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50 🎂 @ale__martos

50 🎂 @ale__martos

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

Exhibition design for "The fortune of the city is that it has never been perfect. Álvaro Siza on the urban".
Curated by Giovanna Borasi at the CCA @canadiancentreforarchitecture
Curatorial assistant: Laura Aparicio Llorente.
Graphic Design: Jonathan Hares.
Design development and production: Sébastien Larivière, Anh Truong and Alyson Drouin.
Archive: Chiara Porcu (Office of Álvaro Siza), Anna Haywood, Chirstine Lefrancq, Carol Ann St-Germain.
Image digitalization and processing: Alan Reed.
Conservation: Emilie Demers, Daphnée Bouchard, Roxane Grandchamps, Audrey Lafond, David Stevenson.
Installation: Rixt de Boer, Michael Eddy, John Player, Nicole Kamenovic, Philip Kitt, Catherine Labonté, Matis Lachance, Chris Lloyd, Tegan Moore, Philippe Caron-Lefebvre.
---
#adamofaiden @sebastian.adamo @celine_m___ @mauroarielromo

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

1. Alvar Aalto. MIT Baker House Dormitory. Cambridge, 1948.
2. Eero Saarinen. MIT Kresge Auditorium and Chapel. Cambridge, 1955.
3-4. Josep Lluís Sert. Harvard University Science Center. Cambridge, 1972.
5-6. Eduardo Catalano. MIT Stratton Student Center. Cambridge, 1968.
7-8-9. John Andrews. Harvard Gund Hall. Cambridge, 1972.
10. Philip Johnson. Thesis House. Cambridge, 1942.
11-12-13. TAC (The Architects Collaborative). JFK Federal Building. Boston, 1968.

Le Corbusier. Carperter Center for Visual Arts.
Cambridge, 1963.

Le Corbusier. Carperter Center for Visual Arts.
Cambridge, 1963.

Le Corbusier. Carperter Center for Visual Arts.
Cambridge, 1963.

Le Corbusier. Carperter Center for Visual Arts.
Cambridge, 1963.

Le Corbusier. Carperter Center for Visual Arts.
Cambridge, 1963.

Le Corbusier. Carperter Center for Visual Arts.
Cambridge, 1963.

Le Corbusier. Carperter Center for Visual Arts.
Cambridge, 1963.

Le Corbusier. Carperter Center for Visual Arts.
Cambridge, 1963.

Le Corbusier. Carperter Center for Visual Arts.
Cambridge, 1963.

Le Corbusier. Carperter Center for Visual Arts.
Cambridge, 1963.

First Projects at the GSD tonight. Betsy Williamson, Marcelo Faiden, Beth Whittaker, and Minsuk Cho, shared details, war stories, and advice, from their first projects. The format- in the round, with a low light - produced a special ambiance, making the conversation feel intimate and special. Thx all for sharing. #firstprojects @harvardgsd @harvardgsd_architecture #corecolloquium @bwto @mergearchitectsinc @marcelofaiden @mass_studies @ladallmanarchitects

First Projects at the GSD tonight. Betsy Williamson, Marcelo Faiden, Beth Whittaker, and Minsuk Cho, shared details, war stories, and advice, from their first projects. The format- in the round, with a low light - produced a special ambiance, making the conversation feel intimate and special. Thx all for sharing. #firstprojects @harvardgsd @harvardgsd_architecture #corecolloquium @bwto @mergearchitectsinc @marcelofaiden @mass_studies @ladallmanarchitects

First Projects at the GSD tonight. Betsy Williamson, Marcelo Faiden, Beth Whittaker, and Minsuk Cho, shared details, war stories, and advice, from their first projects. The format- in the round, with a low light - produced a special ambiance, making the conversation feel intimate and special. Thx all for sharing. #firstprojects @harvardgsd @harvardgsd_architecture #corecolloquium @bwto @mergearchitectsinc @marcelofaiden @mass_studies @ladallmanarchitects

First Projects at the GSD tonight. Betsy Williamson, Marcelo Faiden, Beth Whittaker, and Minsuk Cho, shared details, war stories, and advice, from their first projects. The format- in the round, with a low light - produced a special ambiance, making the conversation feel intimate and special. Thx all for sharing. #firstprojects @harvardgsd @harvardgsd_architecture #corecolloquium @bwto @mergearchitectsinc @marcelofaiden @mass_studies @ladallmanarchitects

En menos de 50 años, duplicamos la cantidad de personas en un planeta que sigue siendo el mismo.

Entonces, la pregunta ya no es cuántos somos. Es cómo vivimos.

En esta charla, @marcelofaiden plantea un desafío urgente: repensar la relación entre la arquitectura, el entorno y la forma en la que habitamos las ciudades.

🎥 Mirá la charla completa en tedxriodelaplata.org

First time in @harvard and @mit
Thank you for the invitation @harvardgsd_architecture @latingsd @_situaciones_ !

First time in @harvard and @mit
Thank you for the invitation @harvardgsd_architecture @latingsd @_situaciones_ !

First time in @harvard and @mit
Thank you for the invitation @harvardgsd_architecture @latingsd @_situaciones_ !

Colegio secundario @escuelaarlenefern
Etapa 1 finalizada.
-
High school @escuelaarlenefern
Stage 1 completed.
-
Ph: @fschapochnik
#adamofaiden @sebastian.adamo

Colegio secundario @escuelaarlenefern
Etapa 1 finalizada.
-
High school @escuelaarlenefern
Stage 1 completed.
-
Ph: @fschapochnik
#adamofaiden @sebastian.adamo

Colegio secundario @escuelaarlenefern
Etapa 1 finalizada.
-
High school @escuelaarlenefern
Stage 1 completed.
-
Ph: @fschapochnik
#adamofaiden @sebastian.adamo

Colegio secundario @escuelaarlenefern
Etapa 1 finalizada.
-
High school @escuelaarlenefern
Stage 1 completed.
-
Ph: @fschapochnik
#adamofaiden @sebastian.adamo

Colegio secundario @escuelaarlenefern
Etapa 1 finalizada.
-
High school @escuelaarlenefern
Stage 1 completed.
-
Ph: @fschapochnik
#adamofaiden @sebastian.adamo

Colegio secundario @escuelaarlenefern
Etapa 1 finalizada.
-
High school @escuelaarlenefern
Stage 1 completed.
-
Ph: @fschapochnik
#adamofaiden @sebastian.adamo

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Woo es una glorieta para Lollapalooza Buenos Aires. Es un lugar construido mediante la suspensión de un gran volumen de aire que libera el suelo que tiene a sus pies. Así, se vuelve un espacio de estancia y de paso para 250.000 personas. Su forma y su posición lo transforman en un punto de referencia en el festival. Los cambios de coloración y permeabilidad del aire encapsulado parecen resonar con la atmósfera creada entre el público y los artistas.

Woo is a gazebo designed for Lollapalooza Buenos Aires. It's a space built by suspending a large volume of air, freeing up the ground beneath it. Thus, it becomes a space to stay and pass through for 250,000 people. Its shape and position make it a landmark at the festival. The changing colors and permeability of the encapsulated air seem to resonate with the atmosphere created between the audience and the artists.

Junto a @dfentertainment @pogo.creative.co @grupo_nh @boreasdesigns

#adamofaiden @sebastian.adamo @ignaciobubis @ferpla.8 @josefina__ramirez @_lolaaflores

Adamo-Faiden Montevideo!
1,2,3: Edificio Andes 1143
4,5,6: A-F Mvd HQ
7: Edificio Gonzalo Ramírez 1591 junto a @plancomun_
#adamofaidenmvd @agustinfiorito_ @sebastian.adamo

Adamo-Faiden Montevideo!
1,2,3: Edificio Andes 1143
4,5,6: A-F Mvd HQ
7: Edificio Gonzalo Ramírez 1591 junto a @plancomun_
#adamofaidenmvd @agustinfiorito_ @sebastian.adamo

Adamo-Faiden Montevideo!
1,2,3: Edificio Andes 1143
4,5,6: A-F Mvd HQ
7: Edificio Gonzalo Ramírez 1591 junto a @plancomun_
#adamofaidenmvd @agustinfiorito_ @sebastian.adamo

Adamo-Faiden Montevideo!
1,2,3: Edificio Andes 1143
4,5,6: A-F Mvd HQ
7: Edificio Gonzalo Ramírez 1591 junto a @plancomun_
#adamofaidenmvd @agustinfiorito_ @sebastian.adamo

Adamo-Faiden Montevideo!
1,2,3: Edificio Andes 1143
4,5,6: A-F Mvd HQ
7: Edificio Gonzalo Ramírez 1591 junto a @plancomun_
#adamofaidenmvd @agustinfiorito_ @sebastian.adamo

Adamo-Faiden Montevideo!
1,2,3: Edificio Andes 1143
4,5,6: A-F Mvd HQ
7: Edificio Gonzalo Ramírez 1591 junto a @plancomun_
#adamofaidenmvd @agustinfiorito_ @sebastian.adamo

Adamo-Faiden Montevideo!
1,2,3: Edificio Andes 1143
4,5,6: A-F Mvd HQ
7: Edificio Gonzalo Ramírez 1591 junto a @plancomun_
#adamofaidenmvd @agustinfiorito_ @sebastian.adamo

Comienzan las obras de Manuel Segura 260 en Lima, Perú.
Works starts at Manuel Segura 260 in Lima, Perú.
Junto a @illusioneperu
#adamofaiden @sebastian.adamo

Comienzan las obras de Manuel Segura 260 en Lima, Perú.
Works starts at Manuel Segura 260 in Lima, Perú.
Junto a @illusioneperu
#adamofaiden @sebastian.adamo

Comienzan las obras de Manuel Segura 260 en Lima, Perú.
Works starts at Manuel Segura 260 in Lima, Perú.
Junto a @illusioneperu
#adamofaiden @sebastian.adamo

Comienzan las obras de Manuel Segura 260 en Lima, Perú.
Works starts at Manuel Segura 260 in Lima, Perú.
Junto a @illusioneperu
#adamofaiden @sebastian.adamo

Comienzan las obras de Manuel Segura 260 en Lima, Perú.
Works starts at Manuel Segura 260 in Lima, Perú.
Junto a @illusioneperu
#adamofaiden @sebastian.adamo

🟡 Introducing Adamo-Faiden | #Speaker of the UIA World Congress of Architects 2026 Barcelona [1/2]

Adamo-Faiden is an architecture studio established in Buenos Aires in 2005 by Sebastián Adamo and Marcelo Faiden. Their practice extends from material organization to intellectual speculation.

The studio’s work has been exhibited internationally, including at the São Paulo Architecture Biennial, the Venice Architecture Biennale, the Chicago Architecture Biennial and the Guggenheim Museum in New York. Their trajectory has been documented in several monographic publications, including recent issues of A+U (2024) and 2G (2024).

Marcelo Faiden is Dean of the School of Architecture at Universidad Torcuato Di Tella. He studied architecture at the University of Buenos Aires and received his Doctor of Architecture degree from ETSAB-UPC in Barcelona, with the dissertation The Lower Levels of Tall Buildings.

For #UIA2026BCN, Marcelo Faiden contributes to the thematic pillar Becoming Embodied, addressing how architecture emerges through the relationship between matter, construction and lived experience.

More info at 🔗 uia2026bcn.org

→ The UIA World Congress of Architects 2026 will take place in Barcelona from 28 June to 2 July 2026. This global event will bring together renowned architects, researchers, and influential figures from diverse disciplines, inviting professionals in architecture and design to engage in dynamic dialogue and a collective exploration of future perspectives.

#UIA2026BCN #Becoming #Barcelona2026 @bcn_arquitectura @sebastian.adamo @marcelofaiden

Images:
1. Di Tella University Pavilion, Adamo-Faiden, © Javier Agustín Rojas, Buenos Aires, Argentina, 2022-2024. @javieragustinrojas
2. Adamo-Faiden portrait, © Javier Agustín Rojas. @javieragustinrojas
3. Chacarita Alta Social Housing, Adamo-Faiden, MOS and Equipo de Arquitectura, © Renato Duria, Asunción, Paraguay, 2023-2025. @mmmosarchitects @equipodearquitectura @renatoduria

🟡 Introducing Adamo-Faiden | #Speaker of the UIA World Congress of Architects 2026 Barcelona [1/2]

Adamo-Faiden is an architecture studio established in Buenos Aires in 2005 by Sebastián Adamo and Marcelo Faiden. Their practice extends from material organization to intellectual speculation.

The studio’s work has been exhibited internationally, including at the São Paulo Architecture Biennial, the Venice Architecture Biennale, the Chicago Architecture Biennial and the Guggenheim Museum in New York. Their trajectory has been documented in several monographic publications, including recent issues of A+U (2024) and 2G (2024).

Marcelo Faiden is Dean of the School of Architecture at Universidad Torcuato Di Tella. He studied architecture at the University of Buenos Aires and received his Doctor of Architecture degree from ETSAB-UPC in Barcelona, with the dissertation The Lower Levels of Tall Buildings.

For #UIA2026BCN, Marcelo Faiden contributes to the thematic pillar Becoming Embodied, addressing how architecture emerges through the relationship between matter, construction and lived experience.

More info at 🔗 uia2026bcn.org

→ The UIA World Congress of Architects 2026 will take place in Barcelona from 28 June to 2 July 2026. This global event will bring together renowned architects, researchers, and influential figures from diverse disciplines, inviting professionals in architecture and design to engage in dynamic dialogue and a collective exploration of future perspectives.

#UIA2026BCN #Becoming #Barcelona2026 @bcn_arquitectura @sebastian.adamo @marcelofaiden

Images:
1. Di Tella University Pavilion, Adamo-Faiden, © Javier Agustín Rojas, Buenos Aires, Argentina, 2022-2024. @javieragustinrojas
2. Adamo-Faiden portrait, © Javier Agustín Rojas. @javieragustinrojas
3. Chacarita Alta Social Housing, Adamo-Faiden, MOS and Equipo de Arquitectura, © Renato Duria, Asunción, Paraguay, 2023-2025. @mmmosarchitects @equipodearquitectura @renatoduria

🟡 Introducing Adamo-Faiden | #Speaker of the UIA World Congress of Architects 2026 Barcelona [1/2]

Adamo-Faiden is an architecture studio established in Buenos Aires in 2005 by Sebastián Adamo and Marcelo Faiden. Their practice extends from material organization to intellectual speculation.

The studio’s work has been exhibited internationally, including at the São Paulo Architecture Biennial, the Venice Architecture Biennale, the Chicago Architecture Biennial and the Guggenheim Museum in New York. Their trajectory has been documented in several monographic publications, including recent issues of A+U (2024) and 2G (2024).

Marcelo Faiden is Dean of the School of Architecture at Universidad Torcuato Di Tella. He studied architecture at the University of Buenos Aires and received his Doctor of Architecture degree from ETSAB-UPC in Barcelona, with the dissertation The Lower Levels of Tall Buildings.

For #UIA2026BCN, Marcelo Faiden contributes to the thematic pillar Becoming Embodied, addressing how architecture emerges through the relationship between matter, construction and lived experience.

More info at 🔗 uia2026bcn.org

→ The UIA World Congress of Architects 2026 will take place in Barcelona from 28 June to 2 July 2026. This global event will bring together renowned architects, researchers, and influential figures from diverse disciplines, inviting professionals in architecture and design to engage in dynamic dialogue and a collective exploration of future perspectives.

#UIA2026BCN #Becoming #Barcelona2026 @bcn_arquitectura @sebastian.adamo @marcelofaiden

Images:
1. Di Tella University Pavilion, Adamo-Faiden, © Javier Agustín Rojas, Buenos Aires, Argentina, 2022-2024. @javieragustinrojas
2. Adamo-Faiden portrait, © Javier Agustín Rojas. @javieragustinrojas
3. Chacarita Alta Social Housing, Adamo-Faiden, MOS and Equipo de Arquitectura, © Renato Duria, Asunción, Paraguay, 2023-2025. @mmmosarchitects @equipodearquitectura @renatoduria

🟡 Introducing Adamo-Faiden | #Speaker of the UIA World Congress of Architects 2026 Barcelona [1/2]

Adamo-Faiden is an architecture studio established in Buenos Aires in 2005 by Sebastián Adamo and Marcelo Faiden. Their practice extends from material organization to intellectual speculation.

The studio’s work has been exhibited internationally, including at the São Paulo Architecture Biennial, the Venice Architecture Biennale, the Chicago Architecture Biennial and the Guggenheim Museum in New York. Their trajectory has been documented in several monographic publications, including recent issues of A+U (2024) and 2G (2024).

Marcelo Faiden is Dean of the School of Architecture at Universidad Torcuato Di Tella. He studied architecture at the University of Buenos Aires and received his Doctor of Architecture degree from ETSAB-UPC in Barcelona, with the dissertation The Lower Levels of Tall Buildings.

For #UIA2026BCN, Marcelo Faiden contributes to the thematic pillar Becoming Embodied, addressing how architecture emerges through the relationship between matter, construction and lived experience.

More info at 🔗 uia2026bcn.org

→ The UIA World Congress of Architects 2026 will take place in Barcelona from 28 June to 2 July 2026. This global event will bring together renowned architects, researchers, and influential figures from diverse disciplines, inviting professionals in architecture and design to engage in dynamic dialogue and a collective exploration of future perspectives.

#UIA2026BCN #Becoming #Barcelona2026 @bcn_arquitectura @sebastian.adamo @marcelofaiden

Images:
1. Di Tella University Pavilion, Adamo-Faiden, © Javier Agustín Rojas, Buenos Aires, Argentina, 2022-2024. @javieragustinrojas
2. Adamo-Faiden portrait, © Javier Agustín Rojas. @javieragustinrojas
3. Chacarita Alta Social Housing, Adamo-Faiden, MOS and Equipo de Arquitectura, © Renato Duria, Asunción, Paraguay, 2023-2025. @mmmosarchitects @equipodearquitectura @renatoduria

🟡 Introducing Adamo-Faiden | #Speaker of the UIA World Congress of Architects 2026 Barcelona [1/2]

Adamo-Faiden is an architecture studio established in Buenos Aires in 2005 by Sebastián Adamo and Marcelo Faiden. Their practice extends from material organization to intellectual speculation.

The studio’s work has been exhibited internationally, including at the São Paulo Architecture Biennial, the Venice Architecture Biennale, the Chicago Architecture Biennial and the Guggenheim Museum in New York. Their trajectory has been documented in several monographic publications, including recent issues of A+U (2024) and 2G (2024).

Marcelo Faiden is Dean of the School of Architecture at Universidad Torcuato Di Tella. He studied architecture at the University of Buenos Aires and received his Doctor of Architecture degree from ETSAB-UPC in Barcelona, with the dissertation The Lower Levels of Tall Buildings.

For #UIA2026BCN, Marcelo Faiden contributes to the thematic pillar Becoming Embodied, addressing how architecture emerges through the relationship between matter, construction and lived experience.

More info at 🔗 uia2026bcn.org

→ The UIA World Congress of Architects 2026 will take place in Barcelona from 28 June to 2 July 2026. This global event will bring together renowned architects, researchers, and influential figures from diverse disciplines, inviting professionals in architecture and design to engage in dynamic dialogue and a collective exploration of future perspectives.

#UIA2026BCN #Becoming #Barcelona2026 @bcn_arquitectura @sebastian.adamo @marcelofaiden

Images:
1. Di Tella University Pavilion, Adamo-Faiden, © Javier Agustín Rojas, Buenos Aires, Argentina, 2022-2024. @javieragustinrojas
2. Adamo-Faiden portrait, © Javier Agustín Rojas. @javieragustinrojas
3. Chacarita Alta Social Housing, Adamo-Faiden, MOS and Equipo de Arquitectura, © Renato Duria, Asunción, Paraguay, 2023-2025. @mmmosarchitects @equipodearquitectura @renatoduria