인스타그램 스토리 저장

Friday, June 5th at 6 PM: Three groups of speakers—Flavin Judd and Daniel Humm; Emily Adams Bode Aujla and Ben Bloomstein; and Alexis Sablone, Misha Kahn, and Mireia Luzárraga—will randomly select questions from a deck of cards about the Donald Judd furniture on view, in a series of unscripted conversations. Alexandra Cunningham Cameron will introduce the program.

The furniture, along with access to a recording of the talks, will be on view at Judd Foundation’s ground floor through the summer.

This program was organized by the design journal Untapped, Judd Foundation, and Salon 94 Design.

Introducing Print Edition 004, available on newsstands and in our Shop now.

Its new look amplifies the spring issue’s evocative stories, which explore the everyday rituals we perform at home—and how they sustain us.

Among its pages: @ruth.reichl discusses the connections between food and pleasure. @glenn_adamson reflects on riding a 65-year-old bicycle around London. @andrewrusseth ponders what Matthew Wong tells us through the paintings of domestic interiors he regularly made.

Dung Ngo (@misterngo) talks about why we should pay more attention to our utensils. Jeppe Ugelvig explores the art of getting dressed. Nozomi Mori (@sushimorinozomi) describes how a love of hosting prompted her to open her Los Angeles omakase restaurant. @coryohlendorf shows why Hans Wegner’s Valet chair is the perfect piece of bedroom furniture.

If you’re in New York for design week, join us for Print Edition 004’s launch and performance tonight. Email rsvp@untappedjournal.com to let us know you’re attending.

Get your copy now at the link in bio.

#untappedjournal #untappedideas

Lately, @glenn_adamson has taken to riding a 65-year-old bicycle around London. Its striped gold-and-blue surface has been scratched and scuffed all over—and is beautiful in his eyes. “I would never, ever repaint it,” he writes. “That would destroy not just its rough-and-tumble appearance, but an accumulated personal history, something that money just can’t buy.”

His essay on patina is part of @untappedjournal’s just-released Print Edition 004, available on newsstands and our Shop page now. Tap the link in bio to read it.

For readers eager to learn more about the stuff that shapes the world around us: Glenn also serves as lead editor of @materialintelligencemag, which publishes reflections on everyday materials including feathers, terra cotta, copper, charcoal, and most recently, palm. View its archive of stories on its new website, materialintelligencemag.org.

Lately, @glenn_adamson has taken to riding a 65-year-old bicycle around London. Its striped gold-and-blue surface has been scratched and scuffed all over—and is beautiful in his eyes. “I would never, ever repaint it,” he writes. “That would destroy not just its rough-and-tumble appearance, but an accumulated personal history, something that money just can’t buy.”

His essay on patina is part of @untappedjournal’s just-released Print Edition 004, available on newsstands and our Shop page now. Tap the link in bio to read it.

For readers eager to learn more about the stuff that shapes the world around us: Glenn also serves as lead editor of @materialintelligencemag, which publishes reflections on everyday materials including feathers, terra cotta, copper, charcoal, and most recently, palm. View its archive of stories on its new website, materialintelligencemag.org.

Lately, @glenn_adamson has taken to riding a 65-year-old bicycle around London. Its striped gold-and-blue surface has been scratched and scuffed all over—and is beautiful in his eyes. “I would never, ever repaint it,” he writes. “That would destroy not just its rough-and-tumble appearance, but an accumulated personal history, something that money just can’t buy.”

His essay on patina is part of @untappedjournal’s just-released Print Edition 004, available on newsstands and our Shop page now. Tap the link in bio to read it.

For readers eager to learn more about the stuff that shapes the world around us: Glenn also serves as lead editor of @materialintelligencemag, which publishes reflections on everyday materials including feathers, terra cotta, copper, charcoal, and most recently, palm. View its archive of stories on its new website, materialintelligencemag.org.

Mark your calendars: Print Edition 004 will be released on Wednesday, May 20, the last day of this year's @nycxdesign festival.

If you’re in town, join us for a celebratory launch and performance that riffs on the journal’s theme of domestic rituals. It’s choreographed by Morgan Griffin (@baddgalmomo) with live music by harpist Esther Sibiude (@school_of_harpiness) and costumes by @greysstudio_.

Tap the link in bio to RSVP for the show and reception. Full details below.

See you there!

Print Edition 004 Launch + Performance
Wednesday, May 20
5:30 p.m.
Performance starts at 5:45 p.m.

Hosted by @henrybuilt
16 Main Street
Brooklyn, NY 11201

rsvp@untappedjournal.com

In New York on May 20? Stop by the launch of Print Edition 004, focused on the theme of domestic rituals.

We’ve commissioned a thematic site-specific performance for the occasion—choreographed by Morgan Griffin (@baddgalmomo) with live music by harpist Esther Sibiude (@school_of_harpiness) and costumes by @greysstudio_.

Print Edition 004 has an evolved design that evokes the emotions in its stories, which feature @glenn_adamson, Dung Ngo (@misterngo), Nozomi Mori (@sushimorinozomi), @coryohlendorf, @ruth.reichl, @andrewrusseth, @jeppeugelvig, Hans Wegner, and Matthew Wong, among others.

Tap the link in bio to RSVP. Full details below.

Print Edition 004 Launch + Performance
Wednesday, May 20
5:30 p.m. to 8 p.m.
Performance starts at 5:45 p.m.

Hosted by @henrybuilt
16 Main Street
Brooklyn, NY 11201

rsvp@untappedjournal.com

Architect Annie Chu, co-founder of @chugoodingarchitects, hadn’t spent much time reflecting on her childhood home. So she wrote a story about it, as a way to do so.

Chu told that story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Chu, on a chair by the water; the Chu family in Hong Kong; the family with their dog, Tommy. Courtesy Annie Chu)

#untappedjournal #untappedideas

Architect Annie Chu, co-founder of @chugoodingarchitects, hadn’t spent much time reflecting on her childhood home. So she wrote a story about it, as a way to do so.

Chu told that story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Chu, on a chair by the water; the Chu family in Hong Kong; the family with their dog, Tommy. Courtesy Annie Chu)

#untappedjournal #untappedideas

Architect Annie Chu, co-founder of @chugoodingarchitects, hadn’t spent much time reflecting on her childhood home. So she wrote a story about it, as a way to do so.

Chu told that story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Chu, on a chair by the water; the Chu family in Hong Kong; the family with their dog, Tommy. Courtesy Annie Chu)

#untappedjournal #untappedideas

Architect Annie Chu, co-founder of @chugoodingarchitects, hadn’t spent much time reflecting on her childhood home. So she wrote a story about it, as a way to do so.

Chu told that story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Chu, on a chair by the water; the Chu family in Hong Kong; the family with their dog, Tommy. Courtesy Annie Chu)

#untappedjournal #untappedideas

Architect Annie Chu, co-founder of @chugoodingarchitects, hadn’t spent much time reflecting on her childhood home. So she wrote a story about it, as a way to do so.

Chu told that story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Chu, on a chair by the water; the Chu family in Hong Kong; the family with their dog, Tommy. Courtesy Annie Chu)

#untappedjournal #untappedideas

Architect Annie Chu, co-founder of @chugoodingarchitects, hadn’t spent much time reflecting on her childhood home. So she wrote a story about it, as a way to do so.

Chu told that story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Chu, on a chair by the water; the Chu family in Hong Kong; the family with their dog, Tommy. Courtesy Annie Chu)

#untappedjournal #untappedideas

“Architecture has developed a language that is concerned with what we might call its existential and theoretical needs rather than its purely practical requirements,” writes Edwin Heathcote (@heathcoteedwin). “You might understand it as a need to create its own internal language in part as a defense against a hostile world (hostile, that is, to its more rarified ideas). You might interpret it as the natural outcome of a long training and a long history.” 

“Or,” he continues, “you might suggest it is a deliberately exclusive bullshit crafted and adopted to maintain an air of intellectual hermeneutics and superiority.”

Tap the link in bio to read the essay.

#untappedjournal #untappedideas

“Architecture has developed a language that is concerned with what we might call its existential and theoretical needs rather than its purely practical requirements,” writes Edwin Heathcote (@heathcoteedwin). “You might understand it as a need to create its own internal language in part as a defense against a hostile world (hostile, that is, to its more rarified ideas). You might interpret it as the natural outcome of a long training and a long history.” 

“Or,” he continues, “you might suggest it is a deliberately exclusive bullshit crafted and adopted to maintain an air of intellectual hermeneutics and superiority.”

Tap the link in bio to read the essay.

#untappedjournal #untappedideas

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

Thanks to everyone who came out to celebrate @radnor.co’s newest space: in the penthouse at @thebrooklyntower.

The gallery presented “Through Light & Matter,” a solo exhibition of new work by Los Angeles–based textile artist @rachelduvall. It marked DuVall’s first solo presentation in New York City as she joins Radnor’s curated roster of artists and designers.

The evening began with a conversation led by @untappedjournal’s editor-in-chief, @tiffany_jow, between the artist and Radnor founder Susan Clark (@sueclarks), about living with skillfully made objects. A reception followed.

Photos: @thekateowen

When designer @samklemick moved from Illinois to Florida as a child, her parents kept their home’s regional aesthetic: “shadowy interiors, brown leather, yellowed lighting—a world apart from Miami’s blinding sun and tropical landscape,” as she describes it. These rooms, and the objects inside them, would go on to shape how she thinks about and makes furniture.

Klemick shared her story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Klemick at home; plaid leather chairs surround a wooden table that remains in the family; the family’s brown leather couch remains clear in Kelmick’s memory. Courtesy Sam Klemick)

#untappedjournal #untappedideas

When designer @samklemick moved from Illinois to Florida as a child, her parents kept their home’s regional aesthetic: “shadowy interiors, brown leather, yellowed lighting—a world apart from Miami’s blinding sun and tropical landscape,” as she describes it. These rooms, and the objects inside them, would go on to shape how she thinks about and makes furniture.

Klemick shared her story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Klemick at home; plaid leather chairs surround a wooden table that remains in the family; the family’s brown leather couch remains clear in Kelmick’s memory. Courtesy Sam Klemick)

#untappedjournal #untappedideas

When designer @samklemick moved from Illinois to Florida as a child, her parents kept their home’s regional aesthetic: “shadowy interiors, brown leather, yellowed lighting—a world apart from Miami’s blinding sun and tropical landscape,” as she describes it. These rooms, and the objects inside them, would go on to shape how she thinks about and makes furniture.

Klemick shared her story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Klemick at home; plaid leather chairs surround a wooden table that remains in the family; the family’s brown leather couch remains clear in Kelmick’s memory. Courtesy Sam Klemick)

#untappedjournal #untappedideas

When designer @samklemick moved from Illinois to Florida as a child, her parents kept their home’s regional aesthetic: “shadowy interiors, brown leather, yellowed lighting—a world apart from Miami’s blinding sun and tropical landscape,” as she describes it. These rooms, and the objects inside them, would go on to shape how she thinks about and makes furniture.

Klemick shared her story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Klemick at home; plaid leather chairs surround a wooden table that remains in the family; the family’s brown leather couch remains clear in Kelmick’s memory. Courtesy Sam Klemick)

#untappedjournal #untappedideas

When designer @samklemick moved from Illinois to Florida as a child, her parents kept their home’s regional aesthetic: “shadowy interiors, brown leather, yellowed lighting—a world apart from Miami’s blinding sun and tropical landscape,” as she describes it. These rooms, and the objects inside them, would go on to shape how she thinks about and makes furniture.

Klemick shared her story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Klemick at home; plaid leather chairs surround a wooden table that remains in the family; the family’s brown leather couch remains clear in Kelmick’s memory. Courtesy Sam Klemick)

#untappedjournal #untappedideas

When designer @samklemick moved from Illinois to Florida as a child, her parents kept their home’s regional aesthetic: “shadowy interiors, brown leather, yellowed lighting—a world apart from Miami’s blinding sun and tropical landscape,” as she describes it. These rooms, and the objects inside them, would go on to shape how she thinks about and makes furniture.

Klemick shared her story at Making Space’s inaugural symposium, focused on the theme “The House I Grew Up In,” which took place in Los Angeles this past November before a live audience.  

Tap the link in bio to read it, and follow along for details on when and where our next in-person symposium will take place. 

(Pictured, in order of appearance: A young Klemick at home; plaid leather chairs surround a wooden table that remains in the family; the family’s brown leather couch remains clear in Kelmick’s memory. Courtesy Sam Klemick)

#untappedjournal #untappedideas

Join us for the launch of Print Edition 004, taking place May 20, the final day of this year's @nycxdesign festival.

To celebrate the new issue, which is focused on domestic rituals, we’ve commissioned a thematic site-specific performance you won’t want to miss—choreographed by Morgan Griffin (@baddgalmomo) with live music by harpist Esther Sibiude (@school_of_harpiness) and costumes by @greysstudio_.

Print Edition 004 has an evolved design that evokes the emotions in its stories, which feature @glenn_adamson, Dung Ngo (@misterngo), Nozomi Mori (@sushimorinozomi), @coryohlendorf, @ruth.reichl, @andrewrusseth, @jeppeugelvig, Hans Wegner, and Matthew Wong, among others.

Tap the link in bio to RSVP for the performance and reception.

See you there!

“All great buildings and objects, no matter their size or grandeur, can create a feeling of reverence and connection to something larger,” says photographer @charlieschuck. He’s talking about Louis Kahn’s Shapiro House in Pennsylvania, which he photographed during an open house for the property a few years ago, after learning it was for sale. 

“The brilliance of Kahn, and of the Shapiro House, lies in its ability to transcend literal design,” he continues. “It creates a livable environment that connects us to something ineffable. Every detail, from the door handles to the materials and their placement, works together to reinforce that feeling. You can have all the technical knowledge, resources, and skills in the world, but if a structure lacks soul, it’s just another building.”

Tap the link in bio to read the story. 

#untappedjournal #untappedideas

“All great buildings and objects, no matter their size or grandeur, can create a feeling of reverence and connection to something larger,” says photographer @charlieschuck. He’s talking about Louis Kahn’s Shapiro House in Pennsylvania, which he photographed during an open house for the property a few years ago, after learning it was for sale. 

“The brilliance of Kahn, and of the Shapiro House, lies in its ability to transcend literal design,” he continues. “It creates a livable environment that connects us to something ineffable. Every detail, from the door handles to the materials and their placement, works together to reinforce that feeling. You can have all the technical knowledge, resources, and skills in the world, but if a structure lacks soul, it’s just another building.”

Tap the link in bio to read the story. 

#untappedjournal #untappedideas

What does the right to housing mean in practice, and how can architects and other urban professionals contribute? 

Architecture and the Right to Housing, a Pan-American program series organized by the University of Toronto’s @archhousing.lab from 2023 to 2025, convened leaders in the field for a day-long roundtable to share their responses. 

Tap the link in bio to read an excerpt from the gathering in New York, which was convened by the Architecture and Housing Justice Lab and the Parsons Housing Justice Lab (@housingjusticelab_parsons), and took place at the New School University Center this past October. 

Around the table were:

Robert Robinson (@partnersfordignity)
Cea Weaver (@cea4tenants)
Samuel Stein (@cssnyorg)
Margy Brown (@u.h.a.b)
Matthew Charney (@nychagram)
Laura Sara Wainer (@spitzerschool_ccny)
Brian Baldor (@nychousing)
Nathan Rich (@peterson_rich_office)
Brian Loughlin (@map_nyc)
Deborah Gans (@gansandco)

Conveners:
Karen Kubey (@karenkubey)
Gabriela Rendón (@housingjusticelab_parsons)
Miguel Robles-Durán (@front_urban)

Untapped will publish edited transcripts from the program’s other roundtables in the coming months. 

#untappedjournal #untappedideas

What does the right to housing mean in practice, and how can architects and other urban professionals contribute? 

Architecture and the Right to Housing, a Pan-American program series organized by the University of Toronto’s @archhousing.lab from 2023 to 2025, convened leaders in the field for a day-long roundtable to share their responses. 

Tap the link in bio to read an excerpt from the gathering in New York, which was convened by the Architecture and Housing Justice Lab and the Parsons Housing Justice Lab (@housingjusticelab_parsons), and took place at the New School University Center this past October. 

Around the table were:

Robert Robinson (@partnersfordignity)
Cea Weaver (@cea4tenants)
Samuel Stein (@cssnyorg)
Margy Brown (@u.h.a.b)
Matthew Charney (@nychagram)
Laura Sara Wainer (@spitzerschool_ccny)
Brian Baldor (@nychousing)
Nathan Rich (@peterson_rich_office)
Brian Loughlin (@map_nyc)
Deborah Gans (@gansandco)

Conveners:
Karen Kubey (@karenkubey)
Gabriela Rendón (@housingjusticelab_parsons)
Miguel Robles-Durán (@front_urban)

Untapped will publish edited transcripts from the program’s other roundtables in the coming months. 

#untappedjournal #untappedideas