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uboot.lab
U-BOOT Lab
art-based research platform:
cultural strategies for vulnerable landscapes
→ NPoE
→ @abitarecostaparadiso
→ @zpgenova
→ @tunea.it
→ @giudicesse2030
→ NPoE / A NEW PROJECT
✺ Ninety Percent of Everything
è un progetto di ricerca artistica che indaga l’impatto della logistica marittima sulla crisi climatica, esplorando il porto come dispositivo di relazione tra equilibri ecologici, flussi economici, dinamiche sociali e geopolitiche.
Il titolo richiama l’omonimo libro della giornalista britannica Rose George, che mostra come il trasporto marittimo – motore invisibile di circa il 90% dei beni di uso quotidiano – strutturi profondamente la produzione, la distribuzione e il consumo delle merci, incidendo quindi sulle nostre abitudini e sul nostro rapporto con il pianeta.
✺ Ninety Percent of Everything
is an artistic research project investigating the impact of maritime logistics on the climate crisis. To achieve this, it examines the port as a critical device interconnecting, ecological balances, commercial flows, and social and geopolitical dynamics.
The title draws inspiration from the book whith the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @gruppogrendi1828
con il sostegno di / with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by Maria Pina Usai @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination Marina Fanari @marinafiii
press office @ucstudio.it
→ NPoE / A NEW PROJECT
✺ Ninety Percent of Everything
è un progetto di ricerca artistica che indaga l’impatto della logistica marittima sulla crisi climatica, esplorando il porto come dispositivo di relazione tra equilibri ecologici, flussi economici, dinamiche sociali e geopolitiche.
Il titolo richiama l’omonimo libro della giornalista britannica Rose George, che mostra come il trasporto marittimo – motore invisibile di circa il 90% dei beni di uso quotidiano – strutturi profondamente la produzione, la distribuzione e il consumo delle merci, incidendo quindi sulle nostre abitudini e sul nostro rapporto con il pianeta.
✺ Ninety Percent of Everything
is an artistic research project investigating the impact of maritime logistics on the climate crisis. To achieve this, it examines the port as a critical device interconnecting, ecological balances, commercial flows, and social and geopolitical dynamics.
The title draws inspiration from the book whith the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @gruppogrendi1828
con il sostegno di / with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by Maria Pina Usai @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination Marina Fanari @marinafiii
press office @ucstudio.it
→ NPoE / A NEW PROJECT
✺ Ninety Percent of Everything
è un progetto di ricerca artistica che indaga l’impatto della logistica marittima sulla crisi climatica, esplorando il porto come dispositivo di relazione tra equilibri ecologici, flussi economici, dinamiche sociali e geopolitiche.
Il titolo richiama l’omonimo libro della giornalista britannica Rose George, che mostra come il trasporto marittimo – motore invisibile di circa il 90% dei beni di uso quotidiano – strutturi profondamente la produzione, la distribuzione e il consumo delle merci, incidendo quindi sulle nostre abitudini e sul nostro rapporto con il pianeta.
✺ Ninety Percent of Everything
is an artistic research project investigating the impact of maritime logistics on the climate crisis. To achieve this, it examines the port as a critical device interconnecting, ecological balances, commercial flows, and social and geopolitical dynamics.
The title draws inspiration from the book whith the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @gruppogrendi1828
con il sostegno di / with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by Maria Pina Usai @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination Marina Fanari @marinafiii
press office @ucstudio.it
→ NPoE / A NEW PROJECT
✺ Ninety Percent of Everything
è un progetto di ricerca artistica che indaga l’impatto della logistica marittima sulla crisi climatica, esplorando il porto come dispositivo di relazione tra equilibri ecologici, flussi economici, dinamiche sociali e geopolitiche.
Il titolo richiama l’omonimo libro della giornalista britannica Rose George, che mostra come il trasporto marittimo – motore invisibile di circa il 90% dei beni di uso quotidiano – strutturi profondamente la produzione, la distribuzione e il consumo delle merci, incidendo quindi sulle nostre abitudini e sul nostro rapporto con il pianeta.
✺ Ninety Percent of Everything
is an artistic research project investigating the impact of maritime logistics on the climate crisis. To achieve this, it examines the port as a critical device interconnecting, ecological balances, commercial flows, and social and geopolitical dynamics.
The title draws inspiration from the book whith the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @gruppogrendi1828
con il sostegno di / with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by Maria Pina Usai @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination Marina Fanari @marinafiii
press office @ucstudio.it
→ NPoE / A NEW PROJECT
✺ Ninety Percent of Everything
è un progetto di ricerca artistica che indaga l’impatto della logistica marittima sulla crisi climatica, esplorando il porto come dispositivo di relazione tra equilibri ecologici, flussi economici, dinamiche sociali e geopolitiche.
Il titolo richiama l’omonimo libro della giornalista britannica Rose George, che mostra come il trasporto marittimo – motore invisibile di circa il 90% dei beni di uso quotidiano – strutturi profondamente la produzione, la distribuzione e il consumo delle merci, incidendo quindi sulle nostre abitudini e sul nostro rapporto con il pianeta.
✺ Ninety Percent of Everything
is an artistic research project investigating the impact of maritime logistics on the climate crisis. To achieve this, it examines the port as a critical device interconnecting, ecological balances, commercial flows, and social and geopolitical dynamics.
The title draws inspiration from the book whith the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @gruppogrendi1828
con il sostegno di / with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by Maria Pina Usai @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination Marina Fanari @marinafiii
press office @ucstudio.it
Le Giudicesse sarde non erano figure leggendarie o simboliche.
Erano sovrane.
Tra il IX e il XV secolo governarono i Giudicati di Sardegna esercitando potere politico, diplomatico e giuridico in un contesto storico dominato quasi esclusivamente dagli uomini.
Figure come Elena di Gallura, Adelasia di Torres, Benedetta di Cagliari ed Eleonora d’Arborea hanno attraversato la storia dell’isola contribuendo a costruire modelli di governo, relazioni con il territorio e visioni della comunità che ancora oggi appaiono sorprendentemente attuali.
Con la Carta de Logu, Eleonora d’Arborea introdusse uno dei sistemi legislativi più avanzati dell’Europa medievale, capace di affrontare temi legati ai diritti, alla tutela delle persone e alla gestione collettiva del territorio.
È da qui che nasce Giudicesse2030.
Non dalla volontà di celebrare il passato, ma dal desiderio di interrogare il presente attraverso queste figure:
Come si costruisce il potere?
Chi viene rappresentato?
Quale relazione esiste tra comunità, territorio e giustizia sociale?
Quali modelli alternativi possiamo ancora immaginare?
Le Giudicesse diventano così non solo memoria storica, ma uno spazio di ricerca artistica, politica e culturale aperto sul contemporaneo.
Bando completo e form di candidatura al link in bio e sul sito del CSC Carbonia.
Per informazioni: segreteriaorganizzativa@u-boot.it
Artwork @claudio___rosa
Le Giudicesse sarde non erano figure leggendarie o simboliche.
Erano sovrane.
Tra il IX e il XV secolo governarono i Giudicati di Sardegna esercitando potere politico, diplomatico e giuridico in un contesto storico dominato quasi esclusivamente dagli uomini.
Figure come Elena di Gallura, Adelasia di Torres, Benedetta di Cagliari ed Eleonora d’Arborea hanno attraversato la storia dell’isola contribuendo a costruire modelli di governo, relazioni con il territorio e visioni della comunità che ancora oggi appaiono sorprendentemente attuali.
Con la Carta de Logu, Eleonora d’Arborea introdusse uno dei sistemi legislativi più avanzati dell’Europa medievale, capace di affrontare temi legati ai diritti, alla tutela delle persone e alla gestione collettiva del territorio.
È da qui che nasce Giudicesse2030.
Non dalla volontà di celebrare il passato, ma dal desiderio di interrogare il presente attraverso queste figure:
Come si costruisce il potere?
Chi viene rappresentato?
Quale relazione esiste tra comunità, territorio e giustizia sociale?
Quali modelli alternativi possiamo ancora immaginare?
Le Giudicesse diventano così non solo memoria storica, ma uno spazio di ricerca artistica, politica e culturale aperto sul contemporaneo.
Bando completo e form di candidatura al link in bio e sul sito del CSC Carbonia.
Per informazioni: segreteriaorganizzativa@u-boot.it
Artwork @claudio___rosa
Le Giudicesse sarde non erano figure leggendarie o simboliche.
Erano sovrane.
Tra il IX e il XV secolo governarono i Giudicati di Sardegna esercitando potere politico, diplomatico e giuridico in un contesto storico dominato quasi esclusivamente dagli uomini.
Figure come Elena di Gallura, Adelasia di Torres, Benedetta di Cagliari ed Eleonora d’Arborea hanno attraversato la storia dell’isola contribuendo a costruire modelli di governo, relazioni con il territorio e visioni della comunità che ancora oggi appaiono sorprendentemente attuali.
Con la Carta de Logu, Eleonora d’Arborea introdusse uno dei sistemi legislativi più avanzati dell’Europa medievale, capace di affrontare temi legati ai diritti, alla tutela delle persone e alla gestione collettiva del territorio.
È da qui che nasce Giudicesse2030.
Non dalla volontà di celebrare il passato, ma dal desiderio di interrogare il presente attraverso queste figure:
Come si costruisce il potere?
Chi viene rappresentato?
Quale relazione esiste tra comunità, territorio e giustizia sociale?
Quali modelli alternativi possiamo ancora immaginare?
Le Giudicesse diventano così non solo memoria storica, ma uno spazio di ricerca artistica, politica e culturale aperto sul contemporaneo.
Bando completo e form di candidatura al link in bio e sul sito del CSC Carbonia.
Per informazioni: segreteriaorganizzativa@u-boot.it
Artwork @claudio___rosa
Le Giudicesse sarde non erano figure leggendarie o simboliche.
Erano sovrane.
Tra il IX e il XV secolo governarono i Giudicati di Sardegna esercitando potere politico, diplomatico e giuridico in un contesto storico dominato quasi esclusivamente dagli uomini.
Figure come Elena di Gallura, Adelasia di Torres, Benedetta di Cagliari ed Eleonora d’Arborea hanno attraversato la storia dell’isola contribuendo a costruire modelli di governo, relazioni con il territorio e visioni della comunità che ancora oggi appaiono sorprendentemente attuali.
Con la Carta de Logu, Eleonora d’Arborea introdusse uno dei sistemi legislativi più avanzati dell’Europa medievale, capace di affrontare temi legati ai diritti, alla tutela delle persone e alla gestione collettiva del territorio.
È da qui che nasce Giudicesse2030.
Non dalla volontà di celebrare il passato, ma dal desiderio di interrogare il presente attraverso queste figure:
Come si costruisce il potere?
Chi viene rappresentato?
Quale relazione esiste tra comunità, territorio e giustizia sociale?
Quali modelli alternativi possiamo ancora immaginare?
Le Giudicesse diventano così non solo memoria storica, ma uno spazio di ricerca artistica, politica e culturale aperto sul contemporaneo.
Bando completo e form di candidatura al link in bio e sul sito del CSC Carbonia.
Per informazioni: segreteriaorganizzativa@u-boot.it
Artwork @claudio___rosa
Le Giudicesse sarde non erano figure leggendarie o simboliche.
Erano sovrane.
Tra il IX e il XV secolo governarono i Giudicati di Sardegna esercitando potere politico, diplomatico e giuridico in un contesto storico dominato quasi esclusivamente dagli uomini.
Figure come Elena di Gallura, Adelasia di Torres, Benedetta di Cagliari ed Eleonora d’Arborea hanno attraversato la storia dell’isola contribuendo a costruire modelli di governo, relazioni con il territorio e visioni della comunità che ancora oggi appaiono sorprendentemente attuali.
Con la Carta de Logu, Eleonora d’Arborea introdusse uno dei sistemi legislativi più avanzati dell’Europa medievale, capace di affrontare temi legati ai diritti, alla tutela delle persone e alla gestione collettiva del territorio.
È da qui che nasce Giudicesse2030.
Non dalla volontà di celebrare il passato, ma dal desiderio di interrogare il presente attraverso queste figure:
Come si costruisce il potere?
Chi viene rappresentato?
Quale relazione esiste tra comunità, territorio e giustizia sociale?
Quali modelli alternativi possiamo ancora immaginare?
Le Giudicesse diventano così non solo memoria storica, ma uno spazio di ricerca artistica, politica e culturale aperto sul contemporaneo.
Bando completo e form di candidatura al link in bio e sul sito del CSC Carbonia.
Per informazioni: segreteriaorganizzativa@u-boot.it
Artwork @claudio___rosa
→ NPoE / GRUPPO GRENDI
✺ Gruppo Grendi, founded in 1828 as a family business, has grown, generation after generation, to become one of the leading integrated logistics and maritime transport operators, both nationally and internationally. Over nearly two centuries, it has evolved from a freight forwarder to a shipowner, and finally to a port terminal operator. Today, it operates shipping lines, container terminals, and an integrated logistics network. As benefit Company and Certified B Corp, the group combines innovation and positive impact – for environment, people and communities.
Grendi supports Ninety Percent of Everything by bringing the groups aboard the Grendi Star: they will sail from Marina di Carrara to Cagliari on an operational cargo ship. During the crossing, they will have the opportunity to collect data and gain first-hand knowledge of the dynamics of maritime logistics, the core of the project.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / GRUPPO GRENDI
✺ Gruppo Grendi, founded in 1828 as a family business, has grown, generation after generation, to become one of the leading integrated logistics and maritime transport operators, both nationally and internationally. Over nearly two centuries, it has evolved from a freight forwarder to a shipowner, and finally to a port terminal operator. Today, it operates shipping lines, container terminals, and an integrated logistics network. As benefit Company and Certified B Corp, the group combines innovation and positive impact – for environment, people and communities.
Grendi supports Ninety Percent of Everything by bringing the groups aboard the Grendi Star: they will sail from Marina di Carrara to Cagliari on an operational cargo ship. During the crossing, they will have the opportunity to collect data and gain first-hand knowledge of the dynamics of maritime logistics, the core of the project.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / GRUPPO GRENDI
✺ Gruppo Grendi, founded in 1828 as a family business, has grown, generation after generation, to become one of the leading integrated logistics and maritime transport operators, both nationally and internationally. Over nearly two centuries, it has evolved from a freight forwarder to a shipowner, and finally to a port terminal operator. Today, it operates shipping lines, container terminals, and an integrated logistics network. As benefit Company and Certified B Corp, the group combines innovation and positive impact – for environment, people and communities.
Grendi supports Ninety Percent of Everything by bringing the groups aboard the Grendi Star: they will sail from Marina di Carrara to Cagliari on an operational cargo ship. During the crossing, they will have the opportunity to collect data and gain first-hand knowledge of the dynamics of maritime logistics, the core of the project.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / GRUPPO GRENDI
✺ Gruppo Grendi, founded in 1828 as a family business, has grown, generation after generation, to become one of the leading integrated logistics and maritime transport operators, both nationally and internationally. Over nearly two centuries, it has evolved from a freight forwarder to a shipowner, and finally to a port terminal operator. Today, it operates shipping lines, container terminals, and an integrated logistics network. As benefit Company and Certified B Corp, the group combines innovation and positive impact – for environment, people and communities.
Grendi supports Ninety Percent of Everything by bringing the groups aboard the Grendi Star: they will sail from Marina di Carrara to Cagliari on an operational cargo ship. During the crossing, they will have the opportunity to collect data and gain first-hand knowledge of the dynamics of maritime logistics, the core of the project.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / GRUPPO GRENDI
✺ Gruppo Grendi, founded in 1828 as a family business, has grown, generation after generation, to become one of the leading integrated logistics and maritime transport operators, both nationally and internationally. Over nearly two centuries, it has evolved from a freight forwarder to a shipowner, and finally to a port terminal operator. Today, it operates shipping lines, container terminals, and an integrated logistics network. As benefit Company and Certified B Corp, the group combines innovation and positive impact – for environment, people and communities.
Grendi supports Ninety Percent of Everything by bringing the groups aboard the Grendi Star: they will sail from Marina di Carrara to Cagliari on an operational cargo ship. During the crossing, they will have the opportunity to collect data and gain first-hand knowledge of the dynamics of maritime logistics, the core of the project.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / GRUPPO GRENDI
✺ Gruppo Grendi, founded in 1828 as a family business, has grown, generation after generation, to become one of the leading integrated logistics and maritime transport operators, both nationally and internationally. Over nearly two centuries, it has evolved from a freight forwarder to a shipowner, and finally to a port terminal operator. Today, it operates shipping lines, container terminals, and an integrated logistics network. As benefit Company and Certified B Corp, the group combines innovation and positive impact – for environment, people and communities.
Grendi supports Ninety Percent of Everything by bringing the groups aboard the Grendi Star: they will sail from Marina di Carrara to Cagliari on an operational cargo ship. During the crossing, they will have the opportunity to collect data and gain first-hand knowledge of the dynamics of maritime logistics, the core of the project.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / GRUPPO GRENDI
✺ Gruppo Grendi, founded in 1828 as a family business, has grown, generation after generation, to become one of the leading integrated logistics and maritime transport operators, both nationally and internationally. Over nearly two centuries, it has evolved from a freight forwarder to a shipowner, and finally to a port terminal operator. Today, it operates shipping lines, container terminals, and an integrated logistics network. As benefit Company and Certified B Corp, the group combines innovation and positive impact – for environment, people and communities.
Grendi supports Ninety Percent of Everything by bringing the groups aboard the Grendi Star: they will sail from Marina di Carrara to Cagliari on an operational cargo ship. During the crossing, they will have the opportunity to collect data and gain first-hand knowledge of the dynamics of maritime logistics, the core of the project.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / GRUPPO GRENDI
✺ Gruppo Grendi, founded in 1828 as a family business, has grown, generation after generation, to become one of the leading integrated logistics and maritime transport operators, both nationally and internationally. Over nearly two centuries, it has evolved from a freight forwarder to a shipowner, and finally to a port terminal operator. Today, it operates shipping lines, container terminals, and an integrated logistics network. As benefit Company and Certified B Corp, the group combines innovation and positive impact – for environment, people and communities.
Grendi supports Ninety Percent of Everything by bringing the groups aboard the Grendi Star: they will sail from Marina di Carrara to Cagliari on an operational cargo ship. During the crossing, they will have the opportunity to collect data and gain first-hand knowledge of the dynamics of maritime logistics, the core of the project.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
Cos’è Giudicesse2030?
È una residenza artistica e un progetto di ricerca che utilizza il linguaggio audiovisivo per rileggere in chiave contemporanea la figura delle Giudicesse sarde.
Ma Giudicesse2030 non guarda al passato come qualcosa di distante o immobile.
Parte dalla storia per interrogare il presente: i rapporti tra comunità e territorio, le forme di autodeterminazione, la giustizia sociale, l’ecologia, l’accessibilità e il ruolo della cultura nei processi di trasformazione.
Attraverso residenze artistiche, ricerca multidisciplinare e coinvolgimento delle comunità locali, il progetto costruisce nuove letture collettive della Sardegna e dei suoi territori.
Un percorso che intreccia memoria e futuro, arte e politica, corpi, paesaggi e immaginari.
La call per l’edizione 2026 di Giudicesse2030 è aperta fino al 14 giugno 2026 ed è rivolta a registə, filmmaker e artistə visivə.
Per maggiori info link in bio.
Artwork @claudio___rosa
Cos’è Giudicesse2030?
È una residenza artistica e un progetto di ricerca che utilizza il linguaggio audiovisivo per rileggere in chiave contemporanea la figura delle Giudicesse sarde.
Ma Giudicesse2030 non guarda al passato come qualcosa di distante o immobile.
Parte dalla storia per interrogare il presente: i rapporti tra comunità e territorio, le forme di autodeterminazione, la giustizia sociale, l’ecologia, l’accessibilità e il ruolo della cultura nei processi di trasformazione.
Attraverso residenze artistiche, ricerca multidisciplinare e coinvolgimento delle comunità locali, il progetto costruisce nuove letture collettive della Sardegna e dei suoi territori.
Un percorso che intreccia memoria e futuro, arte e politica, corpi, paesaggi e immaginari.
La call per l’edizione 2026 di Giudicesse2030 è aperta fino al 14 giugno 2026 ed è rivolta a registə, filmmaker e artistə visivə.
Per maggiori info link in bio.
Artwork @claudio___rosa
Cos’è Giudicesse2030?
È una residenza artistica e un progetto di ricerca che utilizza il linguaggio audiovisivo per rileggere in chiave contemporanea la figura delle Giudicesse sarde.
Ma Giudicesse2030 non guarda al passato come qualcosa di distante o immobile.
Parte dalla storia per interrogare il presente: i rapporti tra comunità e territorio, le forme di autodeterminazione, la giustizia sociale, l’ecologia, l’accessibilità e il ruolo della cultura nei processi di trasformazione.
Attraverso residenze artistiche, ricerca multidisciplinare e coinvolgimento delle comunità locali, il progetto costruisce nuove letture collettive della Sardegna e dei suoi territori.
Un percorso che intreccia memoria e futuro, arte e politica, corpi, paesaggi e immaginari.
La call per l’edizione 2026 di Giudicesse2030 è aperta fino al 14 giugno 2026 ed è rivolta a registə, filmmaker e artistə visivə.
Per maggiori info link in bio.
Artwork @claudio___rosa
Cos’è Giudicesse2030?
È una residenza artistica e un progetto di ricerca che utilizza il linguaggio audiovisivo per rileggere in chiave contemporanea la figura delle Giudicesse sarde.
Ma Giudicesse2030 non guarda al passato come qualcosa di distante o immobile.
Parte dalla storia per interrogare il presente: i rapporti tra comunità e territorio, le forme di autodeterminazione, la giustizia sociale, l’ecologia, l’accessibilità e il ruolo della cultura nei processi di trasformazione.
Attraverso residenze artistiche, ricerca multidisciplinare e coinvolgimento delle comunità locali, il progetto costruisce nuove letture collettive della Sardegna e dei suoi territori.
Un percorso che intreccia memoria e futuro, arte e politica, corpi, paesaggi e immaginari.
La call per l’edizione 2026 di Giudicesse2030 è aperta fino al 14 giugno 2026 ed è rivolta a registə, filmmaker e artistə visivə.
Per maggiori info link in bio.
Artwork @claudio___rosa
→ NPoE / ITINERARI PARALLELI
✺ Itinerari Paralleli is a social enterprise supporting public and private organizations in designing transformative cultural projects. Using a participatory, multidisciplinary approach, they blend project management with cultural practices to drive urban regeneration and community engagement. Their mission centers on the power of partnership; by integrating diverse knowledge and design thinking, they foster innovation and lasting territorial change. Guided by New European Bauhaus values, they bridge sectors to solve complex challenges through multilevel and transdisciplinary approaches.
For Ninety Percent of Everything Itinerari Paralleli serves as the methodological lead for the project’s systemic design, implementing a methodology based on the New European Bauhaus (NEB) values and principles, using participatory workshops to structure and facilitate the transdisciplinary artistic research process.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / ITINERARI PARALLELI
✺ Itinerari Paralleli is a social enterprise supporting public and private organizations in designing transformative cultural projects. Using a participatory, multidisciplinary approach, they blend project management with cultural practices to drive urban regeneration and community engagement. Their mission centers on the power of partnership; by integrating diverse knowledge and design thinking, they foster innovation and lasting territorial change. Guided by New European Bauhaus values, they bridge sectors to solve complex challenges through multilevel and transdisciplinary approaches.
For Ninety Percent of Everything Itinerari Paralleli serves as the methodological lead for the project’s systemic design, implementing a methodology based on the New European Bauhaus (NEB) values and principles, using participatory workshops to structure and facilitate the transdisciplinary artistic research process.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / ITINERARI PARALLELI
✺ Itinerari Paralleli is a social enterprise supporting public and private organizations in designing transformative cultural projects. Using a participatory, multidisciplinary approach, they blend project management with cultural practices to drive urban regeneration and community engagement. Their mission centers on the power of partnership; by integrating diverse knowledge and design thinking, they foster innovation and lasting territorial change. Guided by New European Bauhaus values, they bridge sectors to solve complex challenges through multilevel and transdisciplinary approaches.
For Ninety Percent of Everything Itinerari Paralleli serves as the methodological lead for the project’s systemic design, implementing a methodology based on the New European Bauhaus (NEB) values and principles, using participatory workshops to structure and facilitate the transdisciplinary artistic research process.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
Giudicesse2030 | CALL 2026 ONLINE
Il Centro Servizi Culturali Carbonia della Società Umanitaria @umacarbonia_fabbricadelcinema, insieme a @uboot.lab e in collaborazione con @ottovolantesulcis, apre ufficialmente le selezioni per la quarta edizione della Residenza Artistica Giudicesse2030.
L’edizione 2026 torna a Sant’Antioco per indagare una “politica fuori dalla politica”: un insieme di pratiche, relazioni e forme di azione collettiva che nascono fuori dalle istituzioni per ridefinire il modo in cui comunità e individui abitano il territorio.
La call è rivolta a regist*, filmmaker e artist* visiv* chiamat* a realizzare un’opera audiovisiva capace di farsi dispositivo aperto e inclusivo, interrogando il presente attraverso il modello delle “regine” giudicali sarde. La call è aperta a collettivi di due persone, siano esse due regist*, filmmaker e artist* visiv* o un* regist*, filmmaker e artist* visiv* accompagnat* da un* operator*. Non si accetteranno candidature singole o superiori alle due unità.
▪️ Dove e quando
La residenza si svolgerà a Sant’Antioco, negli spazi del @museodiffuso.exe, dal 22 luglio al 4 agosto 2026, con restituzione pubblica il 5 agosto all’interno della rassegna Cinesulky.
▪️ Cosa prevede
Il duo selezionato avrà l’opportunità di:
• Sviluppare un’opera audiovisiva (15-30 min) in dialogo con la comunità locale.
• Ricevere un compenso di € 5.000,00, oltre all'alloggio e a un rimborso viaggio.
• Confrontarsi con temi quali accessibilità e inclusione come modi di pensare e praticare l'arte e la cultura.
▪️ Come candidarsi
La call scade il 14 giugno 2026.
Trovi il bando completo, i requisiti e il form di candidatura al link in bio (o sul sito della Società Umanitaria – CSC Carbonia).
Per informazioni: segreteriaorganizzativa@u-boot.it
Giudicesse2030 è un progetto promosso dal Csc Carbonia-Iglesias Società Umanitaria, realizzato da U-BOOT Lab e in collaborazione con Ottovolante Sulcis ed è finanziato ai sensi della Legge regionale 28 dicembre 2018, n. 48, art. 11, comma 26 della @regioneautonomasardegna.
Artwork @claudio___rosa
→ NPoE / DUCALE SPAZIO APERTO: LA BASE DELLA RESIDENZA
✺ Ducale Spazio Aperto, a Palazzo Ducale, sarà la base operativa della residenza di Ninety Percent of Everything: uno spazio temporaneo dedicato alla ricerca, allo scambio, alla produzione e all’interazione pubblica.
Affacciato sul Cortile Maggiore di Palazzo Ducale — costantemente attraversato da cittadinə e visitatorə — Ducale Spazio Aperto rappresenta il contesto ideale per una residenza concepita non come processo artistico isolato, ma come pratica situata in dialogo con la città.
Durante la residenza, lo spazio resterà parzialmente accessibile al pubblico, rendendo il processo di ricerca fruibile e condiviso.
Da qui, lə artistə si muoveranno per entrare in porto e per imbarcarsi a bordo delle navi merci della Grendi, per confrontarsi direttamente con le infrastrutture, gli spazi, le persone e i ritmi della logistica marittima.
—
progetto di @uboot.lab
in collaborazione con @palazzoducalegenova
con il contributo di @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
con il patrocinio di Observatoire des publics et des pratiques de la culture – MESRI/AMU
con il supporto di @portsofgenoa_official @gruppogrendi1828
con il sostegno di @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curato da @_mpu
supervisione scientifica @francesca.garaventa
artisti tutor @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
design sistemico @itinerariparalleli
ricerca fotografica @simonelezzi
identità visiva e grafica @nomdeplume_studio
organizzazione e coordinamento @marinafiii
ufficio stampa @ucstudio.it
social media @kiaracaredda
→ NPoE / DUCALE SPAZIO APERTO: LA BASE DELLA RESIDENZA
✺ Ducale Spazio Aperto, a Palazzo Ducale, sarà la base operativa della residenza di Ninety Percent of Everything: uno spazio temporaneo dedicato alla ricerca, allo scambio, alla produzione e all’interazione pubblica.
Affacciato sul Cortile Maggiore di Palazzo Ducale — costantemente attraversato da cittadinə e visitatorə — Ducale Spazio Aperto rappresenta il contesto ideale per una residenza concepita non come processo artistico isolato, ma come pratica situata in dialogo con la città.
Durante la residenza, lo spazio resterà parzialmente accessibile al pubblico, rendendo il processo di ricerca fruibile e condiviso.
Da qui, lə artistə si muoveranno per entrare in porto e per imbarcarsi a bordo delle navi merci della Grendi, per confrontarsi direttamente con le infrastrutture, gli spazi, le persone e i ritmi della logistica marittima.
—
progetto di @uboot.lab
in collaborazione con @palazzoducalegenova
con il contributo di @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
con il patrocinio di Observatoire des publics et des pratiques de la culture – MESRI/AMU
con il supporto di @portsofgenoa_official @gruppogrendi1828
con il sostegno di @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curato da @_mpu
supervisione scientifica @francesca.garaventa
artisti tutor @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
design sistemico @itinerariparalleli
ricerca fotografica @simonelezzi
identità visiva e grafica @nomdeplume_studio
organizzazione e coordinamento @marinafiii
ufficio stampa @ucstudio.it
social media @kiaracaredda
→ NPoE / DUCALE SPAZIO APERTO: LA BASE DELLA RESIDENZA
✺ Ducale Spazio Aperto, a Palazzo Ducale, sarà la base operativa della residenza di Ninety Percent of Everything: uno spazio temporaneo dedicato alla ricerca, allo scambio, alla produzione e all’interazione pubblica.
Affacciato sul Cortile Maggiore di Palazzo Ducale — costantemente attraversato da cittadinə e visitatorə — Ducale Spazio Aperto rappresenta il contesto ideale per una residenza concepita non come processo artistico isolato, ma come pratica situata in dialogo con la città.
Durante la residenza, lo spazio resterà parzialmente accessibile al pubblico, rendendo il processo di ricerca fruibile e condiviso.
Da qui, lə artistə si muoveranno per entrare in porto e per imbarcarsi a bordo delle navi merci della Grendi, per confrontarsi direttamente con le infrastrutture, gli spazi, le persone e i ritmi della logistica marittima.
—
progetto di @uboot.lab
in collaborazione con @palazzoducalegenova
con il contributo di @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
con il patrocinio di Observatoire des publics et des pratiques de la culture – MESRI/AMU
con il supporto di @portsofgenoa_official @gruppogrendi1828
con il sostegno di @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curato da @_mpu
supervisione scientifica @francesca.garaventa
artisti tutor @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
design sistemico @itinerariparalleli
ricerca fotografica @simonelezzi
identità visiva e grafica @nomdeplume_studio
organizzazione e coordinamento @marinafiii
ufficio stampa @ucstudio.it
social media @kiaracaredda
→ NPoE / THE PORT AS A CRITICAL DEVICE
✺ Ninety Percent of Everything takes the port as its starting point — not as a backdrop, but as a critical dispositif through which to explore the relationships between maritime logistics, the climate crisis, and the social and geopolitical dynamics that shape global trade.
The port is where ecological urgency and geopolitical tension converge: a threshold where the weight of global supply chains meets the fragility of marine ecosystems and the vulnerability of maritime and port labor.
Here is where the invisible costs of consumption become suddenly, undeniably material.
photo @simonelezzi
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / THE PORT AS A CRITICAL DEVICE
✺ Ninety Percent of Everything takes the port as its starting point — not as a backdrop, but as a critical dispositif through which to explore the relationships between maritime logistics, the climate crisis, and the social and geopolitical dynamics that shape global trade.
The port is where ecological urgency and geopolitical tension converge: a threshold where the weight of global supply chains meets the fragility of marine ecosystems and the vulnerability of maritime and port labor.
Here is where the invisible costs of consumption become suddenly, undeniably material.
photo @simonelezzi
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / THE PORT AS A CRITICAL DEVICE
✺ Ninety Percent of Everything takes the port as its starting point — not as a backdrop, but as a critical dispositif through which to explore the relationships between maritime logistics, the climate crisis, and the social and geopolitical dynamics that shape global trade.
The port is where ecological urgency and geopolitical tension converge: a threshold where the weight of global supply chains meets the fragility of marine ecosystems and the vulnerability of maritime and port labor.
Here is where the invisible costs of consumption become suddenly, undeniably material.
photo @simonelezzi
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / THE PORT AS A CRITICAL DEVICE
✺ Ninety Percent of Everything takes the port as its starting point — not as a backdrop, but as a critical dispositif through which to explore the relationships between maritime logistics, the climate crisis, and the social and geopolitical dynamics that shape global trade.
The port is where ecological urgency and geopolitical tension converge: a threshold where the weight of global supply chains meets the fragility of marine ecosystems and the vulnerability of maritime and port labor.
Here is where the invisible costs of consumption become suddenly, undeniably material.
photo @simonelezzi
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / CURATOR
Meet of curator of the project
→ Maria Pina Usai PhD, independent researcher and curator
✺ Attracted to the instability of sea-related landscapes, she explores the coast as a paradigm of contemporary transformations, with a situated approach that intersects art, science, and community engagement. She founded U-BOOT Lab and the MEDSEA Foundation, and she has worked with the Sardinian Coastal Conservation Agency. She is the artistic director of Zones Portuaires Genova and curator of The Ocean Without Us, Abitare Costa Paradiso, and Tunèa, which was exhibited at the Italian Pavilion TERRÆ AQUÆ at the 19th Venice Architecture Biennale. Author of scientific and divulgative publications, she is co-author of Abitare la Vacanza (Silvana Editoriale, 2023).
Ninety percent of Everything emerges from a decade-long experience with Zones Portuaires, a festival in Genoa that has become a platform for research, opening up the port infrastructure to the city as a collective heritage. The port is where the city recognizes its identity. Here, relationships and conflicts shape social, political, cultural, and ecological discourse.
The project explores the link between maritime logistics and the climate crisis, understood in its systemic dimension, the result of the interconnections between global consumption, ecological balances, economic interests, and social and geopolitical dynamics.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / CURATOR
Meet of curator of the project
→ Maria Pina Usai PhD, independent researcher and curator
✺ Attracted to the instability of sea-related landscapes, she explores the coast as a paradigm of contemporary transformations, with a situated approach that intersects art, science, and community engagement. She founded U-BOOT Lab and the MEDSEA Foundation, and she has worked with the Sardinian Coastal Conservation Agency. She is the artistic director of Zones Portuaires Genova and curator of The Ocean Without Us, Abitare Costa Paradiso, and Tunèa, which was exhibited at the Italian Pavilion TERRÆ AQUÆ at the 19th Venice Architecture Biennale. Author of scientific and divulgative publications, she is co-author of Abitare la Vacanza (Silvana Editoriale, 2023).
Ninety percent of Everything emerges from a decade-long experience with Zones Portuaires, a festival in Genoa that has become a platform for research, opening up the port infrastructure to the city as a collective heritage. The port is where the city recognizes its identity. Here, relationships and conflicts shape social, political, cultural, and ecological discourse.
The project explores the link between maritime logistics and the climate crisis, understood in its systemic dimension, the result of the interconnections between global consumption, ecological balances, economic interests, and social and geopolitical dynamics.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / CURATOR
Meet of curator of the project
→ Maria Pina Usai PhD, independent researcher and curator
✺ Attracted to the instability of sea-related landscapes, she explores the coast as a paradigm of contemporary transformations, with a situated approach that intersects art, science, and community engagement. She founded U-BOOT Lab and the MEDSEA Foundation, and she has worked with the Sardinian Coastal Conservation Agency. She is the artistic director of Zones Portuaires Genova and curator of The Ocean Without Us, Abitare Costa Paradiso, and Tunèa, which was exhibited at the Italian Pavilion TERRÆ AQUÆ at the 19th Venice Architecture Biennale. Author of scientific and divulgative publications, she is co-author of Abitare la Vacanza (Silvana Editoriale, 2023).
Ninety percent of Everything emerges from a decade-long experience with Zones Portuaires, a festival in Genoa that has become a platform for research, opening up the port infrastructure to the city as a collective heritage. The port is where the city recognizes its identity. Here, relationships and conflicts shape social, political, cultural, and ecological discourse.
The project explores the link between maritime logistics and the climate crisis, understood in its systemic dimension, the result of the interconnections between global consumption, ecological balances, economic interests, and social and geopolitical dynamics.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / CURATOR
Meet of curator of the project
→ Maria Pina Usai PhD, independent researcher and curator
✺ Attracted to the instability of sea-related landscapes, she explores the coast as a paradigm of contemporary transformations, with a situated approach that intersects art, science, and community engagement. She founded U-BOOT Lab and the MEDSEA Foundation, and she has worked with the Sardinian Coastal Conservation Agency. She is the artistic director of Zones Portuaires Genova and curator of The Ocean Without Us, Abitare Costa Paradiso, and Tunèa, which was exhibited at the Italian Pavilion TERRÆ AQUÆ at the 19th Venice Architecture Biennale. Author of scientific and divulgative publications, she is co-author of Abitare la Vacanza (Silvana Editoriale, 2023).
Ninety percent of Everything emerges from a decade-long experience with Zones Portuaires, a festival in Genoa that has become a platform for research, opening up the port infrastructure to the city as a collective heritage. The port is where the city recognizes its identity. Here, relationships and conflicts shape social, political, cultural, and ecological discourse.
The project explores the link between maritime logistics and the climate crisis, understood in its systemic dimension, the result of the interconnections between global consumption, ecological balances, economic interests, and social and geopolitical dynamics.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / CURATOR
Meet of curator of the project
→ Maria Pina Usai PhD, independent researcher and curator
✺ Attracted to the instability of sea-related landscapes, she explores the coast as a paradigm of contemporary transformations, with a situated approach that intersects art, science, and community engagement. She founded U-BOOT Lab and the MEDSEA Foundation, and she has worked with the Sardinian Coastal Conservation Agency. She is the artistic director of Zones Portuaires Genova and curator of The Ocean Without Us, Abitare Costa Paradiso, and Tunèa, which was exhibited at the Italian Pavilion TERRÆ AQUÆ at the 19th Venice Architecture Biennale. Author of scientific and divulgative publications, she is co-author of Abitare la Vacanza (Silvana Editoriale, 2023).
Ninety percent of Everything emerges from a decade-long experience with Zones Portuaires, a festival in Genoa that has become a platform for research, opening up the port infrastructure to the city as a collective heritage. The port is where the city recognizes its identity. Here, relationships and conflicts shape social, political, cultural, and ecological discourse.
The project explores the link between maritime logistics and the climate crisis, understood in its systemic dimension, the result of the interconnections between global consumption, ecological balances, economic interests, and social and geopolitical dynamics.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / CURATOR
Meet of curator of the project
→ Maria Pina Usai PhD, independent researcher and curator
✺ Attracted to the instability of sea-related landscapes, she explores the coast as a paradigm of contemporary transformations, with a situated approach that intersects art, science, and community engagement. She founded U-BOOT Lab and the MEDSEA Foundation, and she has worked with the Sardinian Coastal Conservation Agency. She is the artistic director of Zones Portuaires Genova and curator of The Ocean Without Us, Abitare Costa Paradiso, and Tunèa, which was exhibited at the Italian Pavilion TERRÆ AQUÆ at the 19th Venice Architecture Biennale. Author of scientific and divulgative publications, she is co-author of Abitare la Vacanza (Silvana Editoriale, 2023).
Ninety percent of Everything emerges from a decade-long experience with Zones Portuaires, a festival in Genoa that has become a platform for research, opening up the port infrastructure to the city as a collective heritage. The port is where the city recognizes its identity. Here, relationships and conflicts shape social, political, cultural, and ecological discourse.
The project explores the link between maritime logistics and the climate crisis, understood in its systemic dimension, the result of the interconnections between global consumption, ecological balances, economic interests, and social and geopolitical dynamics.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / CURATOR
Meet of curator of the project
→ Maria Pina Usai PhD, independent researcher and curator
✺ Attracted to the instability of sea-related landscapes, she explores the coast as a paradigm of contemporary transformations, with a situated approach that intersects art, science, and community engagement. She founded U-BOOT Lab and the MEDSEA Foundation, and she has worked with the Sardinian Coastal Conservation Agency. She is the artistic director of Zones Portuaires Genova and curator of The Ocean Without Us, Abitare Costa Paradiso, and Tunèa, which was exhibited at the Italian Pavilion TERRÆ AQUÆ at the 19th Venice Architecture Biennale. Author of scientific and divulgative publications, she is co-author of Abitare la Vacanza (Silvana Editoriale, 2023).
Ninety percent of Everything emerges from a decade-long experience with Zones Portuaires, a festival in Genoa that has become a platform for research, opening up the port infrastructure to the city as a collective heritage. The port is where the city recognizes its identity. Here, relationships and conflicts shape social, political, cultural, and ecological discourse.
The project explores the link between maritime logistics and the climate crisis, understood in its systemic dimension, the result of the interconnections between global consumption, ecological balances, economic interests, and social and geopolitical dynamics.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / PHOTOGRAPHIC RESEARCH
Meet the photographer of the project
→ Simone Lezzi Photographer / Director
✺ Simone Lezzi is an Italian photographer based in London whose work engages with portraiture, cultural
heritage, and site-specific image-making. His practice focuses on how controlled light and spatial structure
shape perception, identity, and material presence. He develops his practice from The Heath2 Studio and is the founder of ELPA — East London Platform for Arts
For Ninety Percent of Everything he will conduct a photographic research project on human presence within logistical infrastructures – between operational cargo ships and port areas. Not a reportage about the port, nor a documentation of maritime work. Rather, a slow observation of what happens to people inside a system designed for goods – made of routes, schedules, space and operational rules that organise continuos movement without requering visible human presence.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / PHOTOGRAPHIC RESEARCH
Meet the photographer of the project
→ Simone Lezzi Photographer / Director
✺ Simone Lezzi is an Italian photographer based in London whose work engages with portraiture, cultural
heritage, and site-specific image-making. His practice focuses on how controlled light and spatial structure
shape perception, identity, and material presence. He develops his practice from The Heath2 Studio and is the founder of ELPA — East London Platform for Arts
For Ninety Percent of Everything he will conduct a photographic research project on human presence within logistical infrastructures – between operational cargo ships and port areas. Not a reportage about the port, nor a documentation of maritime work. Rather, a slow observation of what happens to people inside a system designed for goods – made of routes, schedules, space and operational rules that organise continuos movement without requering visible human presence.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / PHOTOGRAPHIC RESEARCH
Meet the photographer of the project
→ Simone Lezzi Photographer / Director
✺ Simone Lezzi is an Italian photographer based in London whose work engages with portraiture, cultural
heritage, and site-specific image-making. His practice focuses on how controlled light and spatial structure
shape perception, identity, and material presence. He develops his practice from The Heath2 Studio and is the founder of ELPA — East London Platform for Arts
For Ninety Percent of Everything he will conduct a photographic research project on human presence within logistical infrastructures – between operational cargo ships and port areas. Not a reportage about the port, nor a documentation of maritime work. Rather, a slow observation of what happens to people inside a system designed for goods – made of routes, schedules, space and operational rules that organise continuos movement without requering visible human presence.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / PHOTOGRAPHIC RESEARCH
Meet the photographer of the project
→ Simone Lezzi Photographer / Director
✺ Simone Lezzi is an Italian photographer based in London whose work engages with portraiture, cultural
heritage, and site-specific image-making. His practice focuses on how controlled light and spatial structure
shape perception, identity, and material presence. He develops his practice from The Heath2 Studio and is the founder of ELPA — East London Platform for Arts
For Ninety Percent of Everything he will conduct a photographic research project on human presence within logistical infrastructures – between operational cargo ships and port areas. Not a reportage about the port, nor a documentation of maritime work. Rather, a slow observation of what happens to people inside a system designed for goods – made of routes, schedules, space and operational rules that organise continuos movement without requering visible human presence.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / PHOTOGRAPHIC RESEARCH
Meet the photographer of the project
→ Simone Lezzi Photographer / Director
✺ Simone Lezzi is an Italian photographer based in London whose work engages with portraiture, cultural
heritage, and site-specific image-making. His practice focuses on how controlled light and spatial structure
shape perception, identity, and material presence. He develops his practice from The Heath2 Studio and is the founder of ELPA — East London Platform for Arts
For Ninety Percent of Everything he will conduct a photographic research project on human presence within logistical infrastructures – between operational cargo ships and port areas. Not a reportage about the port, nor a documentation of maritime work. Rather, a slow observation of what happens to people inside a system designed for goods – made of routes, schedules, space and operational rules that organise continuos movement without requering visible human presence.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / PHOTOGRAPHIC RESEARCH
Meet the photographer of the project
→ Simone Lezzi Photographer / Director
✺ Simone Lezzi is an Italian photographer based in London whose work engages with portraiture, cultural
heritage, and site-specific image-making. His practice focuses on how controlled light and spatial structure
shape perception, identity, and material presence. He develops his practice from The Heath2 Studio and is the founder of ELPA — East London Platform for Arts
For Ninety Percent of Everything he will conduct a photographic research project on human presence within logistical infrastructures – between operational cargo ships and port areas. Not a reportage about the port, nor a documentation of maritime work. Rather, a slow observation of what happens to people inside a system designed for goods – made of routes, schedules, space and operational rules that organise continuos movement without requering visible human presence.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / PHOTOGRAPHIC RESEARCH
Meet the photographer of the project
→ Simone Lezzi Photographer / Director
✺ Simone Lezzi is an Italian photographer based in London whose work engages with portraiture, cultural
heritage, and site-specific image-making. His practice focuses on how controlled light and spatial structure
shape perception, identity, and material presence. He develops his practice from The Heath2 Studio and is the founder of ELPA — East London Platform for Arts
For Ninety Percent of Everything he will conduct a photographic research project on human presence within logistical infrastructures – between operational cargo ships and port areas. Not a reportage about the port, nor a documentation of maritime work. Rather, a slow observation of what happens to people inside a system designed for goods – made of routes, schedules, space and operational rules that organise continuos movement without requering visible human presence.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / NINETY PERCENT OF EVERYTHING - THE BOOK THAT INSPIRED THE PROJECT
✺ The title draws inspiration from the book with the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
A vast, largely hidden infrastructure that crosses oceans, connects continents and sustains global trade — yet remains almost entirely out of sight, and out of mind. We rarely stop to think about the distance our objects have travelled, the routes they have followed, and most of all the crews that make their arrival possible.
Ninety Percent of Everything takes this blind spot as its starting point: an invitation to look at what usually stays off frame, and to ask what our everyday consumption truly costs — ecologically, socially, geopolitically.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / NINETY PERCENT OF EVERYTHING - THE BOOK THAT INSPIRED THE PROJECT
✺ The title draws inspiration from the book with the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
A vast, largely hidden infrastructure that crosses oceans, connects continents and sustains global trade — yet remains almost entirely out of sight, and out of mind. We rarely stop to think about the distance our objects have travelled, the routes they have followed, and most of all the crews that make their arrival possible.
Ninety Percent of Everything takes this blind spot as its starting point: an invitation to look at what usually stays off frame, and to ask what our everyday consumption truly costs — ecologically, socially, geopolitically.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / NINETY PERCENT OF EVERYTHING - THE BOOK THAT INSPIRED THE PROJECT
✺ The title draws inspiration from the book with the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
A vast, largely hidden infrastructure that crosses oceans, connects continents and sustains global trade — yet remains almost entirely out of sight, and out of mind. We rarely stop to think about the distance our objects have travelled, the routes they have followed, and most of all the crews that make their arrival possible.
Ninety Percent of Everything takes this blind spot as its starting point: an invitation to look at what usually stays off frame, and to ask what our everyday consumption truly costs — ecologically, socially, geopolitically.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / NINETY PERCENT OF EVERYTHING - THE BOOK THAT INSPIRED THE PROJECT
✺ The title draws inspiration from the book with the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
A vast, largely hidden infrastructure that crosses oceans, connects continents and sustains global trade — yet remains almost entirely out of sight, and out of mind. We rarely stop to think about the distance our objects have travelled, the routes they have followed, and most of all the crews that make their arrival possible.
Ninety Percent of Everything takes this blind spot as its starting point: an invitation to look at what usually stays off frame, and to ask what our everyday consumption truly costs — ecologically, socially, geopolitically.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / NINETY PERCENT OF EVERYTHING - THE BOOK THAT INSPIRED THE PROJECT
✺ The title draws inspiration from the book with the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
A vast, largely hidden infrastructure that crosses oceans, connects continents and sustains global trade — yet remains almost entirely out of sight, and out of mind. We rarely stop to think about the distance our objects have travelled, the routes they have followed, and most of all the crews that make their arrival possible.
Ninety Percent of Everything takes this blind spot as its starting point: an invitation to look at what usually stays off frame, and to ask what our everyday consumption truly costs — ecologically, socially, geopolitically.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / NINETY PERCENT OF EVERYTHING - THE BOOK THAT INSPIRED THE PROJECT
✺ The title draws inspiration from the book with the same name by British journalist Rose George [ @rosegeorge3 ], which reveals how maritime transport — the invisible engine behind approximately 90% of everyday goods — profoundly shapes the production, distribution and consumption of commodities, thereby influencing our habits and our relationship with the planet.
A vast, largely hidden infrastructure that crosses oceans, connects continents and sustains global trade — yet remains almost entirely out of sight, and out of mind. We rarely stop to think about the distance our objects have travelled, the routes they have followed, and most of all the crews that make their arrival possible.
Ninety Percent of Everything takes this blind spot as its starting point: an invitation to look at what usually stays off frame, and to ask what our everyday consumption truly costs — ecologically, socially, geopolitically.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / SCIENTIFIC ADVISOR
Meet the the scientific advisor of the residency
→ Francesca Garaventa Marine Science PhD
✺ Francesca Garaventa is a marine biologist and Senior Researcher at CNR-IAS (Institute for the Study of Anthropogenic Impacts and Sustainability in the Marine Environment).
Her research focuses on the impact of maritime activities on marine ecosystems, with particular attention to emerging contaminants — including microplastics, pharmaceuticals, and related substances — and their effects on living organisms.
She is an expert member of the Italian delegation to the IMO Marine Environment Protection Committee (MEPC), and represents CNR within the European Marine Board Communication Panel. She coordinates national and international research projects and has authored numerous peer-reviewed scientific publications.
Within Ninety Percent of Everything, her scientific research enters into dialogue with artistic practice, bringing data, evidence, and a scientific perspective to a project that investigates the sea as a political, ecological, and cultural space.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / SCIENTIFIC ADVISOR
Meet the the scientific advisor of the residency
→ Francesca Garaventa Marine Science PhD
✺ Francesca Garaventa is a marine biologist and Senior Researcher at CNR-IAS (Institute for the Study of Anthropogenic Impacts and Sustainability in the Marine Environment).
Her research focuses on the impact of maritime activities on marine ecosystems, with particular attention to emerging contaminants — including microplastics, pharmaceuticals, and related substances — and their effects on living organisms.
She is an expert member of the Italian delegation to the IMO Marine Environment Protection Committee (MEPC), and represents CNR within the European Marine Board Communication Panel. She coordinates national and international research projects and has authored numerous peer-reviewed scientific publications.
Within Ninety Percent of Everything, her scientific research enters into dialogue with artistic practice, bringing data, evidence, and a scientific perspective to a project that investigates the sea as a political, ecological, and cultural space.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / SCIENTIFIC ADVISOR
Meet the the scientific advisor of the residency
→ Francesca Garaventa Marine Science PhD
✺ Francesca Garaventa is a marine biologist and Senior Researcher at CNR-IAS (Institute for the Study of Anthropogenic Impacts and Sustainability in the Marine Environment).
Her research focuses on the impact of maritime activities on marine ecosystems, with particular attention to emerging contaminants — including microplastics, pharmaceuticals, and related substances — and their effects on living organisms.
She is an expert member of the Italian delegation to the IMO Marine Environment Protection Committee (MEPC), and represents CNR within the European Marine Board Communication Panel. She coordinates national and international research projects and has authored numerous peer-reviewed scientific publications.
Within Ninety Percent of Everything, her scientific research enters into dialogue with artistic practice, bringing data, evidence, and a scientific perspective to a project that investigates the sea as a political, ecological, and cultural space.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / SCIENTIFIC ADVISOR
Meet the the scientific advisor of the residency
→ Francesca Garaventa Marine Science PhD
✺ Francesca Garaventa is a marine biologist and Senior Researcher at CNR-IAS (Institute for the Study of Anthropogenic Impacts and Sustainability in the Marine Environment).
Her research focuses on the impact of maritime activities on marine ecosystems, with particular attention to emerging contaminants — including microplastics, pharmaceuticals, and related substances — and their effects on living organisms.
She is an expert member of the Italian delegation to the IMO Marine Environment Protection Committee (MEPC), and represents CNR within the European Marine Board Communication Panel. She coordinates national and international research projects and has authored numerous peer-reviewed scientific publications.
Within Ninety Percent of Everything, her scientific research enters into dialogue with artistic practice, bringing data, evidence, and a scientific perspective to a project that investigates the sea as a political, ecological, and cultural space.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / SCIENTIFIC ADVISOR
Meet the the scientific advisor of the residency
→ Francesca Garaventa Marine Science PhD
✺ Francesca Garaventa is a marine biologist and Senior Researcher at CNR-IAS (Institute for the Study of Anthropogenic Impacts and Sustainability in the Marine Environment).
Her research focuses on the impact of maritime activities on marine ecosystems, with particular attention to emerging contaminants — including microplastics, pharmaceuticals, and related substances — and their effects on living organisms.
She is an expert member of the Italian delegation to the IMO Marine Environment Protection Committee (MEPC), and represents CNR within the European Marine Board Communication Panel. She coordinates national and international research projects and has authored numerous peer-reviewed scientific publications.
Within Ninety Percent of Everything, her scientific research enters into dialogue with artistic practice, bringing data, evidence, and a scientific perspective to a project that investigates the sea as a political, ecological, and cultural space.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / SCIENTIFIC ADVISOR
Meet the the scientific advisor of the residency
→ Francesca Garaventa Marine Science PhD
✺ Francesca Garaventa is a marine biologist and Senior Researcher at CNR-IAS (Institute for the Study of Anthropogenic Impacts and Sustainability in the Marine Environment).
Her research focuses on the impact of maritime activities on marine ecosystems, with particular attention to emerging contaminants — including microplastics, pharmaceuticals, and related substances — and their effects on living organisms.
She is an expert member of the Italian delegation to the IMO Marine Environment Protection Committee (MEPC), and represents CNR within the European Marine Board Communication Panel. She coordinates national and international research projects and has authored numerous peer-reviewed scientific publications.
Within Ninety Percent of Everything, her scientific research enters into dialogue with artistic practice, bringing data, evidence, and a scientific perspective to a project that investigates the sea as a political, ecological, and cultural space.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
→ NPoE / SCIENTIFIC ADVISOR
Meet the the scientific advisor of the residency
→ Francesca Garaventa Marine Science PhD
✺ Francesca Garaventa is a marine biologist and Senior Researcher at CNR-IAS (Institute for the Study of Anthropogenic Impacts and Sustainability in the Marine Environment).
Her research focuses on the impact of maritime activities on marine ecosystems, with particular attention to emerging contaminants — including microplastics, pharmaceuticals, and related substances — and their effects on living organisms.
She is an expert member of the Italian delegation to the IMO Marine Environment Protection Committee (MEPC), and represents CNR within the European Marine Board Communication Panel. She coordinates national and international research projects and has authored numerous peer-reviewed scientific publications.
Within Ninety Percent of Everything, her scientific research enters into dialogue with artistic practice, bringing data, evidence, and a scientific perspective to a project that investigates the sea as a political, ecological, and cultural space.
—
a project by @uboot.lab
in collaboration with @palazzoducalegenova
with the contribution of @stellareprod , @itinerariparalleli , @necessity.ink, @theheathstudio
under the patronage of Observatoire des publics et des pratiques de la culture – MESRI/AMU
supported by @portsofgenoa_official @gruppogrendi1828
with the support of @fondazionecompagniadisanpaolo - bando “Starter – Cultura e creatività per la sfida ambientale”
curated by @_mpu
scientific supervision @francesca.garaventa
mentor artists @stellare [@filoq @alebavo @raffaele_rebaudengo] @tiz.alocci
systemic design @itinerariparalleli
photographic research @simonelezzi
visual identity & graphics @nomdeplume_studio
organisational coordination @marinafiii
press office @ucstudio.it
social media @kiaracaredda
Story Save - Najlepsze darmowe narzędzie do zapisywania historii, rolek, zdjęć, wideo, wyróżnionych, IGTV na telefonie.
Story-save.com to intuicyjne narzędzie online, które umożliwia pobieranie i zapisywanie różnych treści, w tym historii, zdjęć, wideo i materiałów IGTV bezpośrednio z Instagrama. Dzięki Story-Save możesz łatwo pobierać różnorodne treści z Instagrama, a także oglądać je w dogodnym czasie, nawet bez dostępu do internetu. To narzędzie jest idealne na chwile, kiedy znajdziesz coś interesującego na Instagramie i chcesz zapisać to na później. Użyj Story-Save, aby nie przegapić okazji, aby zabrać ulubione momenty z Instagrama ze sobą!
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Zakończ z kiepską jakością treści, zachowuj tylko wysokiej rozdzielczości historie.
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- 1. Przejdź do narzędzia do pobierania historii z Instagrama.
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