인스타그램 스토리 저장

we finally have these great texts published on our research project carrier-bag.net

Prompted Monads by Boris Čučković Berger
Starting from Munich’s Akademiestraße as a symbolic intersection of AI research at LMU, generative media art at the Kunstakademie, and Bertolt Brecht’s literary legacy, the text by art historian Boris Čučković Berger shows how artistic practice can make political responsibility visible, which systematically disappears in totalizing AI narratives. He proposes to study AI not as a comprehensive totalization, but as a monad. The concept of the monad reflects social and technical conditions in a fractured way, without providing a direct overview of the whole.
https://carrier-bag.net/prompted-monads-art-ai-and-the-fantasy-of-totality/

Vibe coding the future by Simon Denny
In an impressive analysis, Simon Denny traces how influential AI technology companies deliberately take up the modernist imagery and rhetoric of Italian Futurism in order to culturally anchor a new militaristic technology policy. In his artistic practice, Denny combines plotter techniques, AI-generated image models, and the aesthetics of historical Futurism, making these entanglements of technology, art, and militarization visible and critically negotiable.
https://carrier-bag.net/vibe-coding-the-future/

Vectofascism – Part I: Vectoaesthetics by Gregory Chatonsky
Gregory Chatonsky coined the term vectofascism for a political development that transforms classic mechanisms of fascism (the cult of the leader, the suppression of truth, the construction of an enemy) into the high-dimensional latent spaces of AI models. He examines the economics of lies, according to which it is easier to produce a lie than to refute it. As a counter-strategy, he drafts a common awareness of the existential threat to human life posed by the ecological catastrophe.
https://carrier-bag.net/vectofascism-part-1-vectoaesthetics/

we finally have these great texts published on our research project carrier-bag.net

Prompted Monads by Boris Čučković Berger
Starting from Munich’s Akademiestraße as a symbolic intersection of AI research at LMU, generative media art at the Kunstakademie, and Bertolt Brecht’s literary legacy, the text by art historian Boris Čučković Berger shows how artistic practice can make political responsibility visible, which systematically disappears in totalizing AI narratives. He proposes to study AI not as a comprehensive totalization, but as a monad. The concept of the monad reflects social and technical conditions in a fractured way, without providing a direct overview of the whole.
https://carrier-bag.net/prompted-monads-art-ai-and-the-fantasy-of-totality/

Vibe coding the future by Simon Denny
In an impressive analysis, Simon Denny traces how influential AI technology companies deliberately take up the modernist imagery and rhetoric of Italian Futurism in order to culturally anchor a new militaristic technology policy. In his artistic practice, Denny combines plotter techniques, AI-generated image models, and the aesthetics of historical Futurism, making these entanglements of technology, art, and militarization visible and critically negotiable.
https://carrier-bag.net/vibe-coding-the-future/

Vectofascism – Part I: Vectoaesthetics by Gregory Chatonsky
Gregory Chatonsky coined the term vectofascism for a political development that transforms classic mechanisms of fascism (the cult of the leader, the suppression of truth, the construction of an enemy) into the high-dimensional latent spaces of AI models. He examines the economics of lies, according to which it is easier to produce a lie than to refute it. As a counter-strategy, he drafts a common awareness of the existential threat to human life posed by the ecological catastrophe.
https://carrier-bag.net/vectofascism-part-1-vectoaesthetics/

we finally have these great texts published on our research project carrier-bag.net

Prompted Monads by Boris Čučković Berger
Starting from Munich’s Akademiestraße as a symbolic intersection of AI research at LMU, generative media art at the Kunstakademie, and Bertolt Brecht’s literary legacy, the text by art historian Boris Čučković Berger shows how artistic practice can make political responsibility visible, which systematically disappears in totalizing AI narratives. He proposes to study AI not as a comprehensive totalization, but as a monad. The concept of the monad reflects social and technical conditions in a fractured way, without providing a direct overview of the whole.
https://carrier-bag.net/prompted-monads-art-ai-and-the-fantasy-of-totality/

Vibe coding the future by Simon Denny
In an impressive analysis, Simon Denny traces how influential AI technology companies deliberately take up the modernist imagery and rhetoric of Italian Futurism in order to culturally anchor a new militaristic technology policy. In his artistic practice, Denny combines plotter techniques, AI-generated image models, and the aesthetics of historical Futurism, making these entanglements of technology, art, and militarization visible and critically negotiable.
https://carrier-bag.net/vibe-coding-the-future/

Vectofascism – Part I: Vectoaesthetics by Gregory Chatonsky
Gregory Chatonsky coined the term vectofascism for a political development that transforms classic mechanisms of fascism (the cult of the leader, the suppression of truth, the construction of an enemy) into the high-dimensional latent spaces of AI models. He examines the economics of lies, according to which it is easier to produce a lie than to refute it. As a counter-strategy, he drafts a common awareness of the existential threat to human life posed by the ecological catastrophe.
https://carrier-bag.net/vectofascism-part-1-vectoaesthetics/

Apply for Emergent Digital Media until 30. March 2026

Full Info: https://generativemedia.net/apply/

Visit our graduating students at the Diploma Exhibition 2026

Opening Thu, Feb 05, 2026, 6pm

Exhibition hours:
Fri, Mon, Tue 2–8pm / Sat, Sun 12am–8pm

@vincent_entekhabi Closed Circle - Aula A.EG_15
@i_________________a My Culture - A.02_51
@anja.lekavski Elvis and the Invisible Tourists - Kolosssaal A_U1.08
@gentselmanaj Wiedereintritt in die Welt - A.01_12

Visit our graduating students at the Diploma Exhibition 2026

Opening Thu, Feb 05, 2026, 6pm

Exhibition hours:
Fri, Mon, Tue 2–8pm / Sat, Sun 12am–8pm

@vincent_entekhabi Closed Circle - Aula A.EG_15
@i_________________a My Culture - A.02_51
@anja.lekavski Elvis and the Invisible Tourists - Kolosssaal A_U1.08
@gentselmanaj Wiedereintritt in die Welt - A.01_12

Visit our graduating students at the Diploma Exhibition 2026

Opening Thu, Feb 05, 2026, 6pm

Exhibition hours:
Fri, Mon, Tue 2–8pm / Sat, Sun 12am–8pm

@vincent_entekhabi Closed Circle - Aula A.EG_15
@i_________________a My Culture - A.02_51
@anja.lekavski Elvis and the Invisible Tourists - Kolosssaal A_U1.08
@gentselmanaj Wiedereintritt in die Welt - A.01_12

Visit our graduating students at the Diploma Exhibition 2026

Opening Thu, Feb 05, 2026, 6pm

Exhibition hours:
Fri, Mon, Tue 2–8pm / Sat, Sun 12am–8pm

@vincent_entekhabi Closed Circle - Aula A.EG_15
@i_________________a My Culture - A.02_51
@anja.lekavski Elvis and the Invisible Tourists - Kolosssaal A_U1.08
@gentselmanaj Wiedereintritt in die Welt - A.01_12

Visit our graduating students at the Diploma Exhibition 2026

Opening Thu, Feb 05, 2026, 6pm

Exhibition hours:
Fri, Mon, Tue 2–8pm / Sat, Sun 12am–8pm

@vincent_entekhabi Closed Circle - Aula A.EG_15
@i_________________a My Culture - A.02_51
@anja.lekavski Elvis and the Invisible Tourists - Kolosssaal A_U1.08
@gentselmanaj Wiedereintritt in die Welt - A.01_12

Why do people hate mirror dwellers?
Emergent Digital Media Class
Jul 26–Aug 3, 2025
Annual Exhibition, AdBK Munich

Andre Bagh @andrebagh
Andrej Arpád Ambroz @aa.arpad
Angelika Lepper @anki_lepper
Anja Lekavski @anja.lekavski
Gent Selmanaj @gentselmanaj
Ilinca Fechete @il.ii.li.ii
Kristina Cyan @kristinacyan
Lisa Meinig @_licia_lumen_
Mira Schienagel @mira.schienagel
Naho Matsuda @naho.matsuda
Sofian Biazzi @sofianbiazzi
Timothy Hammer @nieeeeeeeen
Vasilii Vikhliaev @vasili.vi
Vincent Entekhabi @vincent_entekhabi
Yena Kim

www.generativemedia.net

Vincent Entekhabi @vincent_entekhabi
Hello World, 2024

digital animation, color, sound
3840x3840px, 00:02:22, loop

„Hello World“ visualizes a digital artifact transforming into a state of hyperreality by slowly reinterpreting media-historical images. After mistaking the artifact for the first ever photograph, the first color photo, the first silent film and the first digital image, the narrating entity finally recognizes the rock-like shape as it is about to fall down to earth.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Vincent Entekhabi @vincent_entekhabi
Hello World, 2024

digital animation, color, sound
3840x3840px, 00:02:22, loop

„Hello World“ visualizes a digital artifact transforming into a state of hyperreality by slowly reinterpreting media-historical images. After mistaking the artifact for the first ever photograph, the first color photo, the first silent film and the first digital image, the narrating entity finally recognizes the rock-like shape as it is about to fall down to earth.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Vincent Entekhabi @vincent_entekhabi
Hello World, 2024

digital animation, color, sound
3840x3840px, 00:02:22, loop

„Hello World“ visualizes a digital artifact transforming into a state of hyperreality by slowly reinterpreting media-historical images. After mistaking the artifact for the first ever photograph, the first color photo, the first silent film and the first digital image, the narrating entity finally recognizes the rock-like shape as it is about to fall down to earth.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Vasili Vikhiaev @vasili.vi
Scanning my Grandparents Wallcarpet + Carpet Beater, 2024

two-channel video and audio installation, two projections on radiators, sonified carpet patterns, video color, sound, no language, ca. 5 - 6 min, loop

This two-channel video/sound installation transforms artifacts of my fading memories of Moldova into sound, creating rhythmic patterns projected onto radiators. The sonified artifacts highlight the fact that intergenerational memory stored in carpets, passed down through generations. Sonified photographs and carpet patterns explore the elusive nature of memory in the post-digital age.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Vasili Vikhiaev @vasili.vi
Scanning my Grandparents Wallcarpet + Carpet Beater, 2024

two-channel video and audio installation, two projections on radiators, sonified carpet patterns, video color, sound, no language, ca. 5 - 6 min, loop

This two-channel video/sound installation transforms artifacts of my fading memories of Moldova into sound, creating rhythmic patterns projected onto radiators. The sonified artifacts highlight the fact that intergenerational memory stored in carpets, passed down through generations. Sonified photographs and carpet patterns explore the elusive nature of memory in the post-digital age.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Vasili Vikhiaev @vasili.vi
Scanning my Grandparents Wallcarpet + Carpet Beater, 2024

two-channel video and audio installation, two projections on radiators, sonified carpet patterns, video color, sound, no language, ca. 5 - 6 min, loop

This two-channel video/sound installation transforms artifacts of my fading memories of Moldova into sound, creating rhythmic patterns projected onto radiators. The sonified artifacts highlight the fact that intergenerational memory stored in carpets, passed down through generations. Sonified photographs and carpet patterns explore the elusive nature of memory in the post-digital age.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Vasili Vikhiaev @vasili.vi
Scanning my Grandparents Wallcarpet + Carpet Beater, 2024

two-channel video and audio installation, two projections on radiators, sonified carpet patterns, video color, sound, no language, ca. 5 - 6 min, loop

This two-channel video/sound installation transforms artifacts of my fading memories of Moldova into sound, creating rhythmic patterns projected onto radiators. The sonified artifacts highlight the fact that intergenerational memory stored in carpets, passed down through generations. Sonified photographs and carpet patterns explore the elusive nature of memory in the post-digital age.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Sofian Biazzi @sofianbiazzi
In cos(a) turn left, 2024

multimedia installation
single-channel video 9216x1024px

Vertical orientation,
it no longer works.
It is orientated towards systems and systematics.
Navigational skills.
Skills you don’t have.
That you don’t need.
Dirts of multiple kinds are out of reach.
Are not for you to discover.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

text by @rhabarbarosine
photo by @vincent_entekhabi

Sofian Biazzi @sofianbiazzi
In cos(a) turn left, 2024

multimedia installation
single-channel video 9216x1024px

Vertical orientation,
it no longer works.
It is orientated towards systems and systematics.
Navigational skills.
Skills you don’t have.
That you don’t need.
Dirts of multiple kinds are out of reach.
Are not for you to discover.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

text by @rhabarbarosine
photo by @vincent_entekhabi

Sofian Biazzi @sofianbiazzi
In cos(a) turn left, 2024

multimedia installation
single-channel video 9216x1024px

Vertical orientation,
it no longer works.
It is orientated towards systems and systematics.
Navigational skills.
Skills you don’t have.
That you don’t need.
Dirts of multiple kinds are out of reach.
Are not for you to discover.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

text by @rhabarbarosine
photo by @vincent_entekhabi

Sofian Biazzi @sofianbiazzi
In cos(a) turn left, 2024

multimedia installation
single-channel video 9216x1024px

Vertical orientation,
it no longer works.
It is orientated towards systems and systematics.
Navigational skills.
Skills you don’t have.
That you don’t need.
Dirts of multiple kinds are out of reach.
Are not for you to discover.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

text by @rhabarbarosine
photo by @vincent_entekhabi

Nicolas Maximilian
drifting through 128 dimensions of a humpback whale, 2024

fisherman’s mirror box, Video screen, two joysticks
172 x 42 x 30 cm

„Drifting through 128 dimensions of a humpback whale“ enables direct interaction with the high-dimensional vector space of a model trained on recordings of humpback whales. Using two joysticks visitors can move through this space, gaining an immediate sense of its structure.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Nicolas Maximilian
drifting through 128 dimensions of a humpback whale, 2024

fisherman’s mirror box, Video screen, two joysticks
172 x 42 x 30 cm

„Drifting through 128 dimensions of a humpback whale“ enables direct interaction with the high-dimensional vector space of a model trained on recordings of humpback whales. Using two joysticks visitors can move through this space, gaining an immediate sense of its structure.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Nicolas Maximilian
drifting through 128 dimensions of a humpback whale, 2024

fisherman’s mirror box, Video screen, two joysticks
172 x 42 x 30 cm

„Drifting through 128 dimensions of a humpback whale“ enables direct interaction with the high-dimensional vector space of a model trained on recordings of humpback whales. Using two joysticks visitors can move through this space, gaining an immediate sense of its structure.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Naho Matsuda @naho.matsuda
hold my tongue, 2024

2-channel video, colour, sound, English, Japanese, German
768x576px, 1600x1200px, 00:05:00, loop

I recently learned that according to some linguistic theory I should be part of someone else’s ‚extended self territory‘, as I’m part of a culture where the self territory extends hereditarily. I’m talking about my diet here, and, ahem. What driving to my great-grandmother’s grave has explaining a seaweed based tongue twister. This work - a footnote with a footnote - is an uneasy encounter between, passports landscapes and moments in which I should have held my tongue. This work is arguably Akcadgacent.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Naho Matsuda @naho.matsuda
hold my tongue, 2024

2-channel video, colour, sound, English, Japanese, German
768x576px, 1600x1200px, 00:05:00, loop

I recently learned that according to some linguistic theory I should be part of someone else’s ‚extended self territory‘, as I’m part of a culture where the self territory extends hereditarily. I’m talking about my diet here, and, ahem. What driving to my great-grandmother’s grave has explaining a seaweed based tongue twister. This work - a footnote with a footnote - is an uneasy encounter between, passports landscapes and moments in which I should have held my tongue. This work is arguably Akcadgacent.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Naho Matsuda @naho.matsuda
hold my tongue, 2024

2-channel video, colour, sound, English, Japanese, German
768x576px, 1600x1200px, 00:05:00, loop

I recently learned that according to some linguistic theory I should be part of someone else’s ‚extended self territory‘, as I’m part of a culture where the self territory extends hereditarily. I’m talking about my diet here, and, ahem. What driving to my great-grandmother’s grave has explaining a seaweed based tongue twister. This work - a footnote with a footnote - is an uneasy encounter between, passports landscapes and moments in which I should have held my tongue. This work is arguably Akcadgacent.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Naho Matsuda @naho.matsuda
hold my tongue, 2024

2-channel video, colour, sound, English, Japanese, German
768x576px, 1600x1200px, 00:05:00, loop

I recently learned that according to some linguistic theory I should be part of someone else’s ‚extended self territory‘, as I’m part of a culture where the self territory extends hereditarily. I’m talking about my diet here, and, ahem. What driving to my great-grandmother’s grave has explaining a seaweed based tongue twister. This work - a footnote with a footnote - is an uneasy encounter between, passports landscapes and moments in which I should have held my tongue. This work is arguably Akcadgacent.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Maria Chao @______chao______
unsolved questions, 2024

audio, printed paper
01: 00’02: 47, 02: 00’01:46, A4

A wish to do a song, a trap song loosely around the idea of mutuality crafted with generative AI. Facing some obstacles and several ethical and aesthetical dilemmas in the process. Many unresolved questions.
Deciding to result/ike to focus on some of those issues by using fragments from the lawsuit filed by RIAA - the Recording Industry Association of America- against Suno AI - the tool I am using to create the song - and the response from Suno’s CEO into a trap song. Crafted of course with generative AI.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Maria Chao @______chao______
unsolved questions, 2024

audio, printed paper
01: 00’02: 47, 02: 00’01:46, A4

A wish to do a song, a trap song loosely around the idea of mutuality crafted with generative AI. Facing some obstacles and several ethical and aesthetical dilemmas in the process. Many unresolved questions.
Deciding to result/ike to focus on some of those issues by using fragments from the lawsuit filed by RIAA - the Recording Industry Association of America- against Suno AI - the tool I am using to create the song - and the response from Suno’s CEO into a trap song. Crafted of course with generative AI.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Maria Chao @______chao______
unsolved questions, 2024

audio, printed paper
01: 00’02: 47, 02: 00’01:46, A4

A wish to do a song, a trap song loosely around the idea of mutuality crafted with generative AI. Facing some obstacles and several ethical and aesthetical dilemmas in the process. Many unresolved questions.
Deciding to result/ike to focus on some of those issues by using fragments from the lawsuit filed by RIAA - the Recording Industry Association of America- against Suno AI - the tool I am using to create the song - and the response from Suno’s CEO into a trap song. Crafted of course with generative AI.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Ludwig Dressler @kd.ludwig
Play-Doh, 2024

2-channel video, full HD, color, no sound
10’00 min. loop
Playing with green „Play Doh“ and postproducing with greenscreen technique
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Ludwig Dressler @kd.ludwig
Play-Doh, 2024

2-channel video, full HD, color, no sound
10’00 min. loop
Playing with green „Play Doh“ and postproducing with greenscreen technique
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Ludwig Dressler @kd.ludwig
Play-Doh, 2024

2-channel video, full HD, color, no sound
10’00 min. loop
Playing with green „Play Doh“ and postproducing with greenscreen technique
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Jacob Floess @ja____k0bbb
Asset flip, 2024

acrylic glass covered with steel grid and steel plates illuminated by LEDs
90 x 25 x 40 cm, 50 x 25 x 80 cm, single-channel video/800 x 600px, 00’03’06

The fictitious company F-ACO offers its services to the global security and military markets. Their latest product is a newly developed system for the taxonomy of human emotions based on facial micro-expressions, which is purportedly able to reveal a person’s true self in its efforts to map the human face using deep neural networks. F-ACO echoes 19th century pseudoscientific research that led to scientific racism and eugenics.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Jacob Floess @ja____k0bbb
Asset flip, 2024

acrylic glass covered with steel grid and steel plates illuminated by LEDs
90 x 25 x 40 cm, 50 x 25 x 80 cm, single-channel video/800 x 600px, 00’03’06

The fictitious company F-ACO offers its services to the global security and military markets. Their latest product is a newly developed system for the taxonomy of human emotions based on facial micro-expressions, which is purportedly able to reveal a person’s true self in its efforts to map the human face using deep neural networks. F-ACO echoes 19th century pseudoscientific research that led to scientific racism and eugenics.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi

Jacob Floess @ja____k0bbb
Asset flip, 2024

acrylic glass covered with steel grid and steel plates illuminated by LEDs
90 x 25 x 40 cm, 50 x 25 x 80 cm, single-channel video/800 x 600px, 00’03’06

The fictitious company F-ACO offers its services to the global security and military markets. Their latest product is a newly developed system for the taxonomy of human emotions based on facial micro-expressions, which is purportedly able to reveal a person’s true self in its efforts to map the human face using deep neural networks. F-ACO echoes 19th century pseudoscientific research that led to scientific racism and eugenics.
–

ROOT /ruːt/
AdbK Munich, Kollosssaal
Annual Exhibition 2024

📸 @vincent_entekhabi