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RED - sometimes the intensity of a red room is whats called for - with all its connotations of warmth and gathering. But it's also a really useful tool to put some hierarchy in a room, focusing on what important bits of the design are. A history of art teacher told me that red was the first thing the eye was drawn to when used pinpointing, and I suppose we think about that when we use it.

RED - sometimes the intensity of a red room is whats called for - with all its connotations of warmth and gathering. But it's also a really useful tool to put some hierarchy in a room, focusing on what important bits of the design are. A history of art teacher told me that red was the first thing the eye was drawn to when used pinpointing, and I suppose we think about that when we use it.

RED - sometimes the intensity of a red room is whats called for - with all its connotations of warmth and gathering. But it's also a really useful tool to put some hierarchy in a room, focusing on what important bits of the design are. A history of art teacher told me that red was the first thing the eye was drawn to when used pinpointing, and I suppose we think about that when we use it.

RED - sometimes the intensity of a red room is whats called for - with all its connotations of warmth and gathering. But it's also a really useful tool to put some hierarchy in a room, focusing on what important bits of the design are. A history of art teacher told me that red was the first thing the eye was drawn to when used pinpointing, and I suppose we think about that when we use it.

RED - sometimes the intensity of a red room is whats called for - with all its connotations of warmth and gathering. But it's also a really useful tool to put some hierarchy in a room, focusing on what important bits of the design are. A history of art teacher told me that red was the first thing the eye was drawn to when used pinpointing, and I suppose we think about that when we use it.

RED - sometimes the intensity of a red room is whats called for - with all its connotations of warmth and gathering. But it's also a really useful tool to put some hierarchy in a room, focusing on what important bits of the design are. A history of art teacher told me that red was the first thing the eye was drawn to when used pinpointing, and I suppose we think about that when we use it.

Great to see our ongoing and perennially exciting project @kilchoanknoydart for @bydunton in @fthtsi today. This room is probably one of the most extraordinary we have ever made in a building we designed from the ground up. The view helps. there is so much more to explore in terms of architecture and interiors on this project across myriad buildings and we hope you enjoy seeing it all here over these next months. 📸 @rebeccasreid

Tiles - it's a very engaging and pleasurable task to create pattern from little blocks of colour or shape. At Waldo we particularly enjoy the task, and hope we are known for our attention to creating bathing spaces that are out of the ordinary entirely relaxing and supremely engaging.

It's great to be in New York today and celebrate Waldo Studio's place in the 1st Dibs 50 #1stDibs50. 🇺🇲 It's such an amazing group of designers working at the top of their game, and @1stdibs has been a ground breaking resource for us

#1stDibs50 @1stdibs

It's great to be in New York today and celebrate Waldo Studio's place in the 1st Dibs 50 #1stDibs50. 🇺🇲 It's such an amazing group of designers working at the top of their game, and @1stdibs has been a ground breaking resource for us

#1stDibs50 @1stdibs

Really our first proper job in the early 00's was designing @garrard for @jadejagger. The first of three Royal warranted jewellers we have designed since - followed by@wartski865 and @hamiltoninches. It was a steep learning curve at the time -you have to think about so much at such a small scale. Lighting needs proper expertise which has consistently come from @illuminationworks.Insurance, security and the handling of some nearly priceless items of museum quality kept us on our detailing toes. We are currently working on expanding @hamiltoninches in Edinburgh. The expertise we first gathered in this most intricate area of design has led on to retail concepts for @selfridges @fortnums @smythson and more royal warrants to include!

1 and 2 @ wartski1865
3 and 4 Jewellery and Engagement Hall @garrard in the 00's
5 and 6 @hamiltoninches - Edinburgh

Really our first proper job in the early 00's was designing @garrard for @jadejagger. The first of three Royal warranted jewellers we have designed since - followed by@wartski865 and @hamiltoninches. It was a steep learning curve at the time -you have to think about so much at such a small scale. Lighting needs proper expertise which has consistently come from @illuminationworks.Insurance, security and the handling of some nearly priceless items of museum quality kept us on our detailing toes. We are currently working on expanding @hamiltoninches in Edinburgh. The expertise we first gathered in this most intricate area of design has led on to retail concepts for @selfridges @fortnums @smythson and more royal warrants to include!

1 and 2 @ wartski1865
3 and 4 Jewellery and Engagement Hall @garrard in the 00's
5 and 6 @hamiltoninches - Edinburgh

Really our first proper job in the early 00's was designing @garrard for @jadejagger. The first of three Royal warranted jewellers we have designed since - followed by@wartski865 and @hamiltoninches. It was a steep learning curve at the time -you have to think about so much at such a small scale. Lighting needs proper expertise which has consistently come from @illuminationworks.Insurance, security and the handling of some nearly priceless items of museum quality kept us on our detailing toes. We are currently working on expanding @hamiltoninches in Edinburgh. The expertise we first gathered in this most intricate area of design has led on to retail concepts for @selfridges @fortnums @smythson and more royal warrants to include!

1 and 2 @ wartski1865
3 and 4 Jewellery and Engagement Hall @garrard in the 00's
5 and 6 @hamiltoninches - Edinburgh

Really our first proper job in the early 00's was designing @garrard for @jadejagger. The first of three Royal warranted jewellers we have designed since - followed by@wartski865 and @hamiltoninches. It was a steep learning curve at the time -you have to think about so much at such a small scale. Lighting needs proper expertise which has consistently come from @illuminationworks.Insurance, security and the handling of some nearly priceless items of museum quality kept us on our detailing toes. We are currently working on expanding @hamiltoninches in Edinburgh. The expertise we first gathered in this most intricate area of design has led on to retail concepts for @selfridges @fortnums @smythson and more royal warrants to include!

1 and 2 @ wartski1865
3 and 4 Jewellery and Engagement Hall @garrard in the 00's
5 and 6 @hamiltoninches - Edinburgh

Really our first proper job in the early 00's was designing @garrard for @jadejagger. The first of three Royal warranted jewellers we have designed since - followed by@wartski865 and @hamiltoninches. It was a steep learning curve at the time -you have to think about so much at such a small scale. Lighting needs proper expertise which has consistently come from @illuminationworks.Insurance, security and the handling of some nearly priceless items of museum quality kept us on our detailing toes. We are currently working on expanding @hamiltoninches in Edinburgh. The expertise we first gathered in this most intricate area of design has led on to retail concepts for @selfridges @fortnums @smythson and more royal warrants to include!

1 and 2 @ wartski1865
3 and 4 Jewellery and Engagement Hall @garrard in the 00's
5 and 6 @hamiltoninches - Edinburgh

Really our first proper job in the early 00's was designing @garrard for @jadejagger. The first of three Royal warranted jewellers we have designed since - followed by@wartski865 and @hamiltoninches. It was a steep learning curve at the time -you have to think about so much at such a small scale. Lighting needs proper expertise which has consistently come from @illuminationworks.Insurance, security and the handling of some nearly priceless items of museum quality kept us on our detailing toes. We are currently working on expanding @hamiltoninches in Edinburgh. The expertise we first gathered in this most intricate area of design has led on to retail concepts for @selfridges @fortnums @smythson and more royal warrants to include!

1 and 2 @ wartski1865
3 and 4 Jewellery and Engagement Hall @garrard in the 00's
5 and 6 @hamiltoninches - Edinburgh

Nominated for Hotel Property of the Year!

We’re proud to share that the @kimptonmainfrankfurt, part of our @fourfrankfurt, realised in collaboration with @hpparchitekten, has been nominated for Busche Verlagsgesellschaft’s “Hotel Property of the Year” award.

Located in Tower 3 of FOUR Frankfurt, the Kimpton Hotel brings together historic character and contemporary luxury. With interiors by @waldoworksstudio, every space has been carefully shaped, from the leather, mahogany and marble reception desks to the MAY Lobby Bar, Anni Brasserie, Lazuli Rooftop Bar and the guest rooms themselves.

This nomination is a reminder that great hospitality design is always a collective effort. Investors, developers, architects, operators and designers all help create places that leave a lasting impression.

Congratulations to everyone involved in bringing this special project to life.

Client: Groß & Partner @official_gup
Competition design: @we.are.uns
Design & Planning: ARGE UNS + HPP. Four Frankfurt
Interior Design: Waldo Studio
Photography: @Sebastian Arlt

Nominated for Hotel Property of the Year!

We’re proud to share that the @kimptonmainfrankfurt, part of our @fourfrankfurt, realised in collaboration with @hpparchitekten, has been nominated for Busche Verlagsgesellschaft’s “Hotel Property of the Year” award.

Located in Tower 3 of FOUR Frankfurt, the Kimpton Hotel brings together historic character and contemporary luxury. With interiors by @waldoworksstudio, every space has been carefully shaped, from the leather, mahogany and marble reception desks to the MAY Lobby Bar, Anni Brasserie, Lazuli Rooftop Bar and the guest rooms themselves.

This nomination is a reminder that great hospitality design is always a collective effort. Investors, developers, architects, operators and designers all help create places that leave a lasting impression.

Congratulations to everyone involved in bringing this special project to life.

Client: Groß & Partner @official_gup
Competition design: @we.are.uns
Design & Planning: ARGE UNS + HPP. Four Frankfurt
Interior Design: Waldo Studio
Photography: @Sebastian Arlt

Nominated for Hotel Property of the Year!

We’re proud to share that the @kimptonmainfrankfurt, part of our @fourfrankfurt, realised in collaboration with @hpparchitekten, has been nominated for Busche Verlagsgesellschaft’s “Hotel Property of the Year” award.

Located in Tower 3 of FOUR Frankfurt, the Kimpton Hotel brings together historic character and contemporary luxury. With interiors by @waldoworksstudio, every space has been carefully shaped, from the leather, mahogany and marble reception desks to the MAY Lobby Bar, Anni Brasserie, Lazuli Rooftop Bar and the guest rooms themselves.

This nomination is a reminder that great hospitality design is always a collective effort. Investors, developers, architects, operators and designers all help create places that leave a lasting impression.

Congratulations to everyone involved in bringing this special project to life.

Client: Groß & Partner @official_gup
Competition design: @we.are.uns
Design & Planning: ARGE UNS + HPP. Four Frankfurt
Interior Design: Waldo Studio
Photography: @Sebastian Arlt

Nominated for Hotel Property of the Year!

We’re proud to share that the @kimptonmainfrankfurt, part of our @fourfrankfurt, realised in collaboration with @hpparchitekten, has been nominated for Busche Verlagsgesellschaft’s “Hotel Property of the Year” award.

Located in Tower 3 of FOUR Frankfurt, the Kimpton Hotel brings together historic character and contemporary luxury. With interiors by @waldoworksstudio, every space has been carefully shaped, from the leather, mahogany and marble reception desks to the MAY Lobby Bar, Anni Brasserie, Lazuli Rooftop Bar and the guest rooms themselves.

This nomination is a reminder that great hospitality design is always a collective effort. Investors, developers, architects, operators and designers all help create places that leave a lasting impression.

Congratulations to everyone involved in bringing this special project to life.

Client: Groß & Partner @official_gup
Competition design: @we.are.uns
Design & Planning: ARGE UNS + HPP. Four Frankfurt
Interior Design: Waldo Studio
Photography: @Sebastian Arlt

Nominated for Hotel Property of the Year!

We’re proud to share that the @kimptonmainfrankfurt, part of our @fourfrankfurt, realised in collaboration with @hpparchitekten, has been nominated for Busche Verlagsgesellschaft’s “Hotel Property of the Year” award.

Located in Tower 3 of FOUR Frankfurt, the Kimpton Hotel brings together historic character and contemporary luxury. With interiors by @waldoworksstudio, every space has been carefully shaped, from the leather, mahogany and marble reception desks to the MAY Lobby Bar, Anni Brasserie, Lazuli Rooftop Bar and the guest rooms themselves.

This nomination is a reminder that great hospitality design is always a collective effort. Investors, developers, architects, operators and designers all help create places that leave a lasting impression.

Congratulations to everyone involved in bringing this special project to life.

Client: Groß & Partner @official_gup
Competition design: @we.are.uns
Design & Planning: ARGE UNS + HPP. Four Frankfurt
Interior Design: Waldo Studio
Photography: @Sebastian Arlt

Nominated for Hotel Property of the Year!

We’re proud to share that the @kimptonmainfrankfurt, part of our @fourfrankfurt, realised in collaboration with @hpparchitekten, has been nominated for Busche Verlagsgesellschaft’s “Hotel Property of the Year” award.

Located in Tower 3 of FOUR Frankfurt, the Kimpton Hotel brings together historic character and contemporary luxury. With interiors by @waldoworksstudio, every space has been carefully shaped, from the leather, mahogany and marble reception desks to the MAY Lobby Bar, Anni Brasserie, Lazuli Rooftop Bar and the guest rooms themselves.

This nomination is a reminder that great hospitality design is always a collective effort. Investors, developers, architects, operators and designers all help create places that leave a lasting impression.

Congratulations to everyone involved in bringing this special project to life.

Client: Groß & Partner @official_gup
Competition design: @we.are.uns
Design & Planning: ARGE UNS + HPP. Four Frankfurt
Interior Design: Waldo Studio
Photography: @Sebastian Arlt

Shiny! Sometimes it's good to turn on the slick. We tend to do so when the light is going to be good, or at least interesting. Using mirror, back painted glass and even sheets of metal can add a certain gloss..

1.Helix Penhouse 📸@michaelsinclair
2. Paul Edmonds Hair 📸@benandersphotographer
3. Hong Kong 📸@jamesjohnjetel
4. Notting Hill 📸 @ tom_mannion_photographer
5. City Penthouse 📸 @jamesjohnjetel

Shiny! Sometimes it's good to turn on the slick. We tend to do so when the light is going to be good, or at least interesting. Using mirror, back painted glass and even sheets of metal can add a certain gloss..

1.Helix Penhouse 📸@michaelsinclair
2. Paul Edmonds Hair 📸@benandersphotographer
3. Hong Kong 📸@jamesjohnjetel
4. Notting Hill 📸 @ tom_mannion_photographer
5. City Penthouse 📸 @jamesjohnjetel

Shiny! Sometimes it's good to turn on the slick. We tend to do so when the light is going to be good, or at least interesting. Using mirror, back painted glass and even sheets of metal can add a certain gloss..

1.Helix Penhouse 📸@michaelsinclair
2. Paul Edmonds Hair 📸@benandersphotographer
3. Hong Kong 📸@jamesjohnjetel
4. Notting Hill 📸 @ tom_mannion_photographer
5. City Penthouse 📸 @jamesjohnjetel

Shiny! Sometimes it's good to turn on the slick. We tend to do so when the light is going to be good, or at least interesting. Using mirror, back painted glass and even sheets of metal can add a certain gloss..

1.Helix Penhouse 📸@michaelsinclair
2. Paul Edmonds Hair 📸@benandersphotographer
3. Hong Kong 📸@jamesjohnjetel
4. Notting Hill 📸 @ tom_mannion_photographer
5. City Penthouse 📸 @jamesjohnjetel

Shiny! Sometimes it's good to turn on the slick. We tend to do so when the light is going to be good, or at least interesting. Using mirror, back painted glass and even sheets of metal can add a certain gloss..

1.Helix Penhouse 📸@michaelsinclair
2. Paul Edmonds Hair 📸@benandersphotographer
3. Hong Kong 📸@jamesjohnjetel
4. Notting Hill 📸 @ tom_mannion_photographer
5. City Penthouse 📸 @jamesjohnjetel

Oriel window in @kilchoanknoydart #waldoworks and wow what weather 🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿☀️☀️☀️🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿

There was a yellow formica kitchen in my youth that seemed perennially sunny - even on a winters day in London. Here are some projects where the yellow lifts the mood.

1/2 - Marylebone Apartment 📸 @rebeccasreid
3 - Austrian House 📸 @sebastienarlt
4 - Hampstead House kitchen detail
5. - West London House - @houseandgardenuk
6 - Photographers Warehouse @editphoto
7 - Warehouse - @simonupton

There was a yellow formica kitchen in my youth that seemed perennially sunny - even on a winters day in London. Here are some projects where the yellow lifts the mood.

1/2 - Marylebone Apartment 📸 @rebeccasreid
3 - Austrian House 📸 @sebastienarlt
4 - Hampstead House kitchen detail
5. - West London House - @houseandgardenuk
6 - Photographers Warehouse @editphoto
7 - Warehouse - @simonupton

There was a yellow formica kitchen in my youth that seemed perennially sunny - even on a winters day in London. Here are some projects where the yellow lifts the mood.

1/2 - Marylebone Apartment 📸 @rebeccasreid
3 - Austrian House 📸 @sebastienarlt
4 - Hampstead House kitchen detail
5. - West London House - @houseandgardenuk
6 - Photographers Warehouse @editphoto
7 - Warehouse - @simonupton

There was a yellow formica kitchen in my youth that seemed perennially sunny - even on a winters day in London. Here are some projects where the yellow lifts the mood.

1/2 - Marylebone Apartment 📸 @rebeccasreid
3 - Austrian House 📸 @sebastienarlt
4 - Hampstead House kitchen detail
5. - West London House - @houseandgardenuk
6 - Photographers Warehouse @editphoto
7 - Warehouse - @simonupton

There was a yellow formica kitchen in my youth that seemed perennially sunny - even on a winters day in London. Here are some projects where the yellow lifts the mood.

1/2 - Marylebone Apartment 📸 @rebeccasreid
3 - Austrian House 📸 @sebastienarlt
4 - Hampstead House kitchen detail
5. - West London House - @houseandgardenuk
6 - Photographers Warehouse @editphoto
7 - Warehouse - @simonupton

There was a yellow formica kitchen in my youth that seemed perennially sunny - even on a winters day in London. Here are some projects where the yellow lifts the mood.

1/2 - Marylebone Apartment 📸 @rebeccasreid
3 - Austrian House 📸 @sebastienarlt
4 - Hampstead House kitchen detail
5. - West London House - @houseandgardenuk
6 - Photographers Warehouse @editphoto
7 - Warehouse - @simonupton

There was a yellow formica kitchen in my youth that seemed perennially sunny - even on a winters day in London. Here are some projects where the yellow lifts the mood.

1/2 - Marylebone Apartment 📸 @rebeccasreid
3 - Austrian House 📸 @sebastienarlt
4 - Hampstead House kitchen detail
5. - West London House - @houseandgardenuk
6 - Photographers Warehouse @editphoto
7 - Warehouse - @simonupton

It's starting to feel like time for some 🌞 . At Waldo Studio we arelucky to have worked in a lot of sunny places. In Mustique - a private island in the Caribbean, we were asked to renovate and extend an #OliverMessel house called 'Pelican' for a long time resident. We used @christopherfarrcloth fabrics pretty much throughout, and also our Melda rug from @christopherfarrdesign. The rug has a sea edge quality to it in this sitting room, which was fitting as the real ocean laps on a sandy shore a few steps away.

It's starting to feel like time for some 🌞 . At Waldo Studio we arelucky to have worked in a lot of sunny places. In Mustique - a private island in the Caribbean, we were asked to renovate and extend an #OliverMessel house called 'Pelican' for a long time resident. We used @christopherfarrcloth fabrics pretty much throughout, and also our Melda rug from @christopherfarrdesign. The rug has a sea edge quality to it in this sitting room, which was fitting as the real ocean laps on a sandy shore a few steps away.

It's starting to feel like time for some 🌞 . At Waldo Studio we arelucky to have worked in a lot of sunny places. In Mustique - a private island in the Caribbean, we were asked to renovate and extend an #OliverMessel house called 'Pelican' for a long time resident. We used @christopherfarrcloth fabrics pretty much throughout, and also our Melda rug from @christopherfarrdesign. The rug has a sea edge quality to it in this sitting room, which was fitting as the real ocean laps on a sandy shore a few steps away.

It's starting to feel like time for some 🌞 . At Waldo Studio we arelucky to have worked in a lot of sunny places. In Mustique - a private island in the Caribbean, we were asked to renovate and extend an #OliverMessel house called 'Pelican' for a long time resident. We used @christopherfarrcloth fabrics pretty much throughout, and also our Melda rug from @christopherfarrdesign. The rug has a sea edge quality to it in this sitting room, which was fitting as the real ocean laps on a sandy shore a few steps away.

It's starting to feel like time for some 🌞 . At Waldo Studio we arelucky to have worked in a lot of sunny places. In Mustique - a private island in the Caribbean, we were asked to renovate and extend an #OliverMessel house called 'Pelican' for a long time resident. We used @christopherfarrcloth fabrics pretty much throughout, and also our Melda rug from @christopherfarrdesign. The rug has a sea edge quality to it in this sitting room, which was fitting as the real ocean laps on a sandy shore a few steps away.

It's starting to feel like time for some 🌞 . At Waldo Studio we arelucky to have worked in a lot of sunny places. In Mustique - a private island in the Caribbean, we were asked to renovate and extend an #OliverMessel house called 'Pelican' for a long time resident. We used @christopherfarrcloth fabrics pretty much throughout, and also our Melda rug from @christopherfarrdesign. The rug has a sea edge quality to it in this sitting room, which was fitting as the real ocean laps on a sandy shore a few steps away.

We have been lucky over the years to work with collectors and curators, who bring with them expertise and more importantly some brilliant art. Sometimes the art informs what we do in the room, and sometimes it just stands alone speaking for itself - which is perhaps the way it should be.

Image 1 - @laurabartlett_london - Becky Beasley
Image 2 - @theartistatwork - Christabel MacGreevy, Susan Derges
Image 3 - Duncan Grant
Image 4- @laurabartlett_london - John Divola
Image 5 - @theartistatwork -Phylidda Barlow
Image 6 - Piers Jackson

📸 @sebastienarlt @ tom_mannion_photographer @ruy_teixeira

We have been lucky over the years to work with collectors and curators, who bring with them expertise and more importantly some brilliant art. Sometimes the art informs what we do in the room, and sometimes it just stands alone speaking for itself - which is perhaps the way it should be.

Image 1 - @laurabartlett_london - Becky Beasley
Image 2 - @theartistatwork - Christabel MacGreevy, Susan Derges
Image 3 - Duncan Grant
Image 4- @laurabartlett_london - John Divola
Image 5 - @theartistatwork -Phylidda Barlow
Image 6 - Piers Jackson

📸 @sebastienarlt @ tom_mannion_photographer @ruy_teixeira

We have been lucky over the years to work with collectors and curators, who bring with them expertise and more importantly some brilliant art. Sometimes the art informs what we do in the room, and sometimes it just stands alone speaking for itself - which is perhaps the way it should be.

Image 1 - @laurabartlett_london - Becky Beasley
Image 2 - @theartistatwork - Christabel MacGreevy, Susan Derges
Image 3 - Duncan Grant
Image 4- @laurabartlett_london - John Divola
Image 5 - @theartistatwork -Phylidda Barlow
Image 6 - Piers Jackson

📸 @sebastienarlt @ tom_mannion_photographer @ruy_teixeira

We have been lucky over the years to work with collectors and curators, who bring with them expertise and more importantly some brilliant art. Sometimes the art informs what we do in the room, and sometimes it just stands alone speaking for itself - which is perhaps the way it should be.

Image 1 - @laurabartlett_london - Becky Beasley
Image 2 - @theartistatwork - Christabel MacGreevy, Susan Derges
Image 3 - Duncan Grant
Image 4- @laurabartlett_london - John Divola
Image 5 - @theartistatwork -Phylidda Barlow
Image 6 - Piers Jackson

📸 @sebastienarlt @ tom_mannion_photographer @ruy_teixeira

We have been lucky over the years to work with collectors and curators, who bring with them expertise and more importantly some brilliant art. Sometimes the art informs what we do in the room, and sometimes it just stands alone speaking for itself - which is perhaps the way it should be.

Image 1 - @laurabartlett_london - Becky Beasley
Image 2 - @theartistatwork - Christabel MacGreevy, Susan Derges
Image 3 - Duncan Grant
Image 4- @laurabartlett_london - John Divola
Image 5 - @theartistatwork -Phylidda Barlow
Image 6 - Piers Jackson

📸 @sebastienarlt @ tom_mannion_photographer @ruy_teixeira

We have been lucky over the years to work with collectors and curators, who bring with them expertise and more importantly some brilliant art. Sometimes the art informs what we do in the room, and sometimes it just stands alone speaking for itself - which is perhaps the way it should be.

Image 1 - @laurabartlett_london - Becky Beasley
Image 2 - @theartistatwork - Christabel MacGreevy, Susan Derges
Image 3 - Duncan Grant
Image 4- @laurabartlett_london - John Divola
Image 5 - @theartistatwork -Phylidda Barlow
Image 6 - Piers Jackson

📸 @sebastienarlt @ tom_mannion_photographer @ruy_teixeira

Working with developers can be really rather freeing at times, particularly when you are presented with a shell 29 floors up comprising of two floors and some of the most spectacular views over London. In this apartment we balanced the floor to ceiling with a faceted grey wall that reflected the views and changed in materiality as it went around the tower, from silk in the bedroom, to marble in the bathrooms, lacquer in the sitting room and veneers in the dressing room. 📸 @ruy_teixeira and @jamesjohnjetel

Working with developers can be really rather freeing at times, particularly when you are presented with a shell 29 floors up comprising of two floors and some of the most spectacular views over London. In this apartment we balanced the floor to ceiling with a faceted grey wall that reflected the views and changed in materiality as it went around the tower, from silk in the bedroom, to marble in the bathrooms, lacquer in the sitting room and veneers in the dressing room. 📸 @ruy_teixeira and @jamesjohnjetel

Working with developers can be really rather freeing at times, particularly when you are presented with a shell 29 floors up comprising of two floors and some of the most spectacular views over London. In this apartment we balanced the floor to ceiling with a faceted grey wall that reflected the views and changed in materiality as it went around the tower, from silk in the bedroom, to marble in the bathrooms, lacquer in the sitting room and veneers in the dressing room. 📸 @ruy_teixeira and @jamesjohnjetel

Working with developers can be really rather freeing at times, particularly when you are presented with a shell 29 floors up comprising of two floors and some of the most spectacular views over London. In this apartment we balanced the floor to ceiling with a faceted grey wall that reflected the views and changed in materiality as it went around the tower, from silk in the bedroom, to marble in the bathrooms, lacquer in the sitting room and veneers in the dressing room. 📸 @ruy_teixeira and @jamesjohnjetel

Working with developers can be really rather freeing at times, particularly when you are presented with a shell 29 floors up comprising of two floors and some of the most spectacular views over London. In this apartment we balanced the floor to ceiling with a faceted grey wall that reflected the views and changed in materiality as it went around the tower, from silk in the bedroom, to marble in the bathrooms, lacquer in the sitting room and veneers in the dressing room. 📸 @ruy_teixeira and @jamesjohnjetel

Working with developers can be really rather freeing at times, particularly when you are presented with a shell 29 floors up comprising of two floors and some of the most spectacular views over London. In this apartment we balanced the floor to ceiling with a faceted grey wall that reflected the views and changed in materiality as it went around the tower, from silk in the bedroom, to marble in the bathrooms, lacquer in the sitting room and veneers in the dressing room. 📸 @ruy_teixeira and @jamesjohnjetel