbkofi @death_to_efan

More photos from our shoot announcing @_coolplus and @maelhaus London showroom, shot by @daxdezille

Appointments available now via form in @maelhaus bio or DM.

Photographer: @daxdezille
Stylist: @b333333lla
Talent: @herbkofi @death_to_efan

More photos from our shoot announcing @_coolplus and @maelhaus London showroom, shot by @daxdezille

Appointments available now via form in @maelhaus bio or DM.

Photographer: @daxdezille
Stylist: @b333333lla
Talent: @herbkofi @death_to_efan

More photos from our shoot announcing @_coolplus and @maelhaus London showroom, shot by @daxdezille

Appointments available now via form in @maelhaus bio or DM.

Photographer: @daxdezille
Stylist: @b333333lla
Talent: @herbkofi @death_to_efan

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

YMC mid 90s/early 00s leather selection

Sample leather zip trousers (made in UK) / fits men’s 34-5 waist / SOLD

Leather front zip knit (made in Scotland) / fits men’s M-L / 165GBP

Leather dress (made in Italy) / SOLD

Bonus: Men’s mint smock shirt (made in Italy) / fits men’s L / 80GBP

A selection of items from YMC’s early era, with a focus on leather pieces.

YMC is a brand that pulls from everywhere. Fraser Moss, the brand’s head designer, was a manic record collector, inspired by many different genres and eras of music. And what material is more subcultural than leather.

The trousers are cut in a classic 501 way, but with a ¾ zip down the side. These are from the brand’s earliest era and made in the UK. Judging from the order tag they are a sample.

The leather-front knit is made in Scotland. It’s a pure wool backing with leather front and purple cupro half-lining. This style also came in brown and was made for both men and women.

The dress is made from a high-quality Italian leather and features an iconic motif from YMC’s turn of the millennium collections - a sort of choker neck-collar. All items use riri zips as is standard for YMC.

The smock shirt is a mint green with a single button at the top. The care tag is missing but it’s likely pure cotton. The construction is peculiar, with a single strip of fabric running from collar to cuff, independently of the front and rear panels.

#youmustcreate #frasermoss #jimmycollins #professorhead

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Kostas Murkudis aw00 reversible bull track jacket and shoulderpad tank top

Two menswear pieces from Kostas Murkudis’ original era. Poly-cotton track top with leather bull head and viscose-linen sleeveless vest with shoulder inserts.

The bull motif runs throughout the aw00 collection and is primarily shown on sheer fabric. The parallel to this graphic in the women’s aw00 collection is a leather guitar cutout.

The tank top has light shoulder pads, one of which is buttoned and resembles a pocket. The main fabric has an inconsistent, streaky quality and is slightly shiny.

On display in both items is Murkudis’ playful attitude towards the interior/exterior dichotomy of clothing - you will regularly find pockets on the inside of jackets (with topstitching on the exterior to show they’re there).

Both available for loan

Levi’s RED ss03 grandad tee

Helmut Lang early 00s animal print shirt

Twisted Euro brand pants

Kim Jones x Umbro sample 3M sneakers

John Bartlett early 00s leather accent jackpack

Model: @leoc1enfuegos

London showroom appointments available - DM for bookings or item inquiries

Levi’s RED ss03 grandad tee

Helmut Lang early 00s animal print shirt

Twisted Euro brand pants

Kim Jones x Umbro sample 3M sneakers

John Bartlett early 00s leather accent jackpack

Model: @leoc1enfuegos

London showroom appointments available - DM for bookings or item inquiries

Levi’s RED ss03 grandad tee

Helmut Lang early 00s animal print shirt

Twisted Euro brand pants

Kim Jones x Umbro sample 3M sneakers

John Bartlett early 00s leather accent jackpack

Model: @leoc1enfuegos

London showroom appointments available - DM for bookings or item inquiries

Levi’s RED ss03 grandad tee

Helmut Lang early 00s animal print shirt

Twisted Euro brand pants

Kim Jones x Umbro sample 3M sneakers

John Bartlett early 00s leather accent jackpack

Model: @leoc1enfuegos

London showroom appointments available - DM for bookings or item inquiries

Levi’s RED ss03 grandad tee

Helmut Lang early 00s animal print shirt

Twisted Euro brand pants

Kim Jones x Umbro sample 3M sneakers

John Bartlett early 00s leather accent jackpack

Model: @leoc1enfuegos

London showroom appointments available - DM for bookings or item inquiries

Levi’s RED ss03 grandad tee

Helmut Lang early 00s animal print shirt

Twisted Euro brand pants

Kim Jones x Umbro sample 3M sneakers

John Bartlett early 00s leather accent jackpack

Model: @leoc1enfuegos

London showroom appointments available - DM for bookings or item inquiries

Y-3 aw05 made in Italy hot pink merino poncho

High-neck wool poncho from one of Y-3’s greatest runway presentations. Super saturated hot pink merino with black stripe.

Starting from 2005, Y-3 manufactured both its denim and premium knitwear in Italy. The quality is second only to the made in Japan exclusive line.

This colourway was featured on the runway but also in online promotional material. Y-3 pioneered highly interactive e-com websites during their early seasons. The poncho can be seen in screenshots but tragically the flash sites are not archived.

SOLD - three made in Italy hoodies from the same season at our showroom, DM for appointments

Y-3 aw05 made in Italy hot pink merino poncho

High-neck wool poncho from one of Y-3’s greatest runway presentations. Super saturated hot pink merino with black stripe.

Starting from 2005, Y-3 manufactured both its denim and premium knitwear in Italy. The quality is second only to the made in Japan exclusive line.

This colourway was featured on the runway but also in online promotional material. Y-3 pioneered highly interactive e-com websites during their early seasons. The poncho can be seen in screenshots but tragically the flash sites are not archived.

SOLD - three made in Italy hoodies from the same season at our showroom, DM for appointments

Y-3 aw05 made in Italy hot pink merino poncho

High-neck wool poncho from one of Y-3’s greatest runway presentations. Super saturated hot pink merino with black stripe.

Starting from 2005, Y-3 manufactured both its denim and premium knitwear in Italy. The quality is second only to the made in Japan exclusive line.

This colourway was featured on the runway but also in online promotional material. Y-3 pioneered highly interactive e-com websites during their early seasons. The poncho can be seen in screenshots but tragically the flash sites are not archived.

SOLD - three made in Italy hoodies from the same season at our showroom, DM for appointments

Y-3 aw05 made in Italy hot pink merino poncho

High-neck wool poncho from one of Y-3’s greatest runway presentations. Super saturated hot pink merino with black stripe.

Starting from 2005, Y-3 manufactured both its denim and premium knitwear in Italy. The quality is second only to the made in Japan exclusive line.

This colourway was featured on the runway but also in online promotional material. Y-3 pioneered highly interactive e-com websites during their early seasons. The poncho can be seen in screenshots but tragically the flash sites are not archived.

SOLD - three made in Italy hoodies from the same season at our showroom, DM for appointments

Y-3 aw05 made in Italy hot pink merino poncho

High-neck wool poncho from one of Y-3’s greatest runway presentations. Super saturated hot pink merino with black stripe.

Starting from 2005, Y-3 manufactured both its denim and premium knitwear in Italy. The quality is second only to the made in Japan exclusive line.

This colourway was featured on the runway but also in online promotional material. Y-3 pioneered highly interactive e-com websites during their early seasons. The poncho can be seen in screenshots but tragically the flash sites are not archived.

SOLD - three made in Italy hoodies from the same season at our showroom, DM for appointments

Y-3 aw05 made in Italy hot pink merino poncho

High-neck wool poncho from one of Y-3’s greatest runway presentations. Super saturated hot pink merino with black stripe.

Starting from 2005, Y-3 manufactured both its denim and premium knitwear in Italy. The quality is second only to the made in Japan exclusive line.

This colourway was featured on the runway but also in online promotional material. Y-3 pioneered highly interactive e-com websites during their early seasons. The poncho can be seen in screenshots but tragically the flash sites are not archived.

SOLD - three made in Italy hoodies from the same season at our showroom, DM for appointments

Y-3 aw05 made in Italy hot pink merino poncho

High-neck wool poncho from one of Y-3’s greatest runway presentations. Super saturated hot pink merino with black stripe.

Starting from 2005, Y-3 manufactured both its denim and premium knitwear in Italy. The quality is second only to the made in Japan exclusive line.

This colourway was featured on the runway but also in online promotional material. Y-3 pioneered highly interactive e-com websites during their early seasons. The poncho can be seen in screenshots but tragically the flash sites are not archived.

SOLD - three made in Italy hoodies from the same season at our showroom, DM for appointments

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

TSE by Hussein Chalayan (1998-2001)

By 1999 Hussein Chalayan was a key reason for overseas buyers to travel to London. His breakthrough ss98 collection had made his runway shows a highlight of London Fashion Week alongside Alexander McQueen. Both designers innovated in multiple areas, but what was revolutionary was their choice to put art direction first in their presentations. Art objects produced exclusively for the runway, complex set design and live music meant - far and beyond what would be available to buy in shops. So what would happen if they just made clothes?

Hussein Chalayan was appointed creative director of Chinese cashmere specialist TSE (pronounced Say) in 1999. Prior to this Chalayan had produced a capsule collection for Topshop, but never in a full-on head designer for another house. TSE was a relatively new luxury goods company, only having launched in the late 80s. Antonio Berardi, a protege of Galliano, was rumoured for the role but sources suggest TSE wanted to cash in the minimalism trend.

The context for Chalayan was one of financial turmoil. His brand had developed the unfortunate reputation of clothing being impossible to wear. TSE did not fund his mainline directly but consultancy work meant steadier income and creative control of his mainline. TSE coincided with his most celebrated moment: the table dress in aw00.

TSE is nowhere near as concept-driven as Chalayan’s mainline but there are some interesting aspects. One motif that runs through multiple seasons is the use of see-through kangaroo pockets. Most notably in the aw99 season, in a totally paradoxical way, the pocket bag is made of ultra loose gauge mohair.

The presentation for the final season, aw01, remains unseen aside from a few campaign images. Chalayan said this season was closest to what he wished to achieve with the collaboration. The end of the collaboration would mark the end of this era of Hussein Chalayan, he shut down his company (Cartesia ltd) and started again from scratch, partnering with Gibo for production.

Aw01 Burberry Prorsum dark rose Panarea leather jacket

SOLD

Sublime leather jacket from Roberto Menichetti’s final season for Burberry. Super specific dark, desaturated rose colour leather with beautiful biker details throughout.

There are a few unique features: a double leather cuff with snap closure (to create an airtight seal), concealed velcro collar closure and a rear pocket.

The jacket has a complimentary dark purple lining in the classic Menichetti stretch blend. Red toggles and snap buttons are also totally matched. Of course, Roberto’s calling card of fabric matched zip pulls are also present.

Something rarely seen on this era of the brand is deliberate distressing. The leather has been scratched and scored on purpose.

Aw01 Burberry Prorsum dark rose Panarea leather jacket

SOLD

Sublime leather jacket from Roberto Menichetti’s final season for Burberry. Super specific dark, desaturated rose colour leather with beautiful biker details throughout.

There are a few unique features: a double leather cuff with snap closure (to create an airtight seal), concealed velcro collar closure and a rear pocket.

The jacket has a complimentary dark purple lining in the classic Menichetti stretch blend. Red toggles and snap buttons are also totally matched. Of course, Roberto’s calling card of fabric matched zip pulls are also present.

Something rarely seen on this era of the brand is deliberate distressing. The leather has been scratched and scored on purpose.

Aw01 Burberry Prorsum dark rose Panarea leather jacket

SOLD

Sublime leather jacket from Roberto Menichetti’s final season for Burberry. Super specific dark, desaturated rose colour leather with beautiful biker details throughout.

There are a few unique features: a double leather cuff with snap closure (to create an airtight seal), concealed velcro collar closure and a rear pocket.

The jacket has a complimentary dark purple lining in the classic Menichetti stretch blend. Red toggles and snap buttons are also totally matched. Of course, Roberto’s calling card of fabric matched zip pulls are also present.

Something rarely seen on this era of the brand is deliberate distressing. The leather has been scratched and scored on purpose.

Aw01 Burberry Prorsum dark rose Panarea leather jacket

SOLD

Sublime leather jacket from Roberto Menichetti’s final season for Burberry. Super specific dark, desaturated rose colour leather with beautiful biker details throughout.

There are a few unique features: a double leather cuff with snap closure (to create an airtight seal), concealed velcro collar closure and a rear pocket.

The jacket has a complimentary dark purple lining in the classic Menichetti stretch blend. Red toggles and snap buttons are also totally matched. Of course, Roberto’s calling card of fabric matched zip pulls are also present.

Something rarely seen on this era of the brand is deliberate distressing. The leather has been scratched and scored on purpose.

Aw01 Burberry Prorsum dark rose Panarea leather jacket

SOLD

Sublime leather jacket from Roberto Menichetti’s final season for Burberry. Super specific dark, desaturated rose colour leather with beautiful biker details throughout.

There are a few unique features: a double leather cuff with snap closure (to create an airtight seal), concealed velcro collar closure and a rear pocket.

The jacket has a complimentary dark purple lining in the classic Menichetti stretch blend. Red toggles and snap buttons are also totally matched. Of course, Roberto’s calling card of fabric matched zip pulls are also present.

Something rarely seen on this era of the brand is deliberate distressing. The leather has been scratched and scored on purpose.

Aw01 Burberry Prorsum dark rose Panarea leather jacket

SOLD

Sublime leather jacket from Roberto Menichetti’s final season for Burberry. Super specific dark, desaturated rose colour leather with beautiful biker details throughout.

There are a few unique features: a double leather cuff with snap closure (to create an airtight seal), concealed velcro collar closure and a rear pocket.

The jacket has a complimentary dark purple lining in the classic Menichetti stretch blend. Red toggles and snap buttons are also totally matched. Of course, Roberto’s calling card of fabric matched zip pulls are also present.

Something rarely seen on this era of the brand is deliberate distressing. The leather has been scratched and scored on purpose.

Aw01 Burberry Prorsum dark rose Panarea leather jacket

SOLD

Sublime leather jacket from Roberto Menichetti’s final season for Burberry. Super specific dark, desaturated rose colour leather with beautiful biker details throughout.

There are a few unique features: a double leather cuff with snap closure (to create an airtight seal), concealed velcro collar closure and a rear pocket.

The jacket has a complimentary dark purple lining in the classic Menichetti stretch blend. Red toggles and snap buttons are also totally matched. Of course, Roberto’s calling card of fabric matched zip pulls are also present.

Something rarely seen on this era of the brand is deliberate distressing. The leather has been scratched and scored on purpose.

Aw01 Burberry Prorsum dark rose Panarea leather jacket

SOLD

Sublime leather jacket from Roberto Menichetti’s final season for Burberry. Super specific dark, desaturated rose colour leather with beautiful biker details throughout.

There are a few unique features: a double leather cuff with snap closure (to create an airtight seal), concealed velcro collar closure and a rear pocket.

The jacket has a complimentary dark purple lining in the classic Menichetti stretch blend. Red toggles and snap buttons are also totally matched. Of course, Roberto’s calling card of fabric matched zip pulls are also present.

Something rarely seen on this era of the brand is deliberate distressing. The leather has been scratched and scored on purpose.

Aw01 Burberry Prorsum dark rose Panarea leather jacket

SOLD

Sublime leather jacket from Roberto Menichetti’s final season for Burberry. Super specific dark, desaturated rose colour leather with beautiful biker details throughout.

There are a few unique features: a double leather cuff with snap closure (to create an airtight seal), concealed velcro collar closure and a rear pocket.

The jacket has a complimentary dark purple lining in the classic Menichetti stretch blend. Red toggles and snap buttons are also totally matched. Of course, Roberto’s calling card of fabric matched zip pulls are also present.

Something rarely seen on this era of the brand is deliberate distressing. The leather has been scratched and scored on purpose.

Aw01 Burberry Prorsum dark rose Panarea leather jacket

SOLD

Sublime leather jacket from Roberto Menichetti’s final season for Burberry. Super specific dark, desaturated rose colour leather with beautiful biker details throughout.

There are a few unique features: a double leather cuff with snap closure (to create an airtight seal), concealed velcro collar closure and a rear pocket.

The jacket has a complimentary dark purple lining in the classic Menichetti stretch blend. Red toggles and snap buttons are also totally matched. Of course, Roberto’s calling card of fabric matched zip pulls are also present.

Something rarely seen on this era of the brand is deliberate distressing. The leather has been scratched and scored on purpose.

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Griffin aw99 2in1 full zip ripstop jacket

Vest-jacket combo from one of the most exciting eras of UK brand Griffin: excellent fabrics, inventive pattern cutting and a sense of fun make these 99/00 collections a gem in turn of the millennium fashion.

Both items have graduated hems - the vest has a short rear and long front, the jacket vice versa.

The hood is full zip, covering the face. It features a complex pattern with extreme darting.

This jacket is a fantastic example of the themes and concerns of the brand during this era: sleeping bags, cocoons and protection from the elements

There are obvious parallels between the products at this time and Italian brand Mandarina Duck, which Jeff designed the 90s menswear apparel for.

Ripstop nylon fabric with a slight shimmer. Really nice lining panels using the classic Griffin cotton-nylon fabric in an off-white colour. Chunky riri ring zips as is standard for the brand.

NFS for now!

Calvin Klein Collection ss08 scored plaid leather top (SOLD)

Leather top by Francisco Costa for Calvin Klein. Amazing panelling and beautifully processed leather that has picked up wear incredibly.

It’s a technique we’ve never come across before - leather is scored to mimic the check on a plaid shirt, with some incredibly fine lines. Presumably lasercutting is the technique that allows for such precision.

The wear is amazing. Square edges have folded, the zip tab has decayed and full-on scratches have made their way into the soft leather.

The form of the item is impressive: notches have been cut out of the closure to mimic a formal jacket, the sleeve openings cut in a V shape and there is a beautifully rounded rear yoke. The lining is a vaguely lilac cupro.

An alligator version with longer sleeves was shown on the runway, but this plaid-emulation is the one that’s stolen our heart.

Calvin Klein Collection ss08 scored plaid leather top (SOLD)

Leather top by Francisco Costa for Calvin Klein. Amazing panelling and beautifully processed leather that has picked up wear incredibly.

It’s a technique we’ve never come across before - leather is scored to mimic the check on a plaid shirt, with some incredibly fine lines. Presumably lasercutting is the technique that allows for such precision.

The wear is amazing. Square edges have folded, the zip tab has decayed and full-on scratches have made their way into the soft leather.

The form of the item is impressive: notches have been cut out of the closure to mimic a formal jacket, the sleeve openings cut in a V shape and there is a beautifully rounded rear yoke. The lining is a vaguely lilac cupro.

An alligator version with longer sleeves was shown on the runway, but this plaid-emulation is the one that’s stolen our heart.

Calvin Klein Collection ss08 scored plaid leather top (SOLD)

Leather top by Francisco Costa for Calvin Klein. Amazing panelling and beautifully processed leather that has picked up wear incredibly.

It’s a technique we’ve never come across before - leather is scored to mimic the check on a plaid shirt, with some incredibly fine lines. Presumably lasercutting is the technique that allows for such precision.

The wear is amazing. Square edges have folded, the zip tab has decayed and full-on scratches have made their way into the soft leather.

The form of the item is impressive: notches have been cut out of the closure to mimic a formal jacket, the sleeve openings cut in a V shape and there is a beautifully rounded rear yoke. The lining is a vaguely lilac cupro.

An alligator version with longer sleeves was shown on the runway, but this plaid-emulation is the one that’s stolen our heart.

Calvin Klein Collection ss08 scored plaid leather top (SOLD)

Leather top by Francisco Costa for Calvin Klein. Amazing panelling and beautifully processed leather that has picked up wear incredibly.

It’s a technique we’ve never come across before - leather is scored to mimic the check on a plaid shirt, with some incredibly fine lines. Presumably lasercutting is the technique that allows for such precision.

The wear is amazing. Square edges have folded, the zip tab has decayed and full-on scratches have made their way into the soft leather.

The form of the item is impressive: notches have been cut out of the closure to mimic a formal jacket, the sleeve openings cut in a V shape and there is a beautifully rounded rear yoke. The lining is a vaguely lilac cupro.

An alligator version with longer sleeves was shown on the runway, but this plaid-emulation is the one that’s stolen our heart.

Calvin Klein Collection ss08 scored plaid leather top (SOLD)

Leather top by Francisco Costa for Calvin Klein. Amazing panelling and beautifully processed leather that has picked up wear incredibly.

It’s a technique we’ve never come across before - leather is scored to mimic the check on a plaid shirt, with some incredibly fine lines. Presumably lasercutting is the technique that allows for such precision.

The wear is amazing. Square edges have folded, the zip tab has decayed and full-on scratches have made their way into the soft leather.

The form of the item is impressive: notches have been cut out of the closure to mimic a formal jacket, the sleeve openings cut in a V shape and there is a beautifully rounded rear yoke. The lining is a vaguely lilac cupro.

An alligator version with longer sleeves was shown on the runway, but this plaid-emulation is the one that’s stolen our heart.

Calvin Klein Collection ss08 scored plaid leather top (SOLD)

Leather top by Francisco Costa for Calvin Klein. Amazing panelling and beautifully processed leather that has picked up wear incredibly.

It’s a technique we’ve never come across before - leather is scored to mimic the check on a plaid shirt, with some incredibly fine lines. Presumably lasercutting is the technique that allows for such precision.

The wear is amazing. Square edges have folded, the zip tab has decayed and full-on scratches have made their way into the soft leather.

The form of the item is impressive: notches have been cut out of the closure to mimic a formal jacket, the sleeve openings cut in a V shape and there is a beautifully rounded rear yoke. The lining is a vaguely lilac cupro.

An alligator version with longer sleeves was shown on the runway, but this plaid-emulation is the one that’s stolen our heart.

Calvin Klein Collection ss08 scored plaid leather top (SOLD)

Leather top by Francisco Costa for Calvin Klein. Amazing panelling and beautifully processed leather that has picked up wear incredibly.

It’s a technique we’ve never come across before - leather is scored to mimic the check on a plaid shirt, with some incredibly fine lines. Presumably lasercutting is the technique that allows for such precision.

The wear is amazing. Square edges have folded, the zip tab has decayed and full-on scratches have made their way into the soft leather.

The form of the item is impressive: notches have been cut out of the closure to mimic a formal jacket, the sleeve openings cut in a V shape and there is a beautifully rounded rear yoke. The lining is a vaguely lilac cupro.

An alligator version with longer sleeves was shown on the runway, but this plaid-emulation is the one that’s stolen our heart.

Calvin Klein Collection ss08 scored plaid leather top (SOLD)

Leather top by Francisco Costa for Calvin Klein. Amazing panelling and beautifully processed leather that has picked up wear incredibly.

It’s a technique we’ve never come across before - leather is scored to mimic the check on a plaid shirt, with some incredibly fine lines. Presumably lasercutting is the technique that allows for such precision.

The wear is amazing. Square edges have folded, the zip tab has decayed and full-on scratches have made their way into the soft leather.

The form of the item is impressive: notches have been cut out of the closure to mimic a formal jacket, the sleeve openings cut in a V shape and there is a beautifully rounded rear yoke. The lining is a vaguely lilac cupro.

An alligator version with longer sleeves was shown on the runway, but this plaid-emulation is the one that’s stolen our heart.

Calvin Klein Collection ss08 scored plaid leather top (SOLD)

Leather top by Francisco Costa for Calvin Klein. Amazing panelling and beautifully processed leather that has picked up wear incredibly.

It’s a technique we’ve never come across before - leather is scored to mimic the check on a plaid shirt, with some incredibly fine lines. Presumably lasercutting is the technique that allows for such precision.

The wear is amazing. Square edges have folded, the zip tab has decayed and full-on scratches have made their way into the soft leather.

The form of the item is impressive: notches have been cut out of the closure to mimic a formal jacket, the sleeve openings cut in a V shape and there is a beautifully rounded rear yoke. The lining is a vaguely lilac cupro.

An alligator version with longer sleeves was shown on the runway, but this plaid-emulation is the one that’s stolen our heart.