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Crafted from cylindrical dowels, the Muecke Wood Collection highlights the organic beauty of wood through a rhythmic interplay of clean, repeating forms. Explore four new pieces by Jonathan Muecke. Link in bio.

Crafted from cylindrical dowels, the Muecke Wood Collection highlights the organic beauty of wood through a rhythmic interplay of clean, repeating forms. Explore four new pieces by Jonathan Muecke. Link in bio.

Crafted from cylindrical dowels, the Muecke Wood Collection highlights the organic beauty of wood through a rhythmic interplay of clean, repeating forms. Explore four new pieces by Jonathan Muecke. Link in bio.

Crafted from cylindrical dowels, the Muecke Wood Collection highlights the organic beauty of wood through a rhythmic interplay of clean, repeating forms. Explore four new pieces by Jonathan Muecke. Link in bio.

The rigorous yet inviting forms of Jonathan Muecke’s new pieces for Knoll are the result of deep materials exploration and an innovative spatial idea. Explore the collection: link in bio.

The rigorous yet inviting forms of Jonathan Muecke’s new pieces for Knoll are the result of deep materials exploration and an innovative spatial idea. Explore the collection: link in bio.

The Morrison Hannah Chair—now available in Europe as well as North America—is the ultimate chameleon. Its broad palette of material options allows you to tailor it to suit any environment, whether using color to play up the joyful design or neutrals to give it an elegant edge. It’s available with or without casters, with or without arms, in leather or fabric, and in a choice of six frame colors. Link in bio.

The Morrison Hannah Chair—now available in Europe as well as North America—is the ultimate chameleon. Its broad palette of material options allows you to tailor it to suit any environment, whether using color to play up the joyful design or neutrals to give it an elegant edge. It’s available with or without casters, with or without arms, in leather or fabric, and in a choice of six frame colors. Link in bio.

Now available in Europe as well as North America, the contemporary revival of the Morrison Hannah Chair makes an important chapter in design history accessible once more. Designed by Andrew Morrison and Bruce Hannah in 1973, Knoll introduced the chair as “Easy to manufacture, easy to live with, and easy to love”—a friendly approach to task seating that’s welcome in residential environments. Link in bio.

Working from his studio in Santarem, Portugal, Dozie Kanu practices at the intersections of sculpture, performance, and fine art. “My work acts as a kind of host; it’s almost the director of the room in how it orchestrates the experience of the surrounding space,” says the designer.

Explore the Dozie Kanu Table Collection:
Salone del Mobile
Hall 24 C11/C15
Milano

Knoll celebrated the launch of the Dozie Kanu Table Collection at Bar Nico in Milan, with music by Black Noi$e. Explore the collection: link in bio.

Knoll celebrated the launch of the Dozie Kanu Table Collection at Bar Nico in Milan, with music by Black Noi$e. Explore the collection: link in bio.

Knoll celebrated the launch of the Dozie Kanu Table Collection at Bar Nico in Milan, with music by Black Noi$e. Explore the collection: link in bio.

Knoll celebrated the launch of the Dozie Kanu Table Collection at Bar Nico in Milan, with music by Black Noi$e. Explore the collection: link in bio.

Knoll celebrated the launch of the Dozie Kanu Table Collection at Bar Nico in Milan, with music by Black Noi$e. Explore the collection: link in bio.

Visit the Knoll Pavilion at Salone del Mobile to explore architectural forms that embody the magnetic tension of contrasts. Counterculture and fine art, restraint and indulgence, rigidity and humor—these dualities define Knoll and its new collections by Dozie Kanu, Jonathan Muecke, and Johnston Marklee, as well as an archival reissue by Bruce Hannah and Andrew Morrison. See everything new at link in bio.

21-26 April 2026
Hall 24 C11/C15
Milano

Photography by Daniele Ansidei

Visit the Knoll Pavilion at Salone del Mobile to explore architectural forms that embody the magnetic tension of contrasts. Counterculture and fine art, restraint and indulgence, rigidity and humor—these dualities define Knoll and its new collections by Dozie Kanu, Jonathan Muecke, and Johnston Marklee, as well as an archival reissue by Bruce Hannah and Andrew Morrison. See everything new at link in bio.

21-26 April 2026
Hall 24 C11/C15
Milano

Photography by Daniele Ansidei

Visit the Knoll Pavilion at Salone del Mobile to explore architectural forms that embody the magnetic tension of contrasts. Counterculture and fine art, restraint and indulgence, rigidity and humor—these dualities define Knoll and its new collections by Dozie Kanu, Jonathan Muecke, and Johnston Marklee, as well as an archival reissue by Bruce Hannah and Andrew Morrison. See everything new at link in bio.

21-26 April 2026
Hall 24 C11/C15
Milano

Photography by Daniele Ansidei

Visit the Knoll Pavilion at Salone del Mobile to explore architectural forms that embody the magnetic tension of contrasts. Counterculture and fine art, restraint and indulgence, rigidity and humor—these dualities define Knoll and its new collections by Dozie Kanu, Jonathan Muecke, and Johnston Marklee, as well as an archival reissue by Bruce Hannah and Andrew Morrison. See everything new at link in bio.

21-26 April 2026
Hall 24 C11/C15
Milano

Photography by Daniele Ansidei

Visit the Knoll Pavilion at Salone del Mobile to explore architectural forms that embody the magnetic tension of contrasts. Counterculture and fine art, restraint and indulgence, rigidity and humor—these dualities define Knoll and its new collections by Dozie Kanu, Jonathan Muecke, and Johnston Marklee, as well as an archival reissue by Bruce Hannah and Andrew Morrison. See everything new at link in bio.

21-26 April 2026
Hall 24 C11/C15
Milano

Photography by Daniele Ansidei

In the late 1970s, Massimo Vignelli described @Knoll as “the most exciting, rewarding client of my professional career.” The rich partnership between Knoll, Massimo, and Lella Vignelli resulted in a graphics system for Knoll that continues to define the brand today. “Lella and Massimo Vignelli. A language of clarity,” highlights this relationship and presents a broader overview of the duo’s work and influence on the design practice.

Hosted by @triennalemilano, with MillerKnoll as the main exhibition partner, the retrospective runs through September 6 and features historic works loaned from the MillerKnoll Archives.

Learn more by clicking the link in our bio.

Exhibition images by Photo Delfino Sisto Legnani DSL Studio © Triennale Milano and detailed images by Gianluca Di Ioia / GDI Studio © Triennale Milano

In the late 1970s, Massimo Vignelli described @Knoll as “the most exciting, rewarding client of my professional career.” The rich partnership between Knoll, Massimo, and Lella Vignelli resulted in a graphics system for Knoll that continues to define the brand today. “Lella and Massimo Vignelli. A language of clarity,” highlights this relationship and presents a broader overview of the duo’s work and influence on the design practice.

Hosted by @triennalemilano, with MillerKnoll as the main exhibition partner, the retrospective runs through September 6 and features historic works loaned from the MillerKnoll Archives.

Learn more by clicking the link in our bio.

Exhibition images by Photo Delfino Sisto Legnani DSL Studio © Triennale Milano and detailed images by Gianluca Di Ioia / GDI Studio © Triennale Milano

In the late 1970s, Massimo Vignelli described @Knoll as “the most exciting, rewarding client of my professional career.” The rich partnership between Knoll, Massimo, and Lella Vignelli resulted in a graphics system for Knoll that continues to define the brand today. “Lella and Massimo Vignelli. A language of clarity,” highlights this relationship and presents a broader overview of the duo’s work and influence on the design practice.

Hosted by @triennalemilano, with MillerKnoll as the main exhibition partner, the retrospective runs through September 6 and features historic works loaned from the MillerKnoll Archives.

Learn more by clicking the link in our bio.

Exhibition images by Photo Delfino Sisto Legnani DSL Studio © Triennale Milano and detailed images by Gianluca Di Ioia / GDI Studio © Triennale Milano

In the late 1970s, Massimo Vignelli described @Knoll as “the most exciting, rewarding client of my professional career.” The rich partnership between Knoll, Massimo, and Lella Vignelli resulted in a graphics system for Knoll that continues to define the brand today. “Lella and Massimo Vignelli. A language of clarity,” highlights this relationship and presents a broader overview of the duo’s work and influence on the design practice.

Hosted by @triennalemilano, with MillerKnoll as the main exhibition partner, the retrospective runs through September 6 and features historic works loaned from the MillerKnoll Archives.

Learn more by clicking the link in our bio.

Exhibition images by Photo Delfino Sisto Legnani DSL Studio © Triennale Milano and detailed images by Gianluca Di Ioia / GDI Studio © Triennale Milano

Introducing the Dozie Kanu Table Collection for Knoll. Making its debut at Salone del Mobile, these boundary-pushing pieces are in a class of their own. Available for purchase April 21. Sign up to learn more at the link in bio.

Art, form, sculpture. A boundary-pushing collaboration is coming. Sign up to be first to know about Knoll's newest debut at Salone del Mobile. Link in bio.

Visit the Knoll Pavilion
Hall 24 C11/C15
Milano

Coming soon: Knoll presents a raw, intriguing, performative collection at Salone del Mobile. Available for purchase April 21. Sign up for early access, link in bio.

Visit the Knoll Pavilion
Hall 24 C11/C15
Milano

Upon its debut, the 1966 Collection was described by Richard Schultz as “a breath of fresh air” for modernists. “Outdoor chairs should be enhanced by the elements,” he said. “Wind, sun, and rain should pass freely through, and they should breathe.” And breathe they do, all these years later.

Seen at Hancock Park House by @leong__leong

Choose from seven frame colors (red is available only in North America). Link in bio.

Upon its debut, the 1966 Collection was described by Richard Schultz as “a breath of fresh air” for modernists. “Outdoor chairs should be enhanced by the elements,” he said. “Wind, sun, and rain should pass freely through, and they should breathe.” And breathe they do, all these years later.

Seen at Hancock Park House by @leong__leong

Choose from seven frame colors (red is available only in North America). Link in bio.