Kris Nuzzi

We’re so proud to support the Pasta Rose Scholarship, an incredible fund started by Pasta Louise for Brooklyn high school students who’ve lost a parent to cancer. In honor of our mom Deb, who we also lost to cancer, we donated this 16” pot of our favorites, plus a landscaping consultation.
It means so much to be part of something that supports these resilient students. 💐💛 @pastalouise @krisnuzz @enuzzi

We’re so proud to support the Pasta Rose Scholarship, an incredible fund started by Pasta Louise for Brooklyn high school students who’ve lost a parent to cancer. In honor of our mom Deb, who we also lost to cancer, we donated this 16” pot of our favorites, plus a landscaping consultation.
It means so much to be part of something that supports these resilient students. 💐💛 @pastalouise @krisnuzz @enuzzi

We’re so proud to support the Pasta Rose Scholarship, an incredible fund started by Pasta Louise for Brooklyn high school students who’ve lost a parent to cancer. In honor of our mom Deb, who we also lost to cancer, we donated this 16” pot of our favorites, plus a landscaping consultation.
It means so much to be part of something that supports these resilient students. 💐💛 @pastalouise @krisnuzz @enuzzi

We’re excited to share that Polymode has been recognized in this year’s STA 100 Awards (@typographic_arts)— winning for three incredible projects!
Book Design for Project a Black Planet: The Art and Culture of Panafrica (@artinstitutechi, @barbicancentre, @kanal.centrepompidou, @edyanganiose, @adomgetachew, @withkovskym)
Book Design for The 1619 Project: A Visual Experience (@nikolehannahjones, @nytmag, @gailbichler, @caitlinr).
Our incredible team: @siborg81 @_randahadi @brianpolymode @sadeemyacoub @krisnuzz @3dgar.c @bettyfordcenterofficial @greggzdowicz @davidjonwalker @opentab.research @heyemma.design @joshuawhitephotography.
Installation Design for Reverberations: Lineages in Design History at the Ford Foundation Gallery (@fordfoundationgallery, @siborg81, @brianpolymode, @_randahadi, @krisnuzz, @3dgar.c, @sadeemyacoub, @heyemma.design, @opentab.research, @r.t.gd, @berriesforeveryone, @lisakimlisakim, @marythemaxxinista, @kulhanekjams, @magolsen270, Zdravko Toic, David Hernaiz, Justin Hernandez, Kas Padilla, Sabeena Singhani, @subwayfordinner), Emily Anglin, @artcrating, @brianbrod, @kevinsiplinvoice, @xactohands @fullpointgraphics, Sabastian Bach, @janekratochvil).
Endless gratitude to the judges, our collaborators, clients, and community.

We’re excited to share that Polymode has been recognized in this year’s STA 100 Awards (@typographic_arts)— winning for three incredible projects!
Book Design for Project a Black Planet: The Art and Culture of Panafrica (@artinstitutechi, @barbicancentre, @kanal.centrepompidou, @edyanganiose, @adomgetachew, @withkovskym)
Book Design for The 1619 Project: A Visual Experience (@nikolehannahjones, @nytmag, @gailbichler, @caitlinr).
Our incredible team: @siborg81 @_randahadi @brianpolymode @sadeemyacoub @krisnuzz @3dgar.c @bettyfordcenterofficial @greggzdowicz @davidjonwalker @opentab.research @heyemma.design @joshuawhitephotography.
Installation Design for Reverberations: Lineages in Design History at the Ford Foundation Gallery (@fordfoundationgallery, @siborg81, @brianpolymode, @_randahadi, @krisnuzz, @3dgar.c, @sadeemyacoub, @heyemma.design, @opentab.research, @r.t.gd, @berriesforeveryone, @lisakimlisakim, @marythemaxxinista, @kulhanekjams, @magolsen270, Zdravko Toic, David Hernaiz, Justin Hernandez, Kas Padilla, Sabeena Singhani, @subwayfordinner), Emily Anglin, @artcrating, @brianbrod, @kevinsiplinvoice, @xactohands @fullpointgraphics, Sabastian Bach, @janekratochvil).
Endless gratitude to the judges, our collaborators, clients, and community.

We’re excited to share that Polymode has been recognized in this year’s STA 100 Awards (@typographic_arts)— winning for three incredible projects!
Book Design for Project a Black Planet: The Art and Culture of Panafrica (@artinstitutechi, @barbicancentre, @kanal.centrepompidou, @edyanganiose, @adomgetachew, @withkovskym)
Book Design for The 1619 Project: A Visual Experience (@nikolehannahjones, @nytmag, @gailbichler, @caitlinr).
Our incredible team: @siborg81 @_randahadi @brianpolymode @sadeemyacoub @krisnuzz @3dgar.c @bettyfordcenterofficial @greggzdowicz @davidjonwalker @opentab.research @heyemma.design @joshuawhitephotography.
Installation Design for Reverberations: Lineages in Design History at the Ford Foundation Gallery (@fordfoundationgallery, @siborg81, @brianpolymode, @_randahadi, @krisnuzz, @3dgar.c, @sadeemyacoub, @heyemma.design, @opentab.research, @r.t.gd, @berriesforeveryone, @lisakimlisakim, @marythemaxxinista, @kulhanekjams, @magolsen270, Zdravko Toic, David Hernaiz, Justin Hernandez, Kas Padilla, Sabeena Singhani, @subwayfordinner), Emily Anglin, @artcrating, @brianbrod, @kevinsiplinvoice, @xactohands @fullpointgraphics, Sabastian Bach, @janekratochvil).
Endless gratitude to the judges, our collaborators, clients, and community.
What goes up must come down! Today’s the final day to experience Reverberations: Lineages in Design History at @fordfoundationgallery—open till 6 PM.
Huge thanks to our curators, advisors, artists, and the entire team who brought this powerful exhibition to life. We know the conversations and connections made here will keep reverberating—and we’re already dreaming of Reverberations 2.0!
@polymodestudio @brianpolymode @siborg81 @polymodestudio @bipocdesignhistory @_randahadi @berriesforeveryone @r.t.gd #AkwesasneNotes @mas.makes @gailycurl @3dgar.c @honebailey @mjbalvanera #AlanBell #PedroBell @dina.benbrahim @castlepillar @codyedgewater @shannondoronio @graficalatina_ @atomenendez @tatitag @the_schessa @jeffrune #TonyGonyea #NathanPJackson #LouiseEJefferson @kennedyprints @jkey13 #JacobLawrence @yoonsoolee @beatloz @sakimaf @waelmorcos @ziddimsangi @nontsimutiti #EllaMyers @shiva_n_ #OnamanCollective @christi_belcourt @isaac_murdoch1 @unique.monique.87 @liviaperez @jacksonpolys @shraddita @wvillalongo @rgrq.xyz #JenniferSapielNeptune @theresabaskets @bahiashehab @sarah.sockbeson #MarySully @globalwarming_is_real @pedro.tolomeo #MadelineTomerShay @annatskis @dori_tunstall @brightpolkadot @bnwrnr @ldubalicious @alishabwormsley @vocaltype.co @tadanori_yokoo @amuki.ec @lisakimlisakim @krisnuzz @marythemaxxinsta!

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

Looking back at the books we made in 2024!
1. Sargent Claude Johnson, edited by Dennis Carr, Jacqueline Francis, and John P Bowles, at the Huntington Library, Art Museum, and Botanical Gardens.
2. Now You See Me An Introduction to 100 Years of Black Design by Charlene Prempeh.
3. The Quick by Ashley Stull Meyers features the artwork of Diedrick Brackens and D’Angelo Lovell Williams.
4. All These Liberations Women Artists in the Eileen Harris Norton Collection, edited by Taylor Renee Aldridge.
5. The 1619 Project: A Visual Experience byNikole Hannah-Jones and The New York Times Magazine.
6. Breath(e): Toward Climate and Social Justice, edited by Glenn Kaino, Mika Yoshitake. Text by Kimberly Bain, Jennifer Buonocore-Nedrelow, T.J. Demos, Chus Martínez at Hammer Museum and Moody Center for the Arts at Rice University.
7. This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance, edited with text by Hilton Als, Rhea L. Combs, foreword by Rhea L. Combs at the National Portrait Gallery.
8. Paul Mpagi Sepuya: Dark Room A–Z edited by Lesley Martin, Gökcan Demirkazik, and Paul Mpagi Sepuya.
9. Micheal Norton, edited by Sophia Belsheim.
10. Project a Black Planet: The Art and Culture of Panafrica, edited by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky at The Art Institute of Chicago and MACBA Museu d’Art Contemporani, Barcelona.
11. Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz at Getty’s PST ART: Art & Science Collide.

We’re honored to share a series of watercolors by Garland Eliason-French (1942–1996) to commemorate #WorldAIDSDay. We feel privileged to continue to persevere her incredible work for generations to come. ❤️

We’re honored to share a series of watercolors by Garland Eliason-French (1942–1996) to commemorate #WorldAIDSDay. We feel privileged to continue to persevere her incredible work for generations to come. ❤️

We’re honored to share a series of watercolors by Garland Eliason-French (1942–1996) to commemorate #WorldAIDSDay. We feel privileged to continue to persevere her incredible work for generations to come. ❤️

We’re honored to share a series of watercolors by Garland Eliason-French (1942–1996) to commemorate #WorldAIDSDay. We feel privileged to continue to persevere her incredible work for generations to come. ❤️
Exciting News! We’re thrilled to announce we’re launching a brand-new newsletter for Polymode, packed with updates on upcoming projects, connecting you with events, books, and community important to us, exclusive behind-the-scenes content, and so much more!
Sign up now! Click the link in our bio.

Hits You in Your Heart: A Conversation with Nancer LeMoins — Nancer LeMoins is a printmaker, photographer, and mixed-media artist living in San Francisco.
As part of the ongoing series “Because AIDS Is Not Over” published in collaboration with the Walker Reader @walkerartcenter, Nancer sat down with Brooklyn-based project manager, independent curator, and garden designer Kris Nuzzi to discuss the impact of HIV on her practice, climate change, and making work about women unseen by much of society.
Head to the 🔗 in our bio to read the full conversation.
@krisnuzz @nancerjlemoins
All artworks by Nancer LeMoins, 2012–2016

Hits You in Your Heart: A Conversation with Nancer LeMoins — Nancer LeMoins is a printmaker, photographer, and mixed-media artist living in San Francisco.
As part of the ongoing series “Because AIDS Is Not Over” published in collaboration with the Walker Reader @walkerartcenter, Nancer sat down with Brooklyn-based project manager, independent curator, and garden designer Kris Nuzzi to discuss the impact of HIV on her practice, climate change, and making work about women unseen by much of society.
Head to the 🔗 in our bio to read the full conversation.
@krisnuzz @nancerjlemoins
All artworks by Nancer LeMoins, 2012–2016

Hits You in Your Heart: A Conversation with Nancer LeMoins — Nancer LeMoins is a printmaker, photographer, and mixed-media artist living in San Francisco.
As part of the ongoing series “Because AIDS Is Not Over” published in collaboration with the Walker Reader @walkerartcenter, Nancer sat down with Brooklyn-based project manager, independent curator, and garden designer Kris Nuzzi to discuss the impact of HIV on her practice, climate change, and making work about women unseen by much of society.
Head to the 🔗 in our bio to read the full conversation.
@krisnuzz @nancerjlemoins
All artworks by Nancer LeMoins, 2012–2016

Hits You in Your Heart: A Conversation with Nancer LeMoins — Nancer LeMoins is a printmaker, photographer, and mixed-media artist living in San Francisco.
As part of the ongoing series “Because AIDS Is Not Over” published in collaboration with the Walker Reader @walkerartcenter, Nancer sat down with Brooklyn-based project manager, independent curator, and garden designer Kris Nuzzi to discuss the impact of HIV on her practice, climate change, and making work about women unseen by much of society.
Head to the 🔗 in our bio to read the full conversation.
@krisnuzz @nancerjlemoins
All artworks by Nancer LeMoins, 2012–2016

Hits You in Your Heart: A Conversation with Nancer LeMoins — Nancer LeMoins is a printmaker, photographer, and mixed-media artist living in San Francisco.
As part of the ongoing series “Because AIDS Is Not Over” published in collaboration with the Walker Reader @walkerartcenter, Nancer sat down with Brooklyn-based project manager, independent curator, and garden designer Kris Nuzzi to discuss the impact of HIV on her practice, climate change, and making work about women unseen by much of society.
Head to the 🔗 in our bio to read the full conversation.
@krisnuzz @nancerjlemoins
All artworks by Nancer LeMoins, 2012–2016

Hits You in Your Heart: A Conversation with Nancer LeMoins — Nancer LeMoins is a printmaker, photographer, and mixed-media artist living in San Francisco.
As part of the ongoing series “Because AIDS Is Not Over” published in collaboration with the Walker Reader @walkerartcenter, Nancer sat down with Brooklyn-based project manager, independent curator, and garden designer Kris Nuzzi to discuss the impact of HIV on her practice, climate change, and making work about women unseen by much of society.
Head to the 🔗 in our bio to read the full conversation.
@krisnuzz @nancerjlemoins
All artworks by Nancer LeMoins, 2012–2016

Hits You in Your Heart: A Conversation with Nancer LeMoins — Nancer LeMoins is a printmaker, photographer, and mixed-media artist living in San Francisco.
As part of the ongoing series “Because AIDS Is Not Over” published in collaboration with the Walker Reader @walkerartcenter, Nancer sat down with Brooklyn-based project manager, independent curator, and garden designer Kris Nuzzi to discuss the impact of HIV on her practice, climate change, and making work about women unseen by much of society.
Head to the 🔗 in our bio to read the full conversation.
@krisnuzz @nancerjlemoins
All artworks by Nancer LeMoins, 2012–2016

Such a special experience installing #ThomasLaniganScmidt’s work Mysterium Tremendum for “Alive & Kicking” at Colby College Museum of Art. I will miss you 💙💜Waterville, ME. You will always have a place in my heart, but I will cherish most of all the friendships made with the dream team: curator @silkyjuicy and artist @catalina_schliebener. Congratulations Kendall for putting together such a kick ass 3-person show. You have to experience it in person..it’s an unexpected delight!

Such a special experience installing #ThomasLaniganScmidt’s work Mysterium Tremendum for “Alive & Kicking” at Colby College Museum of Art. I will miss you 💙💜Waterville, ME. You will always have a place in my heart, but I will cherish most of all the friendships made with the dream team: curator @silkyjuicy and artist @catalina_schliebener. Congratulations Kendall for putting together such a kick ass 3-person show. You have to experience it in person..it’s an unexpected delight!

Such a special experience installing #ThomasLaniganScmidt’s work Mysterium Tremendum for “Alive & Kicking” at Colby College Museum of Art. I will miss you 💙💜Waterville, ME. You will always have a place in my heart, but I will cherish most of all the friendships made with the dream team: curator @silkyjuicy and artist @catalina_schliebener. Congratulations Kendall for putting together such a kick ass 3-person show. You have to experience it in person..it’s an unexpected delight!

Such a special experience installing #ThomasLaniganScmidt’s work Mysterium Tremendum for “Alive & Kicking” at Colby College Museum of Art. I will miss you 💙💜Waterville, ME. You will always have a place in my heart, but I will cherish most of all the friendships made with the dream team: curator @silkyjuicy and artist @catalina_schliebener. Congratulations Kendall for putting together such a kick ass 3-person show. You have to experience it in person..it’s an unexpected delight!

Such a special experience installing #ThomasLaniganScmidt’s work Mysterium Tremendum for “Alive & Kicking” at Colby College Museum of Art. I will miss you 💙💜Waterville, ME. You will always have a place in my heart, but I will cherish most of all the friendships made with the dream team: curator @silkyjuicy and artist @catalina_schliebener. Congratulations Kendall for putting together such a kick ass 3-person show. You have to experience it in person..it’s an unexpected delight!

Such a special experience installing #ThomasLaniganScmidt’s work Mysterium Tremendum for “Alive & Kicking” at Colby College Museum of Art. I will miss you 💙💜Waterville, ME. You will always have a place in my heart, but I will cherish most of all the friendships made with the dream team: curator @silkyjuicy and artist @catalina_schliebener. Congratulations Kendall for putting together such a kick ass 3-person show. You have to experience it in person..it’s an unexpected delight!

Such a special experience installing #ThomasLaniganScmidt’s work Mysterium Tremendum for “Alive & Kicking” at Colby College Museum of Art. I will miss you 💙💜Waterville, ME. You will always have a place in my heart, but I will cherish most of all the friendships made with the dream team: curator @silkyjuicy and artist @catalina_schliebener. Congratulations Kendall for putting together such a kick ass 3-person show. You have to experience it in person..it’s an unexpected delight!

Such a special experience installing #ThomasLaniganScmidt’s work Mysterium Tremendum for “Alive & Kicking” at Colby College Museum of Art. I will miss you 💙💜Waterville, ME. You will always have a place in my heart, but I will cherish most of all the friendships made with the dream team: curator @silkyjuicy and artist @catalina_schliebener. Congratulations Kendall for putting together such a kick ass 3-person show. You have to experience it in person..it’s an unexpected delight!

Such a special experience installing #ThomasLaniganScmidt’s work Mysterium Tremendum for “Alive & Kicking” at Colby College Museum of Art. I will miss you 💙💜Waterville, ME. You will always have a place in my heart, but I will cherish most of all the friendships made with the dream team: curator @silkyjuicy and artist @catalina_schliebener. Congratulations Kendall for putting together such a kick ass 3-person show. You have to experience it in person..it’s an unexpected delight!

Such a special experience installing #ThomasLaniganScmidt’s work Mysterium Tremendum for “Alive & Kicking” at Colby College Museum of Art. I will miss you 💙💜Waterville, ME. You will always have a place in my heart, but I will cherish most of all the friendships made with the dream team: curator @silkyjuicy and artist @catalina_schliebener. Congratulations Kendall for putting together such a kick ass 3-person show. You have to experience it in person..it’s an unexpected delight!

Very late to post this but had to share the Polymode Pals at Play! @polymodestudio 💚✨🌱

Very late to post this but had to share the Polymode Pals at Play! @polymodestudio 💚✨🌱
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