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@sarahshermansamuel marked a major career milestone this week, unveiling her first monograph, The “Intersection of Art and Design” alongside a stunning new exhibition, Weight & Wonder, at @colonydesign.

@wallpapermag has named it one of the absolute top exhibitions of New York Design Week.

TY @adrian_madlener
Photography by @amycarrollphotography
@nycxdesign

@sarahshermansamuel marked a major career milestone this week, unveiling her first monograph, The “Intersection of Art and Design” alongside a stunning new exhibition, Weight & Wonder, at @colonydesign.

@wallpapermag has named it one of the absolute top exhibitions of New York Design Week.

TY @adrian_madlener
Photography by @amycarrollphotography
@nycxdesign

For NY Design Week, @alliedmaker unveils PALMA at their Tribeca showroom.

PALMA is a handblown glass pendant with a stacked, undulating form that conceals its light source entirely within the brass fitting.

The glass itself becomes the jewel on display with its rhythmic ridges animating and distributing light across the surface, glowing from within, sculpturally.

On view May 15th - 20th

81 Franklin Street
New York, NY
10013

For NY Design Week, @alliedmaker unveils PALMA at their Tribeca showroom.

PALMA is a handblown glass pendant with a stacked, undulating form that conceals its light source entirely within the brass fitting.

The glass itself becomes the jewel on display with its rhythmic ridges animating and distributing light across the surface, glowing from within, sculpturally.

On view May 15th - 20th

81 Franklin Street
New York, NY
10013

For NY Design Week, @alliedmaker unveils PALMA at their Tribeca showroom.

PALMA is a handblown glass pendant with a stacked, undulating form that conceals its light source entirely within the brass fitting.

The glass itself becomes the jewel on display with its rhythmic ridges animating and distributing light across the surface, glowing from within, sculpturally.

On view May 15th - 20th

81 Franklin Street
New York, NY
10013

For NY Design Week, Brooklyn-based Marx Et Al debuts their very first lighting and furniture collection at @wanteddesign.

The studio is led by three partners. Aaron Marx who oversees design, Christopher Howard, and Leah Smit.

Drawing on historical motifs such as drapery, lotuses, and Art Deco geometry, the collection translates familiar forms into a precise, contemporary material language. Each piece is named for artists from Anthony Powell’s A Dance to the Music of Time. The shorthand for Marx Et Al’s aesthetic is “stripped-down romance.”

Aaron is deeply interested in the historicizing designers of the early twentieth century: Ruhlmann, Rateau, Dunand, Cheuret, Wilhelm Kåge, Edgar Brandt, and their peers. They all made work that was new and exciting but peppered with familiar and evocative motifs. Aaron’s goal is similar: to recall history without drifting into pastiche, and to make pieces that stir a faint connection to the past while feeling decisively modern.

May 17-19
WANTED at ICFF
Javits Center
Booth #W647

For NY Design Week, Brooklyn-based Marx Et Al debuts their very first lighting and furniture collection at @wanteddesign.

The studio is led by three partners. Aaron Marx who oversees design, Christopher Howard, and Leah Smit.

Drawing on historical motifs such as drapery, lotuses, and Art Deco geometry, the collection translates familiar forms into a precise, contemporary material language. Each piece is named for artists from Anthony Powell’s A Dance to the Music of Time. The shorthand for Marx Et Al’s aesthetic is “stripped-down romance.”

Aaron is deeply interested in the historicizing designers of the early twentieth century: Ruhlmann, Rateau, Dunand, Cheuret, Wilhelm Kåge, Edgar Brandt, and their peers. They all made work that was new and exciting but peppered with familiar and evocative motifs. Aaron’s goal is similar: to recall history without drifting into pastiche, and to make pieces that stir a faint connection to the past while feeling decisively modern.

May 17-19
WANTED at ICFF
Javits Center
Booth #W647

For NY Design Week, Brooklyn-based Marx Et Al debuts their very first lighting and furniture collection at @wanteddesign.

The studio is led by three partners. Aaron Marx who oversees design, Christopher Howard, and Leah Smit.

Drawing on historical motifs such as drapery, lotuses, and Art Deco geometry, the collection translates familiar forms into a precise, contemporary material language. Each piece is named for artists from Anthony Powell’s A Dance to the Music of Time. The shorthand for Marx Et Al’s aesthetic is “stripped-down romance.”

Aaron is deeply interested in the historicizing designers of the early twentieth century: Ruhlmann, Rateau, Dunand, Cheuret, Wilhelm Kåge, Edgar Brandt, and their peers. They all made work that was new and exciting but peppered with familiar and evocative motifs. Aaron’s goal is similar: to recall history without drifting into pastiche, and to make pieces that stir a faint connection to the past while feeling decisively modern.

May 17-19
WANTED at ICFF
Javits Center
Booth #W647

@elledecor names @cuff_studio’s 𝑷𝒆𝒕𝒂𝒍 𝑷𝒓𝒐𝒎𝒆𝒏𝒂𝒅𝒆 one of the buzziest design launches shaping this season. After winning the ICFF Editors Award for Best Furniture last year, you’ll want to see the new work this year at @wanteddesign.

𝑷𝒆𝒕𝒂𝒍 𝑷𝒓𝒐𝒎𝒆𝒏𝒂𝒅𝒆 also is also listed on @archdigest’s essential guide to @nycxdesign.

May 17–19, 2026
ICFF at Javits Center
Booth #W1048

The full slate. @nycxdesign

The full slate. @nycxdesign

The full slate. @nycxdesign

The full slate. @nycxdesign

The full slate. @nycxdesign

The full slate. @nycxdesign

The full slate. @nycxdesign

The full slate. @nycxdesign

TY @wallpapermag and @titledasfound for taking the exclusive deep dive into two of the five listening rooms inside @Stylusnyc, the upcoming private membership club on the Lower East Side designed by @oneill_rose_architects. In this story, Devin O’Neill gets personal and technical with Jonathan Bell.

In O’Neill’s words, “The project is about ‘exploring listening as a spectrum of experience. [I was interested in] how architecture can shape not just sound, but the way we physically and psychologically receive it.’ [Subliminal and Suite 48] have very different characters, ‘one deeply insular, the other open and connected.”

Full story now online 🔗 on our profile.

TY @wallpapermag and @titledasfound for taking the exclusive deep dive into two of the five listening rooms inside @Stylusnyc, the upcoming private membership club on the Lower East Side designed by @oneill_rose_architects. In this story, Devin O’Neill gets personal and technical with Jonathan Bell.

In O’Neill’s words, “The project is about ‘exploring listening as a spectrum of experience. [I was interested in] how architecture can shape not just sound, but the way we physically and psychologically receive it.’ [Subliminal and Suite 48] have very different characters, ‘one deeply insular, the other open and connected.”

Full story now online 🔗 on our profile.

TY @wallpapermag and @titledasfound for taking the exclusive deep dive into two of the five listening rooms inside @Stylusnyc, the upcoming private membership club on the Lower East Side designed by @oneill_rose_architects. In this story, Devin O’Neill gets personal and technical with Jonathan Bell.

In O’Neill’s words, “The project is about ‘exploring listening as a spectrum of experience. [I was interested in] how architecture can shape not just sound, but the way we physically and psychologically receive it.’ [Subliminal and Suite 48] have very different characters, ‘one deeply insular, the other open and connected.”

Full story now online 🔗 on our profile.

TY @wallpapermag and @titledasfound for taking the exclusive deep dive into two of the five listening rooms inside @Stylusnyc, the upcoming private membership club on the Lower East Side designed by @oneill_rose_architects. In this story, Devin O’Neill gets personal and technical with Jonathan Bell.

In O’Neill’s words, “The project is about ‘exploring listening as a spectrum of experience. [I was interested in] how architecture can shape not just sound, but the way we physically and psychologically receive it.’ [Subliminal and Suite 48] have very different characters, ‘one deeply insular, the other open and connected.”

Full story now online 🔗 on our profile.

Architectural Digest features the Hudson Valley home of designer Matthew Fisher and his husband Casey in the online exclusive.

“Objects are imbued with meaning—the places where we saw them originally or the period of life they went through with us. The things we have in this house don’t necessarily make sense together, because they’re memories of us.” - @mfisher_nyc

Photography by @stephenkentjohnson
Written by David Sokol
Styling by @michaelreynoldsnyc
Thank you to the @archdigest team @_h_mart_ @samuelcochran @mayer.rus @alisonlevasseur @kristenflanagan

Full story 🔗 on our profile.

Architectural Digest features the Hudson Valley home of designer Matthew Fisher and his husband Casey in the online exclusive.

“Objects are imbued with meaning—the places where we saw them originally or the period of life they went through with us. The things we have in this house don’t necessarily make sense together, because they’re memories of us.” - @mfisher_nyc

Photography by @stephenkentjohnson
Written by David Sokol
Styling by @michaelreynoldsnyc
Thank you to the @archdigest team @_h_mart_ @samuelcochran @mayer.rus @alisonlevasseur @kristenflanagan

Full story 🔗 on our profile.

Architectural Digest features the Hudson Valley home of designer Matthew Fisher and his husband Casey in the online exclusive.

“Objects are imbued with meaning—the places where we saw them originally or the period of life they went through with us. The things we have in this house don’t necessarily make sense together, because they’re memories of us.” - @mfisher_nyc

Photography by @stephenkentjohnson
Written by David Sokol
Styling by @michaelreynoldsnyc
Thank you to the @archdigest team @_h_mart_ @samuelcochran @mayer.rus @alisonlevasseur @kristenflanagan

Full story 🔗 on our profile.

Architectural Digest features the Hudson Valley home of designer Matthew Fisher and his husband Casey in the online exclusive.

“Objects are imbued with meaning—the places where we saw them originally or the period of life they went through with us. The things we have in this house don’t necessarily make sense together, because they’re memories of us.” - @mfisher_nyc

Photography by @stephenkentjohnson
Written by David Sokol
Styling by @michaelreynoldsnyc
Thank you to the @archdigest team @_h_mart_ @samuelcochran @mayer.rus @alisonlevasseur @kristenflanagan

Full story 🔗 on our profile.

Architectural Digest features the Hudson Valley home of designer Matthew Fisher and his husband Casey in the online exclusive.

“Objects are imbued with meaning—the places where we saw them originally or the period of life they went through with us. The things we have in this house don’t necessarily make sense together, because they’re memories of us.” - @mfisher_nyc

Photography by @stephenkentjohnson
Written by David Sokol
Styling by @michaelreynoldsnyc
Thank you to the @archdigest team @_h_mart_ @samuelcochran @mayer.rus @alisonlevasseur @kristenflanagan

Full story 🔗 on our profile.

Architectural Digest features the Hudson Valley home of designer Matthew Fisher and his husband Casey in the online exclusive.

“Objects are imbued with meaning—the places where we saw them originally or the period of life they went through with us. The things we have in this house don’t necessarily make sense together, because they’re memories of us.” - @mfisher_nyc

Photography by @stephenkentjohnson
Written by David Sokol
Styling by @michaelreynoldsnyc
Thank you to the @archdigest team @_h_mart_ @samuelcochran @mayer.rus @alisonlevasseur @kristenflanagan

Full story 🔗 on our profile.

Architectural Digest features the Hudson Valley home of designer Matthew Fisher and his husband Casey in the online exclusive.

“Objects are imbued with meaning—the places where we saw them originally or the period of life they went through with us. The things we have in this house don’t necessarily make sense together, because they’re memories of us.” - @mfisher_nyc

Photography by @stephenkentjohnson
Written by David Sokol
Styling by @michaelreynoldsnyc
Thank you to the @archdigest team @_h_mart_ @samuelcochran @mayer.rus @alisonlevasseur @kristenflanagan

Full story 🔗 on our profile.

Sarah Sherman Samuel pens a timely personal essay “I Live and Work in Furniture City. Here’s Why That Matters” for @archdigestpro.

“My work is shaped as much on a workshop floor as it is at a desk. When I’m not in my studio, I often find myself in a fabricator’s workshop working hand-in-hand with artisans and makers. We might be refining a solid wood joinery detail, testing finishes in person, or adjusting proportions as something is being built. The best part is that I’m doing it all in the community I call home, in West Michigan.” - @sarahshermansamuel

Thank you @catherinehong100 for creating space for long journalism and personal narratives. Read Sarah’s piece online now.

Sarah Sherman Samuel pens a timely personal essay “I Live and Work in Furniture City. Here’s Why That Matters” for @archdigestpro.

“My work is shaped as much on a workshop floor as it is at a desk. When I’m not in my studio, I often find myself in a fabricator’s workshop working hand-in-hand with artisans and makers. We might be refining a solid wood joinery detail, testing finishes in person, or adjusting proportions as something is being built. The best part is that I’m doing it all in the community I call home, in West Michigan.” - @sarahshermansamuel

Thank you @catherinehong100 for creating space for long journalism and personal narratives. Read Sarah’s piece online now.

Sarah Sherman Samuel pens a timely personal essay “I Live and Work in Furniture City. Here’s Why That Matters” for @archdigestpro.

“My work is shaped as much on a workshop floor as it is at a desk. When I’m not in my studio, I often find myself in a fabricator’s workshop working hand-in-hand with artisans and makers. We might be refining a solid wood joinery detail, testing finishes in person, or adjusting proportions as something is being built. The best part is that I’m doing it all in the community I call home, in West Michigan.” - @sarahshermansamuel

Thank you @catherinehong100 for creating space for long journalism and personal narratives. Read Sarah’s piece online now.

Sarah Sherman Samuel pens a timely personal essay “I Live and Work in Furniture City. Here’s Why That Matters” for @archdigestpro.

“My work is shaped as much on a workshop floor as it is at a desk. When I’m not in my studio, I often find myself in a fabricator’s workshop working hand-in-hand with artisans and makers. We might be refining a solid wood joinery detail, testing finishes in person, or adjusting proportions as something is being built. The best part is that I’m doing it all in the community I call home, in West Michigan.” - @sarahshermansamuel

Thank you @catherinehong100 for creating space for long journalism and personal narratives. Read Sarah’s piece online now.

In the May 2026 issue of @archdigest, Kate Driver (@westhaddonhall) brings new life to the 1966 Ray Kappe home of Alexandra Kerry and Julien Dobbs-Higginson.

“Kappe’s work is a reason to believe in modern architecture. You walk into this house, your blood pressure drops, and you exhale. I wanted to err on the side of not intervening too much. I would never paint over the work of an Old Master.”

Full story in print and online now 🔗 on our profile.

Thank you to @mayer.rus @amyastley @alevasseur1
Words by Mayer Rus
Photography by @chrismottalini
Styled by @amykchin

In the May 2026 issue of @archdigest, Kate Driver (@westhaddonhall) brings new life to the 1966 Ray Kappe home of Alexandra Kerry and Julien Dobbs-Higginson.

“Kappe’s work is a reason to believe in modern architecture. You walk into this house, your blood pressure drops, and you exhale. I wanted to err on the side of not intervening too much. I would never paint over the work of an Old Master.”

Full story in print and online now 🔗 on our profile.

Thank you to @mayer.rus @amyastley @alevasseur1
Words by Mayer Rus
Photography by @chrismottalini
Styled by @amykchin

In the May 2026 issue of @archdigest, Kate Driver (@westhaddonhall) brings new life to the 1966 Ray Kappe home of Alexandra Kerry and Julien Dobbs-Higginson.

“Kappe’s work is a reason to believe in modern architecture. You walk into this house, your blood pressure drops, and you exhale. I wanted to err on the side of not intervening too much. I would never paint over the work of an Old Master.”

Full story in print and online now 🔗 on our profile.

Thank you to @mayer.rus @amyastley @alevasseur1
Words by Mayer Rus
Photography by @chrismottalini
Styled by @amykchin

In the May 2026 issue of @archdigest, Kate Driver (@westhaddonhall) brings new life to the 1966 Ray Kappe home of Alexandra Kerry and Julien Dobbs-Higginson.

“Kappe’s work is a reason to believe in modern architecture. You walk into this house, your blood pressure drops, and you exhale. I wanted to err on the side of not intervening too much. I would never paint over the work of an Old Master.”

Full story in print and online now 🔗 on our profile.

Thank you to @mayer.rus @amyastley @alevasseur1
Words by Mayer Rus
Photography by @chrismottalini
Styled by @amykchin

In the May 2026 issue of @archdigest, Kate Driver (@westhaddonhall) brings new life to the 1966 Ray Kappe home of Alexandra Kerry and Julien Dobbs-Higginson.

“Kappe’s work is a reason to believe in modern architecture. You walk into this house, your blood pressure drops, and you exhale. I wanted to err on the side of not intervening too much. I would never paint over the work of an Old Master.”

Full story in print and online now 🔗 on our profile.

Thank you to @mayer.rus @amyastley @alevasseur1
Words by Mayer Rus
Photography by @chrismottalini
Styled by @amykchin

Nick Poe’s “Houseplant Hot Spot” Lower East Side loft exclusively in the latest issue of @nymag.

“@nicktpoe, the son of the filmmaker Amos Poe and the photographer Sarah Charlesworth, has spent most of his life downtown, where he co-founded @timeagainbar on Canal Street and the private dining room @leesoncanal, both designed by his firm @31arch.

He grew up in the hayloft of a circa-1900 horse stable on Great Jones Street that the sculptor Bryan Hunt renovated and his parents took over in 1983. "I'm such a city kid," he says. "Loft living is in my DNA."

Photography by @petersherno
Written by Wendy Goodman
Thank you @dhwendygoodman @erikmaza

Full story in print and 🔗 on our profile.

Nick Poe’s “Houseplant Hot Spot” Lower East Side loft exclusively in the latest issue of @nymag.

“@nicktpoe, the son of the filmmaker Amos Poe and the photographer Sarah Charlesworth, has spent most of his life downtown, where he co-founded @timeagainbar on Canal Street and the private dining room @leesoncanal, both designed by his firm @31arch.

He grew up in the hayloft of a circa-1900 horse stable on Great Jones Street that the sculptor Bryan Hunt renovated and his parents took over in 1983. "I'm such a city kid," he says. "Loft living is in my DNA."

Photography by @petersherno
Written by Wendy Goodman
Thank you @dhwendygoodman @erikmaza

Full story in print and 🔗 on our profile.

Nick Poe’s “Houseplant Hot Spot” Lower East Side loft exclusively in the latest issue of @nymag.

“@nicktpoe, the son of the filmmaker Amos Poe and the photographer Sarah Charlesworth, has spent most of his life downtown, where he co-founded @timeagainbar on Canal Street and the private dining room @leesoncanal, both designed by his firm @31arch.

He grew up in the hayloft of a circa-1900 horse stable on Great Jones Street that the sculptor Bryan Hunt renovated and his parents took over in 1983. "I'm such a city kid," he says. "Loft living is in my DNA."

Photography by @petersherno
Written by Wendy Goodman
Thank you @dhwendygoodman @erikmaza

Full story in print and 🔗 on our profile.

Nick Poe’s “Houseplant Hot Spot” Lower East Side loft exclusively in the latest issue of @nymag.

“@nicktpoe, the son of the filmmaker Amos Poe and the photographer Sarah Charlesworth, has spent most of his life downtown, where he co-founded @timeagainbar on Canal Street and the private dining room @leesoncanal, both designed by his firm @31arch.

He grew up in the hayloft of a circa-1900 horse stable on Great Jones Street that the sculptor Bryan Hunt renovated and his parents took over in 1983. "I'm such a city kid," he says. "Loft living is in my DNA."

Photography by @petersherno
Written by Wendy Goodman
Thank you @dhwendygoodman @erikmaza

Full story in print and 🔗 on our profile.

Nick Poe’s “Houseplant Hot Spot” Lower East Side loft exclusively in the latest issue of @nymag.

“@nicktpoe, the son of the filmmaker Amos Poe and the photographer Sarah Charlesworth, has spent most of his life downtown, where he co-founded @timeagainbar on Canal Street and the private dining room @leesoncanal, both designed by his firm @31arch.

He grew up in the hayloft of a circa-1900 horse stable on Great Jones Street that the sculptor Bryan Hunt renovated and his parents took over in 1983. "I'm such a city kid," he says. "Loft living is in my DNA."

Photography by @petersherno
Written by Wendy Goodman
Thank you @dhwendygoodman @erikmaza

Full story in print and 🔗 on our profile.

The Oyster House, home of @la.lland featured exclusively in @archdigest.

Photography by @laurejoliet
Written by @jessnritz
TY @zoesessums

New @elizabeth_roberts_architects project now live exclusively on @dezeen.

Photographed by @chrismottalini
Written by @dahowarth
Thanks to @ben_dreith

New @elizabeth_roberts_architects project now live exclusively on @dezeen.

Photographed by @chrismottalini
Written by @dahowarth
Thanks to @ben_dreith