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2024 , didn’t do nothing but get dark eye-circles and [buildMyWrld]

2024 , didn’t do nothing but get dark eye-circles and [buildMyWrld]

2024 , didn’t do nothing but get dark eye-circles and [buildMyWrld]

2024 , didn’t do nothing but get dark eye-circles and [buildMyWrld]

2024 , didn’t do nothing but get dark eye-circles and [buildMyWrld]

Cleansing .

African Hair•Culture •Religion

Open to interpretation.
Loosely based on the book by @k.onji with the same title

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#digitalart #illustration #newcomma #NCCFund @new.comma

"Karibu Nairobi: stamped and approved" is a design study that reimagines what it means to document a place honestly; through the tiny, overlooked canvas of postage stamps.

when was the last time you really looked at a postage stamp?
they used to be tiny storytellers, miniature ambassadors carrying a country's pride, history, and identity across borders. but somewhere along the way, we stopped updating the story.

this project asked: what if kenyan stamps reflected our actual reality? not the sanitized, tourist-friendly version, but the Nairobi we live in.

Last frame,
kwaheri Nairobi, Karibu Kilifornia picture used ft @activeboyswrldwide

#design #designstudy #graphic #graphicdesign #art #stamp #stampdesign #stampdesigner

"Karibu Nairobi: stamped and approved" is a design study that reimagines what it means to document a place honestly; through the tiny, overlooked canvas of postage stamps.

when was the last time you really looked at a postage stamp?
they used to be tiny storytellers, miniature ambassadors carrying a country's pride, history, and identity across borders. but somewhere along the way, we stopped updating the story.

this project asked: what if kenyan stamps reflected our actual reality? not the sanitized, tourist-friendly version, but the Nairobi we live in.

Last frame,
kwaheri Nairobi, Karibu Kilifornia picture used ft @activeboyswrldwide

#design #designstudy #graphic #graphicdesign #art #stamp #stampdesign #stampdesigner

"Karibu Nairobi: stamped and approved" is a design study that reimagines what it means to document a place honestly; through the tiny, overlooked canvas of postage stamps.

when was the last time you really looked at a postage stamp?
they used to be tiny storytellers, miniature ambassadors carrying a country's pride, history, and identity across borders. but somewhere along the way, we stopped updating the story.

this project asked: what if kenyan stamps reflected our actual reality? not the sanitized, tourist-friendly version, but the Nairobi we live in.

Last frame,
kwaheri Nairobi, Karibu Kilifornia picture used ft @activeboyswrldwide

#design #designstudy #graphic #graphicdesign #art #stamp #stampdesign #stampdesigner

"Karibu Nairobi: stamped and approved" is a design study that reimagines what it means to document a place honestly; through the tiny, overlooked canvas of postage stamps.

when was the last time you really looked at a postage stamp?
they used to be tiny storytellers, miniature ambassadors carrying a country's pride, history, and identity across borders. but somewhere along the way, we stopped updating the story.

this project asked: what if kenyan stamps reflected our actual reality? not the sanitized, tourist-friendly version, but the Nairobi we live in.

Last frame,
kwaheri Nairobi, Karibu Kilifornia picture used ft @activeboyswrldwide

#design #designstudy #graphic #graphicdesign #art #stamp #stampdesign #stampdesigner

"Karibu Nairobi: stamped and approved" is a design study that reimagines what it means to document a place honestly; through the tiny, overlooked canvas of postage stamps.

when was the last time you really looked at a postage stamp?
they used to be tiny storytellers, miniature ambassadors carrying a country's pride, history, and identity across borders. but somewhere along the way, we stopped updating the story.

this project asked: what if kenyan stamps reflected our actual reality? not the sanitized, tourist-friendly version, but the Nairobi we live in.

Last frame,
kwaheri Nairobi, Karibu Kilifornia picture used ft @activeboyswrldwide

#design #designstudy #graphic #graphicdesign #art #stamp #stampdesign #stampdesigner

"Karibu Nairobi: stamped and approved" is a design study that reimagines what it means to document a place honestly; through the tiny, overlooked canvas of postage stamps.

when was the last time you really looked at a postage stamp?
they used to be tiny storytellers, miniature ambassadors carrying a country's pride, history, and identity across borders. but somewhere along the way, we stopped updating the story.

this project asked: what if kenyan stamps reflected our actual reality? not the sanitized, tourist-friendly version, but the Nairobi we live in.

Last frame,
kwaheri Nairobi, Karibu Kilifornia picture used ft @activeboyswrldwide

#design #designstudy #graphic #graphicdesign #art #stamp #stampdesign #stampdesigner

Karibu Nairobi: Stamped and Approved asks a simple question with sharp consequences: what happens when a nation’s official image no longer matches the reality its people live?

“I was drawn to the stamp because of that gap between official narrative and lived experience.”

In this series, Nairobi-based multimedia designer Sinatra Chumo ( @_.sinatra) reclaims the postage stamp as a site of cultural critique. Once used as miniature ambassadors of national identity, stamps become, in his hands, a way to document the Nairobi that official symbols rarely hold in full, from inequality and political tension to the improvisations that keep the city running.

Working within the visual language of mid-century philatelic design, Chumo draws on period typography, distressed textures, archival palettes, and the formal structure of the stamp itself. The works look official, and that is what makes them land, exposing the distance between branded identity and lived experience rather than projecting a polished national myth.

For Chumo, the project is not about cynicism but about honesty, about what becomes visible when design stops smoothing things over and starts documenting what is actually there.

Read the full Q&A with Sinatra Chumo at the link in bio.

Images courtesy of the artist.
Credit: Sinatra Chumo, Karibu Nairobi: Stamped and Approved (2025/2026).

Karibu Nairobi: Stamped and Approved asks a simple question with sharp consequences: what happens when a nation’s official image no longer matches the reality its people live?

“I was drawn to the stamp because of that gap between official narrative and lived experience.”

In this series, Nairobi-based multimedia designer Sinatra Chumo ( @_.sinatra) reclaims the postage stamp as a site of cultural critique. Once used as miniature ambassadors of national identity, stamps become, in his hands, a way to document the Nairobi that official symbols rarely hold in full, from inequality and political tension to the improvisations that keep the city running.

Working within the visual language of mid-century philatelic design, Chumo draws on period typography, distressed textures, archival palettes, and the formal structure of the stamp itself. The works look official, and that is what makes them land, exposing the distance between branded identity and lived experience rather than projecting a polished national myth.

For Chumo, the project is not about cynicism but about honesty, about what becomes visible when design stops smoothing things over and starts documenting what is actually there.

Read the full Q&A with Sinatra Chumo at the link in bio.

Images courtesy of the artist.
Credit: Sinatra Chumo, Karibu Nairobi: Stamped and Approved (2025/2026).

Karibu Nairobi: Stamped and Approved asks a simple question with sharp consequences: what happens when a nation’s official image no longer matches the reality its people live?

“I was drawn to the stamp because of that gap between official narrative and lived experience.”

In this series, Nairobi-based multimedia designer Sinatra Chumo ( @_.sinatra) reclaims the postage stamp as a site of cultural critique. Once used as miniature ambassadors of national identity, stamps become, in his hands, a way to document the Nairobi that official symbols rarely hold in full, from inequality and political tension to the improvisations that keep the city running.

Working within the visual language of mid-century philatelic design, Chumo draws on period typography, distressed textures, archival palettes, and the formal structure of the stamp itself. The works look official, and that is what makes them land, exposing the distance between branded identity and lived experience rather than projecting a polished national myth.

For Chumo, the project is not about cynicism but about honesty, about what becomes visible when design stops smoothing things over and starts documenting what is actually there.

Read the full Q&A with Sinatra Chumo at the link in bio.

Images courtesy of the artist.
Credit: Sinatra Chumo, Karibu Nairobi: Stamped and Approved (2025/2026).

Karibu Nairobi: Stamped and Approved asks a simple question with sharp consequences: what happens when a nation’s official image no longer matches the reality its people live?

“I was drawn to the stamp because of that gap between official narrative and lived experience.”

In this series, Nairobi-based multimedia designer Sinatra Chumo ( @_.sinatra) reclaims the postage stamp as a site of cultural critique. Once used as miniature ambassadors of national identity, stamps become, in his hands, a way to document the Nairobi that official symbols rarely hold in full, from inequality and political tension to the improvisations that keep the city running.

Working within the visual language of mid-century philatelic design, Chumo draws on period typography, distressed textures, archival palettes, and the formal structure of the stamp itself. The works look official, and that is what makes them land, exposing the distance between branded identity and lived experience rather than projecting a polished national myth.

For Chumo, the project is not about cynicism but about honesty, about what becomes visible when design stops smoothing things over and starts documenting what is actually there.

Read the full Q&A with Sinatra Chumo at the link in bio.

Images courtesy of the artist.
Credit: Sinatra Chumo, Karibu Nairobi: Stamped and Approved (2025/2026).

Karibu Nairobi: Stamped and Approved asks a simple question with sharp consequences: what happens when a nation’s official image no longer matches the reality its people live?

“I was drawn to the stamp because of that gap between official narrative and lived experience.”

In this series, Nairobi-based multimedia designer Sinatra Chumo ( @_.sinatra) reclaims the postage stamp as a site of cultural critique. Once used as miniature ambassadors of national identity, stamps become, in his hands, a way to document the Nairobi that official symbols rarely hold in full, from inequality and political tension to the improvisations that keep the city running.

Working within the visual language of mid-century philatelic design, Chumo draws on period typography, distressed textures, archival palettes, and the formal structure of the stamp itself. The works look official, and that is what makes them land, exposing the distance between branded identity and lived experience rather than projecting a polished national myth.

For Chumo, the project is not about cynicism but about honesty, about what becomes visible when design stops smoothing things over and starts documenting what is actually there.

Read the full Q&A with Sinatra Chumo at the link in bio.

Images courtesy of the artist.
Credit: Sinatra Chumo, Karibu Nairobi: Stamped and Approved (2025/2026).

Karibu Nairobi: Stamped and Approved asks a simple question with sharp consequences: what happens when a nation’s official image no longer matches the reality its people live?

“I was drawn to the stamp because of that gap between official narrative and lived experience.”

In this series, Nairobi-based multimedia designer Sinatra Chumo ( @_.sinatra) reclaims the postage stamp as a site of cultural critique. Once used as miniature ambassadors of national identity, stamps become, in his hands, a way to document the Nairobi that official symbols rarely hold in full, from inequality and political tension to the improvisations that keep the city running.

Working within the visual language of mid-century philatelic design, Chumo draws on period typography, distressed textures, archival palettes, and the formal structure of the stamp itself. The works look official, and that is what makes them land, exposing the distance between branded identity and lived experience rather than projecting a polished national myth.

For Chumo, the project is not about cynicism but about honesty, about what becomes visible when design stops smoothing things over and starts documenting what is actually there.

Read the full Q&A with Sinatra Chumo at the link in bio.

Images courtesy of the artist.
Credit: Sinatra Chumo, Karibu Nairobi: Stamped and Approved (2025/2026).

what kind of friends we are a year later. birthday fest tickets available on @mookh.africa & via the link in our bio 🩵💙

director @youngmcdonalds
producer @debbiebosiboriiiiiii
photographer @channel.fay
muse @thepurpleflacko
📍 @thevillagecreativegroup_ke

what kind of friends we are a year later. birthday fest tickets available on @mookh.africa & via the link in our bio 🩵💙

director @youngmcdonalds
producer @debbiebosiboriiiiiii
photographer @channel.fay
muse @thepurpleflacko
📍 @thevillagecreativegroup_ke

what kind of friends we are a year later. birthday fest tickets available on @mookh.africa & via the link in our bio 🩵💙

director @youngmcdonalds
producer @debbiebosiboriiiiiii
photographer @channel.fay
muse @thepurpleflacko
📍 @thevillagecreativegroup_ke

what kind of friends we are a year later. birthday fest tickets available on @mookh.africa & via the link in our bio 🩵💙

director @youngmcdonalds
producer @debbiebosiboriiiiiii
photographer @channel.fay
muse @thepurpleflacko
📍 @thevillagecreativegroup_ke

what kind of friends we are a year later. birthday fest tickets available on @mookh.africa & via the link in our bio 🩵💙

director @youngmcdonalds
producer @debbiebosiboriiiiiii
photographer @channel.fay
muse @thepurpleflacko
📍 @thevillagecreativegroup_ke

what kind of friends we are a year later. birthday fest tickets available on @mookh.africa & via the link in our bio 🩵💙

director @youngmcdonalds
producer @debbiebosiboriiiiiii
photographer @channel.fay
muse @thepurpleflacko
📍 @thevillagecreativegroup_ke

Outtakes from trip to Egypt.
Frank Ocean — Close to you

#sonyalpha #egypt #travel #cinematic #blonde

Frans Sinatra circa ‘23

Frans Sinatra circa ‘23

JOGOO WA SHAMBA WAWIKA MJINI

Poster art campaign for @199xorg
@weare.thestation @afrika.housekenya

#poster #posterdesign #art #kenya

JOGOO WA SHAMBA WAWIKA MJINI

Poster art campaign for @199xorg
@weare.thestation @afrika.housekenya

#poster #posterdesign #art #kenya

JOGOO WA SHAMBA WAWIKA MJINI

Poster art campaign for @199xorg
@weare.thestation @afrika.housekenya

#poster #posterdesign #art #kenya

JOGOO WA SHAMBA WAWIKA MJINI

Poster art campaign for @199xorg
@weare.thestation @afrika.housekenya

#poster #posterdesign #art #kenya

JOGOO WA SHAMBA WAWIKA MJINI

Poster art campaign for @199xorg
@weare.thestation @afrika.housekenya

#poster #posterdesign #art #kenya

JOGOO WA SHAMBA WAWIKA MJINI

Poster art campaign for @199xorg
@weare.thestation @afrika.housekenya

#poster #posterdesign #art #kenya

‘MATWANA THROUGH THE STAGES’ by Sinatra Chumo.

We spend almost all our lives in transit, both physically and metaphorically, across different stages. For the average Kenyan, this movement is through and in matatus.

For our first EA Rap show, our art director @_.sinatra curated the ’Matwana Through the Stages’ series, exploring transition, growth, and movement as an ode to Kenyan matatu culture.

‘MATWANA THROUGH THE STAGES’ by Sinatra Chumo.

We spend almost all our lives in transit, both physically and metaphorically, across different stages. For the average Kenyan, this movement is through and in matatus.

For our first EA Rap show, our art director @_.sinatra curated the ’Matwana Through the Stages’ series, exploring transition, growth, and movement as an ode to Kenyan matatu culture.

‘MATWANA THROUGH THE STAGES’ by Sinatra Chumo.

We spend almost all our lives in transit, both physically and metaphorically, across different stages. For the average Kenyan, this movement is through and in matatus.

For our first EA Rap show, our art director @_.sinatra curated the ’Matwana Through the Stages’ series, exploring transition, growth, and movement as an ode to Kenyan matatu culture.

‘MATWANA THROUGH THE STAGES’ by Sinatra Chumo.

We spend almost all our lives in transit, both physically and metaphorically, across different stages. For the average Kenyan, this movement is through and in matatus.

For our first EA Rap show, our art director @_.sinatra curated the ’Matwana Through the Stages’ series, exploring transition, growth, and movement as an ode to Kenyan matatu culture.

‘MATWANA THROUGH THE STAGES’ by Sinatra Chumo.

We spend almost all our lives in transit, both physically and metaphorically, across different stages. For the average Kenyan, this movement is through and in matatus.

For our first EA Rap show, our art director @_.sinatra curated the ’Matwana Through the Stages’ series, exploring transition, growth, and movement as an ode to Kenyan matatu culture.

Dot On the way to ‘say drake?!’#


#collageanimation #collage #aftereffects #collageart #mixedmedia #digitalart #gnx #kendricklamar

Checking in with our #NCFund March 2024 winner @_.sinatra! ⚡

As a visual artist and graphic designer based in Nairobi, Sinatra’s work blends creativity with impact. Through visual communication and problem-solving, he explores themes of social inequality, political corruption, and the resilience of the Kenyan spirit.

Winning the #NCFund micro-grant in 2024 wasn’t just about the money for him— it was about the ripple effect it made on his creative journey. With the support of NewComma, Sinatra pushed boundaries, took on new projects, and inspired those around him to dream bigger.

💬 “This experience elevated my work ethic and did something even bigger—it inspired the creatives around me to realise they can dream bigger and explore new possibilities.”

As he heads into 2025, Sinatra is focused on keeping the momentum going, collaborating with other creatives, and making a lasting impact through his work.

For any creative thinking about applying for opportunities like this, he has one piece of advice: “Go for it. Your work deserves to be seen and supported.”

#NewComma #CreativeJourney #AfricanCreatives #NCFund #VisualArtist

First procreate project, kinda goes hard methinks , lousy brushwork but that was kinda the point, let’s call that an art style for now!

#procreate #art #tylerthecreator