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jacksonparrell

jacksonparrell

Director of Photography 🎥 // CAA // Sesler

206
posts
2.3K
followers
42.6K
following

Cinematographer Jackson Parrell @jacksonparrell builds the look of Heated Rivalry through custom LUTs, practical-driven lighting and a bold use of saturation and contrast to elevate the series beyond its budget. From cool, restrained tones to warm, optimistic sunsets, color and lighting shape the emotional arc, supported by LED-volume work and Unreal Engine environments.

Read more at the link in bio.

#AmericanCinematographer #Cinematography #VirtualProduction


5.8K
82
3 weeks ago


Cinematographer Jackson Parrell @jacksonparrell builds the look of Heated Rivalry through custom LUTs, practical-driven lighting and a bold use of saturation and contrast to elevate the series beyond its budget. From cool, restrained tones to warm, optimistic sunsets, color and lighting shape the emotional arc, supported by LED-volume work and Unreal Engine environments.

Read more at the link in bio.

#AmericanCinematographer #Cinematography #VirtualProduction


5.8K
82
3 weeks ago

Cinematographer Jackson Parrell @jacksonparrell builds the look of Heated Rivalry through custom LUTs, practical-driven lighting and a bold use of saturation and contrast to elevate the series beyond its budget. From cool, restrained tones to warm, optimistic sunsets, color and lighting shape the emotional arc, supported by LED-volume work and Unreal Engine environments.

Read more at the link in bio.

#AmericanCinematographer #Cinematography #VirtualProduction


5.8K
82
3 weeks ago

Cinematographer Jackson Parrell @jacksonparrell builds the look of Heated Rivalry through custom LUTs, practical-driven lighting and a bold use of saturation and contrast to elevate the series beyond its budget. From cool, restrained tones to warm, optimistic sunsets, color and lighting shape the emotional arc, supported by LED-volume work and Unreal Engine environments.

Read more at the link in bio.

#AmericanCinematographer #Cinematography #VirtualProduction


5.8K
82
3 weeks ago

Cinematographer Jackson Parrell @jacksonparrell builds the look of Heated Rivalry through custom LUTs, practical-driven lighting and a bold use of saturation and contrast to elevate the series beyond its budget. From cool, restrained tones to warm, optimistic sunsets, color and lighting shape the emotional arc, supported by LED-volume work and Unreal Engine environments.

Read more at the link in bio.

#AmericanCinematographer #Cinematography #VirtualProduction


5.8K
82
3 weeks ago

This show was an absolute privilege to work on. This cast, this crew, so much good will and hard work. Big shout out to @jamesporemba for his three minute Steadicam oner, an incredible shot. Here are some of my favourite frames from the final episode. @hudsonwilliamsofficial @connorstorrieofficial @jacob.tierney @heatedrivalryupdates @heatedrivalrytv


43.6K
661
4 months ago

This show was an absolute privilege to work on. This cast, this crew, so much good will and hard work. Big shout out to @jamesporemba for his three minute Steadicam oner, an incredible shot. Here are some of my favourite frames from the final episode. @hudsonwilliamsofficial @connorstorrieofficial @jacob.tierney @heatedrivalryupdates @heatedrivalrytv


43.6K
661
4 months ago

This show was an absolute privilege to work on. This cast, this crew, so much good will and hard work. Big shout out to @jamesporemba for his three minute Steadicam oner, an incredible shot. Here are some of my favourite frames from the final episode. @hudsonwilliamsofficial @connorstorrieofficial @jacob.tierney @heatedrivalryupdates @heatedrivalrytv


43.6K
661
4 months ago


This show was an absolute privilege to work on. This cast, this crew, so much good will and hard work. Big shout out to @jamesporemba for his three minute Steadicam oner, an incredible shot. Here are some of my favourite frames from the final episode. @hudsonwilliamsofficial @connorstorrieofficial @jacob.tierney @heatedrivalryupdates @heatedrivalrytv


43.6K
661
4 months ago

This show was an absolute privilege to work on. This cast, this crew, so much good will and hard work. Big shout out to @jamesporemba for his three minute Steadicam oner, an incredible shot. Here are some of my favourite frames from the final episode. @hudsonwilliamsofficial @connorstorrieofficial @jacob.tierney @heatedrivalryupdates @heatedrivalrytv


43.6K
661
4 months ago

This show was an absolute privilege to work on. This cast, this crew, so much good will and hard work. Big shout out to @jamesporemba for his three minute Steadicam oner, an incredible shot. Here are some of my favourite frames from the final episode. @hudsonwilliamsofficial @connorstorrieofficial @jacob.tierney @heatedrivalryupdates @heatedrivalrytv


43.6K
661
4 months ago

This show was an absolute privilege to work on. This cast, this crew, so much good will and hard work. Big shout out to @jamesporemba for his three minute Steadicam oner, an incredible shot. Here are some of my favourite frames from the final episode. @hudsonwilliamsofficial @connorstorrieofficial @jacob.tierney @heatedrivalryupdates @heatedrivalrytv


43.6K
661
4 months ago

This show was an absolute privilege to work on. This cast, this crew, so much good will and hard work. Big shout out to @jamesporemba for his three minute Steadicam oner, an incredible shot. Here are some of my favourite frames from the final episode. @hudsonwilliamsofficial @connorstorrieofficial @jacob.tierney @heatedrivalryupdates @heatedrivalrytv


43.6K
661
4 months ago

This show was an absolute privilege to work on. This cast, this crew, so much good will and hard work. Big shout out to @jamesporemba for his three minute Steadicam oner, an incredible shot. Here are some of my favourite frames from the final episode. @hudsonwilliamsofficial @connorstorrieofficial @jacob.tierney @heatedrivalryupdates @heatedrivalrytv


43.6K
661
4 months ago

Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago


Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago

Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago

Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago

Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago

Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago

Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago


Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago

Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago

Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago

Fav frames from Episode 5.
This one is very dear to me — some of my favourite scenes I’ve ever shot.
Russian funerals, pink tunnels, perfect sunsets, and incredible performances. @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @francoisarnaud @robsgk @sophie__nelisse


19.9K
173
4 months ago

"The look of #HeatedRivalry really came out of my love of maximalist lighting and colour, paired with a constant desire for naturalism,” says #cinematographer @jacksonparrell about his work on the breakout series. ❤️‍🔥🏒 “I wanted the show to feel full-fat, rich, contrasty, and cinematic, but still relatable – something that could defy expectations around what on-screen adaptations of these stories usually look like. I was also really aware that a lot of our audience would be longtime fans of the books, coming in with very specific images already living in their heads. A reader’s imagination is a powerful thing, so we needed to give them something beautiful to compete with that. Big thank you to our gaffer Loreen Ruddock and her entire team for their work here.

The camera work was always a dialogue between our operators @jamesporemba and @ashleyirisgill, our #director @jacob.tierney, our actors, and the scripts themselves. Intimacy is a huge part of the show, and it was important to me that the camera felt complicit and engaged — not standing back, but participating in the desire of the characters and the viewer. Our operators were absolutely essential in making that work, as was our intimacy coordinator @chala_hunter.

Panavision has been a big part of my career from the beginning, and I’ve worked with the team at Panavision Toronto on all my long-format projects. Once we knew we were committed to an #anamorphic deliverable, the #TSeries felt like the obvious choice. They’ve got a classic Panavision anamorphic feel, but with the practicality and reliability of a modern lens, which is huge on a fast-paced episodic schedule. I loved the look, my ACs loved the mechanics, and the close focus was awesome for the intimacy scenes.

Working with Jacob was honestly a dream. He’s collaborative and decisive, and just a really good person to be on set with. The creative process was very vertically integrated — Jacob was the writer, director, and showrunner — which created a lot of clarity and trust across the entire set. Everyone felt genuinely enabled to do their best work."


63.3K
574
4 months ago

"The look of #HeatedRivalry really came out of my love of maximalist lighting and colour, paired with a constant desire for naturalism,” says #cinematographer @jacksonparrell about his work on the breakout series. ❤️‍🔥🏒 “I wanted the show to feel full-fat, rich, contrasty, and cinematic, but still relatable – something that could defy expectations around what on-screen adaptations of these stories usually look like. I was also really aware that a lot of our audience would be longtime fans of the books, coming in with very specific images already living in their heads. A reader’s imagination is a powerful thing, so we needed to give them something beautiful to compete with that. Big thank you to our gaffer Loreen Ruddock and her entire team for their work here.

The camera work was always a dialogue between our operators @jamesporemba and @ashleyirisgill, our #director @jacob.tierney, our actors, and the scripts themselves. Intimacy is a huge part of the show, and it was important to me that the camera felt complicit and engaged — not standing back, but participating in the desire of the characters and the viewer. Our operators were absolutely essential in making that work, as was our intimacy coordinator @chala_hunter.

Panavision has been a big part of my career from the beginning, and I’ve worked with the team at Panavision Toronto on all my long-format projects. Once we knew we were committed to an #anamorphic deliverable, the #TSeries felt like the obvious choice. They’ve got a classic Panavision anamorphic feel, but with the practicality and reliability of a modern lens, which is huge on a fast-paced episodic schedule. I loved the look, my ACs loved the mechanics, and the close focus was awesome for the intimacy scenes.

Working with Jacob was honestly a dream. He’s collaborative and decisive, and just a really good person to be on set with. The creative process was very vertically integrated — Jacob was the writer, director, and showrunner — which created a lot of clarity and trust across the entire set. Everyone felt genuinely enabled to do their best work."


63.3K
574
4 months ago

"The look of #HeatedRivalry really came out of my love of maximalist lighting and colour, paired with a constant desire for naturalism,” says #cinematographer @jacksonparrell about his work on the breakout series. ❤️‍🔥🏒 “I wanted the show to feel full-fat, rich, contrasty, and cinematic, but still relatable – something that could defy expectations around what on-screen adaptations of these stories usually look like. I was also really aware that a lot of our audience would be longtime fans of the books, coming in with very specific images already living in their heads. A reader’s imagination is a powerful thing, so we needed to give them something beautiful to compete with that. Big thank you to our gaffer Loreen Ruddock and her entire team for their work here.

The camera work was always a dialogue between our operators @jamesporemba and @ashleyirisgill, our #director @jacob.tierney, our actors, and the scripts themselves. Intimacy is a huge part of the show, and it was important to me that the camera felt complicit and engaged — not standing back, but participating in the desire of the characters and the viewer. Our operators were absolutely essential in making that work, as was our intimacy coordinator @chala_hunter.

Panavision has been a big part of my career from the beginning, and I’ve worked with the team at Panavision Toronto on all my long-format projects. Once we knew we were committed to an #anamorphic deliverable, the #TSeries felt like the obvious choice. They’ve got a classic Panavision anamorphic feel, but with the practicality and reliability of a modern lens, which is huge on a fast-paced episodic schedule. I loved the look, my ACs loved the mechanics, and the close focus was awesome for the intimacy scenes.

Working with Jacob was honestly a dream. He’s collaborative and decisive, and just a really good person to be on set with. The creative process was very vertically integrated — Jacob was the writer, director, and showrunner — which created a lot of clarity and trust across the entire set. Everyone felt genuinely enabled to do their best work."


63.3K
574
4 months ago

"The look of #HeatedRivalry really came out of my love of maximalist lighting and colour, paired with a constant desire for naturalism,” says #cinematographer @jacksonparrell about his work on the breakout series. ❤️‍🔥🏒 “I wanted the show to feel full-fat, rich, contrasty, and cinematic, but still relatable – something that could defy expectations around what on-screen adaptations of these stories usually look like. I was also really aware that a lot of our audience would be longtime fans of the books, coming in with very specific images already living in their heads. A reader’s imagination is a powerful thing, so we needed to give them something beautiful to compete with that. Big thank you to our gaffer Loreen Ruddock and her entire team for their work here.

The camera work was always a dialogue between our operators @jamesporemba and @ashleyirisgill, our #director @jacob.tierney, our actors, and the scripts themselves. Intimacy is a huge part of the show, and it was important to me that the camera felt complicit and engaged — not standing back, but participating in the desire of the characters and the viewer. Our operators were absolutely essential in making that work, as was our intimacy coordinator @chala_hunter.

Panavision has been a big part of my career from the beginning, and I’ve worked with the team at Panavision Toronto on all my long-format projects. Once we knew we were committed to an #anamorphic deliverable, the #TSeries felt like the obvious choice. They’ve got a classic Panavision anamorphic feel, but with the practicality and reliability of a modern lens, which is huge on a fast-paced episodic schedule. I loved the look, my ACs loved the mechanics, and the close focus was awesome for the intimacy scenes.

Working with Jacob was honestly a dream. He’s collaborative and decisive, and just a really good person to be on set with. The creative process was very vertically integrated — Jacob was the writer, director, and showrunner — which created a lot of clarity and trust across the entire set. Everyone felt genuinely enabled to do their best work."


63.3K
574
4 months ago

"The look of #HeatedRivalry really came out of my love of maximalist lighting and colour, paired with a constant desire for naturalism,” says #cinematographer @jacksonparrell about his work on the breakout series. ❤️‍🔥🏒 “I wanted the show to feel full-fat, rich, contrasty, and cinematic, but still relatable – something that could defy expectations around what on-screen adaptations of these stories usually look like. I was also really aware that a lot of our audience would be longtime fans of the books, coming in with very specific images already living in their heads. A reader’s imagination is a powerful thing, so we needed to give them something beautiful to compete with that. Big thank you to our gaffer Loreen Ruddock and her entire team for their work here.

The camera work was always a dialogue between our operators @jamesporemba and @ashleyirisgill, our #director @jacob.tierney, our actors, and the scripts themselves. Intimacy is a huge part of the show, and it was important to me that the camera felt complicit and engaged — not standing back, but participating in the desire of the characters and the viewer. Our operators were absolutely essential in making that work, as was our intimacy coordinator @chala_hunter.

Panavision has been a big part of my career from the beginning, and I’ve worked with the team at Panavision Toronto on all my long-format projects. Once we knew we were committed to an #anamorphic deliverable, the #TSeries felt like the obvious choice. They’ve got a classic Panavision anamorphic feel, but with the practicality and reliability of a modern lens, which is huge on a fast-paced episodic schedule. I loved the look, my ACs loved the mechanics, and the close focus was awesome for the intimacy scenes.

Working with Jacob was honestly a dream. He’s collaborative and decisive, and just a really good person to be on set with. The creative process was very vertically integrated — Jacob was the writer, director, and showrunner — which created a lot of clarity and trust across the entire set. Everyone felt genuinely enabled to do their best work."


63.3K
574
4 months ago

"The look of #HeatedRivalry really came out of my love of maximalist lighting and colour, paired with a constant desire for naturalism,” says #cinematographer @jacksonparrell about his work on the breakout series. ❤️‍🔥🏒 “I wanted the show to feel full-fat, rich, contrasty, and cinematic, but still relatable – something that could defy expectations around what on-screen adaptations of these stories usually look like. I was also really aware that a lot of our audience would be longtime fans of the books, coming in with very specific images already living in their heads. A reader’s imagination is a powerful thing, so we needed to give them something beautiful to compete with that. Big thank you to our gaffer Loreen Ruddock and her entire team for their work here.

The camera work was always a dialogue between our operators @jamesporemba and @ashleyirisgill, our #director @jacob.tierney, our actors, and the scripts themselves. Intimacy is a huge part of the show, and it was important to me that the camera felt complicit and engaged — not standing back, but participating in the desire of the characters and the viewer. Our operators were absolutely essential in making that work, as was our intimacy coordinator @chala_hunter.

Panavision has been a big part of my career from the beginning, and I’ve worked with the team at Panavision Toronto on all my long-format projects. Once we knew we were committed to an #anamorphic deliverable, the #TSeries felt like the obvious choice. They’ve got a classic Panavision anamorphic feel, but with the practicality and reliability of a modern lens, which is huge on a fast-paced episodic schedule. I loved the look, my ACs loved the mechanics, and the close focus was awesome for the intimacy scenes.

Working with Jacob was honestly a dream. He’s collaborative and decisive, and just a really good person to be on set with. The creative process was very vertically integrated — Jacob was the writer, director, and showrunner — which created a lot of clarity and trust across the entire set. Everyone felt genuinely enabled to do their best work."


63.3K
574
4 months ago

"The look of #HeatedRivalry really came out of my love of maximalist lighting and colour, paired with a constant desire for naturalism,” says #cinematographer @jacksonparrell about his work on the breakout series. ❤️‍🔥🏒 “I wanted the show to feel full-fat, rich, contrasty, and cinematic, but still relatable – something that could defy expectations around what on-screen adaptations of these stories usually look like. I was also really aware that a lot of our audience would be longtime fans of the books, coming in with very specific images already living in their heads. A reader’s imagination is a powerful thing, so we needed to give them something beautiful to compete with that. Big thank you to our gaffer Loreen Ruddock and her entire team for their work here.

The camera work was always a dialogue between our operators @jamesporemba and @ashleyirisgill, our #director @jacob.tierney, our actors, and the scripts themselves. Intimacy is a huge part of the show, and it was important to me that the camera felt complicit and engaged — not standing back, but participating in the desire of the characters and the viewer. Our operators were absolutely essential in making that work, as was our intimacy coordinator @chala_hunter.

Panavision has been a big part of my career from the beginning, and I’ve worked with the team at Panavision Toronto on all my long-format projects. Once we knew we were committed to an #anamorphic deliverable, the #TSeries felt like the obvious choice. They’ve got a classic Panavision anamorphic feel, but with the practicality and reliability of a modern lens, which is huge on a fast-paced episodic schedule. I loved the look, my ACs loved the mechanics, and the close focus was awesome for the intimacy scenes.

Working with Jacob was honestly a dream. He’s collaborative and decisive, and just a really good person to be on set with. The creative process was very vertically integrated — Jacob was the writer, director, and showrunner — which created a lot of clarity and trust across the entire set. Everyone felt genuinely enabled to do their best work."


63.3K
574
4 months ago

"The look of #HeatedRivalry really came out of my love of maximalist lighting and colour, paired with a constant desire for naturalism,” says #cinematographer @jacksonparrell about his work on the breakout series. ❤️‍🔥🏒 “I wanted the show to feel full-fat, rich, contrasty, and cinematic, but still relatable – something that could defy expectations around what on-screen adaptations of these stories usually look like. I was also really aware that a lot of our audience would be longtime fans of the books, coming in with very specific images already living in their heads. A reader’s imagination is a powerful thing, so we needed to give them something beautiful to compete with that. Big thank you to our gaffer Loreen Ruddock and her entire team for their work here.

The camera work was always a dialogue between our operators @jamesporemba and @ashleyirisgill, our #director @jacob.tierney, our actors, and the scripts themselves. Intimacy is a huge part of the show, and it was important to me that the camera felt complicit and engaged — not standing back, but participating in the desire of the characters and the viewer. Our operators were absolutely essential in making that work, as was our intimacy coordinator @chala_hunter.

Panavision has been a big part of my career from the beginning, and I’ve worked with the team at Panavision Toronto on all my long-format projects. Once we knew we were committed to an #anamorphic deliverable, the #TSeries felt like the obvious choice. They’ve got a classic Panavision anamorphic feel, but with the practicality and reliability of a modern lens, which is huge on a fast-paced episodic schedule. I loved the look, my ACs loved the mechanics, and the close focus was awesome for the intimacy scenes.

Working with Jacob was honestly a dream. He’s collaborative and decisive, and just a really good person to be on set with. The creative process was very vertically integrated — Jacob was the writer, director, and showrunner — which created a lot of clarity and trust across the entire set. Everyone felt genuinely enabled to do their best work."


63.3K
574
4 months ago

"The look of #HeatedRivalry really came out of my love of maximalist lighting and colour, paired with a constant desire for naturalism,” says #cinematographer @jacksonparrell about his work on the breakout series. ❤️‍🔥🏒 “I wanted the show to feel full-fat, rich, contrasty, and cinematic, but still relatable – something that could defy expectations around what on-screen adaptations of these stories usually look like. I was also really aware that a lot of our audience would be longtime fans of the books, coming in with very specific images already living in their heads. A reader’s imagination is a powerful thing, so we needed to give them something beautiful to compete with that. Big thank you to our gaffer Loreen Ruddock and her entire team for their work here.

The camera work was always a dialogue between our operators @jamesporemba and @ashleyirisgill, our #director @jacob.tierney, our actors, and the scripts themselves. Intimacy is a huge part of the show, and it was important to me that the camera felt complicit and engaged — not standing back, but participating in the desire of the characters and the viewer. Our operators were absolutely essential in making that work, as was our intimacy coordinator @chala_hunter.

Panavision has been a big part of my career from the beginning, and I’ve worked with the team at Panavision Toronto on all my long-format projects. Once we knew we were committed to an #anamorphic deliverable, the #TSeries felt like the obvious choice. They’ve got a classic Panavision anamorphic feel, but with the practicality and reliability of a modern lens, which is huge on a fast-paced episodic schedule. I loved the look, my ACs loved the mechanics, and the close focus was awesome for the intimacy scenes.

Working with Jacob was honestly a dream. He’s collaborative and decisive, and just a really good person to be on set with. The creative process was very vertically integrated — Jacob was the writer, director, and showrunner — which created a lot of clarity and trust across the entire set. Everyone felt genuinely enabled to do their best work."


63.3K
574
4 months ago

"The look of #HeatedRivalry really came out of my love of maximalist lighting and colour, paired with a constant desire for naturalism,” says #cinematographer @jacksonparrell about his work on the breakout series. ❤️‍🔥🏒 “I wanted the show to feel full-fat, rich, contrasty, and cinematic, but still relatable – something that could defy expectations around what on-screen adaptations of these stories usually look like. I was also really aware that a lot of our audience would be longtime fans of the books, coming in with very specific images already living in their heads. A reader’s imagination is a powerful thing, so we needed to give them something beautiful to compete with that. Big thank you to our gaffer Loreen Ruddock and her entire team for their work here.

The camera work was always a dialogue between our operators @jamesporemba and @ashleyirisgill, our #director @jacob.tierney, our actors, and the scripts themselves. Intimacy is a huge part of the show, and it was important to me that the camera felt complicit and engaged — not standing back, but participating in the desire of the characters and the viewer. Our operators were absolutely essential in making that work, as was our intimacy coordinator @chala_hunter.

Panavision has been a big part of my career from the beginning, and I’ve worked with the team at Panavision Toronto on all my long-format projects. Once we knew we were committed to an #anamorphic deliverable, the #TSeries felt like the obvious choice. They’ve got a classic Panavision anamorphic feel, but with the practicality and reliability of a modern lens, which is huge on a fast-paced episodic schedule. I loved the look, my ACs loved the mechanics, and the close focus was awesome for the intimacy scenes.

Working with Jacob was honestly a dream. He’s collaborative and decisive, and just a really good person to be on set with. The creative process was very vertically integrated — Jacob was the writer, director, and showrunner — which created a lot of clarity and trust across the entire set. Everyone felt genuinely enabled to do their best work."


63.3K
574
4 months ago

Episode 4 😍. I love this ep so much because: A) montage and B) t.A.T.u @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @sophie__nelisse


12.7K
99
5 months ago

Episode 4 😍. I love this ep so much because: A) montage and B) t.A.T.u @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @sophie__nelisse


12.7K
99
5 months ago

Episode 4 😍. I love this ep so much because: A) montage and B) t.A.T.u @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @sophie__nelisse


12.7K
99
5 months ago

Episode 4 😍. I love this ep so much because: A) montage and B) t.A.T.u @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @sophie__nelisse


12.7K
99
5 months ago

Episode 4 😍. I love this ep so much because: A) montage and B) t.A.T.u @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @sophie__nelisse


12.7K
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5 months ago

Episode 4 😍. I love this ep so much because: A) montage and B) t.A.T.u @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @sophie__nelisse


12.7K
99
5 months ago

Episode 4 😍. I love this ep so much because: A) montage and B) t.A.T.u @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @sophie__nelisse


12.7K
99
5 months ago

Episode 4 😍. I love this ep so much because: A) montage and B) t.A.T.u @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @sophie__nelisse


12.7K
99
5 months ago

Episode 4 😍. I love this ep so much because: A) montage and B) t.A.T.u @heatedrivalrytv @heatedrivalryupdates @connorstorrieofficial @hudsonwilliamsofficial @sophie__nelisse


12.7K
99
5 months ago

Some of my favourite frames from episode 3. This episode was a lot of fun to shoot. Highlights included 900mm lenses, many layers of CTB, and the incredibly talented @nadinebhabs @francoisarnaud and @robsgk @heatedrivalrytv@heatedrivalryupdates @heatedrivalrycrave


16.5K
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5 months ago

Some of my favourite frames from episode 3. This episode was a lot of fun to shoot. Highlights included 900mm lenses, many layers of CTB, and the incredibly talented @nadinebhabs @francoisarnaud and @robsgk @heatedrivalrytv@heatedrivalryupdates @heatedrivalrycrave


16.5K
82
5 months ago

Some of my favourite frames from episode 3. This episode was a lot of fun to shoot. Highlights included 900mm lenses, many layers of CTB, and the incredibly talented @nadinebhabs @francoisarnaud and @robsgk @heatedrivalrytv@heatedrivalryupdates @heatedrivalrycrave


16.5K
82
5 months ago

Some of my favourite frames from episode 3. This episode was a lot of fun to shoot. Highlights included 900mm lenses, many layers of CTB, and the incredibly talented @nadinebhabs @francoisarnaud and @robsgk @heatedrivalrytv@heatedrivalryupdates @heatedrivalrycrave


16.5K
82
5 months ago

Some of my favourite frames from episode 3. This episode was a lot of fun to shoot. Highlights included 900mm lenses, many layers of CTB, and the incredibly talented @nadinebhabs @francoisarnaud and @robsgk @heatedrivalrytv@heatedrivalryupdates @heatedrivalrycrave


16.5K
82
5 months ago

Some of my favourite frames from episode 3. This episode was a lot of fun to shoot. Highlights included 900mm lenses, many layers of CTB, and the incredibly talented @nadinebhabs @francoisarnaud and @robsgk @heatedrivalrytv@heatedrivalryupdates @heatedrivalrycrave


16.5K
82
5 months ago

Some of my favourite frames from episode 3. This episode was a lot of fun to shoot. Highlights included 900mm lenses, many layers of CTB, and the incredibly talented @nadinebhabs @francoisarnaud and @robsgk @heatedrivalrytv@heatedrivalryupdates @heatedrivalrycrave


16.5K
82
5 months ago

Some of my favourite frames from episode 3. This episode was a lot of fun to shoot. Highlights included 900mm lenses, many layers of CTB, and the incredibly talented @nadinebhabs @francoisarnaud and @robsgk @heatedrivalrytv@heatedrivalryupdates @heatedrivalrycrave


16.5K
82
5 months ago

The first two episodes of Heated Rivalry are out and I’m so excited. Shooting this show was an absolute dream—more on that soon. For now though here are some of my favourite screengrabs from Episodes 1 and 2.
Streaming now on Crave and HBO Max.

@jacob.tierney @brendanjamesbrady @heatedrivalrycrave @heatedrivalryupdates @cravecanada @hbomax @panavisionofficial @connorstorrieofficial @hudsonwilliamsofficial


6.4K
83
5 months ago

The first two episodes of Heated Rivalry are out and I’m so excited. Shooting this show was an absolute dream—more on that soon. For now though here are some of my favourite screengrabs from Episodes 1 and 2.
Streaming now on Crave and HBO Max.

@jacob.tierney @brendanjamesbrady @heatedrivalrycrave @heatedrivalryupdates @cravecanada @hbomax @panavisionofficial @connorstorrieofficial @hudsonwilliamsofficial


6.4K
83
5 months ago

The first two episodes of Heated Rivalry are out and I’m so excited. Shooting this show was an absolute dream—more on that soon. For now though here are some of my favourite screengrabs from Episodes 1 and 2.
Streaming now on Crave and HBO Max.

@jacob.tierney @brendanjamesbrady @heatedrivalrycrave @heatedrivalryupdates @cravecanada @hbomax @panavisionofficial @connorstorrieofficial @hudsonwilliamsofficial


6.4K
83
5 months ago

The first two episodes of Heated Rivalry are out and I’m so excited. Shooting this show was an absolute dream—more on that soon. For now though here are some of my favourite screengrabs from Episodes 1 and 2.
Streaming now on Crave and HBO Max.

@jacob.tierney @brendanjamesbrady @heatedrivalrycrave @heatedrivalryupdates @cravecanada @hbomax @panavisionofficial @connorstorrieofficial @hudsonwilliamsofficial


6.4K
83
5 months ago

The first two episodes of Heated Rivalry are out and I’m so excited. Shooting this show was an absolute dream—more on that soon. For now though here are some of my favourite screengrabs from Episodes 1 and 2.
Streaming now on Crave and HBO Max.

@jacob.tierney @brendanjamesbrady @heatedrivalrycrave @heatedrivalryupdates @cravecanada @hbomax @panavisionofficial @connorstorrieofficial @hudsonwilliamsofficial


6.4K
83
5 months ago

The first two episodes of Heated Rivalry are out and I’m so excited. Shooting this show was an absolute dream—more on that soon. For now though here are some of my favourite screengrabs from Episodes 1 and 2.
Streaming now on Crave and HBO Max.

@jacob.tierney @brendanjamesbrady @heatedrivalrycrave @heatedrivalryupdates @cravecanada @hbomax @panavisionofficial @connorstorrieofficial @hudsonwilliamsofficial


6.4K
83
5 months ago

The first two episodes of Heated Rivalry are out and I’m so excited. Shooting this show was an absolute dream—more on that soon. For now though here are some of my favourite screengrabs from Episodes 1 and 2.
Streaming now on Crave and HBO Max.

@jacob.tierney @brendanjamesbrady @heatedrivalrycrave @heatedrivalryupdates @cravecanada @hbomax @panavisionofficial @connorstorrieofficial @hudsonwilliamsofficial


6.4K
83
5 months ago

The first two episodes of Heated Rivalry are out and I’m so excited. Shooting this show was an absolute dream—more on that soon. For now though here are some of my favourite screengrabs from Episodes 1 and 2.
Streaming now on Crave and HBO Max.

@jacob.tierney @brendanjamesbrady @heatedrivalrycrave @heatedrivalryupdates @cravecanada @hbomax @panavisionofficial @connorstorrieofficial @hudsonwilliamsofficial


6.4K
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5 months ago

Los Angeles January 2025 #503cx #porta400


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1 years ago

Los Angeles January 2025 #503cx #porta400


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1 years ago

2024 Iqualuit #503cx #ektar100


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1 years ago

2024 Iqualuit #503cx #ektar100


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1 years ago

Apex Nunuvut 2024 #503cx #portra400 #hasselblad


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1 years ago

Iqaluit 2024 #leicam10


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2 years ago


Story Save - Najlepsze darmowe narzędzie do zapisywania historii, rolek, zdjęć, wideo, wyróżnionych, IGTV na telefonie.

Story-save.com to intuicyjne narzędzie online, które umożliwia pobieranie i zapisywanie różnych treści, w tym historii, zdjęć, wideo i materiałów IGTV bezpośrednio z Instagrama. Dzięki Story-Save możesz łatwo pobierać różnorodne treści z Instagrama, a także oglądać je w dogodnym czasie, nawet bez dostępu do internetu. To narzędzie jest idealne na chwile, kiedy znajdziesz coś interesującego na Instagramie i chcesz zapisać to na później. Użyj Story-Save, aby nie przegapić okazji, aby zabrać ulubione momenty z Instagrama ze sobą!

Nasze zalety:

Brak potrzeby rejestracji

Unikaj pobierania aplikacji i rejestracji, przechowuj historie w internecie.

Wysoka jakość

Zakończ z kiepską jakością treści, zachowuj tylko wysokiej rozdzielczości historie.

Dostępność na wszystkich

Urządzenia Pobieraj historie z Instagrama za pomocą każdej przeglądarki, iPhone'a, Androida.

Całkowicie darmowe

Absolutnie bez opłat. Pobierz dowolną historię bez żadnych kosztów.

Najczęściej zadawane pytania

Funkcja pobierania historii na Instagramie została zaprojektowana w celu zapewnienia bezpiecznej i wysokiej jakości metody pobierania historii z Instagrama. Jest łatwa w obsłudze i nie wymaga rejestracji ani logowania. Wystarczy skopiować link, wkleić go i cieszyć się treścią.
Pobieranie historii z Instagrama to prosty proces, który obejmuje trzy kroki:
  • 1. Przejdź do narzędzia do pobierania historii z Instagrama.
  • 2. Następnie wpisz nazwę użytkownika profilu Instagram w podanym polu i kliknij przycisk Pobierz.
  • 3. Zobaczysz wszystkie historie dostępne w bieżącym 24-godzinnym okresie. Wybierz te, które chcesz pobrać, i kliknij Pobierz.
Wybrana historia zostanie szybko zapisana w pamięci lokalnej Twojego urządzenia.
Niestety, nie jest możliwe pobieranie historii z prywatnych kont z powodu ograniczeń prywatności.
Nie ma limitu na liczbę historii, które można pobrać. Usługa pobierania historii jest dostępna do nieograniczonego użytku i jest całkowicie darmowa.
Tak, legalne jest pobieranie i zapisywanie historii z Instagrama innych użytkowników, pod warunkiem, że nie będą one wykorzystywane do celów komercyjnych. Jeśli zamierzasz je wykorzystać komercyjnie, musisz uzyskać zgodę właściciela treści i przypisać mu autorstwo za każdym razem, gdy historia jest używana.
Wszystkie pobrane historie są zazwyczaj zapisywane w folderze Pobrane na Twoim komputerze, niezależnie od tego, czy używasz Windowsa, Maca, czy iOS. Na urządzeniach mobilnych historie są zapisywane w pamięci telefonu i powinny natychmiast pojawić się w aplikacji Galeria po pobraniu.