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It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

It is a massive and near-impossible undertaking to express in a single post what Martin meant to us and to the world. He was a visionary, a renegade, and an absolute creative force. But more importantly he was a husband, a father, a mentor, and our friend. We should all consider ourselves so lucky to be able to revisit life through his eyes whenever we pick up one of his books or see one of his photographs, and we are so proud of the work we’ve made with him over the past 25 years. DMB will continue to do all we can to uphold his immense legacy. We miss him greatly.

Martin PARR x THE SKATEROOM — Sunburnt Leisure, Lasting Images

Today, THE SKATEROOM is honored to unveil one of the final collections personally approved by Martin Parr before his passing, developed in close collaboration with the Martin Parr Foundation and DMB.

This collection carries a particular emotional weight for us. It was a project Martin was actively involved in during its development and one we all thought he would be around to see launch. Continuing this release together with the Martin Parr Foundation felt less like a decision than a responsibility: to celebrate the vitality, humor, and cultural sharpness that
defined his work and legacy.

The collection features two iconic photographs translated into collectible skateboard editions: Benidorm (Goggles) and The Ocean Dome, Miyazaki, Japan, 1996. Two images that perfectly embody Parr’s singular gaze on contemporary leisure culture: absurd, beautiful, hyperreal, and deeply human.

As with every THE SKATEROOM collection, 10% of the sales from this release will support social impact initiatives through skateboarding and education.

© Courtesy of Martin Parr @ DMB

Photography by @d_lavrovski

Martin PARR x THE SKATEROOM — Sunburnt Leisure, Lasting Images

Today, THE SKATEROOM is honored to unveil one of the final collections personally approved by Martin Parr before his passing, developed in close collaboration with the Martin Parr Foundation and DMB.

This collection carries a particular emotional weight for us. It was a project Martin was actively involved in during its development and one we all thought he would be around to see launch. Continuing this release together with the Martin Parr Foundation felt less like a decision than a responsibility: to celebrate the vitality, humor, and cultural sharpness that
defined his work and legacy.

The collection features two iconic photographs translated into collectible skateboard editions: Benidorm (Goggles) and The Ocean Dome, Miyazaki, Japan, 1996. Two images that perfectly embody Parr’s singular gaze on contemporary leisure culture: absurd, beautiful, hyperreal, and deeply human.

As with every THE SKATEROOM collection, 10% of the sales from this release will support social impact initiatives through skateboarding and education.

© Courtesy of Martin Parr @ DMB

Photography by @d_lavrovski

Martin PARR x THE SKATEROOM — Sunburnt Leisure, Lasting Images

Today, THE SKATEROOM is honored to unveil one of the final collections personally approved by Martin Parr before his passing, developed in close collaboration with the Martin Parr Foundation and DMB.

This collection carries a particular emotional weight for us. It was a project Martin was actively involved in during its development and one we all thought he would be around to see launch. Continuing this release together with the Martin Parr Foundation felt less like a decision than a responsibility: to celebrate the vitality, humor, and cultural sharpness that
defined his work and legacy.

The collection features two iconic photographs translated into collectible skateboard editions: Benidorm (Goggles) and The Ocean Dome, Miyazaki, Japan, 1996. Two images that perfectly embody Parr’s singular gaze on contemporary leisure culture: absurd, beautiful, hyperreal, and deeply human.

As with every THE SKATEROOM collection, 10% of the sales from this release will support social impact initiatives through skateboarding and education.

© Courtesy of Martin Parr @ DMB

Photography by @d_lavrovski

Martin PARR x THE SKATEROOM — Sunburnt Leisure, Lasting Images

Today, THE SKATEROOM is honored to unveil one of the final collections personally approved by Martin Parr before his passing, developed in close collaboration with the Martin Parr Foundation and DMB.

This collection carries a particular emotional weight for us. It was a project Martin was actively involved in during its development and one we all thought he would be around to see launch. Continuing this release together with the Martin Parr Foundation felt less like a decision than a responsibility: to celebrate the vitality, humor, and cultural sharpness that
defined his work and legacy.

The collection features two iconic photographs translated into collectible skateboard editions: Benidorm (Goggles) and The Ocean Dome, Miyazaki, Japan, 1996. Two images that perfectly embody Parr’s singular gaze on contemporary leisure culture: absurd, beautiful, hyperreal, and deeply human.

As with every THE SKATEROOM collection, 10% of the sales from this release will support social impact initiatives through skateboarding and education.

© Courtesy of Martin Parr @ DMB

Photography by @d_lavrovski

Martin PARR x THE SKATEROOM — Sunburnt Leisure, Lasting Images

Today, THE SKATEROOM is honored to unveil one of the final collections personally approved by Martin Parr before his passing, developed in close collaboration with the Martin Parr Foundation and DMB.

This collection carries a particular emotional weight for us. It was a project Martin was actively involved in during its development and one we all thought he would be around to see launch. Continuing this release together with the Martin Parr Foundation felt less like a decision than a responsibility: to celebrate the vitality, humor, and cultural sharpness that
defined his work and legacy.

The collection features two iconic photographs translated into collectible skateboard editions: Benidorm (Goggles) and The Ocean Dome, Miyazaki, Japan, 1996. Two images that perfectly embody Parr’s singular gaze on contemporary leisure culture: absurd, beautiful, hyperreal, and deeply human.

As with every THE SKATEROOM collection, 10% of the sales from this release will support social impact initiatives through skateboarding and education.

© Courtesy of Martin Parr @ DMB

Photography by @d_lavrovski

@juliaetvincent style it out for @fandfclothing and @bbhlondon 🧳 produced by @dmb_represents

@juliaetvincent style it out for @fandfclothing and @bbhlondon 🧳 produced by @dmb_represents

@juliaetvincent style it out for @fandfclothing and @bbhlondon 🧳 produced by @dmb_represents

When life gives you lost luggage 🧳 @juliaetvincent direct the latest campaign for @fandfclothing with @bbhlondon produced by @dmb_represents 🥂

Beltane by @laurenmaccabee for @ffern.co 🌼

Beltane by @laurenmaccabee for @ffern.co 🌼

Beltane by @laurenmaccabee for @ffern.co 🌼

Beltane by @laurenmaccabee for @ffern.co 🌼

Beltane by @laurenmaccabee for @ffern.co 🌼

Beltane by @laurenmaccabee for @ffern.co 🌼

Beltane by @laurenmaccabee for @ffern.co 🌼

Beltane by @laurenmaccabee for @ffern.co 🌼

Beltane by @laurenmaccabee for @ffern.co 🌼

@amandafordycephoto creates the artwork for Alexander Zeldin’s CARE, showing now at @youngvictheatre - ‘a life affirming play about the connection between loss and rebirth’

Design @byemiliechen
DP @sam____white
Lighting and assist @christopher_parsons_ @charlottecullenn @maxrapheal
Retouch @plamka_retouch

@amandafordycephoto creates the artwork for Alexander Zeldin’s CARE, showing now at @youngvictheatre - ‘a life affirming play about the connection between loss and rebirth’

Design @byemiliechen
DP @sam____white
Lighting and assist @christopher_parsons_ @charlottecullenn @maxrapheal
Retouch @plamka_retouch

@amandafordycephoto creates the artwork for Alexander Zeldin’s CARE, showing now at @youngvictheatre - ‘a life affirming play about the connection between loss and rebirth’

Design @byemiliechen
DP @sam____white
Lighting and assist @christopher_parsons_ @charlottecullenn @maxrapheal
Retouch @plamka_retouch

@zaralarsson for @papermagazine

styling @jaredellner
story @beaisaacson
makeup artist @jimmy_stam
hair artist @rachellitahair
nail artist @nailsxanalysse
production designer @allegras1mone
digitech @ryanedspencer
photo assistants @_brandonyee @nikkopeach
styling assistant @maya_sauder
set decorator @annnnlee
art department @gigantic.la @allhailcam @anns3la
production assistant @jilllianhelm
chief creative officer @briancalle
executive creative director @_jordanbradfield
executive creative producer @angelinacantu
senior editor @joansummers4ever
graphic designer @compositeco
post production @kkretouch @kushtrimkunushevci

@zaralarsson for @papermagazine

styling @jaredellner
story @beaisaacson
makeup artist @jimmy_stam
hair artist @rachellitahair
nail artist @nailsxanalysse
production designer @allegras1mone
digitech @ryanedspencer
photo assistants @_brandonyee @nikkopeach
styling assistant @maya_sauder
set decorator @annnnlee
art department @gigantic.la @allhailcam @anns3la
production assistant @jilllianhelm
chief creative officer @briancalle
executive creative director @_jordanbradfield
executive creative producer @angelinacantu
senior editor @joansummers4ever
graphic designer @compositeco
post production @kkretouch @kushtrimkunushevci

@zaralarsson for @papermagazine

styling @jaredellner
story @beaisaacson
makeup artist @jimmy_stam
hair artist @rachellitahair
nail artist @nailsxanalysse
production designer @allegras1mone
digitech @ryanedspencer
photo assistants @_brandonyee @nikkopeach
styling assistant @maya_sauder
set decorator @annnnlee
art department @gigantic.la @allhailcam @anns3la
production assistant @jilllianhelm
chief creative officer @briancalle
executive creative director @_jordanbradfield
executive creative producer @angelinacantu
senior editor @joansummers4ever
graphic designer @compositeco
post production @kkretouch @kushtrimkunushevci

@zaralarsson for @papermagazine

styling @jaredellner
story @beaisaacson
makeup artist @jimmy_stam
hair artist @rachellitahair
nail artist @nailsxanalysse
production designer @allegras1mone
digitech @ryanedspencer
photo assistants @_brandonyee @nikkopeach
styling assistant @maya_sauder
set decorator @annnnlee
art department @gigantic.la @allhailcam @anns3la
production assistant @jilllianhelm
chief creative officer @briancalle
executive creative director @_jordanbradfield
executive creative producer @angelinacantu
senior editor @joansummers4ever
graphic designer @compositeco
post production @kkretouch @kushtrimkunushevci

@zaralarsson for @papermagazine

styling @jaredellner
story @beaisaacson
makeup artist @jimmy_stam
hair artist @rachellitahair
nail artist @nailsxanalysse
production designer @allegras1mone
digitech @ryanedspencer
photo assistants @_brandonyee @nikkopeach
styling assistant @maya_sauder
set decorator @annnnlee
art department @gigantic.la @allhailcam @anns3la
production assistant @jilllianhelm
chief creative officer @briancalle
executive creative director @_jordanbradfield
executive creative producer @angelinacantu
senior editor @joansummers4ever
graphic designer @compositeco
post production @kkretouch @kushtrimkunushevci

@zaralarsson for @papermagazine

styling @jaredellner
story @beaisaacson
makeup artist @jimmy_stam
hair artist @rachellitahair
nail artist @nailsxanalysse
production designer @allegras1mone
digitech @ryanedspencer
photo assistants @_brandonyee @nikkopeach
styling assistant @maya_sauder
set decorator @annnnlee
art department @gigantic.la @allhailcam @anns3la
production assistant @jilllianhelm
chief creative officer @briancalle
executive creative director @_jordanbradfield
executive creative producer @angelinacantu
senior editor @joansummers4ever
graphic designer @compositeco
post production @kkretouch @kushtrimkunushevci

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. Lee has published 14 books and directed two films, collaborating with artists such as Martin Parr and Omar Victor Diop, and garnering distinctions like 2019 Times Photography Book of the Year. Centered around his growing archive of Kodachrome slides, these projects are carefully curated to show a shared thread through our collective memory, or are reworked with cutting edge post production to bring the past and our contemporary age into the same frame.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. Lee has published 14 books and directed two films, collaborating with artists such as Martin Parr and Omar Victor Diop, and garnering distinctions like 2019 Times Photography Book of the Year. Centered around his growing archive of Kodachrome slides, these projects are carefully curated to show a shared thread through our collective memory, or are reworked with cutting edge post production to bring the past and our contemporary age into the same frame.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. Lee has published 14 books and directed two films, collaborating with artists such as Martin Parr and Omar Victor Diop, and garnering distinctions like 2019 Times Photography Book of the Year. Centered around his growing archive of Kodachrome slides, these projects are carefully curated to show a shared thread through our collective memory, or are reworked with cutting edge post production to bring the past and our contemporary age into the same frame.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. Lee has published 14 books and directed two films, collaborating with artists such as Martin Parr and Omar Victor Diop, and garnering distinctions like 2019 Times Photography Book of the Year. Centered around his growing archive of Kodachrome slides, these projects are carefully curated to show a shared thread through our collective memory, or are reworked with cutting edge post production to bring the past and our contemporary age into the same frame.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. Lee has published 14 books and directed two films, collaborating with artists such as Martin Parr and Omar Victor Diop, and garnering distinctions like 2019 Times Photography Book of the Year. Centered around his growing archive of Kodachrome slides, these projects are carefully curated to show a shared thread through our collective memory, or are reworked with cutting edge post production to bring the past and our contemporary age into the same frame.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. Lee has published 14 books and directed two films, collaborating with artists such as Martin Parr and Omar Victor Diop, and garnering distinctions like 2019 Times Photography Book of the Year. Centered around his growing archive of Kodachrome slides, these projects are carefully curated to show a shared thread through our collective memory, or are reworked with cutting edge post production to bring the past and our contemporary age into the same frame.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. Lee has published 14 books and directed two films, collaborating with artists such as Martin Parr and Omar Victor Diop, and garnering distinctions like 2019 Times Photography Book of the Year. Centered around his growing archive of Kodachrome slides, these projects are carefully curated to show a shared thread through our collective memory, or are reworked with cutting edge post production to bring the past and our contemporary age into the same frame.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman creator of @the.anonymous.project, to the DMB roster. After avidly collecting Kodachrome slides since 2017, Lee’s biggest interest in photography is no longer the image itself, but what he’s doing with it. His aim is to make images as tangible as possible, elevating them to experiences you can move through. He’s created numerous immersive installations for The Anonymous Project, bringing the archive to life on walls, projections, sailboats, jewelry boxes, 3D sculpture, and more.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

We’re so excited to welcome @lee.shulman, creator of The Anonymous Project, to the DMB roster. Built from an ever-growing archive of found Kodachrome slides, Lee works across photography, film, and installation to preserve the collective memory of the past - but we like to think that his main medium is time itself. Lee’s work is held in major collections like The Getty Museum. He’s currently based in Paris and works globally.

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

WORK HARD, PLAY HARD. @charliedenis shoots April’s work-themed issue of Esquire @ukesquire styled by Julian Ganio. A sexed-up, high-polish, American Psycho-inflected imagining of the way we dress for work now.

Photographer @charliedenis
Stylist @ganio
Editor in Chief @teovandenbroeke
Photo Assistant @christopher_parsons_
Model @aiden_stonehouse next
Model @martin.antech @models1
Model @ahmed.ys1 @premiermodels
Groomer @andrewgallimakeup
Hair Stylist @mikemahoney.hair
Hair Assistant @marcostonicshair
Casting and Production @tmscsy
Style Director @zakmaoui
Art Director geridempsey
Set Designer @paulasalinasar
Set Assistant @charplant
Stylists Assistants @aliciarobynellis @laurynjdoherty

Presenting ‘The Day After’ a @crfashionbook film by @alexandr.bassard and @valentinahites - produced by @dmb_represents

Director @alexandr.bassard
Creative Director @e.mman
Female Lead @valentinahites
DP @sam____white
Lighting @bogdan.roth.robert
Casting Director @chloerosolek
Supporting actors @eliot_photographs
@greymodelagency
Sound Design: @gotmoves.co @willberridgesound
Color Grade @jean.ousmane77
Production @dmb_represents
Producer @carlota.rdv
Stylist @jonmorales__
Hair Stylist @_carloavena
Makeup Artist @joeyjoeychoy
Set Designer @mickoconn
Post Production @newkid_tv
Written by @valentinahites

Presenting ‘The Day After’ a @crfashionbook film by @alexandr.bassard and @valentinahites - produced by @dmb_represents

Director @alexandr.bassard
Creative Director @e.mman
Female Lead @valentinahites
DP @sam____white
Lighting @bogdan.roth.robert
Casting Director @chloerosolek
Supporting actors @eliot_photographs
@greymodelagency
Sound Design: @gotmoves.co @willberridgesound
Color Grade @jean.ousmane77
Production @dmb_represents
Producer @carlota.rdv
Stylist @jonmorales__
Hair Stylist @_carloavena
Makeup Artist @joeyjoeychoy
Set Designer @mickoconn
Post Production @newkid_tv
Written by @valentinahites

Presenting ‘The Day After’ a @crfashionbook film by @alexandr.bassard and @valentinahites - produced by @dmb_represents

Director @alexandr.bassard
Creative Director @e.mman
Female Lead @valentinahites
DP @sam____white
Lighting @bogdan.roth.robert
Casting Director @chloerosolek
Supporting actors @eliot_photographs
@greymodelagency
Sound Design: @gotmoves.co @willberridgesound
Color Grade @jean.ousmane77
Production @dmb_represents
Producer @carlota.rdv
Stylist @jonmorales__
Hair Stylist @_carloavena
Makeup Artist @joeyjoeychoy
Set Designer @mickoconn
Post Production @newkid_tv
Written by @valentinahites