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La Dureté de l'Utopie - II

A big thanks to the amazing work made at @iforgothowigothere

Thanks and grateful to

@redandyellowsweater & @oxarzero to share their bodies and movements to this piece 🩶

@tymon_poprostu & @nicholiam01 to share their sounds and music to match this idea 🩶

Concept, design, metal sculpture @loonaeol

Love !

La Dureté de l'Utopie - II

A big thanks to the amazing work made at @iforgothowigothere

Thanks and grateful to

@redandyellowsweater & @oxarzero to share their bodies and movements to this piece 🩶

@tymon_poprostu & @nicholiam01 to share their sounds and music to match this idea 🩶

Concept, design, metal sculpture @loonaeol

Love !

Some nice soundscape for a cool process

Some nice soundscape for a cool process

Some nice soundscape for a cool process

Studio time with @alchemeyess

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

Friday 3rd and Saturday 4th October 2025
@laak.club @laak.bar
5 more myths:

A̴̧̝͉͆͂̒͆̂̑̉̿̈͘M̸̪̪͚̜͉̜͚̼̄B̸̩̥͝Ǘ̷̟̠̭̖̟̰̜̘̳̽̈͑͌͒ͅ ̴̢͉̣̐́͠B̴̗͇͖̱̦̜͎̹͚̔̽̋̀͊̒͘͘͝Ą̸̛̊̾͗͊̀̂̈́̕M̷̢̛̛͎͓̰̯͍̞̖͖̉̂̔̏̕B̷̛͓͔̫̐́͜͝͠Ṷ̷̢̤̗̫̾͂͛͜͝ @ambu_bambu_ - DJSET

Known to break a beat or two.
But don’t yell at her, she might cry… ( ・⌓・｀)

̶̛̛̱̫̻͚̮̩͉̣͎̈́̀̕͜͠͝C̶̲̱̠̐̐͆͠ͅ0̴̳̣̾̓͒̃̎̍̇0̶͖͔̙̻̻̱͈̪̤̖͠ @c00stanzach - IMPRO LIVE SESSION

Legend says it is a Human-cyborg mould with chaos and sound.

̸̛̫̳̮͎̜͆̿̐͋͗̊͗͠Q̴̧̡̥͔̽̀̐̓̈́̕Ũ̴̧̠͚̋̀̐͊̐A̷͔̲̿͆̍̑̚̕N̶̛̹̖̤̘̅́́́̑̇͆̒̐T̸̺̩̽̃̋͗͘͝Ĩ̸̧̟̼͇̦̽͒̏͐̀̄̍̇C̵̡̞̮̲̩̻̆̓́̈́̕ ̸̮̘͍̐̅̅̎͆̂͛̈́̍Q̵̤͕̲͉͕̜͉̇̍̇U̶̢̩̣͕̳̙̬̘̅́͒̒͘̚Ę̸͎̙̀͑̃͂̔͛S̴͉̱͉̜͐̓̀͑͋̋̀̎͒Ṯ̶̬̭̦̗͙͌́͋̾̇̃̾͑͑͜ͅỈ̷̧̛̠̤̝͕̥̝͓͍͆̂̈͌̚Ọ̸̀N̶̰̤̺̤̘̖͙̱̻̓͒̈́̆̇̏̈́͑̔͝S̷̨͕̗͐́̒͋̆̅̋̈́ @quanticquestions - IMPRO LIVE SESSION

Did the proton
come before the electrons or vice versa?

̸̞͙̓͛̄̋̍Ḻ̶̛̛͉͐̆̽́̕Ó̵̲̇Ơ̷͕͈͎͙̙͕̠̭̙͉̋̓̈́͊͗̿̎̀͊N̶̦̤̝̈́̍̾̀̽̕A̷̧͐̂̆͋̇̆̄͘ͅ ̸̛̬͕̣̭̗͇̱̈́̎̒̐͠ͅD̸̬̼̣̥̍̎͊Ű̶̧̡̅̑͗̾̔̍͘͠S̸̱̯̺͓̬͕̉̃̑́́͑̕͜͠S̶̢͙̗͋͌́͐͆͠Ȩ̵̢̺̟̥̪̼͈̦̂͛̊̎̑̚͘͝ͅR̴͍͕͆̆̅̓̍̓͝ͅ @loonaeol - PERFORMER

Moving edges,
Metal, Raw, Edges,
a sound in the cabinet,
a smooth corner,
soft metal bound.

̴̡̰̝̻͕̊̀̂͘ͅÓ̷̡̞͇̝̦̺̽̎ͅX̶̡̨̰̜̼̱͓̤̜̪̍̔̈́̇̓̇̒̌̋̽A̸̭̩̹̥̹̝̖͚̤͆̇̓̇̏͝Ȓ̸̜̪̣̻͜Z̸̧̢̜̪͈͂͆̔̓̏͋͘E̷̪̞͒̒̆͛͊̂̎̀͑͝R̴̨̗̰̘͎͎̩̟͙̤̿̋͌̄̓̊͘Ő̶̦̻͖̗̀͌͘͜ @oxarzero - IMPRO LIVE SESSION & PERFORMANCE

He was born in a Discoteca labyrinto.

Friday 3rd and Saturday 4th October 2025
@laak.club @laak.bar
5 more myths:

A̴̧̝͉͆͂̒͆̂̑̉̿̈͘M̸̪̪͚̜͉̜͚̼̄B̸̩̥͝Ǘ̷̟̠̭̖̟̰̜̘̳̽̈͑͌͒ͅ ̴̢͉̣̐́͠B̴̗͇͖̱̦̜͎̹͚̔̽̋̀͊̒͘͘͝Ą̸̛̊̾͗͊̀̂̈́̕M̷̢̛̛͎͓̰̯͍̞̖͖̉̂̔̏̕B̷̛͓͔̫̐́͜͝͠Ṷ̷̢̤̗̫̾͂͛͜͝ @ambu_bambu_ - DJSET

Known to break a beat or two.
But don’t yell at her, she might cry… ( ・⌓・｀)

̶̛̛̱̫̻͚̮̩͉̣͎̈́̀̕͜͠͝C̶̲̱̠̐̐͆͠ͅ0̴̳̣̾̓͒̃̎̍̇0̶͖͔̙̻̻̱͈̪̤̖͠ @c00stanzach - IMPRO LIVE SESSION

Legend says it is a Human-cyborg mould with chaos and sound.

̸̛̫̳̮͎̜͆̿̐͋͗̊͗͠Q̴̧̡̥͔̽̀̐̓̈́̕Ũ̴̧̠͚̋̀̐͊̐A̷͔̲̿͆̍̑̚̕N̶̛̹̖̤̘̅́́́̑̇͆̒̐T̸̺̩̽̃̋͗͘͝Ĩ̸̧̟̼͇̦̽͒̏͐̀̄̍̇C̵̡̞̮̲̩̻̆̓́̈́̕ ̸̮̘͍̐̅̅̎͆̂͛̈́̍Q̵̤͕̲͉͕̜͉̇̍̇U̶̢̩̣͕̳̙̬̘̅́͒̒͘̚Ę̸͎̙̀͑̃͂̔͛S̴͉̱͉̜͐̓̀͑͋̋̀̎͒Ṯ̶̬̭̦̗͙͌́͋̾̇̃̾͑͑͜ͅỈ̷̧̛̠̤̝͕̥̝͓͍͆̂̈͌̚Ọ̸̀N̶̰̤̺̤̘̖͙̱̻̓͒̈́̆̇̏̈́͑̔͝S̷̨͕̗͐́̒͋̆̅̋̈́ @quanticquestions - IMPRO LIVE SESSION

Did the proton
come before the electrons or vice versa?

̸̞͙̓͛̄̋̍Ḻ̶̛̛͉͐̆̽́̕Ó̵̲̇Ơ̷͕͈͎͙̙͕̠̭̙͉̋̓̈́͊͗̿̎̀͊N̶̦̤̝̈́̍̾̀̽̕A̷̧͐̂̆͋̇̆̄͘ͅ ̸̛̬͕̣̭̗͇̱̈́̎̒̐͠ͅD̸̬̼̣̥̍̎͊Ű̶̧̡̅̑͗̾̔̍͘͠S̸̱̯̺͓̬͕̉̃̑́́͑̕͜͠S̶̢͙̗͋͌́͐͆͠Ȩ̵̢̺̟̥̪̼͈̦̂͛̊̎̑̚͘͝ͅR̴͍͕͆̆̅̓̍̓͝ͅ @loonaeol - PERFORMER

Moving edges,
Metal, Raw, Edges,
a sound in the cabinet,
a smooth corner,
soft metal bound.

̴̡̰̝̻͕̊̀̂͘ͅÓ̷̡̞͇̝̦̺̽̎ͅX̶̡̨̰̜̼̱͓̤̜̪̍̔̈́̇̓̇̒̌̋̽A̸̭̩̹̥̹̝̖͚̤͆̇̓̇̏͝Ȓ̸̜̪̣̻͜Z̸̧̢̜̪͈͂͆̔̓̏͋͘E̷̪̞͒̒̆͛͊̂̎̀͑͝R̴̨̗̰̘͎͎̩̟͙̤̿̋͌̄̓̊͘Ő̶̦̻͖̗̀͌͘͜ @oxarzero - IMPRO LIVE SESSION & PERFORMANCE

He was born in a Discoteca labyrinto.

Friday 3rd and Saturday 4th October 2025
@laak.club @laak.bar
5 more myths:

A̴̧̝͉͆͂̒͆̂̑̉̿̈͘M̸̪̪͚̜͉̜͚̼̄B̸̩̥͝Ǘ̷̟̠̭̖̟̰̜̘̳̽̈͑͌͒ͅ ̴̢͉̣̐́͠B̴̗͇͖̱̦̜͎̹͚̔̽̋̀͊̒͘͘͝Ą̸̛̊̾͗͊̀̂̈́̕M̷̢̛̛͎͓̰̯͍̞̖͖̉̂̔̏̕B̷̛͓͔̫̐́͜͝͠Ṷ̷̢̤̗̫̾͂͛͜͝ @ambu_bambu_ - DJSET

Known to break a beat or two.
But don’t yell at her, she might cry… ( ・⌓・｀)

̶̛̛̱̫̻͚̮̩͉̣͎̈́̀̕͜͠͝C̶̲̱̠̐̐͆͠ͅ0̴̳̣̾̓͒̃̎̍̇0̶͖͔̙̻̻̱͈̪̤̖͠ @c00stanzach - IMPRO LIVE SESSION

Legend says it is a Human-cyborg mould with chaos and sound.

̸̛̫̳̮͎̜͆̿̐͋͗̊͗͠Q̴̧̡̥͔̽̀̐̓̈́̕Ũ̴̧̠͚̋̀̐͊̐A̷͔̲̿͆̍̑̚̕N̶̛̹̖̤̘̅́́́̑̇͆̒̐T̸̺̩̽̃̋͗͘͝Ĩ̸̧̟̼͇̦̽͒̏͐̀̄̍̇C̵̡̞̮̲̩̻̆̓́̈́̕ ̸̮̘͍̐̅̅̎͆̂͛̈́̍Q̵̤͕̲͉͕̜͉̇̍̇U̶̢̩̣͕̳̙̬̘̅́͒̒͘̚Ę̸͎̙̀͑̃͂̔͛S̴͉̱͉̜͐̓̀͑͋̋̀̎͒Ṯ̶̬̭̦̗͙͌́͋̾̇̃̾͑͑͜ͅỈ̷̧̛̠̤̝͕̥̝͓͍͆̂̈͌̚Ọ̸̀N̶̰̤̺̤̘̖͙̱̻̓͒̈́̆̇̏̈́͑̔͝S̷̨͕̗͐́̒͋̆̅̋̈́ @quanticquestions - IMPRO LIVE SESSION

Did the proton
come before the electrons or vice versa?

̸̞͙̓͛̄̋̍Ḻ̶̛̛͉͐̆̽́̕Ó̵̲̇Ơ̷͕͈͎͙̙͕̠̭̙͉̋̓̈́͊͗̿̎̀͊N̶̦̤̝̈́̍̾̀̽̕A̷̧͐̂̆͋̇̆̄͘ͅ ̸̛̬͕̣̭̗͇̱̈́̎̒̐͠ͅD̸̬̼̣̥̍̎͊Ű̶̧̡̅̑͗̾̔̍͘͠S̸̱̯̺͓̬͕̉̃̑́́͑̕͜͠S̶̢͙̗͋͌́͐͆͠Ȩ̵̢̺̟̥̪̼͈̦̂͛̊̎̑̚͘͝ͅR̴͍͕͆̆̅̓̍̓͝ͅ @loonaeol - PERFORMER

Moving edges,
Metal, Raw, Edges,
a sound in the cabinet,
a smooth corner,
soft metal bound.

̴̡̰̝̻͕̊̀̂͘ͅÓ̷̡̞͇̝̦̺̽̎ͅX̶̡̨̰̜̼̱͓̤̜̪̍̔̈́̇̓̇̒̌̋̽A̸̭̩̹̥̹̝̖͚̤͆̇̓̇̏͝Ȓ̸̜̪̣̻͜Z̸̧̢̜̪͈͂͆̔̓̏͋͘E̷̪̞͒̒̆͛͊̂̎̀͑͝R̴̨̗̰̘͎͎̩̟͙̤̿̋͌̄̓̊͘Ő̶̦̻͖̗̀͌͘͜ @oxarzero - IMPRO LIVE SESSION & PERFORMANCE

He was born in a Discoteca labyrinto.

Friday 3rd and Saturday 4th October 2025
@laak.club @laak.bar
5 more myths:

A̴̧̝͉͆͂̒͆̂̑̉̿̈͘M̸̪̪͚̜͉̜͚̼̄B̸̩̥͝Ǘ̷̟̠̭̖̟̰̜̘̳̽̈͑͌͒ͅ ̴̢͉̣̐́͠B̴̗͇͖̱̦̜͎̹͚̔̽̋̀͊̒͘͘͝Ą̸̛̊̾͗͊̀̂̈́̕M̷̢̛̛͎͓̰̯͍̞̖͖̉̂̔̏̕B̷̛͓͔̫̐́͜͝͠Ṷ̷̢̤̗̫̾͂͛͜͝ @ambu_bambu_ - DJSET

Known to break a beat or two.
But don’t yell at her, she might cry… ( ・⌓・｀)

̶̛̛̱̫̻͚̮̩͉̣͎̈́̀̕͜͠͝C̶̲̱̠̐̐͆͠ͅ0̴̳̣̾̓͒̃̎̍̇0̶͖͔̙̻̻̱͈̪̤̖͠ @c00stanzach - IMPRO LIVE SESSION

Legend says it is a Human-cyborg mould with chaos and sound.

̸̛̫̳̮͎̜͆̿̐͋͗̊͗͠Q̴̧̡̥͔̽̀̐̓̈́̕Ũ̴̧̠͚̋̀̐͊̐A̷͔̲̿͆̍̑̚̕N̶̛̹̖̤̘̅́́́̑̇͆̒̐T̸̺̩̽̃̋͗͘͝Ĩ̸̧̟̼͇̦̽͒̏͐̀̄̍̇C̵̡̞̮̲̩̻̆̓́̈́̕ ̸̮̘͍̐̅̅̎͆̂͛̈́̍Q̵̤͕̲͉͕̜͉̇̍̇U̶̢̩̣͕̳̙̬̘̅́͒̒͘̚Ę̸͎̙̀͑̃͂̔͛S̴͉̱͉̜͐̓̀͑͋̋̀̎͒Ṯ̶̬̭̦̗͙͌́͋̾̇̃̾͑͑͜ͅỈ̷̧̛̠̤̝͕̥̝͓͍͆̂̈͌̚Ọ̸̀N̶̰̤̺̤̘̖͙̱̻̓͒̈́̆̇̏̈́͑̔͝S̷̨͕̗͐́̒͋̆̅̋̈́ @quanticquestions - IMPRO LIVE SESSION

Did the proton
come before the electrons or vice versa?

̸̞͙̓͛̄̋̍Ḻ̶̛̛͉͐̆̽́̕Ó̵̲̇Ơ̷͕͈͎͙̙͕̠̭̙͉̋̓̈́͊͗̿̎̀͊N̶̦̤̝̈́̍̾̀̽̕A̷̧͐̂̆͋̇̆̄͘ͅ ̸̛̬͕̣̭̗͇̱̈́̎̒̐͠ͅD̸̬̼̣̥̍̎͊Ű̶̧̡̅̑͗̾̔̍͘͠S̸̱̯̺͓̬͕̉̃̑́́͑̕͜͠S̶̢͙̗͋͌́͐͆͠Ȩ̵̢̺̟̥̪̼͈̦̂͛̊̎̑̚͘͝ͅR̴͍͕͆̆̅̓̍̓͝ͅ @loonaeol - PERFORMER

Moving edges,
Metal, Raw, Edges,
a sound in the cabinet,
a smooth corner,
soft metal bound.

̴̡̰̝̻͕̊̀̂͘ͅÓ̷̡̞͇̝̦̺̽̎ͅX̶̡̨̰̜̼̱͓̤̜̪̍̔̈́̇̓̇̒̌̋̽A̸̭̩̹̥̹̝̖͚̤͆̇̓̇̏͝Ȓ̸̜̪̣̻͜Z̸̧̢̜̪͈͂͆̔̓̏͋͘E̷̪̞͒̒̆͛͊̂̎̀͑͝R̴̨̗̰̘͎͎̩̟͙̤̿̋͌̄̓̊͘Ő̶̦̻͖̗̀͌͘͜ @oxarzero - IMPRO LIVE SESSION & PERFORMANCE

He was born in a Discoteca labyrinto.

Friday 3rd and Saturday 4th October 2025
@laak.club @laak.bar
5 more myths:

A̴̧̝͉͆͂̒͆̂̑̉̿̈͘M̸̪̪͚̜͉̜͚̼̄B̸̩̥͝Ǘ̷̟̠̭̖̟̰̜̘̳̽̈͑͌͒ͅ ̴̢͉̣̐́͠B̴̗͇͖̱̦̜͎̹͚̔̽̋̀͊̒͘͘͝Ą̸̛̊̾͗͊̀̂̈́̕M̷̢̛̛͎͓̰̯͍̞̖͖̉̂̔̏̕B̷̛͓͔̫̐́͜͝͠Ṷ̷̢̤̗̫̾͂͛͜͝ @ambu_bambu_ - DJSET

Known to break a beat or two.
But don’t yell at her, she might cry… ( ・⌓・｀)

̶̛̛̱̫̻͚̮̩͉̣͎̈́̀̕͜͠͝C̶̲̱̠̐̐͆͠ͅ0̴̳̣̾̓͒̃̎̍̇0̶͖͔̙̻̻̱͈̪̤̖͠ @c00stanzach - IMPRO LIVE SESSION

Legend says it is a Human-cyborg mould with chaos and sound.

̸̛̫̳̮͎̜͆̿̐͋͗̊͗͠Q̴̧̡̥͔̽̀̐̓̈́̕Ũ̴̧̠͚̋̀̐͊̐A̷͔̲̿͆̍̑̚̕N̶̛̹̖̤̘̅́́́̑̇͆̒̐T̸̺̩̽̃̋͗͘͝Ĩ̸̧̟̼͇̦̽͒̏͐̀̄̍̇C̵̡̞̮̲̩̻̆̓́̈́̕ ̸̮̘͍̐̅̅̎͆̂͛̈́̍Q̵̤͕̲͉͕̜͉̇̍̇U̶̢̩̣͕̳̙̬̘̅́͒̒͘̚Ę̸͎̙̀͑̃͂̔͛S̴͉̱͉̜͐̓̀͑͋̋̀̎͒Ṯ̶̬̭̦̗͙͌́͋̾̇̃̾͑͑͜ͅỈ̷̧̛̠̤̝͕̥̝͓͍͆̂̈͌̚Ọ̸̀N̶̰̤̺̤̘̖͙̱̻̓͒̈́̆̇̏̈́͑̔͝S̷̨͕̗͐́̒͋̆̅̋̈́ @quanticquestions - IMPRO LIVE SESSION

Did the proton
come before the electrons or vice versa?

̸̞͙̓͛̄̋̍Ḻ̶̛̛͉͐̆̽́̕Ó̵̲̇Ơ̷͕͈͎͙̙͕̠̭̙͉̋̓̈́͊͗̿̎̀͊N̶̦̤̝̈́̍̾̀̽̕A̷̧͐̂̆͋̇̆̄͘ͅ ̸̛̬͕̣̭̗͇̱̈́̎̒̐͠ͅD̸̬̼̣̥̍̎͊Ű̶̧̡̅̑͗̾̔̍͘͠S̸̱̯̺͓̬͕̉̃̑́́͑̕͜͠S̶̢͙̗͋͌́͐͆͠Ȩ̵̢̺̟̥̪̼͈̦̂͛̊̎̑̚͘͝ͅR̴͍͕͆̆̅̓̍̓͝ͅ @loonaeol - PERFORMER

Moving edges,
Metal, Raw, Edges,
a sound in the cabinet,
a smooth corner,
soft metal bound.

̴̡̰̝̻͕̊̀̂͘ͅÓ̷̡̞͇̝̦̺̽̎ͅX̶̡̨̰̜̼̱͓̤̜̪̍̔̈́̇̓̇̒̌̋̽A̸̭̩̹̥̹̝̖͚̤͆̇̓̇̏͝Ȓ̸̜̪̣̻͜Z̸̧̢̜̪͈͂͆̔̓̏͋͘E̷̪̞͒̒̆͛͊̂̎̀͑͝R̴̨̗̰̘͎͎̩̟͙̤̿̋͌̄̓̊͘Ő̶̦̻͖̗̀͌͘͜ @oxarzero - IMPRO LIVE SESSION & PERFORMANCE

He was born in a Discoteca labyrinto.

Some research

instable friend

instable friend

instable friend

The Box (searching for some communication between an outside and an inside, and two human beings) - collaboration with @laura.moood Katarina and Delara for @korzotheater

Webcam - Ableton - Piezzos - Feedback soundscape and two bodies, a light and a box !

The Box (searching for some communication between an outside and an inside, and two human beings) - collaboration with @laura.moood Katarina and Delara for @korzotheater

Webcam - Ableton - Piezzos - Feedback soundscape and two bodies, a light and a box !

The Box (searching for some communication between an outside and an inside, and two human beings) - collaboration with @laura.moood Katarina and Delara for @korzotheater

Webcam - Ableton - Piezzos - Feedback soundscape and two bodies, a light and a box !

Created and performed Loyalty II and Loyalty I at @roomwithaviewexpo in March, early baby stages of a creation

With the help of performers Ties, Laura, Martina and Olesya and @fionnbharr_osuilleabhain for the last picture.

Created and performed Loyalty II and Loyalty I at @roomwithaviewexpo in March, early baby stages of a creation

With the help of performers Ties, Laura, Martina and Olesya and @fionnbharr_osuilleabhain for the last picture.

Created and performed Loyalty II and Loyalty I at @roomwithaviewexpo in March, early baby stages of a creation

With the help of performers Ties, Laura, Martina and Olesya and @fionnbharr_osuilleabhain for the last picture.

Created and performed Loyalty II and Loyalty I at @roomwithaviewexpo in March, early baby stages of a creation

With the help of performers Ties, Laura, Martina and Olesya and @fionnbharr_osuilleabhain for the last picture.

some shots of the first
la dureté de l'utopie

with the important presences of performers and musician: @redandyellowsweater
@pradadevil

@nicholiam01

concept, design, performer : @art.anloo

some shots of the first
la dureté de l'utopie

with the important presences of performers and musician: @redandyellowsweater
@pradadevil

@nicholiam01

concept, design, performer : @art.anloo

some shots of the first
la dureté de l'utopie

with the important presences of performers and musician: @redandyellowsweater
@pradadevil

@nicholiam01

concept, design, performer : @art.anloo

some shots of the first
la dureté de l'utopie

with the important presences of performers and musician: @redandyellowsweater
@pradadevil

@nicholiam01

concept, design, performer : @art.anloo

"White Walls" performed during second edition of EX35

"White Walls" performed during second edition of EX35

"White Walls" performed during second edition of EX35

"White Walls" performed during second edition of EX35