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gettymuseum
Getty
Bringing people together through art.
Based in Los Angeles, working globally.
Same Getty, new look. Let us re-introduce ourselves.
We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.
Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.
Getty. All for art.
Same Getty, new look. Let us re-introduce ourselves.
We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.
Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.
Getty. All for art.
Same Getty, new look. Let us re-introduce ourselves.
We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.
Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.
Getty. All for art.
Same Getty, new look. Let us re-introduce ourselves.
We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.
Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.
Getty. All for art.
We're kicking off giving season by giving away free art!
Specifically, 88,000 downloadable artworks available are free for any purpose you’d like under Creative Commons Zero (CC0).
Watch to learn how to access and download.
🎨 For more on art, history, and culture, follow us @gettymuseum.
Cat's outta the bag! The votes are in!
Last month we asked for name suggestions for a new face in Getty's galleries, and boy did you deliver.
Welcome to the galleries, Purrquoise! (Everybody say *meow!*)
🐾 This porcelain cat was made in the 1700s in China for export to Europe (where it received its glowing eyes and gilded stool), and was once owned by Madame de Pompadour—the official chief mistress of King Louis XV from 1745 to 1751.
Why didn’t people smile in old photographs? The answer may surprise you!
Head to the link in bio to learn more.
Not to brag, but we have some CREATIVE visitors.
Send some love to:
1. @toontekent's Rembrandt recreation
2. @m.istceramics's purrrfect Purrquoise
3. @pandemicmasters's bold Bacchante
4. @arthistoryinlego's awesome Annunciation
5. @justalittlebreezy's phenomenal portrait
6. @lime_soda25's stunning sketches
7. @hanjoart's wonderful watercolors
It’s #NationalCreativityDay! How are you creating? Inspired by your visit, or art in our collection? Please tag us @gettymuseum!
What was life like for artists in Los Angeles during the 1960s? Photographer Jerry McMillan gives us a glimpse.
Not only a celebrated artist himself, he documented rare moments and stylized portraits of artists like Ed Ruscha, Judy Chicago, Robert Irwin, James Turrell, Ed Bereal, Larry Bell, Joe Goode, and more. The list goes on—McMillan was around for it all.
McMillan passed away in February, but his life’s work can be remembered through his archive which is housed in Getty’s collections and available to be studied by researchers and scholars.
Learn more at our #LinkInBio.
📸:
1. Ed and Danna Ruscha, 1971, Jerry McMillan. © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2015.M.10)
2. Judy Chicago exhibition announcement, 1970, Jerry McMillan. Gift of Rolf G. Nelson. Getty Research Institute, Los Angeles (2010.M.38).
3. Joe Goode, Jerry McMillan, and Ed Ruscha with Ed’s ’39 Chevy, 1970, Jerry McMillan. © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2015.M.10)
What was life like for artists in Los Angeles during the 1960s? Photographer Jerry McMillan gives us a glimpse.
Not only a celebrated artist himself, he documented rare moments and stylized portraits of artists like Ed Ruscha, Judy Chicago, Robert Irwin, James Turrell, Ed Bereal, Larry Bell, Joe Goode, and more. The list goes on—McMillan was around for it all.
McMillan passed away in February, but his life’s work can be remembered through his archive which is housed in Getty’s collections and available to be studied by researchers and scholars.
Learn more at our #LinkInBio.
📸:
1. Ed and Danna Ruscha, 1971, Jerry McMillan. © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2015.M.10)
2. Judy Chicago exhibition announcement, 1970, Jerry McMillan. Gift of Rolf G. Nelson. Getty Research Institute, Los Angeles (2010.M.38).
3. Joe Goode, Jerry McMillan, and Ed Ruscha with Ed’s ’39 Chevy, 1970, Jerry McMillan. © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2015.M.10)
What was life like for artists in Los Angeles during the 1960s? Photographer Jerry McMillan gives us a glimpse.
Not only a celebrated artist himself, he documented rare moments and stylized portraits of artists like Ed Ruscha, Judy Chicago, Robert Irwin, James Turrell, Ed Bereal, Larry Bell, Joe Goode, and more. The list goes on—McMillan was around for it all.
McMillan passed away in February, but his life’s work can be remembered through his archive which is housed in Getty’s collections and available to be studied by researchers and scholars.
Learn more at our #LinkInBio.
📸:
1. Ed and Danna Ruscha, 1971, Jerry McMillan. © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2015.M.10)
2. Judy Chicago exhibition announcement, 1970, Jerry McMillan. Gift of Rolf G. Nelson. Getty Research Institute, Los Angeles (2010.M.38).
3. Joe Goode, Jerry McMillan, and Ed Ruscha with Ed’s ’39 Chevy, 1970, Jerry McMillan. © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2015.M.10)
Through time, the color green in art has been made from the copper-derived mineral called malachite, the pale gray-green glaze called celadon, or verdigris—made by hanging copper plates over a hot vinegar bath.
Green has also symbolized everything from life, rejuvenation, rebirth, fertility, and more.
Curious? Learn more about the history of the color green at our #LinkInBio.
🖼️:
Portrait of a Man, about 1544–1548, Francesco Salviati. Getty Museum
What form does your creativity take? For Yasuo Kuniyoshi, it was painting AND photography.
In 1906, Yasuo Kuniyoshi came from Japan to America as a teenager.
After landing in Washington state, he worked odd jobs, learned English, and eventually made his way to Los Angeles, where he enrolled in classes. An encouraging teacher inspired him to go to art school.
He moved to New York in 1910, where he studied painting at the Art Students' League, but around 1919 he began to photograph works of art to earn a living.
Although painting remained his primary medium, in 1935, Kuniyoshi acquired a small-format 35mm camera that allowed him greater freedom and mobility.
He began experimenting with angles and unconventional points of view to make more creative photographs. Soon after, he set up a darkroom at his studio.
Between 1935 and 1939, he made more than 400 photographs, frequently basing paintings on these images.
Discover over 100 Kuniyoshi photographs at our #LinkInBio.
📸:
1. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
2. Model, 1937, Yasuo Kuniyoshi. Getty Museum
3. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
4. World’s Fair, 1939, Yasuo Kuniyoshi. Getty Museum
5. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
6. Penny, 1938, Yasuo Kuniyoshi. Getty Museum
7. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
8. Sandy and Belinda Brook, 1938, Yasuo Kuniyoshi. Getty Museum
9. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
10. St. Gaudens Party, 1939, Yasuo Kuniyoshi. Getty Museum
What form does your creativity take? For Yasuo Kuniyoshi, it was painting AND photography.
In 1906, Yasuo Kuniyoshi came from Japan to America as a teenager.
After landing in Washington state, he worked odd jobs, learned English, and eventually made his way to Los Angeles, where he enrolled in classes. An encouraging teacher inspired him to go to art school.
He moved to New York in 1910, where he studied painting at the Art Students' League, but around 1919 he began to photograph works of art to earn a living.
Although painting remained his primary medium, in 1935, Kuniyoshi acquired a small-format 35mm camera that allowed him greater freedom and mobility.
He began experimenting with angles and unconventional points of view to make more creative photographs. Soon after, he set up a darkroom at his studio.
Between 1935 and 1939, he made more than 400 photographs, frequently basing paintings on these images.
Discover over 100 Kuniyoshi photographs at our #LinkInBio.
📸:
1. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
2. Model, 1937, Yasuo Kuniyoshi. Getty Museum
3. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
4. World’s Fair, 1939, Yasuo Kuniyoshi. Getty Museum
5. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
6. Penny, 1938, Yasuo Kuniyoshi. Getty Museum
7. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
8. Sandy and Belinda Brook, 1938, Yasuo Kuniyoshi. Getty Museum
9. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
10. St. Gaudens Party, 1939, Yasuo Kuniyoshi. Getty Museum
What form does your creativity take? For Yasuo Kuniyoshi, it was painting AND photography.
In 1906, Yasuo Kuniyoshi came from Japan to America as a teenager.
After landing in Washington state, he worked odd jobs, learned English, and eventually made his way to Los Angeles, where he enrolled in classes. An encouraging teacher inspired him to go to art school.
He moved to New York in 1910, where he studied painting at the Art Students' League, but around 1919 he began to photograph works of art to earn a living.
Although painting remained his primary medium, in 1935, Kuniyoshi acquired a small-format 35mm camera that allowed him greater freedom and mobility.
He began experimenting with angles and unconventional points of view to make more creative photographs. Soon after, he set up a darkroom at his studio.
Between 1935 and 1939, he made more than 400 photographs, frequently basing paintings on these images.
Discover over 100 Kuniyoshi photographs at our #LinkInBio.
📸:
1. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
2. Model, 1937, Yasuo Kuniyoshi. Getty Museum
3. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
4. World’s Fair, 1939, Yasuo Kuniyoshi. Getty Museum
5. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
6. Penny, 1938, Yasuo Kuniyoshi. Getty Museum
7. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
8. Sandy and Belinda Brook, 1938, Yasuo Kuniyoshi. Getty Museum
9. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
10. St. Gaudens Party, 1939, Yasuo Kuniyoshi. Getty Museum
What form does your creativity take? For Yasuo Kuniyoshi, it was painting AND photography.
In 1906, Yasuo Kuniyoshi came from Japan to America as a teenager.
After landing in Washington state, he worked odd jobs, learned English, and eventually made his way to Los Angeles, where he enrolled in classes. An encouraging teacher inspired him to go to art school.
He moved to New York in 1910, where he studied painting at the Art Students' League, but around 1919 he began to photograph works of art to earn a living.
Although painting remained his primary medium, in 1935, Kuniyoshi acquired a small-format 35mm camera that allowed him greater freedom and mobility.
He began experimenting with angles and unconventional points of view to make more creative photographs. Soon after, he set up a darkroom at his studio.
Between 1935 and 1939, he made more than 400 photographs, frequently basing paintings on these images.
Discover over 100 Kuniyoshi photographs at our #LinkInBio.
📸:
1. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
2. Model, 1937, Yasuo Kuniyoshi. Getty Museum
3. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
4. World’s Fair, 1939, Yasuo Kuniyoshi. Getty Museum
5. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
6. Penny, 1938, Yasuo Kuniyoshi. Getty Museum
7. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
8. Sandy and Belinda Brook, 1938, Yasuo Kuniyoshi. Getty Museum
9. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
10. St. Gaudens Party, 1939, Yasuo Kuniyoshi. Getty Museum
What form does your creativity take? For Yasuo Kuniyoshi, it was painting AND photography.
In 1906, Yasuo Kuniyoshi came from Japan to America as a teenager.
After landing in Washington state, he worked odd jobs, learned English, and eventually made his way to Los Angeles, where he enrolled in classes. An encouraging teacher inspired him to go to art school.
He moved to New York in 1910, where he studied painting at the Art Students' League, but around 1919 he began to photograph works of art to earn a living.
Although painting remained his primary medium, in 1935, Kuniyoshi acquired a small-format 35mm camera that allowed him greater freedom and mobility.
He began experimenting with angles and unconventional points of view to make more creative photographs. Soon after, he set up a darkroom at his studio.
Between 1935 and 1939, he made more than 400 photographs, frequently basing paintings on these images.
Discover over 100 Kuniyoshi photographs at our #LinkInBio.
📸:
1. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
2. Model, 1937, Yasuo Kuniyoshi. Getty Museum
3. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
4. World’s Fair, 1939, Yasuo Kuniyoshi. Getty Museum
5. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
6. Penny, 1938, Yasuo Kuniyoshi. Getty Museum
7. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
8. Sandy and Belinda Brook, 1938, Yasuo Kuniyoshi. Getty Museum
9. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
10. St. Gaudens Party, 1939, Yasuo Kuniyoshi. Getty Museum
What form does your creativity take? For Yasuo Kuniyoshi, it was painting AND photography.
In 1906, Yasuo Kuniyoshi came from Japan to America as a teenager.
After landing in Washington state, he worked odd jobs, learned English, and eventually made his way to Los Angeles, where he enrolled in classes. An encouraging teacher inspired him to go to art school.
He moved to New York in 1910, where he studied painting at the Art Students' League, but around 1919 he began to photograph works of art to earn a living.
Although painting remained his primary medium, in 1935, Kuniyoshi acquired a small-format 35mm camera that allowed him greater freedom and mobility.
He began experimenting with angles and unconventional points of view to make more creative photographs. Soon after, he set up a darkroom at his studio.
Between 1935 and 1939, he made more than 400 photographs, frequently basing paintings on these images.
Discover over 100 Kuniyoshi photographs at our #LinkInBio.
📸:
1. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
2. Model, 1937, Yasuo Kuniyoshi. Getty Museum
3. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
4. World’s Fair, 1939, Yasuo Kuniyoshi. Getty Museum
5. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
6. Penny, 1938, Yasuo Kuniyoshi. Getty Museum
7. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
8. Sandy and Belinda Brook, 1938, Yasuo Kuniyoshi. Getty Museum
9. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
10. St. Gaudens Party, 1939, Yasuo Kuniyoshi. Getty Museum
What form does your creativity take? For Yasuo Kuniyoshi, it was painting AND photography.
In 1906, Yasuo Kuniyoshi came from Japan to America as a teenager.
After landing in Washington state, he worked odd jobs, learned English, and eventually made his way to Los Angeles, where he enrolled in classes. An encouraging teacher inspired him to go to art school.
He moved to New York in 1910, where he studied painting at the Art Students' League, but around 1919 he began to photograph works of art to earn a living.
Although painting remained his primary medium, in 1935, Kuniyoshi acquired a small-format 35mm camera that allowed him greater freedom and mobility.
He began experimenting with angles and unconventional points of view to make more creative photographs. Soon after, he set up a darkroom at his studio.
Between 1935 and 1939, he made more than 400 photographs, frequently basing paintings on these images.
Discover over 100 Kuniyoshi photographs at our #LinkInBio.
📸:
1. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
2. Model, 1937, Yasuo Kuniyoshi. Getty Museum
3. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
4. World’s Fair, 1939, Yasuo Kuniyoshi. Getty Museum
5. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
6. Penny, 1938, Yasuo Kuniyoshi. Getty Museum
7. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
8. Sandy and Belinda Brook, 1938, Yasuo Kuniyoshi. Getty Museum
9. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
10. St. Gaudens Party, 1939, Yasuo Kuniyoshi. Getty Museum
What form does your creativity take? For Yasuo Kuniyoshi, it was painting AND photography.
In 1906, Yasuo Kuniyoshi came from Japan to America as a teenager.
After landing in Washington state, he worked odd jobs, learned English, and eventually made his way to Los Angeles, where he enrolled in classes. An encouraging teacher inspired him to go to art school.
He moved to New York in 1910, where he studied painting at the Art Students' League, but around 1919 he began to photograph works of art to earn a living.
Although painting remained his primary medium, in 1935, Kuniyoshi acquired a small-format 35mm camera that allowed him greater freedom and mobility.
He began experimenting with angles and unconventional points of view to make more creative photographs. Soon after, he set up a darkroom at his studio.
Between 1935 and 1939, he made more than 400 photographs, frequently basing paintings on these images.
Discover over 100 Kuniyoshi photographs at our #LinkInBio.
📸:
1. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
2. Model, 1937, Yasuo Kuniyoshi. Getty Museum
3. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
4. World’s Fair, 1939, Yasuo Kuniyoshi. Getty Museum
5. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
6. Penny, 1938, Yasuo Kuniyoshi. Getty Museum
7. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
8. Sandy and Belinda Brook, 1938, Yasuo Kuniyoshi. Getty Museum
9. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
10. St. Gaudens Party, 1939, Yasuo Kuniyoshi. Getty Museum
What form does your creativity take? For Yasuo Kuniyoshi, it was painting AND photography.
In 1906, Yasuo Kuniyoshi came from Japan to America as a teenager.
After landing in Washington state, he worked odd jobs, learned English, and eventually made his way to Los Angeles, where he enrolled in classes. An encouraging teacher inspired him to go to art school.
He moved to New York in 1910, where he studied painting at the Art Students' League, but around 1919 he began to photograph works of art to earn a living.
Although painting remained his primary medium, in 1935, Kuniyoshi acquired a small-format 35mm camera that allowed him greater freedom and mobility.
He began experimenting with angles and unconventional points of view to make more creative photographs. Soon after, he set up a darkroom at his studio.
Between 1935 and 1939, he made more than 400 photographs, frequently basing paintings on these images.
Discover over 100 Kuniyoshi photographs at our #LinkInBio.
📸:
1. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
2. Model, 1937, Yasuo Kuniyoshi. Getty Museum
3. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
4. World’s Fair, 1939, Yasuo Kuniyoshi. Getty Museum
5. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
6. Penny, 1938, Yasuo Kuniyoshi. Getty Museum
7. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
8. Sandy and Belinda Brook, 1938, Yasuo Kuniyoshi. Getty Museum
9. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
10. St. Gaudens Party, 1939, Yasuo Kuniyoshi. Getty Museum
What form does your creativity take? For Yasuo Kuniyoshi, it was painting AND photography.
In 1906, Yasuo Kuniyoshi came from Japan to America as a teenager.
After landing in Washington state, he worked odd jobs, learned English, and eventually made his way to Los Angeles, where he enrolled in classes. An encouraging teacher inspired him to go to art school.
He moved to New York in 1910, where he studied painting at the Art Students' League, but around 1919 he began to photograph works of art to earn a living.
Although painting remained his primary medium, in 1935, Kuniyoshi acquired a small-format 35mm camera that allowed him greater freedom and mobility.
He began experimenting with angles and unconventional points of view to make more creative photographs. Soon after, he set up a darkroom at his studio.
Between 1935 and 1939, he made more than 400 photographs, frequently basing paintings on these images.
Discover over 100 Kuniyoshi photographs at our #LinkInBio.
📸:
1. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
2. Model, 1937, Yasuo Kuniyoshi. Getty Museum
3. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
4. World’s Fair, 1939, Yasuo Kuniyoshi. Getty Museum
5. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
6. Penny, 1938, Yasuo Kuniyoshi. Getty Museum
7. Coney Island, 1938, Yasuo Kuniyoshi. Getty Museum
8. Sandy and Belinda Brook, 1938, Yasuo Kuniyoshi. Getty Museum
9. Class Picnic, 1938, Yasuo Kuniyoshi. Getty Museum
10. St. Gaudens Party, 1939, Yasuo Kuniyoshi. Getty Museum
Your first look at the new Getty Center!
These renderings show plans for the largest modernization effort since the Getty Center's opening in 1997.
Our goals are to improve your visitor experience, enhance accessibility, and strengthen energy resilience. This means upgrades to the parking and arrival area (Lower Tram), a new tram itself, and renovation to the Center's Welcome Hall.
Read more about what's changing at the link in our bio.
_
Lower Tram images: Gehry Partners
Getty Tram image: Doppelmayr/Garaventa Group
Welcome Hall Lobby images: WHY Architecture
Your first look at the new Getty Center!
These renderings show plans for the largest modernization effort since the Getty Center's opening in 1997.
Our goals are to improve your visitor experience, enhance accessibility, and strengthen energy resilience. This means upgrades to the parking and arrival area (Lower Tram), a new tram itself, and renovation to the Center's Welcome Hall.
Read more about what's changing at the link in our bio.
_
Lower Tram images: Gehry Partners
Getty Tram image: Doppelmayr/Garaventa Group
Welcome Hall Lobby images: WHY Architecture
Your first look at the new Getty Center!
These renderings show plans for the largest modernization effort since the Getty Center's opening in 1997.
Our goals are to improve your visitor experience, enhance accessibility, and strengthen energy resilience. This means upgrades to the parking and arrival area (Lower Tram), a new tram itself, and renovation to the Center's Welcome Hall.
Read more about what's changing at the link in our bio.
_
Lower Tram images: Gehry Partners
Getty Tram image: Doppelmayr/Garaventa Group
Welcome Hall Lobby images: WHY Architecture
Your first look at the new Getty Center!
These renderings show plans for the largest modernization effort since the Getty Center's opening in 1997.
Our goals are to improve your visitor experience, enhance accessibility, and strengthen energy resilience. This means upgrades to the parking and arrival area (Lower Tram), a new tram itself, and renovation to the Center's Welcome Hall.
Read more about what's changing at the link in our bio.
_
Lower Tram images: Gehry Partners
Getty Tram image: Doppelmayr/Garaventa Group
Welcome Hall Lobby images: WHY Architecture
Your first look at the new Getty Center!
These renderings show plans for the largest modernization effort since the Getty Center's opening in 1997.
Our goals are to improve your visitor experience, enhance accessibility, and strengthen energy resilience. This means upgrades to the parking and arrival area (Lower Tram), a new tram itself, and renovation to the Center's Welcome Hall.
Read more about what's changing at the link in our bio.
_
Lower Tram images: Gehry Partners
Getty Tram image: Doppelmayr/Garaventa Group
Welcome Hall Lobby images: WHY Architecture
Your first look at the new Getty Center!
These renderings show plans for the largest modernization effort since the Getty Center's opening in 1997.
Our goals are to improve your visitor experience, enhance accessibility, and strengthen energy resilience. This means upgrades to the parking and arrival area (Lower Tram), a new tram itself, and renovation to the Center's Welcome Hall.
Read more about what's changing at the link in our bio.
_
Lower Tram images: Gehry Partners
Getty Tram image: Doppelmayr/Garaventa Group
Welcome Hall Lobby images: WHY Architecture
Your first look at the new Getty Center!
These renderings show plans for the largest modernization effort since the Getty Center's opening in 1997.
Our goals are to improve your visitor experience, enhance accessibility, and strengthen energy resilience. This means upgrades to the parking and arrival area (Lower Tram), a new tram itself, and renovation to the Center's Welcome Hall.
Read more about what's changing at the link in our bio.
_
Lower Tram images: Gehry Partners
Getty Tram image: Doppelmayr/Garaventa Group
Welcome Hall Lobby images: WHY Architecture
Your first look at the new Getty Center!
These renderings show plans for the largest modernization effort since the Getty Center's opening in 1997.
Our goals are to improve your visitor experience, enhance accessibility, and strengthen energy resilience. This means upgrades to the parking and arrival area (Lower Tram), a new tram itself, and renovation to the Center's Welcome Hall.
Read more about what's changing at the link in our bio.
_
Lower Tram images: Gehry Partners
Getty Tram image: Doppelmayr/Garaventa Group
Welcome Hall Lobby images: WHY Architecture
If you've seen an artwork by Vincent van Gogh, you might have noticed one thing: impasto.
Here's how you can identify it.
Look closely for thick brushstrokes of layered paint. They often stick out from the surface of the painting, giving it a tactile quality.
🖼️:
Irises, 1889, Vincent van Gogh. Getty Museum
If you've seen an artwork by Vincent van Gogh, you might have noticed one thing: impasto.
Here's how you can identify it.
Look closely for thick brushstrokes of layered paint. They often stick out from the surface of the painting, giving it a tactile quality.
🖼️:
Irises, 1889, Vincent van Gogh. Getty Museum
If you've seen an artwork by Vincent van Gogh, you might have noticed one thing: impasto.
Here's how you can identify it.
Look closely for thick brushstrokes of layered paint. They often stick out from the surface of the painting, giving it a tactile quality.
🖼️:
Irises, 1889, Vincent van Gogh. Getty Museum
If you've seen an artwork by Vincent van Gogh, you might have noticed one thing: impasto.
Here's how you can identify it.
Look closely for thick brushstrokes of layered paint. They often stick out from the surface of the painting, giving it a tactile quality.
🖼️:
Irises, 1889, Vincent van Gogh. Getty Museum
Careful... this box is full of lures that can get you "Hooked!"
Virtue and Vice: Allegory in European Drawing closes Jun 7, 2026. Visit the Getty Center before it's gone!
Featured Artworks:
- Hooked, 1980, Benjamin Patterson. The Getty Research Institute. Courtesy Estate of Benjamin Patterson
- The Charitable Woman (detail), 1772–1775, Jean-Baptiste Greuze. Getty Museum
- Amorous Couple (detail), about 1621, Jacob Matham. Getty Museum
Careful... this box is full of lures that can get you "Hooked!"
Virtue and Vice: Allegory in European Drawing closes Jun 7, 2026. Visit the Getty Center before it's gone!
Featured Artworks:
- Hooked, 1980, Benjamin Patterson. The Getty Research Institute. Courtesy Estate of Benjamin Patterson
- The Charitable Woman (detail), 1772–1775, Jean-Baptiste Greuze. Getty Museum
- Amorous Couple (detail), about 1621, Jacob Matham. Getty Museum
Careful... this box is full of lures that can get you "Hooked!"
Virtue and Vice: Allegory in European Drawing closes Jun 7, 2026. Visit the Getty Center before it's gone!
Featured Artworks:
- Hooked, 1980, Benjamin Patterson. The Getty Research Institute. Courtesy Estate of Benjamin Patterson
- The Charitable Woman (detail), 1772–1775, Jean-Baptiste Greuze. Getty Museum
- Amorous Couple (detail), about 1621, Jacob Matham. Getty Museum
Careful... this box is full of lures that can get you "Hooked!"
Virtue and Vice: Allegory in European Drawing closes Jun 7, 2026. Visit the Getty Center before it's gone!
Featured Artworks:
- Hooked, 1980, Benjamin Patterson. The Getty Research Institute. Courtesy Estate of Benjamin Patterson
- The Charitable Woman (detail), 1772–1775, Jean-Baptiste Greuze. Getty Museum
- Amorous Couple (detail), about 1621, Jacob Matham. Getty Museum
Careful... this box is full of lures that can get you "Hooked!"
Virtue and Vice: Allegory in European Drawing closes Jun 7, 2026. Visit the Getty Center before it's gone!
Featured Artworks:
- Hooked, 1980, Benjamin Patterson. The Getty Research Institute. Courtesy Estate of Benjamin Patterson
- The Charitable Woman (detail), 1772–1775, Jean-Baptiste Greuze. Getty Museum
- Amorous Couple (detail), about 1621, Jacob Matham. Getty Museum
Careful... this box is full of lures that can get you "Hooked!"
Virtue and Vice: Allegory in European Drawing closes Jun 7, 2026. Visit the Getty Center before it's gone!
Featured Artworks:
- Hooked, 1980, Benjamin Patterson. The Getty Research Institute. Courtesy Estate of Benjamin Patterson
- The Charitable Woman (detail), 1772–1775, Jean-Baptiste Greuze. Getty Museum
- Amorous Couple (detail), about 1621, Jacob Matham. Getty Museum
Happy #WorldGothDay!
Ever wondered what makes a building Gothic? While Gothic buildings vary in size, location, and age, there are five key elements you can use to identify them:
1. Large stained glass windows
2. Pointed arches
3. Ribbed vaults
4. Flying buttresses
5. Ornate decoration
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Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
Our advantages:
No Need to Register
Avoid app downloads and sign-ups, store stories on the web.
Exclusive High-Quality
Stories Say goodbye to poor-quality content, preserve only high-resolution Stories.
Accessible on All
Devices Download Instagram Stories using any browser, iPhone, Android.
Completely Free to Use
Absolutely no fees. Download any Story at no cost.
Frequently Asked Questions
- 1. Go to the Instagram Story Downloader tool.
- 2. Next, type the username of the Instagram profile into the provided field and click on the Download button.
- 3. You'll then see all the Stories that are available for the current 24-hour period. Select the ones you want and hit Download.