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@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
•
Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.

Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.

Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
•
With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

On view through November 22nd

Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o

Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
•
#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026

Happy to announce the upcoming opening of the exhibition CANICULA on May 6th, on the occasion of @labiennale Arte 2026. With set design and scenography by @2050.plus, the exhibition is curated by @alessandro.rabottini and @leonardobigazzi, respectively artistic director and curator at the @fondazioneinbetweenartfilm.

•

Canicula is the third and final chapter of the “Trilogy of Uncertainties,” a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, in which 2050+ explores the design of moving images-based shows as embodied experiences. Here, the scenography operates as an extension of the films, translating their moods and rhythms into spatial form, in dialogue with the artists and the architecture of the venue.

CANICULA unfolds as a material, climatic, and mental condition — a state of saturation and suspension, generated by relentless heat, flared lights and darkness.

•

With 8 new video installations commissioned to @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.

The exhibition will take place at Complesso Dell’Ospedaletto in Venice.
On view through November 22nd.

Exhibition design and scenography by @2050.plus (@sai_______i , @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio

•

#2050plus #fondazioneinbetweenartfilm #BiennaleArte2026 #labiennale

One last drift from "Fuoripista"...
•
Flipping through the exhibition catalogue — magistrally designed by Studio TEMP — "Fuoripista" continues its journey across centuries and the imaginaries of sport and winter, now living on in print after closing at gres art 671 in February 2026.

The catalogue features two critical essays ("Welcome to the New Cryosphere" and "Winters Elsewhere") by 2050+.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, @matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)

Production and installation by @altofragile_studio
Production manager @iddazamboni
Production assistant @stefanocrippa94
Press office @adicorbetta
Visual identity by @studiotemp

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista

One last drift from "Fuoripista"...
•
Flipping through the exhibition catalogue — magistrally designed by Studio TEMP — "Fuoripista" continues its journey across centuries and the imaginaries of sport and winter, now living on in print after closing at gres art 671 in February 2026.

The catalogue features two critical essays ("Welcome to the New Cryosphere" and "Winters Elsewhere") by 2050+.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, @matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)

Production and installation by @altofragile_studio
Production manager @iddazamboni
Production assistant @stefanocrippa94
Press office @adicorbetta
Visual identity by @studiotemp

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista

One last drift from "Fuoripista"...
•
Flipping through the exhibition catalogue — magistrally designed by Studio TEMP — "Fuoripista" continues its journey across centuries and the imaginaries of sport and winter, now living on in print after closing at gres art 671 in February 2026.

The catalogue features two critical essays ("Welcome to the New Cryosphere" and "Winters Elsewhere") by 2050+.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, @matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)

Production and installation by @altofragile_studio
Production manager @iddazamboni
Production assistant @stefanocrippa94
Press office @adicorbetta
Visual identity by @studiotemp

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista

One last drift from "Fuoripista"...
•
Flipping through the exhibition catalogue — magistrally designed by Studio TEMP — "Fuoripista" continues its journey across centuries and the imaginaries of sport and winter, now living on in print after closing at gres art 671 in February 2026.

The catalogue features two critical essays ("Welcome to the New Cryosphere" and "Winters Elsewhere") by 2050+.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, @matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)

Production and installation by @altofragile_studio
Production manager @iddazamboni
Production assistant @stefanocrippa94
Press office @adicorbetta
Visual identity by @studiotemp

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista

One last drift from "Fuoripista"...
•
Flipping through the exhibition catalogue — magistrally designed by Studio TEMP — "Fuoripista" continues its journey across centuries and the imaginaries of sport and winter, now living on in print after closing at gres art 671 in February 2026.

The catalogue features two critical essays ("Welcome to the New Cryosphere" and "Winters Elsewhere") by 2050+.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, @matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)

Production and installation by @altofragile_studio
Production manager @iddazamboni
Production assistant @stefanocrippa94
Press office @adicorbetta
Visual identity by @studiotemp

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista

One last drift from "Fuoripista"...
•
Flipping through the exhibition catalogue — magistrally designed by Studio TEMP — "Fuoripista" continues its journey across centuries and the imaginaries of sport and winter, now living on in print after closing at gres art 671 in February 2026.

The catalogue features two critical essays ("Welcome to the New Cryosphere" and "Winters Elsewhere") by 2050+.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, @matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)

Production and installation by @altofragile_studio
Production manager @iddazamboni
Production assistant @stefanocrippa94
Press office @adicorbetta
Visual identity by @studiotemp

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista

One last drift from "Fuoripista"...
•
Flipping through the exhibition catalogue — magistrally designed by Studio TEMP — "Fuoripista" continues its journey across centuries and the imaginaries of sport and winter, now living on in print after closing at gres art 671 in February 2026.

The catalogue features two critical essays ("Welcome to the New Cryosphere" and "Winters Elsewhere") by 2050+.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, @matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)

Production and installation by @altofragile_studio
Production manager @iddazamboni
Production assistant @stefanocrippa94
Press office @adicorbetta
Visual identity by @studiotemp

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista

Concéntrico 2026 presenta el proyecto ganador de la convocatoria internacional Ephemeral Agents, lanzada por Concéntrico x Distigmo: Frontones Danzantes, del colectivo italiano @2050.plus

El proyecto propone una infraestructura efímera que transforma el espacio urbano a través del juego. A partir de un gesto sencillo —un muro y una pelota— recupera el espíritu colectivo de la pelota vasca y lo traslada al presente, activando el Aparcamiento del Revellín como un paisaje dinámico.

La intervención introduce cuatro frontones móviles capaces de reconfigurar el espacio y ampliar sus usos, incorporando distintas prácticas deportivas. Un sistema modular en seco, basado en paneles de madera y estructuras metálicas, permite que la arquitectura se adapte al movimiento, al tiempo y a las personas.

Juego, arquitectura y acción colectiva se entrelazan para reimaginar la ciudad.

📍 Concéntrico 2026
📅 18–23 junio, Logroño

EN
Concéntrico 2026 presents the winning project of the Ephemeral Agents international call, launched by Concéntrico x Distigmo: Frontones Danzantes, by the Italian collective 2050+.

The project proposes an ephemeral infrastructure that transforms urban space through play. Starting from a simple gesture —a wall and a ball— it reinterprets the collective spirit of Basque pelota and brings it into the present, activating the Revellín parking area as a dynamic landscape.

The intervention introduces four mobile frontons that reconfigure the space and expand its uses, incorporating different sports practices. A dry modular system, based on wooden panels and metal structures, allows the architecture to adapt to movement, time, and people.

Play, architecture, and collective action intertwine to reimagine the city.

Concéntrico 2026 presenta el proyecto ganador de la convocatoria internacional Ephemeral Agents, lanzada por Concéntrico x Distigmo: Frontones Danzantes, del colectivo italiano @2050.plus

El proyecto propone una infraestructura efímera que transforma el espacio urbano a través del juego. A partir de un gesto sencillo —un muro y una pelota— recupera el espíritu colectivo de la pelota vasca y lo traslada al presente, activando el Aparcamiento del Revellín como un paisaje dinámico.

La intervención introduce cuatro frontones móviles capaces de reconfigurar el espacio y ampliar sus usos, incorporando distintas prácticas deportivas. Un sistema modular en seco, basado en paneles de madera y estructuras metálicas, permite que la arquitectura se adapte al movimiento, al tiempo y a las personas.

Juego, arquitectura y acción colectiva se entrelazan para reimaginar la ciudad.

📍 Concéntrico 2026
📅 18–23 junio, Logroño

EN
Concéntrico 2026 presents the winning project of the Ephemeral Agents international call, launched by Concéntrico x Distigmo: Frontones Danzantes, by the Italian collective 2050+.

The project proposes an ephemeral infrastructure that transforms urban space through play. Starting from a simple gesture —a wall and a ball— it reinterprets the collective spirit of Basque pelota and brings it into the present, activating the Revellín parking area as a dynamic landscape.

The intervention introduces four mobile frontons that reconfigure the space and expand its uses, incorporating different sports practices. A dry modular system, based on wooden panels and metal structures, allows the architecture to adapt to movement, time, and people.

Play, architecture, and collective action intertwine to reimagine the city.

Concéntrico 2026 presenta el proyecto ganador de la convocatoria internacional Ephemeral Agents, lanzada por Concéntrico x Distigmo: Frontones Danzantes, del colectivo italiano @2050.plus

El proyecto propone una infraestructura efímera que transforma el espacio urbano a través del juego. A partir de un gesto sencillo —un muro y una pelota— recupera el espíritu colectivo de la pelota vasca y lo traslada al presente, activando el Aparcamiento del Revellín como un paisaje dinámico.

La intervención introduce cuatro frontones móviles capaces de reconfigurar el espacio y ampliar sus usos, incorporando distintas prácticas deportivas. Un sistema modular en seco, basado en paneles de madera y estructuras metálicas, permite que la arquitectura se adapte al movimiento, al tiempo y a las personas.

Juego, arquitectura y acción colectiva se entrelazan para reimaginar la ciudad.

📍 Concéntrico 2026
📅 18–23 junio, Logroño

EN
Concéntrico 2026 presents the winning project of the Ephemeral Agents international call, launched by Concéntrico x Distigmo: Frontones Danzantes, by the Italian collective 2050+.

The project proposes an ephemeral infrastructure that transforms urban space through play. Starting from a simple gesture —a wall and a ball— it reinterprets the collective spirit of Basque pelota and brings it into the present, activating the Revellín parking area as a dynamic landscape.

The intervention introduces four mobile frontons that reconfigure the space and expand its uses, incorporating different sports practices. A dry modular system, based on wooden panels and metal structures, allows the architecture to adapt to movement, time, and people.

Play, architecture, and collective action intertwine to reimagine the city.

Concéntrico 2026 presenta el proyecto ganador de la convocatoria internacional Ephemeral Agents, lanzada por Concéntrico x Distigmo: Frontones Danzantes, del colectivo italiano @2050.plus

El proyecto propone una infraestructura efímera que transforma el espacio urbano a través del juego. A partir de un gesto sencillo —un muro y una pelota— recupera el espíritu colectivo de la pelota vasca y lo traslada al presente, activando el Aparcamiento del Revellín como un paisaje dinámico.

La intervención introduce cuatro frontones móviles capaces de reconfigurar el espacio y ampliar sus usos, incorporando distintas prácticas deportivas. Un sistema modular en seco, basado en paneles de madera y estructuras metálicas, permite que la arquitectura se adapte al movimiento, al tiempo y a las personas.

Juego, arquitectura y acción colectiva se entrelazan para reimaginar la ciudad.

📍 Concéntrico 2026
📅 18–23 junio, Logroño

EN
Concéntrico 2026 presents the winning project of the Ephemeral Agents international call, launched by Concéntrico x Distigmo: Frontones Danzantes, by the Italian collective 2050+.

The project proposes an ephemeral infrastructure that transforms urban space through play. Starting from a simple gesture —a wall and a ball— it reinterprets the collective spirit of Basque pelota and brings it into the present, activating the Revellín parking area as a dynamic landscape.

The intervention introduces four mobile frontons that reconfigure the space and expand its uses, incorporating different sports practices. A dry modular system, based on wooden panels and metal structures, allows the architecture to adapt to movement, time, and people.

Play, architecture, and collective action intertwine to reimagine the city.

Concéntrico 2026 presenta el proyecto ganador de la convocatoria internacional Ephemeral Agents, lanzada por Concéntrico x Distigmo: Frontones Danzantes, del colectivo italiano @2050.plus

El proyecto propone una infraestructura efímera que transforma el espacio urbano a través del juego. A partir de un gesto sencillo —un muro y una pelota— recupera el espíritu colectivo de la pelota vasca y lo traslada al presente, activando el Aparcamiento del Revellín como un paisaje dinámico.

La intervención introduce cuatro frontones móviles capaces de reconfigurar el espacio y ampliar sus usos, incorporando distintas prácticas deportivas. Un sistema modular en seco, basado en paneles de madera y estructuras metálicas, permite que la arquitectura se adapte al movimiento, al tiempo y a las personas.

Juego, arquitectura y acción colectiva se entrelazan para reimaginar la ciudad.

📍 Concéntrico 2026
📅 18–23 junio, Logroño

EN
Concéntrico 2026 presents the winning project of the Ephemeral Agents international call, launched by Concéntrico x Distigmo: Frontones Danzantes, by the Italian collective 2050+.

The project proposes an ephemeral infrastructure that transforms urban space through play. Starting from a simple gesture —a wall and a ball— it reinterprets the collective spirit of Basque pelota and brings it into the present, activating the Revellín parking area as a dynamic landscape.

The intervention introduces four mobile frontons that reconfigure the space and expand its uses, incorporating different sports practices. A dry modular system, based on wooden panels and metal structures, allows the architecture to adapt to movement, time, and people.

Play, architecture, and collective action intertwine to reimagine the city.

Concéntrico 2026 presenta el proyecto ganador de la convocatoria internacional Ephemeral Agents, lanzada por Concéntrico x Distigmo: Frontones Danzantes, del colectivo italiano @2050.plus

El proyecto propone una infraestructura efímera que transforma el espacio urbano a través del juego. A partir de un gesto sencillo —un muro y una pelota— recupera el espíritu colectivo de la pelota vasca y lo traslada al presente, activando el Aparcamiento del Revellín como un paisaje dinámico.

La intervención introduce cuatro frontones móviles capaces de reconfigurar el espacio y ampliar sus usos, incorporando distintas prácticas deportivas. Un sistema modular en seco, basado en paneles de madera y estructuras metálicas, permite que la arquitectura se adapte al movimiento, al tiempo y a las personas.

Juego, arquitectura y acción colectiva se entrelazan para reimaginar la ciudad.

📍 Concéntrico 2026
📅 18–23 junio, Logroño

EN
Concéntrico 2026 presents the winning project of the Ephemeral Agents international call, launched by Concéntrico x Distigmo: Frontones Danzantes, by the Italian collective 2050+.

The project proposes an ephemeral infrastructure that transforms urban space through play. Starting from a simple gesture —a wall and a ball— it reinterprets the collective spirit of Basque pelota and brings it into the present, activating the Revellín parking area as a dynamic landscape.

The intervention introduces four mobile frontons that reconfigure the space and expand its uses, incorporating different sports practices. A dry modular system, based on wooden panels and metal structures, allows the architecture to adapt to movement, time, and people.

Play, architecture, and collective action intertwine to reimagine the city.

Concéntrico 2026 presenta el proyecto ganador de la convocatoria internacional Ephemeral Agents, lanzada por Concéntrico x Distigmo: Frontones Danzantes, del colectivo italiano @2050.plus

El proyecto propone una infraestructura efímera que transforma el espacio urbano a través del juego. A partir de un gesto sencillo —un muro y una pelota— recupera el espíritu colectivo de la pelota vasca y lo traslada al presente, activando el Aparcamiento del Revellín como un paisaje dinámico.

La intervención introduce cuatro frontones móviles capaces de reconfigurar el espacio y ampliar sus usos, incorporando distintas prácticas deportivas. Un sistema modular en seco, basado en paneles de madera y estructuras metálicas, permite que la arquitectura se adapte al movimiento, al tiempo y a las personas.

Juego, arquitectura y acción colectiva se entrelazan para reimaginar la ciudad.

📍 Concéntrico 2026
📅 18–23 junio, Logroño

EN
Concéntrico 2026 presents the winning project of the Ephemeral Agents international call, launched by Concéntrico x Distigmo: Frontones Danzantes, by the Italian collective 2050+.

The project proposes an ephemeral infrastructure that transforms urban space through play. Starting from a simple gesture —a wall and a ball— it reinterprets the collective spirit of Basque pelota and brings it into the present, activating the Revellín parking area as a dynamic landscape.

The intervention introduces four mobile frontons that reconfigure the space and expand its uses, incorporating different sports practices. A dry modular system, based on wooden panels and metal structures, allows the architecture to adapt to movement, time, and people.

Play, architecture, and collective action intertwine to reimagine the city.

Concéntrico 2026 presenta el proyecto ganador de la convocatoria internacional Ephemeral Agents, lanzada por Concéntrico x Distigmo: Frontones Danzantes, del colectivo italiano @2050.plus

El proyecto propone una infraestructura efímera que transforma el espacio urbano a través del juego. A partir de un gesto sencillo —un muro y una pelota— recupera el espíritu colectivo de la pelota vasca y lo traslada al presente, activando el Aparcamiento del Revellín como un paisaje dinámico.

La intervención introduce cuatro frontones móviles capaces de reconfigurar el espacio y ampliar sus usos, incorporando distintas prácticas deportivas. Un sistema modular en seco, basado en paneles de madera y estructuras metálicas, permite que la arquitectura se adapte al movimiento, al tiempo y a las personas.

Juego, arquitectura y acción colectiva se entrelazan para reimaginar la ciudad.

📍 Concéntrico 2026
📅 18–23 junio, Logroño

EN
Concéntrico 2026 presents the winning project of the Ephemeral Agents international call, launched by Concéntrico x Distigmo: Frontones Danzantes, by the Italian collective 2050+.

The project proposes an ephemeral infrastructure that transforms urban space through play. Starting from a simple gesture —a wall and a ball— it reinterprets the collective spirit of Basque pelota and brings it into the present, activating the Revellín parking area as a dynamic landscape.

The intervention introduces four mobile frontons that reconfigure the space and expand its uses, incorporating different sports practices. A dry modular system, based on wooden panels and metal structures, allows the architecture to adapt to movement, time, and people.

Play, architecture, and collective action intertwine to reimagine the city.

Concéntrico 2026 presenta el proyecto ganador de la convocatoria internacional Ephemeral Agents, lanzada por Concéntrico x Distigmo: Frontones Danzantes, del colectivo italiano @2050.plus

El proyecto propone una infraestructura efímera que transforma el espacio urbano a través del juego. A partir de un gesto sencillo —un muro y una pelota— recupera el espíritu colectivo de la pelota vasca y lo traslada al presente, activando el Aparcamiento del Revellín como un paisaje dinámico.

La intervención introduce cuatro frontones móviles capaces de reconfigurar el espacio y ampliar sus usos, incorporando distintas prácticas deportivas. Un sistema modular en seco, basado en paneles de madera y estructuras metálicas, permite que la arquitectura se adapte al movimiento, al tiempo y a las personas.

Juego, arquitectura y acción colectiva se entrelazan para reimaginar la ciudad.

📍 Concéntrico 2026
📅 18–23 junio, Logroño

EN
Concéntrico 2026 presents the winning project of the Ephemeral Agents international call, launched by Concéntrico x Distigmo: Frontones Danzantes, by the Italian collective 2050+.

The project proposes an ephemeral infrastructure that transforms urban space through play. Starting from a simple gesture —a wall and a ball— it reinterprets the collective spirit of Basque pelota and brings it into the present, activating the Revellín parking area as a dynamic landscape.

The intervention introduces four mobile frontons that reconfigure the space and expand its uses, incorporating different sports practices. A dry modular system, based on wooden panels and metal structures, allows the architecture to adapt to movement, time, and people.

Play, architecture, and collective action intertwine to reimagine the city.

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Our project FRONTONES DANZANTES has won the Ephemeral Agents international open call for the 2026 edition of @concentricofestival in Logroño!

FRONTONES DANZANTES is a temporary installation that aims to transform the Aparcamiento del Revellín – a parking lot surrounded by several local sporting facilities – into a temporary open-air playground, enabling it to emerge as an epicenter of urban physical activity in dialogue with a local culture of movement. The project is inspired by the game of Pelota Vasca, in which players gather around a square and employ existing architectural surfaces to fling a ball at: an example of how sport can enable communities to reclaim urban spaces as common grounds.

Four movable frontones are installed as diffused sporting infrastructures, each one addressing a specific sport: a wall for Pelota Vasca, and the others for basketball, football, and climbing. By disrupting the site’s usual fleeting use, the intervention proposes a new, collective way of inhabiting the space through play. The devices can be moved around the parking lot, adapting their configuration as needed. Their shapes, just like the original frontones, are inspired by surrounding and historical architectures – an attempt to weave the urban fabric back together and fill the immaterial void that it embeds.

Project team (@sai_______i, @fralantieri, @eri.pet, @ippopeste, @massimotnn, @_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia)
Concéntrico Festival by @jpenaibanez
Ephemeral Agents open call in collaboration with @distigmo @gtsantilas
Funded by @fundacioncoar

•

1. Fronton with Players of Pelota Vasca, 2019
2. ⁠Javier Adarraga Gorrochategui playing at the fronton, 1940s
3. ⁠From the series of photos 'Fronton walls in Spanish villages' photographed by © @gunnarknechtel
4. ⁠Child climbing on a concrete wall, 2015
5. ⁠@jordi.colomer, ‘¡Únete! Join Us!’, 2017
6. ⁠@zachariegroy, ‘Isolated Façades’, 2016
7. ⁠John Hejduk, ‘Mobile Housing Unit’, Triennale 1986
8-9. Las ‘Señoritas Pelotaris', 1920s
10. ⁠3 on 3 Basketball at University Hills Mall Parking Lot, 1993
11. ⁠Pelota Mano in Barcelona, 2007

#Concéntrico2026 #FrontonesDanzantes #2050plus #logroño

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Throwback to @thenorthface ‘s new collection launch, with scenography by @2050.plus
•
On January 19th, at @spaziomaiocchi in Milan, The North Face unveiled the Advanced Mountain Kit Black Edition.
The scenography, conceived by 2050+, unfolded in four chapters — whiteout; contact; reveal; suspension — each articulating different degrees of visibility, haze, exposure, and concealment.

Inspired by the solitary encounter of an alpinist with the profile of a mountain — slowly coming into view, looming yet never static — space is first experienced as a tunnel of white haze, where shapes and contours dissolve.

Gradually, a single light moving behind the collection brings the garments into view — as shadows or ghosts, emerging edge by edge in a controlled rhythm of exposure and concealment. Responding to the light, the AMK garments come into view, revealing precise details and sharp textures in an orchestrated dialogue with light and sound.
•
The North Face S26 | AMK collection
Spazio Maiocchi, Milan
With scenography by 2050+

Project team: @2050.plus (@_marcog , @liviamazzocchetti , @ippopeste , @massimotnn )
Musical Soundscape : @dot.audio
Production: @claudia_decaro

Returning to ‘Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Shaped by decades of reinvention, the Gucci Bamboo 1947 bag has evolved through the visions of successive creative directors, each reinterpreting its form, materials, and details. The ‘Bamboo Codex’ room traced this evolution through a chronological display spanning over 70 years, revealing a continuous dialogue between heritage and innovation.

Building on this legacy, the ‘Metamorphosis’ room projected the bag into the future through a generative AI installation by multidisciplinary artist @lorem_____. In a fluid sequence of shifting forms, the design continuously transforms, while the bamboo handle endures as a constant anchor to its origins.

Extending this forward-looking perspective into physical space, the ‘Shape of Tomorrow’ room reimagined the bamboo handle as an emblem of refined athleticism. Set within an elegant vintage gym, the installation explored movement and form, merging Gucci’s heritage with contemporary dynamism.

•

Artworks on view:
Slide 3, 4 — @lorem_____
Slide 7, 9 — @yanran_chen_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Returning to ‘Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Shaped by decades of reinvention, the Gucci Bamboo 1947 bag has evolved through the visions of successive creative directors, each reinterpreting its form, materials, and details. The ‘Bamboo Codex’ room traced this evolution through a chronological display spanning over 70 years, revealing a continuous dialogue between heritage and innovation.

Building on this legacy, the ‘Metamorphosis’ room projected the bag into the future through a generative AI installation by multidisciplinary artist @lorem_____. In a fluid sequence of shifting forms, the design continuously transforms, while the bamboo handle endures as a constant anchor to its origins.

Extending this forward-looking perspective into physical space, the ‘Shape of Tomorrow’ room reimagined the bamboo handle as an emblem of refined athleticism. Set within an elegant vintage gym, the installation explored movement and form, merging Gucci’s heritage with contemporary dynamism.

•

Artworks on view:
Slide 3, 4 — @lorem_____
Slide 7, 9 — @yanran_chen_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Returning to ‘Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Shaped by decades of reinvention, the Gucci Bamboo 1947 bag has evolved through the visions of successive creative directors, each reinterpreting its form, materials, and details. The ‘Bamboo Codex’ room traced this evolution through a chronological display spanning over 70 years, revealing a continuous dialogue between heritage and innovation.

Building on this legacy, the ‘Metamorphosis’ room projected the bag into the future through a generative AI installation by multidisciplinary artist @lorem_____. In a fluid sequence of shifting forms, the design continuously transforms, while the bamboo handle endures as a constant anchor to its origins.

Extending this forward-looking perspective into physical space, the ‘Shape of Tomorrow’ room reimagined the bamboo handle as an emblem of refined athleticism. Set within an elegant vintage gym, the installation explored movement and form, merging Gucci’s heritage with contemporary dynamism.

•

Artworks on view:
Slide 3, 4 — @lorem_____
Slide 7, 9 — @yanran_chen_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Returning to ‘Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Shaped by decades of reinvention, the Gucci Bamboo 1947 bag has evolved through the visions of successive creative directors, each reinterpreting its form, materials, and details. The ‘Bamboo Codex’ room traced this evolution through a chronological display spanning over 70 years, revealing a continuous dialogue between heritage and innovation.

Building on this legacy, the ‘Metamorphosis’ room projected the bag into the future through a generative AI installation by multidisciplinary artist @lorem_____. In a fluid sequence of shifting forms, the design continuously transforms, while the bamboo handle endures as a constant anchor to its origins.

Extending this forward-looking perspective into physical space, the ‘Shape of Tomorrow’ room reimagined the bamboo handle as an emblem of refined athleticism. Set within an elegant vintage gym, the installation explored movement and form, merging Gucci’s heritage with contemporary dynamism.

•

Artworks on view:
Slide 3, 4 — @lorem_____
Slide 7, 9 — @yanran_chen_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Returning to ‘Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Shaped by decades of reinvention, the Gucci Bamboo 1947 bag has evolved through the visions of successive creative directors, each reinterpreting its form, materials, and details. The ‘Bamboo Codex’ room traced this evolution through a chronological display spanning over 70 years, revealing a continuous dialogue between heritage and innovation.

Building on this legacy, the ‘Metamorphosis’ room projected the bag into the future through a generative AI installation by multidisciplinary artist @lorem_____. In a fluid sequence of shifting forms, the design continuously transforms, while the bamboo handle endures as a constant anchor to its origins.

Extending this forward-looking perspective into physical space, the ‘Shape of Tomorrow’ room reimagined the bamboo handle as an emblem of refined athleticism. Set within an elegant vintage gym, the installation explored movement and form, merging Gucci’s heritage with contemporary dynamism.

•

Artworks on view:
Slide 3, 4 — @lorem_____
Slide 7, 9 — @yanran_chen_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Returning to ‘Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Shaped by decades of reinvention, the Gucci Bamboo 1947 bag has evolved through the visions of successive creative directors, each reinterpreting its form, materials, and details. The ‘Bamboo Codex’ room traced this evolution through a chronological display spanning over 70 years, revealing a continuous dialogue between heritage and innovation.

Building on this legacy, the ‘Metamorphosis’ room projected the bag into the future through a generative AI installation by multidisciplinary artist @lorem_____. In a fluid sequence of shifting forms, the design continuously transforms, while the bamboo handle endures as a constant anchor to its origins.

Extending this forward-looking perspective into physical space, the ‘Shape of Tomorrow’ room reimagined the bamboo handle as an emblem of refined athleticism. Set within an elegant vintage gym, the installation explored movement and form, merging Gucci’s heritage with contemporary dynamism.

•

Artworks on view:
Slide 3, 4 — @lorem_____
Slide 7, 9 — @yanran_chen_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Returning to ‘Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Shaped by decades of reinvention, the Gucci Bamboo 1947 bag has evolved through the visions of successive creative directors, each reinterpreting its form, materials, and details. The ‘Bamboo Codex’ room traced this evolution through a chronological display spanning over 70 years, revealing a continuous dialogue between heritage and innovation.

Building on this legacy, the ‘Metamorphosis’ room projected the bag into the future through a generative AI installation by multidisciplinary artist @lorem_____. In a fluid sequence of shifting forms, the design continuously transforms, while the bamboo handle endures as a constant anchor to its origins.

Extending this forward-looking perspective into physical space, the ‘Shape of Tomorrow’ room reimagined the bamboo handle as an emblem of refined athleticism. Set within an elegant vintage gym, the installation explored movement and form, merging Gucci’s heritage with contemporary dynamism.

•

Artworks on view:
Slide 3, 4 — @lorem_____
Slide 7, 9 — @yanran_chen_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Returning to ‘Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Shaped by decades of reinvention, the Gucci Bamboo 1947 bag has evolved through the visions of successive creative directors, each reinterpreting its form, materials, and details. The ‘Bamboo Codex’ room traced this evolution through a chronological display spanning over 70 years, revealing a continuous dialogue between heritage and innovation.

Building on this legacy, the ‘Metamorphosis’ room projected the bag into the future through a generative AI installation by multidisciplinary artist @lorem_____. In a fluid sequence of shifting forms, the design continuously transforms, while the bamboo handle endures as a constant anchor to its origins.

Extending this forward-looking perspective into physical space, the ‘Shape of Tomorrow’ room reimagined the bamboo handle as an emblem of refined athleticism. Set within an elegant vintage gym, the installation explored movement and form, merging Gucci’s heritage with contemporary dynamism.

•

Artworks on view:
Slide 3, 4 — @lorem_____
Slide 7, 9 — @yanran_chen_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Returning to ‘Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Shaped by decades of reinvention, the Gucci Bamboo 1947 bag has evolved through the visions of successive creative directors, each reinterpreting its form, materials, and details. The ‘Bamboo Codex’ room traced this evolution through a chronological display spanning over 70 years, revealing a continuous dialogue between heritage and innovation.

Building on this legacy, the ‘Metamorphosis’ room projected the bag into the future through a generative AI installation by multidisciplinary artist @lorem_____. In a fluid sequence of shifting forms, the design continuously transforms, while the bamboo handle endures as a constant anchor to its origins.

Extending this forward-looking perspective into physical space, the ‘Shape of Tomorrow’ room reimagined the bamboo handle as an emblem of refined athleticism. Set within an elegant vintage gym, the installation explored movement and form, merging Gucci’s heritage with contemporary dynamism.

•

Artworks on view:
Slide 3, 4 — @lorem_____
Slide 7, 9 — @yanran_chen_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Throwback to “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•
Meticulously crafted through a precise 13-hour process involving 428 steps, the Gucci Bamboo 1947 bag is revealed in the ‘Anatomy of a Bag’ room, where its construction is dissected and displayed like a taxonomical study. A table-like installation exposes each component, while an interactive periscope invites closer inspection of the materials, textures, and craftsmanship behind the design.
Extending beyond the iconic handle, bamboo has shaped Gucci’s creative language across patterns and silhouettes. The ‘Threads of Connection’ room highlighted this influence through archival pieces and a CGI installation by @sybilmontet_, transforming Gucci silk scarf designs into an immersive digital experience.
•

Artwork on view:
Slide 8 — @sybilmontet_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Throwback to “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•
Meticulously crafted through a precise 13-hour process involving 428 steps, the Gucci Bamboo 1947 bag is revealed in the ‘Anatomy of a Bag’ room, where its construction is dissected and displayed like a taxonomical study. A table-like installation exposes each component, while an interactive periscope invites closer inspection of the materials, textures, and craftsmanship behind the design.
Extending beyond the iconic handle, bamboo has shaped Gucci’s creative language across patterns and silhouettes. The ‘Threads of Connection’ room highlighted this influence through archival pieces and a CGI installation by @sybilmontet_, transforming Gucci silk scarf designs into an immersive digital experience.
•

Artwork on view:
Slide 8 — @sybilmontet_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Throwback to “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•
Meticulously crafted through a precise 13-hour process involving 428 steps, the Gucci Bamboo 1947 bag is revealed in the ‘Anatomy of a Bag’ room, where its construction is dissected and displayed like a taxonomical study. A table-like installation exposes each component, while an interactive periscope invites closer inspection of the materials, textures, and craftsmanship behind the design.
Extending beyond the iconic handle, bamboo has shaped Gucci’s creative language across patterns and silhouettes. The ‘Threads of Connection’ room highlighted this influence through archival pieces and a CGI installation by @sybilmontet_, transforming Gucci silk scarf designs into an immersive digital experience.
•

Artwork on view:
Slide 8 — @sybilmontet_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Throwback to “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•
Meticulously crafted through a precise 13-hour process involving 428 steps, the Gucci Bamboo 1947 bag is revealed in the ‘Anatomy of a Bag’ room, where its construction is dissected and displayed like a taxonomical study. A table-like installation exposes each component, while an interactive periscope invites closer inspection of the materials, textures, and craftsmanship behind the design.
Extending beyond the iconic handle, bamboo has shaped Gucci’s creative language across patterns and silhouettes. The ‘Threads of Connection’ room highlighted this influence through archival pieces and a CGI installation by @sybilmontet_, transforming Gucci silk scarf designs into an immersive digital experience.
•

Artwork on view:
Slide 8 — @sybilmontet_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Throwback to “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•
Meticulously crafted through a precise 13-hour process involving 428 steps, the Gucci Bamboo 1947 bag is revealed in the ‘Anatomy of a Bag’ room, where its construction is dissected and displayed like a taxonomical study. A table-like installation exposes each component, while an interactive periscope invites closer inspection of the materials, textures, and craftsmanship behind the design.
Extending beyond the iconic handle, bamboo has shaped Gucci’s creative language across patterns and silhouettes. The ‘Threads of Connection’ room highlighted this influence through archival pieces and a CGI installation by @sybilmontet_, transforming Gucci silk scarf designs into an immersive digital experience.
•

Artwork on view:
Slide 8 — @sybilmontet_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Throwback to “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•
Meticulously crafted through a precise 13-hour process involving 428 steps, the Gucci Bamboo 1947 bag is revealed in the ‘Anatomy of a Bag’ room, where its construction is dissected and displayed like a taxonomical study. A table-like installation exposes each component, while an interactive periscope invites closer inspection of the materials, textures, and craftsmanship behind the design.
Extending beyond the iconic handle, bamboo has shaped Gucci’s creative language across patterns and silhouettes. The ‘Threads of Connection’ room highlighted this influence through archival pieces and a CGI installation by @sybilmontet_, transforming Gucci silk scarf designs into an immersive digital experience.
•

Artwork on view:
Slide 8 — @sybilmontet_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Throwback to “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•
Meticulously crafted through a precise 13-hour process involving 428 steps, the Gucci Bamboo 1947 bag is revealed in the ‘Anatomy of a Bag’ room, where its construction is dissected and displayed like a taxonomical study. A table-like installation exposes each component, while an interactive periscope invites closer inspection of the materials, textures, and craftsmanship behind the design.
Extending beyond the iconic handle, bamboo has shaped Gucci’s creative language across patterns and silhouettes. The ‘Threads of Connection’ room highlighted this influence through archival pieces and a CGI installation by @sybilmontet_, transforming Gucci silk scarf designs into an immersive digital experience.
•

Artwork on view:
Slide 8 — @sybilmontet_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Throwback to “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, delving into the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•
Meticulously crafted through a precise 13-hour process involving 428 steps, the Gucci Bamboo 1947 bag is revealed in the ‘Anatomy of a Bag’ room, where its construction is dissected and displayed like a taxonomical study. A table-like installation exposes each component, while an interactive periscope invites closer inspection of the materials, textures, and craftsmanship behind the design.
Extending beyond the iconic handle, bamboo has shaped Gucci’s creative language across patterns and silhouettes. The ‘Threads of Connection’ room highlighted this influence through archival pieces and a CGI installation by @sybilmontet_, transforming Gucci silk scarf designs into an immersive digital experience.
•

Artwork on view:
Slide 8 — @sybilmontet_

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta, @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Revisiting “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, drawing from the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Through a combination of archival materials, immersive installations, and artistic collaborations, ‘Gucci Bamboo: Decoding an Icon’ showcased the lasting appeal of the Gucci Bamboo 1947 bag across seven distinct rooms, each exploring a unique aspect of its history and influence.

A symbol of resilience and renewal across cultures, bamboo is celebrated in ‘The Whispering Groove’ room through an immersive installation that blended living plants, botanical illustrations, and an AI-generated video by @christian.kondic, evoking the dialogue between nature and craftsmanship.

‘Crafting a Legacy’ room instead was conceived as a full-scale reconstruction of a functioning Gucci atelier in Florence, revealing the making of the Bamboo 1947 bag through a film by @daviderapp capturing the precise, rhythmic gestures of the artisans shaping its iconic handle.

•

Artworks on view:
Slide 3 @christian.kondic
Slide 7 @daviderapp

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Revisiting “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, drawing from the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Through a combination of archival materials, immersive installations, and artistic collaborations, ‘Gucci Bamboo: Decoding an Icon’ showcased the lasting appeal of the Gucci Bamboo 1947 bag across seven distinct rooms, each exploring a unique aspect of its history and influence.

A symbol of resilience and renewal across cultures, bamboo is celebrated in ‘The Whispering Groove’ room through an immersive installation that blended living plants, botanical illustrations, and an AI-generated video by @christian.kondic, evoking the dialogue between nature and craftsmanship.

‘Crafting a Legacy’ room instead was conceived as a full-scale reconstruction of a functioning Gucci atelier in Florence, revealing the making of the Bamboo 1947 bag through a film by @daviderapp capturing the precise, rhythmic gestures of the artisans shaping its iconic handle.

•

Artworks on view:
Slide 3 @christian.kondic
Slide 7 @daviderapp

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Revisiting “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, drawing from the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Through a combination of archival materials, immersive installations, and artistic collaborations, ‘Gucci Bamboo: Decoding an Icon’ showcased the lasting appeal of the Gucci Bamboo 1947 bag across seven distinct rooms, each exploring a unique aspect of its history and influence.

A symbol of resilience and renewal across cultures, bamboo is celebrated in ‘The Whispering Groove’ room through an immersive installation that blended living plants, botanical illustrations, and an AI-generated video by @christian.kondic, evoking the dialogue between nature and craftsmanship.

‘Crafting a Legacy’ room instead was conceived as a full-scale reconstruction of a functioning Gucci atelier in Florence, revealing the making of the Bamboo 1947 bag through a film by @daviderapp capturing the precise, rhythmic gestures of the artisans shaping its iconic handle.

•

Artworks on view:
Slide 3 @christian.kondic
Slide 7 @daviderapp

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Revisiting “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, drawing from the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Through a combination of archival materials, immersive installations, and artistic collaborations, ‘Gucci Bamboo: Decoding an Icon’ showcased the lasting appeal of the Gucci Bamboo 1947 bag across seven distinct rooms, each exploring a unique aspect of its history and influence.

A symbol of resilience and renewal across cultures, bamboo is celebrated in ‘The Whispering Groove’ room through an immersive installation that blended living plants, botanical illustrations, and an AI-generated video by @christian.kondic, evoking the dialogue between nature and craftsmanship.

‘Crafting a Legacy’ room instead was conceived as a full-scale reconstruction of a functioning Gucci atelier in Florence, revealing the making of the Bamboo 1947 bag through a film by @daviderapp capturing the precise, rhythmic gestures of the artisans shaping its iconic handle.

•

Artworks on view:
Slide 3 @christian.kondic
Slide 7 @daviderapp

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Revisiting “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, drawing from the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Through a combination of archival materials, immersive installations, and artistic collaborations, ‘Gucci Bamboo: Decoding an Icon’ showcased the lasting appeal of the Gucci Bamboo 1947 bag across seven distinct rooms, each exploring a unique aspect of its history and influence.

A symbol of resilience and renewal across cultures, bamboo is celebrated in ‘The Whispering Groove’ room through an immersive installation that blended living plants, botanical illustrations, and an AI-generated video by @christian.kondic, evoking the dialogue between nature and craftsmanship.

‘Crafting a Legacy’ room instead was conceived as a full-scale reconstruction of a functioning Gucci atelier in Florence, revealing the making of the Bamboo 1947 bag through a film by @daviderapp capturing the precise, rhythmic gestures of the artisans shaping its iconic handle.

•

Artworks on view:
Slide 3 @christian.kondic
Slide 7 @daviderapp

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Revisiting “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, drawing from the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Through a combination of archival materials, immersive installations, and artistic collaborations, ‘Gucci Bamboo: Decoding an Icon’ showcased the lasting appeal of the Gucci Bamboo 1947 bag across seven distinct rooms, each exploring a unique aspect of its history and influence.

A symbol of resilience and renewal across cultures, bamboo is celebrated in ‘The Whispering Groove’ room through an immersive installation that blended living plants, botanical illustrations, and an AI-generated video by @christian.kondic, evoking the dialogue between nature and craftsmanship.

‘Crafting a Legacy’ room instead was conceived as a full-scale reconstruction of a functioning Gucci atelier in Florence, revealing the making of the Bamboo 1947 bag through a film by @daviderapp capturing the precise, rhythmic gestures of the artisans shaping its iconic handle.

•

Artworks on view:
Slide 3 @christian.kondic
Slide 7 @daviderapp

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

Revisiting “Gucci Bamboo: Decoding an Icon’, an exhibition envisioned by @gucci, curated and designed by @2050.plus, drawing from the House’s historical archives to celebrate the enduring legacy of the iconic Gucci Bamboo 1947 bag across layered perspectives. Presented at Sunke Villa in Shanghai in March 2025.

•

Through a combination of archival materials, immersive installations, and artistic collaborations, ‘Gucci Bamboo: Decoding an Icon’ showcased the lasting appeal of the Gucci Bamboo 1947 bag across seven distinct rooms, each exploring a unique aspect of its history and influence.

A symbol of resilience and renewal across cultures, bamboo is celebrated in ‘The Whispering Groove’ room through an immersive installation that blended living plants, botanical illustrations, and an AI-generated video by @christian.kondic, evoking the dialogue between nature and craftsmanship.

‘Crafting a Legacy’ room instead was conceived as a full-scale reconstruction of a functioning Gucci atelier in Florence, revealing the making of the Bamboo 1947 bag through a film by @daviderapp capturing the precise, rhythmic gestures of the artisans shaping its iconic handle.

•

Artworks on view:
Slide 3 @christian.kondic
Slide 7 @daviderapp

Gucci Bamboo | Decoding an Icon
Sunke Villa, Shanghai, China
28.03.2025 – 06.04.2025

An exhibition envisioned by @gucci, curated and designed by @2050.plus
Project team: @2050.plus (@nils.nef, @cmyk_magenta @sai_______i, @_marcog, @___radicale___, @eri.pet, @ippopeste, @massimotnn)
With new artistic commissions by @sybilmontet_, @lorem_____, @daviderapp, @christian.kondic, @yanran_chen_.
Production and Installation: @bureaubetak (China)

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
art, sport and winter
On view @gres_art_671 through 08.02.2026

Fuoripista is a journey that crosses centuries and geographies within the imaginary of sport and winter. Art, design, technology, and visual culture intertwine in a kaleidoscopic narrative where sport becomes a form of art and vice versa, while the idea of snow shifts from a romantic nineteenth-century vision to the highly technological and artificial condition of the contemporary world—a system in which networks and infrastructures become part of a complex and constantly transforming landscape, from the Alps to the desert. Without nostalgia, Fuoripista offers a snapshot of how winter sports, propelled by globalization and technological progress, have become a shared horizon, and how their language has permeated our everyday lives.

The exhibition explores winter sports from non-canonical perspectives—typically excluded from official narratives—which this exhibition strives to bring back to the center. Constellations of intimate voices emerge, a mosaic of visual stories that recalibrate our gaze on winter sports by moving away from the traditional geographies of snow. From Bolivia to Lesotho, from Afghanistan to Lebanon, Fuoripista proposes a journey through landscapes and epistemologies often considered atypical or peripheral from a Western point of view.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
Art, Sport and Winter
12.11.2025 – 08.02.2026
Preview: 11.11.2025
•
The Olympic torch will pass through Bergamo on February 2, 2026. In this context, "Fuoripista" reflects on how the landscapes and gestures of winter sports may be observed through the multiple languages of art, design, architecture and technology.

The exhibition tells a changing story of how snow, competition and movement have been perceived, constructed and reinvented over time, but also one of how recent technological innovations have allowed for broader participation in winter sports, both geographically and numerically. Through an interdisciplinary lens, "Fuoripista" investigates winter as a field in
transformation, at the crossroads between the pressures of expanded participation, sporting ambition, mass tourism, cultural perceptions and the urgencies of the climate crisis.
•
Curated by @2050.plus with @gres_art_671
Exhibition design by @2050.plus
Production and installation by @altofragile_studio
Visual identity by @studiotemp

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
Art, Sport and Winter
12.11.2025 – 08.02.2026
Preview: 11.11.2025
•
The Olympic torch will pass through Bergamo on February 2, 2026. In this context, "Fuoripista" reflects on how the landscapes and gestures of winter sports may be observed through the multiple languages of art, design, architecture and technology.

The exhibition tells a changing story of how snow, competition and movement have been perceived, constructed and reinvented over time, but also one of how recent technological innovations have allowed for broader participation in winter sports, both geographically and numerically. Through an interdisciplinary lens, "Fuoripista" investigates winter as a field in
transformation, at the crossroads between the pressures of expanded participation, sporting ambition, mass tourism, cultural perceptions and the urgencies of the climate crisis.
•
Curated by @2050.plus with @gres_art_671
Exhibition design by @2050.plus
Production and installation by @altofragile_studio
Visual identity by @studiotemp

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA
Art, Sport and Winter
12.11.2025 – 08.02.2026
Preview: 11.11.2025
•
The Olympic torch will pass through Bergamo on February 2, 2026. In this context, "Fuoripista" reflects on how the landscapes and gestures of winter sports may be observed through the multiple languages of art, design, architecture and technology.

The exhibition tells a changing story of how snow, competition and movement have been perceived, constructed and reinvented over time, but also one of how recent technological innovations have allowed for broader participation in winter sports, both geographically and numerically. Through an interdisciplinary lens, "Fuoripista" investigates winter as a field in
transformation, at the crossroads between the pressures of expanded participation, sporting ambition, mass tourism, cultural perceptions and the urgencies of the climate crisis.
•
Curated by @2050.plus with @gres_art_671
Exhibition design by @2050.plus
Production and installation by @altofragile_studio
Visual identity by @studiotemp

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno

FUORIPISTA. art, sport and winter
On view @gres_art_671 through 08.02.2026

Over the past century, winter sports have gradually shifted from remote and pristine Alpine terrains to the heart of cities, propelled by urbanization, mass leisure and the technological ambition to reproduce snow and cold climates inside artificial environments. In this scenario, indoor skiing facilities – initially conceived to bring mountains to the city and thereby popularize winter sports – are no longer merely seen as year-round training grounds, but have become forms of entertainment in their own right, as well as testing grounds for winter technologies.

As the cryosphere shrinks and winter sports proliferate globally, this shift appears irreversible. Climate projections foresee a 100-meter rise in the elevation of global snow cover, while the Alpine imaginary – deprived of the very conditions that once shaped it – is exported worldwide as a commodity, through megastructures for indoor skiing that now approach the scale, and the energy demands, of cities. The research table on view charts the century-long expansion of snow-making, indoor skiing and virtual simulations – technologies that have turned the dream of perpetual cold into a planetary enterprise. Archival documents, material samples, film excerpts and a video game compose a chronostory of human ambition to engineer, reproduce, and simulate winter itself.
•
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, (@matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@marcog, @__radicale_, @liviamazzocchetti, @sofivtapia, @clarettt)
Production and installation by @altofragile_studio
Visual identity by @studiotemp
Ph. @_marcog @diegodepol @paolobiava_ph

#gresart671 #offtrack #artandsport #artesportinverno #fuoripista #artesportinverno