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Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

So far we have worked with
@accesslifeindia
@alserkalavenue
@almostgods
@berlinartweek
@bodements_
@chutnifyberlin
@heyyditty
@fableandmane
@frostbite.lab
@futurepeopleco
@thegatheringindia
@radiospaceandance
@hiroshop.in
@indewild
@jennysongschmidt
@lovebirds.studio
@producto.site
@rootedcreative
@sshomme
@savvycontemporary
@sepia.brln
@sohohouse
@urbandarzi
@zalando
++

Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

So far we have worked with
@accesslifeindia
@alserkalavenue
@almostgods
@berlinartweek
@bodements_
@chutnifyberlin
@heyyditty
@fableandmane
@frostbite.lab
@futurepeopleco
@thegatheringindia
@radiospaceandance
@hiroshop.in
@indewild
@jennysongschmidt
@lovebirds.studio
@producto.site
@rootedcreative
@sshomme
@savvycontemporary
@sepia.brln
@sohohouse
@urbandarzi
@zalando
++

The underlying theme of all our work is to advocate for positive change and purpose.

Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

Documenting the creative now, Two Odd is a creative studio and an online magazine based in Berlin and India.

The underlying theme of all our work is to advocate for positive change and purpose.

Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

Documenting the creative now, Two Odd is a creative studio and an online magazine based in Berlin and India.

The underlying theme of all our work is to advocate for positive change and purpose.

Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

Documenting the creative now, Two Odd is a creative studio and an online magazine based in Berlin and India.

The underlying theme of all our work is to advocate for positive change and purpose.

Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

Documenting the creative now, Two Odd is a creative studio and an online magazine based in Berlin and India.

The underlying theme of all our work is to advocate for positive change and purpose.

Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

Documenting the creative now, Two Odd is a creative studio and an online magazine based in Berlin and India.

The underlying theme of all our work is to advocate for positive change and purpose.

Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

Documenting the creative now, Two Odd is a creative studio and an online magazine based in Berlin and India.

The underlying theme of all our work is to advocate for positive change and purpose.

Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

Documenting the creative now, Two Odd is a creative studio and an online magazine based in Berlin and India.

The underlying theme of all our work is to advocate for positive change and purpose.

Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

Documenting the creative now, Two Odd is a creative studio and an online magazine based in Berlin and India.

Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

An assemblage of curiosity, Two Odd undresses the normal to embrace the odd.

Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

An assemblage of curiosity, Two Odd undresses the normal to embrace the odd.

Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

An assemblage of curiosity, Two Odd undresses the normal to embrace the odd.

Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

An assemblage of curiosity, Two Odd undresses the normal to embrace the odd.

Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

An assemblage of curiosity, Two Odd undresses the normal to embrace the odd.

Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

An assemblage of curiosity, Two Odd undresses the normal to embrace the odd.

Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

An assemblage of curiosity, Two Odd undresses the normal to embrace the odd.

Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

An assemblage of curiosity, Two Odd undresses the normal to embrace the odd.

Documenting the creative now, Two Odd is a creative studio and an online magazine. Based in Berlin and India, the underlying theme of all our work is to advocate for positive change and purpose. Through our work, we narrate stories and initiative conversations about otherwise hushed topics, challenging rigid and unfair societal norms.

An assemblage of curiosity, Two Odd undresses the normal to embrace the odd.

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase, launching soon.

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio @akshitagarud
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa harsh.panditrao @namanprat_

On the 10th of May, we transformed a heritage bungalow into an immersive landscape to celebrate the collaboration between Notice and Two Odd. The evening centered on the debut of the Bangle Vase, a piece that explores the South Asian bangle as a symbol of cultural versatility. By reimagining this ubiquitous accessory in industrial stainless steel, the design intentionally reclaims a material innate to our heritage that is often overlooked.

Within this space and through our Bangle Vase, the theme taps into Modern Nostalgia. A South Asian renaissance came to life through a multi-sensory circuit of art installations, live musical performances, and a sculptural tablescape. The environment played on a paradox where two contrasts meet, much like the product itself: delicate, feminine bangles set against an exposed, brutalist structure that holds them together.

Guests were invited to move through a living dialogue of food, design, and art, where the materials of our past are reshaped for a contemporary conversation.

The Bangle Vase launches soon!!

Concept, ideation and Execution : @two_odd_ @weare.notice @an_odd_experience @akshitagarud @manali_gavankar @aksliciouss
Food and hospitality : @annhospitality @aryanchoubey_06 @chef_rasdeep_singh
Djs : @jaypunjabi_ @devraiyanii
Music performance : @hashbass
Content : @takes_studio
Location : @elitaavilla
Supported by : @inyourdistrict.mumbai @districtupdates
Pouring partners : @strangerandsons
Team Notice: @ayush_1419 @ojasvichauhan @_vaibhavbhatt_ @not_veetrag @lakshit_dahiyaa @harsh.panditrao @namanprat_

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look begins with a simple but uncomfortable question: who decides what is worthy of aesthetic attention, and what remains in the background of everyday life?

Through objects, gestures and materials often overlooked unless reframed through distance or aspiration, @two_odd_ and The Manjapai Collective @manjapaicollective ask us to reconsider what we instinctively dismiss before truly looking at it

𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘓𝘰𝘰𝘬 𝘣𝘺 𝘛𝘸𝘰 𝘖𝘥𝘥 𝘢𝘯𝘥 𝘛𝘩𝘦 𝘔𝘢𝘯𝘫𝘢𝘱𝘢𝘪 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘪𝘴 𝘯𝘰𝘸 𝘰𝘯 𝘷𝘪𝘦𝘸 𝘢𝘵 𝘕𝘪𝘭𝘢𝘺𝘢 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘶𝘯𝘵𝘪𝘭 17𝘵𝘩 𝘔𝘢𝘺.

Another Look is a collection of images by Two Odd @two_odd_ and The Manjapai Collective @manjapaicollective that return to the familiar, without bearing the burden of judgment that has accumulated around them over time.

𝘖𝘱𝘦𝘯 𝘦𝘷𝘦𝘳𝘺𝘥𝘢𝘺 𝘧𝘳𝘰𝘮 11:00𝘢𝘮 𝘵𝘰 7:00𝘱𝘮.

Another Look is a collection of images by Two Odd @two_odd_ and The Manjapai Collective @manjapaicollective that return to the familiar, without bearing the burden of judgment that has accumulated around them over time.

𝘖𝘱𝘦𝘯 𝘦𝘷𝘦𝘳𝘺𝘥𝘢𝘺 𝘧𝘳𝘰𝘮 11:00𝘢𝘮 𝘵𝘰 7:00𝘱𝘮.

Another Look is a collection of images by Two Odd @two_odd_ and The Manjapai Collective @manjapaicollective that return to the familiar, without bearing the burden of judgment that has accumulated around them over time.

𝘖𝘱𝘦𝘯 𝘦𝘷𝘦𝘳𝘺𝘥𝘢𝘺 𝘧𝘳𝘰𝘮 11:00𝘢𝘮 𝘵𝘰 7:00𝘱𝘮.

Another Look is a collection of images by Two Odd @two_odd_ and The Manjapai Collective @manjapaicollective that return to the familiar, without bearing the burden of judgment that has accumulated around them over time.

𝘖𝘱𝘦𝘯 𝘦𝘷𝘦𝘳𝘺𝘥𝘢𝘺 𝘧𝘳𝘰𝘮 11:00𝘢𝘮 𝘵𝘰 7:00𝘱𝘮.

Another Look is a collection of images by Two Odd @two_odd_ and The Manjapai Collective @manjapaicollective that return to the familiar, without bearing the burden of judgment that has accumulated around them over time.

𝘖𝘱𝘦𝘯 𝘦𝘷𝘦𝘳𝘺𝘥𝘢𝘺 𝘧𝘳𝘰𝘮 11:00𝘢𝘮 𝘵𝘰 7:00𝘱𝘮.

What do we learn to stop seeing over time?

Two Odd @two_odd_ and The Manjapai Collective @manjapaicollective return to the familiar with Another Look.

Nilaya Anthology’s newest exhibit is open to all from 10th May onwards.

𝘖𝘱𝘦𝘯 𝘦𝘷𝘦𝘳𝘺𝘥𝘢𝘺 𝘧𝘳𝘰𝘮 11:00𝘢𝘮 𝘵𝘰 7:00𝘱𝘮.

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

For the @lovebirds.studio Resort 26–27 show at Lunuganga, we leaned into tropical modernism, styling the food experience for both days. Our idea was to use elements of Sri Lanka through the lens of Lovebirds, using bananas and banana leaves, jackfruit, king coconuts, and narang accessorized with stainless steel vessels.

We explored shapes innate to the flora of Sri Lanka, like stacked coconuts and the natural lines of banana flower stems. Nothing felt too deliberate; instead, we stayed authentic while incorporating our main motif: the circle. The mirror-clad table reflected the garden, serving as a subtle nod to Geoffrey Bawa’s inside-outside philosophy.

Ideation and execution by @two_odd_ @an_odd_experience @akshitagarud
Assisted by @tejaswinisinha @luderleben

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud

3/3

Two Odd’s ‘Monthly Oddities’ is our photo series curation dedicated to the genuinely natural, instinctive, and in-the-moment shots hidden in your camera roll.

Each month, we’ll challenge you with a single theme. This month’s theme is Micromoments.

These are the tiny, instinctive, often overlooked slices of daily life that hold emotional weight. They are the in-between seconds. In an age of overstimulation where attention spans shrink, intimacy is found in small details.

Thank you to all the contributors.
Curated by @akshitagarud