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lua_ribeira
Lua Hlowa
For the next Square print sale of @magnumphotos , I’ve selected a special image from the Aristocrats series that has never been released before. It features Celia in character, captured during the summer of 2016.
.
«Square Print Sale, in partnership with @thephotographersgallery , celebrates Odyssey through a curated selection of time-limited prints
by acclaimed photographers, tracing personal and collective journeys across landscapes, borders, and inner worlds.
Odyssey, the 27th Magnum Square Print Sale, will take place from Monday, March 23 to Sunday, March 29»
Tumbada en el campo. Esclavas de la Virgen Dolorosa. Covas, Galicia, Spain, 2016.
— Lúa Ribeira
For the next Square print sale of @magnumphotos , I’ve selected a special image from the Aristocrats series that has never been released before. It features Celia in character, captured during the summer of 2016.
.
«Square Print Sale, in partnership with @thephotographersgallery , celebrates Odyssey through a curated selection of time-limited prints
by acclaimed photographers, tracing personal and collective journeys across landscapes, borders, and inner worlds.
Odyssey, the 27th Magnum Square Print Sale, will take place from Monday, March 23 to Sunday, March 29»
Tumbada en el campo. Esclavas de la Virgen Dolorosa. Covas, Galicia, Spain, 2016.
— Lúa Ribeira
For the next Square print sale of @magnumphotos , I’ve selected a special image from the Aristocrats series that has never been released before. It features Celia in character, captured during the summer of 2016.
.
«Square Print Sale, in partnership with @thephotographersgallery , celebrates Odyssey through a curated selection of time-limited prints
by acclaimed photographers, tracing personal and collective journeys across landscapes, borders, and inner worlds.
Odyssey, the 27th Magnum Square Print Sale, will take place from Monday, March 23 to Sunday, March 29»
Tumbada en el campo. Esclavas de la Virgen Dolorosa. Covas, Galicia, Spain, 2016.
— Lúa Ribeira
Orfeo atacado por las bacantes (desmembrado) F Alvarez de Sotomayor - Aby Warburg Mnemosyne introduction
Orfeo atacado por las bacantes (desmembrado) F Alvarez de Sotomayor - Aby Warburg Mnemosyne introduction
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Working together on something new in North Carolina! 🇺🇸 @lua_ribeira @biekedepoorter
Trataré de recordar de que hemos hablado. Llevaré este recuerdo entre las manos como una llamita palpitante y procuraré que no se apague. Porque es posible que comprenda que esa luz la ha encendido otra luz que es grande y de una intensidad inconcebible. Y eso ha de ser para mi una señal y una lucidez, una esperanza y una razón suficiente. Ingmar Bergman Cuaderno de Trabajo I 55-74
Trataré de recordar de que hemos hablado. Llevaré este recuerdo entre las manos como una llamita palpitante y procuraré que no se apague. Porque es posible que comprenda que esa luz la ha encendido otra luz que es grande y de una intensidad inconcebible. Y eso ha de ser para mi una señal y una lucidez, una esperanza y una razón suficiente. Ingmar Bergman Cuaderno de Trabajo I 55-74
Trataré de recordar de que hemos hablado. Llevaré este recuerdo entre las manos como una llamita palpitante y procuraré que no se apague. Porque es posible que comprenda que esa luz la ha encendido otra luz que es grande y de una intensidad inconcebible. Y eso ha de ser para mi una señal y una lucidez, una esperanza y una razón suficiente. Ingmar Bergman Cuaderno de Trabajo I 55-74
Trataré de recordar de que hemos hablado. Llevaré este recuerdo entre las manos como una llamita palpitante y procuraré que no se apague. Porque es posible que comprenda que esa luz la ha encendido otra luz que es grande y de una intensidad inconcebible. Y eso ha de ser para mi una señal y una lucidez, una esperanza y una razón suficiente. Ingmar Bergman Cuaderno de Trabajo I 55-74
Trataré de recordar de que hemos hablado. Llevaré este recuerdo entre las manos como una llamita palpitante y procuraré que no se apague. Porque es posible que comprenda que esa luz la ha encendido otra luz que es grande y de una intensidad inconcebible. Y eso ha de ser para mi una señal y una lucidez, una esperanza y una razón suficiente. Ingmar Bergman Cuaderno de Trabajo I 55-74
Trataré de recordar de que hemos hablado. Llevaré este recuerdo entre las manos como una llamita palpitante y procuraré que no se apague. Porque es posible que comprenda que esa luz la ha encendido otra luz que es grande y de una intensidad inconcebible. Y eso ha de ser para mi una señal y una lucidez, una esperanza y una razón suficiente. Ingmar Bergman Cuaderno de Trabajo I 55-74
Trataré de recordar de que hemos hablado. Llevaré este recuerdo entre las manos como una llamita palpitante y procuraré que no se apague. Porque es posible que comprenda que esa luz la ha encendido otra luz que es grande y de una intensidad inconcebible. Y eso ha de ser para mi una señal y una lucidez, una esperanza y una razón suficiente. Ingmar Bergman Cuaderno de Trabajo I 55-74
Trataré de recordar de que hemos hablado. Llevaré este recuerdo entre las manos como una llamita palpitante y procuraré que no se apague. Porque es posible que comprenda que esa luz la ha encendido otra luz que es grande y de una intensidad inconcebible. Y eso ha de ser para mi una señal y una lucidez, una esperanza y una razón suficiente. Ingmar Bergman Cuaderno de Trabajo I 55-74
19 MAR join Magnum photographer @Lua_Ribeira for an artist talk on her latest work, Agony in the Garden, at @MartinParrFDN in Bristol 🙌
Inspired by the potential of contemporary counter-culture, for Agony in the Garden Lua has collaborated with young people in the peripheries of Madrid, Málaga, Granada and Almería to make images that reflect on the alienation and uncertainty of the present era. Link in the MPF bio for full details and booking.
The talk will be followed by questions from the floor and a book signing at @MPFbookshop ✍️
Agony in the Garden is Lua’s third monograph, published by @DalpineBooks, 2025. Here is a look at a selection of images from the work.
Photos from Agony in the Garden © Lua Ribeira / @MagnumPhotos
19 MAR join Magnum photographer @Lua_Ribeira for an artist talk on her latest work, Agony in the Garden, at @MartinParrFDN in Bristol 🙌
Inspired by the potential of contemporary counter-culture, for Agony in the Garden Lua has collaborated with young people in the peripheries of Madrid, Málaga, Granada and Almería to make images that reflect on the alienation and uncertainty of the present era. Link in the MPF bio for full details and booking.
The talk will be followed by questions from the floor and a book signing at @MPFbookshop ✍️
Agony in the Garden is Lua’s third monograph, published by @DalpineBooks, 2025. Here is a look at a selection of images from the work.
Photos from Agony in the Garden © Lua Ribeira / @MagnumPhotos
19 MAR join Magnum photographer @Lua_Ribeira for an artist talk on her latest work, Agony in the Garden, at @MartinParrFDN in Bristol 🙌
Inspired by the potential of contemporary counter-culture, for Agony in the Garden Lua has collaborated with young people in the peripheries of Madrid, Málaga, Granada and Almería to make images that reflect on the alienation and uncertainty of the present era. Link in the MPF bio for full details and booking.
The talk will be followed by questions from the floor and a book signing at @MPFbookshop ✍️
Agony in the Garden is Lua’s third monograph, published by @DalpineBooks, 2025. Here is a look at a selection of images from the work.
Photos from Agony in the Garden © Lua Ribeira / @MagnumPhotos
19 MAR join Magnum photographer @Lua_Ribeira for an artist talk on her latest work, Agony in the Garden, at @MartinParrFDN in Bristol 🙌
Inspired by the potential of contemporary counter-culture, for Agony in the Garden Lua has collaborated with young people in the peripheries of Madrid, Málaga, Granada and Almería to make images that reflect on the alienation and uncertainty of the present era. Link in the MPF bio for full details and booking.
The talk will be followed by questions from the floor and a book signing at @MPFbookshop ✍️
Agony in the Garden is Lua’s third monograph, published by @DalpineBooks, 2025. Here is a look at a selection of images from the work.
Photos from Agony in the Garden © Lua Ribeira / @MagnumPhotos
Agony in the Garden. 2025. Dalpine
Alba Bitxx Barrio Alto, Almeria, Spain (2022) / Green houses surroundings La Mojonera, Almería, Spain (2022) / Running.La Mojonera, Almería, Spain (2022)
Agony in the Garden. 2025. Dalpine
Alba Bitxx Barrio Alto, Almeria, Spain (2022) / Green houses surroundings La Mojonera, Almería, Spain (2022) / Running.La Mojonera, Almería, Spain (2022)
Agony in the Garden. 2025. Dalpine
Alba Bitxx Barrio Alto, Almeria, Spain (2022) / Green houses surroundings La Mojonera, Almería, Spain (2022) / Running.La Mojonera, Almería, Spain (2022)
Agony in the Garden: References
@kominekgallery Berlin. 4 - 16 DEC 2025
(…) “this exhibition focuses on a different layer of the project—the constellation of materials that informed Agony in the Garden. Through a curated selection of reference images, sketches, notes, and visual studies, visitors are invited to explore the foundations of Ribeira’s process: the intersection between intuition and research, image and thought, gesture and form.
To accompany the show, Kominek and Lúa Ribeira present a limited edition of five books, conceived as an extension of this reflective space. Each book revisits the reference side of Agony in the Garden, proposing a dialogue between process and image, and inviting viewers to look beyond the finished photograph toward the intricate act of its making”
Concept/design @tipode_office
Agony in the Garden is published by @dalpinebooks
Agony in the Garden: References
@kominekgallery Berlin. 4 - 16 DEC 2025
(…) “this exhibition focuses on a different layer of the project—the constellation of materials that informed Agony in the Garden. Through a curated selection of reference images, sketches, notes, and visual studies, visitors are invited to explore the foundations of Ribeira’s process: the intersection between intuition and research, image and thought, gesture and form.
To accompany the show, Kominek and Lúa Ribeira present a limited edition of five books, conceived as an extension of this reflective space. Each book revisits the reference side of Agony in the Garden, proposing a dialogue between process and image, and inviting viewers to look beyond the finished photograph toward the intricate act of its making”
Concept/design @tipode_office
Agony in the Garden is published by @dalpinebooks
Agony in the Garden: References
@kominekgallery Berlin. 4 - 16 DEC 2025
(…) “this exhibition focuses on a different layer of the project—the constellation of materials that informed Agony in the Garden. Through a curated selection of reference images, sketches, notes, and visual studies, visitors are invited to explore the foundations of Ribeira’s process: the intersection between intuition and research, image and thought, gesture and form.
To accompany the show, Kominek and Lúa Ribeira present a limited edition of five books, conceived as an extension of this reflective space. Each book revisits the reference side of Agony in the Garden, proposing a dialogue between process and image, and inviting viewers to look beyond the finished photograph toward the intricate act of its making”
Concept/design @tipode_office
Agony in the Garden is published by @dalpinebooks
Agony in the Garden: References
@kominekgallery Berlin. 4 - 16 DEC 2025
(…) “this exhibition focuses on a different layer of the project—the constellation of materials that informed Agony in the Garden. Through a curated selection of reference images, sketches, notes, and visual studies, visitors are invited to explore the foundations of Ribeira’s process: the intersection between intuition and research, image and thought, gesture and form.
To accompany the show, Kominek and Lúa Ribeira present a limited edition of five books, conceived as an extension of this reflective space. Each book revisits the reference side of Agony in the Garden, proposing a dialogue between process and image, and inviting viewers to look beyond the finished photograph toward the intricate act of its making”
Concept/design @tipode_office
Agony in the Garden is published by @dalpinebooks
Agony in the Garden: References
@kominekgallery Berlin. 4 - 16 DEC 2025
(…) “this exhibition focuses on a different layer of the project—the constellation of materials that informed Agony in the Garden. Through a curated selection of reference images, sketches, notes, and visual studies, visitors are invited to explore the foundations of Ribeira’s process: the intersection between intuition and research, image and thought, gesture and form.
To accompany the show, Kominek and Lúa Ribeira present a limited edition of five books, conceived as an extension of this reflective space. Each book revisits the reference side of Agony in the Garden, proposing a dialogue between process and image, and inviting viewers to look beyond the finished photograph toward the intricate act of its making”
Concept/design @tipode_office
Agony in the Garden is published by @dalpinebooks
Agony in the Garden: References
@kominekgallery Berlin. 4 - 16 DEC 2025
(…) “this exhibition focuses on a different layer of the project—the constellation of materials that informed Agony in the Garden. Through a curated selection of reference images, sketches, notes, and visual studies, visitors are invited to explore the foundations of Ribeira’s process: the intersection between intuition and research, image and thought, gesture and form.
To accompany the show, Kominek and Lúa Ribeira present a limited edition of five books, conceived as an extension of this reflective space. Each book revisits the reference side of Agony in the Garden, proposing a dialogue between process and image, and inviting viewers to look beyond the finished photograph toward the intricate act of its making”
Concept/design @tipode_office
Agony in the Garden is published by @dalpinebooks
Agony in the Garden: References
@kominekgallery Berlin. 4 - 16 DEC 2025
(…) “this exhibition focuses on a different layer of the project—the constellation of materials that informed Agony in the Garden. Through a curated selection of reference images, sketches, notes, and visual studies, visitors are invited to explore the foundations of Ribeira’s process: the intersection between intuition and research, image and thought, gesture and form.
To accompany the show, Kominek and Lúa Ribeira present a limited edition of five books, conceived as an extension of this reflective space. Each book revisits the reference side of Agony in the Garden, proposing a dialogue between process and image, and inviting viewers to look beyond the finished photograph toward the intricate act of its making”
Concept/design @tipode_office
Agony in the Garden is published by @dalpinebooks
Agony in the Garden: References
@kominekgallery Berlin. 4 - 16 DEC 2025
(…) “this exhibition focuses on a different layer of the project—the constellation of materials that informed Agony in the Garden. Through a curated selection of reference images, sketches, notes, and visual studies, visitors are invited to explore the foundations of Ribeira’s process: the intersection between intuition and research, image and thought, gesture and form.
To accompany the show, Kominek and Lúa Ribeira present a limited edition of five books, conceived as an extension of this reflective space. Each book revisits the reference side of Agony in the Garden, proposing a dialogue between process and image, and inviting viewers to look beyond the finished photograph toward the intricate act of its making”
Concept/design @tipode_office
Agony in the Garden is published by @dalpinebooks
On Wednesday 3rd of December at 18.00 I will be in conversation with Boaz Levin @boazmlevin at@coberlin to present my new book Agony in the Garden, currently on show in the Close Enough exhibition (27 Sep 2025 – 28 Jan 2026).
To coincide with this, on Thursday the 4th, @kominekgallery will host a companion exhibition that explores the working processes and visual research behind Agony in the Garden. A limited edition of five books will accompany the show, each featuring a selected reference image on the cover. Concept/design Tipode Office @tipode_office
🍄 come along! Looking forward to this
Links in bio
Agony in the Garden published by @dalpinebooks
On Wednesday 3rd of December at 18.00 I will be in conversation with Boaz Levin @boazmlevin at@coberlin to present my new book Agony in the Garden, currently on show in the Close Enough exhibition (27 Sep 2025 – 28 Jan 2026).
To coincide with this, on Thursday the 4th, @kominekgallery will host a companion exhibition that explores the working processes and visual research behind Agony in the Garden. A limited edition of five books will accompany the show, each featuring a selected reference image on the cover. Concept/design Tipode Office @tipode_office
🍄 come along! Looking forward to this
Links in bio
Agony in the Garden published by @dalpinebooks
On Wednesday 3rd of December at 18.00 I will be in conversation with Boaz Levin @boazmlevin at@coberlin to present my new book Agony in the Garden, currently on show in the Close Enough exhibition (27 Sep 2025 – 28 Jan 2026).
To coincide with this, on Thursday the 4th, @kominekgallery will host a companion exhibition that explores the working processes and visual research behind Agony in the Garden. A limited edition of five books will accompany the show, each featuring a selected reference image on the cover. Concept/design Tipode Office @tipode_office
🍄 come along! Looking forward to this
Links in bio
Agony in the Garden published by @dalpinebooks
On Wednesday 3rd of December at 18.00 I will be in conversation with Boaz Levin @boazmlevin at@coberlin to present my new book Agony in the Garden, currently on show in the Close Enough exhibition (27 Sep 2025 – 28 Jan 2026).
To coincide with this, on Thursday the 4th, @kominekgallery will host a companion exhibition that explores the working processes and visual research behind Agony in the Garden. A limited edition of five books will accompany the show, each featuring a selected reference image on the cover. Concept/design Tipode Office @tipode_office
🍄 come along! Looking forward to this
Links in bio
Agony in the Garden published by @dalpinebooks
On Wednesday 3rd of December at 18.00 I will be in conversation with Boaz Levin @boazmlevin at@coberlin to present my new book Agony in the Garden, currently on show in the Close Enough exhibition (27 Sep 2025 – 28 Jan 2026).
To coincide with this, on Thursday the 4th, @kominekgallery will host a companion exhibition that explores the working processes and visual research behind Agony in the Garden. A limited edition of five books will accompany the show, each featuring a selected reference image on the cover. Concept/design Tipode Office @tipode_office
🍄 come along! Looking forward to this
Links in bio
Agony in the Garden published by @dalpinebooks
‘Colonia La Florida,’ in collaboration with Alicia Padrón, featured in@hube.magazine FW 25/26 edition.
Gracias al equipo brillante
🍇
Photographer: @lua_ribeira
Stylist: @aliciapadron_🔥
Model: @iamlauraponte 🫀@unomodels
Makeup Artist: @lucas.margarit @anotherartistsagency for @DiorBeauty
Hair Stylist: @torrentfernando @anotherartistsagency for @KeuneHairCosmetics
Casting Director: @AdriaMonje
Producer: @JaimeBallesteros
Photo Assistant: @medinapilars
Stylist Assistant: Alazne Torres
Production: @thisis_sample
Catering: @somospaniagua
Creative & Fashion Director hube: @gabriella.norberg
EIC hube: @alekskovaleva
‘Colonia La Florida,’ in collaboration with Alicia Padrón, featured in@hube.magazine FW 25/26 edition.
Gracias al equipo brillante
🍇
Photographer: @lua_ribeira
Stylist: @aliciapadron_🔥
Model: @iamlauraponte 🫀@unomodels
Makeup Artist: @lucas.margarit @anotherartistsagency for @DiorBeauty
Hair Stylist: @torrentfernando @anotherartistsagency for @KeuneHairCosmetics
Casting Director: @AdriaMonje
Producer: @JaimeBallesteros
Photo Assistant: @medinapilars
Stylist Assistant: Alazne Torres
Production: @thisis_sample
Catering: @somospaniagua
Creative & Fashion Director hube: @gabriella.norberg
EIC hube: @alekskovaleva
‘Colonia La Florida,’ in collaboration with Alicia Padrón, featured in@hube.magazine FW 25/26 edition.
Gracias al equipo brillante
🍇
Photographer: @lua_ribeira
Stylist: @aliciapadron_🔥
Model: @iamlauraponte 🫀@unomodels
Makeup Artist: @lucas.margarit @anotherartistsagency for @DiorBeauty
Hair Stylist: @torrentfernando @anotherartistsagency for @KeuneHairCosmetics
Casting Director: @AdriaMonje
Producer: @JaimeBallesteros
Photo Assistant: @medinapilars
Stylist Assistant: Alazne Torres
Production: @thisis_sample
Catering: @somospaniagua
Creative & Fashion Director hube: @gabriella.norberg
EIC hube: @alekskovaleva
‘Colonia La Florida,’ in collaboration with Alicia Padrón, featured in@hube.magazine FW 25/26 edition.
Gracias al equipo brillante
🍇
Photographer: @lua_ribeira
Stylist: @aliciapadron_🔥
Model: @iamlauraponte 🫀@unomodels
Makeup Artist: @lucas.margarit @anotherartistsagency for @DiorBeauty
Hair Stylist: @torrentfernando @anotherartistsagency for @KeuneHairCosmetics
Casting Director: @AdriaMonje
Producer: @JaimeBallesteros
Photo Assistant: @medinapilars
Stylist Assistant: Alazne Torres
Production: @thisis_sample
Catering: @somospaniagua
Creative & Fashion Director hube: @gabriella.norberg
EIC hube: @alekskovaleva
‘Colonia La Florida,’ in collaboration with Alicia Padrón, featured in@hube.magazine FW 25/26 edition.
Gracias al equipo brillante
🍇
Photographer: @lua_ribeira
Stylist: @aliciapadron_🔥
Model: @iamlauraponte 🫀@unomodels
Makeup Artist: @lucas.margarit @anotherartistsagency for @DiorBeauty
Hair Stylist: @torrentfernando @anotherartistsagency for @KeuneHairCosmetics
Casting Director: @AdriaMonje
Producer: @JaimeBallesteros
Photo Assistant: @medinapilars
Stylist Assistant: Alazne Torres
Production: @thisis_sample
Catering: @somospaniagua
Creative & Fashion Director hube: @gabriella.norberg
EIC hube: @alekskovaleva
‘Colonia La Florida,’ in collaboration with Alicia Padrón, featured in@hube.magazine FW 25/26 edition.
Gracias al equipo brillante
🍇
Photographer: @lua_ribeira
Stylist: @aliciapadron_🔥
Model: @iamlauraponte 🫀@unomodels
Makeup Artist: @lucas.margarit @anotherartistsagency for @DiorBeauty
Hair Stylist: @torrentfernando @anotherartistsagency for @KeuneHairCosmetics
Casting Director: @AdriaMonje
Producer: @JaimeBallesteros
Photo Assistant: @medinapilars
Stylist Assistant: Alazne Torres
Production: @thisis_sample
Catering: @somospaniagua
Creative & Fashion Director hube: @gabriella.norberg
EIC hube: @alekskovaleva
Story Save - Najlepsze darmowe narzędzie do zapisywania historii, rolek, zdjęć, wideo, wyróżnionych, IGTV na telefonie.
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