인스타그램 스토리 저장

As summer ends and classes begin, check out A/CA’s educational resources, including our latest educational guide – made in collaboration with the Winnipeg Film Group (WFG). Now available on VUCAVU (vucavu.com) and the A/CA website (counterarchive.ca). See our Linktree for more information about this guide and the A/CA educational guides series!

We’re thrilled to announce the launch of Archive/Counter-Archive and Winnipeg Film Group’s NEW Educational Guide: « Welcome to the Neighbourhood: Inside the Winnipeg Film Group’s Indigenous Film and Video Collections ». The guide, which is designed for secondary (Grades 9-12) and postsecondary students (undergraduate levels), includes a selection of 10 short films and videos suggested for classroom viewing and a discussion curated by Winnipeg-based visual artist and art educator Lita Fontaine.

The program features films/videos by Caroline Monnet, Darryl Nepinak, Jackie Traverse, Danielle Sturk, Reil Munro, Charlene Moore and Sonya Ballantyne.
**SEE LINK IN BIO**
https://vucavu.com/en/aca-wfg/welcome-to-the-neighbourhood
...
Nous sommes ravis d’annoncer le lancement du nouveau guide pédagogique d’Archive/Counter-Archive et Winnipeg Film Group intitulé « Welcome to the Neighbourhood: Inside the Winnipeg Film Group’s Indigenous Film and Video Collections » (Bienvenue dans le quartier : à l’intérieur des collections de films et de vidéos autochtones du Winnipeg Film Group). Ce programme (en anglais), destiné aux élèves du secondaire (9e à 12e année) et aux étudiants de niveau postsecondaire (premier cycle universitaire), comprend une sélection de 10 courts métrages et vidéos proposés pour être visionnés et discutés en classe, sélectionnés par Lita Fontaine, artiste visuelle et éducatrice artistique basée à Winnipeg.

Ce guide pédagogique présente des films/vidéos de Caroline Monnet, Darryl Nepinak, Jackie Traverse, Danielle Sturk, Reil Munro, Charlene Moore et Sonya Ballantyne.
**VOIR LE LIEN SUR NOTRE PROFIL**
https://vucavu.com/fr/aca-wfg/welcome-to-the-neighbourhood-1. .
.
Still image / Image fixe : Moccasin Stories (2016), Charlene Moore, WFG

The latest, and the final, episode of Talking Archives 2 is now available. Watch it here, or see our Linktree in bio for the episode and for our Vimeo showcase of all Talking Archives episodes.

Talking Archives 2, Episode 5: filmmaker and artist Obarima Kofi Ofosu-Yeboah. Talking Archives 2 is our online interview series, produced by A/CA researchers Monika Kin Gagnon and Elina Lex, featuring conversations with filmmakers, archivists, and researchers who presented at GAVA in July 2024. See our Linktree in bio for more information on this episode and links to the entire collection of Talking Archives episodes on Vimeo.

See our Linktree in bio for more details

See our Linktree in bio for more details

See our Linktree in bio for more details

Fantastic Finds is BACK!
This is your final chance to showcase the incredible archival finds that you (re)discovered over the course of the A/CA project. The Fantastic Finds program will be livestreamed via Zoom at 3:00 PM EST following the final A/CA Executive Meeting on July 21, 2025. Come celebrate and gather online.

Submissions are due on Monday, July 14, 2025. Please see our Linktree in bio for guidelines and the submission form.

In our latest MOA story, interdisciplinary artist, Bracken Hanuse Corlett (Wuikinuxv/Klahoose), visits with and responds artistically to the recent MOA exhibition To Be Seen, To Be Heard: First Nations in Public Spaces, 1900-1965 as part of the Archive/Counter-Archive Project.

Archive/Counter-Archive (@counterarchive) is a project and research network dedicated to activating and preserving audiovisual archives created by Indigenous Peoples (First Nations, Métis, Inuit), Black communities and People of Colour, women, LGBT2Q+ and immigrant communities. Political, resistant, and community-based, counter-archives disrupt conventional narratives and enrich our histories. Established in 2018 through a Social Science and Humanities Partnership Grant, the network—in which MOA is a partner—is committed to finding new ways to activate, preserve and restore Canada’s diverse moving image heritage.

Bracken Hanuse Corlett (@wuulhu) is an interdisciplinary artist artist hailing from the Wuikinuxv and Klahoose Nations. He got his start in theatre and performance and has since transitioned into a focus on digital-media, live-visual installation/performance and visual arts. He is a graduate of the En’owkin Centre of Indigenous Art and Emily Carr University of Art and Design, and has studied Northwest Coast art, carving and design.

🔗 link to the full story in bio

Slide 1: Vertigo in the Museum. By Bracken Hanuse Corlett. 2025.
Slide 2: All Ears. By Bracken Hanuse Corlett. 2025.
Slide 3: Online Performance. By Bracken Hanuse Corlett. 2025.
Slide 4: Your Job Has Just Begun. By Bracken Hanuse Corlett. 2025.

#VisitMOA #MuseumOfAnthropologyVancouver #ubc #museum #culture #Indigenous #NIHM #NationalIndigenousHistoryMonth #archive

In our latest MOA story, interdisciplinary artist, Bracken Hanuse Corlett (Wuikinuxv/Klahoose), visits with and responds artistically to the recent MOA exhibition To Be Seen, To Be Heard: First Nations in Public Spaces, 1900-1965 as part of the Archive/Counter-Archive Project.

Archive/Counter-Archive (@counterarchive) is a project and research network dedicated to activating and preserving audiovisual archives created by Indigenous Peoples (First Nations, Métis, Inuit), Black communities and People of Colour, women, LGBT2Q+ and immigrant communities. Political, resistant, and community-based, counter-archives disrupt conventional narratives and enrich our histories. Established in 2018 through a Social Science and Humanities Partnership Grant, the network—in which MOA is a partner—is committed to finding new ways to activate, preserve and restore Canada’s diverse moving image heritage.

Bracken Hanuse Corlett (@wuulhu) is an interdisciplinary artist artist hailing from the Wuikinuxv and Klahoose Nations. He got his start in theatre and performance and has since transitioned into a focus on digital-media, live-visual installation/performance and visual arts. He is a graduate of the En’owkin Centre of Indigenous Art and Emily Carr University of Art and Design, and has studied Northwest Coast art, carving and design.

🔗 link to the full story in bio

Slide 1: Vertigo in the Museum. By Bracken Hanuse Corlett. 2025.
Slide 2: All Ears. By Bracken Hanuse Corlett. 2025.
Slide 3: Online Performance. By Bracken Hanuse Corlett. 2025.
Slide 4: Your Job Has Just Begun. By Bracken Hanuse Corlett. 2025.

#VisitMOA #MuseumOfAnthropologyVancouver #ubc #museum #culture #Indigenous #NIHM #NationalIndigenousHistoryMonth #archive

In our latest MOA story, interdisciplinary artist, Bracken Hanuse Corlett (Wuikinuxv/Klahoose), visits with and responds artistically to the recent MOA exhibition To Be Seen, To Be Heard: First Nations in Public Spaces, 1900-1965 as part of the Archive/Counter-Archive Project.

Archive/Counter-Archive (@counterarchive) is a project and research network dedicated to activating and preserving audiovisual archives created by Indigenous Peoples (First Nations, Métis, Inuit), Black communities and People of Colour, women, LGBT2Q+ and immigrant communities. Political, resistant, and community-based, counter-archives disrupt conventional narratives and enrich our histories. Established in 2018 through a Social Science and Humanities Partnership Grant, the network—in which MOA is a partner—is committed to finding new ways to activate, preserve and restore Canada’s diverse moving image heritage.

Bracken Hanuse Corlett (@wuulhu) is an interdisciplinary artist artist hailing from the Wuikinuxv and Klahoose Nations. He got his start in theatre and performance and has since transitioned into a focus on digital-media, live-visual installation/performance and visual arts. He is a graduate of the En’owkin Centre of Indigenous Art and Emily Carr University of Art and Design, and has studied Northwest Coast art, carving and design.

🔗 link to the full story in bio

Slide 1: Vertigo in the Museum. By Bracken Hanuse Corlett. 2025.
Slide 2: All Ears. By Bracken Hanuse Corlett. 2025.
Slide 3: Online Performance. By Bracken Hanuse Corlett. 2025.
Slide 4: Your Job Has Just Begun. By Bracken Hanuse Corlett. 2025.

#VisitMOA #MuseumOfAnthropologyVancouver #ubc #museum #culture #Indigenous #NIHM #NationalIndigenousHistoryMonth #archive

In our latest MOA story, interdisciplinary artist, Bracken Hanuse Corlett (Wuikinuxv/Klahoose), visits with and responds artistically to the recent MOA exhibition To Be Seen, To Be Heard: First Nations in Public Spaces, 1900-1965 as part of the Archive/Counter-Archive Project.

Archive/Counter-Archive (@counterarchive) is a project and research network dedicated to activating and preserving audiovisual archives created by Indigenous Peoples (First Nations, Métis, Inuit), Black communities and People of Colour, women, LGBT2Q+ and immigrant communities. Political, resistant, and community-based, counter-archives disrupt conventional narratives and enrich our histories. Established in 2018 through a Social Science and Humanities Partnership Grant, the network—in which MOA is a partner—is committed to finding new ways to activate, preserve and restore Canada’s diverse moving image heritage.

Bracken Hanuse Corlett (@wuulhu) is an interdisciplinary artist artist hailing from the Wuikinuxv and Klahoose Nations. He got his start in theatre and performance and has since transitioned into a focus on digital-media, live-visual installation/performance and visual arts. He is a graduate of the En’owkin Centre of Indigenous Art and Emily Carr University of Art and Design, and has studied Northwest Coast art, carving and design.

🔗 link to the full story in bio

Slide 1: Vertigo in the Museum. By Bracken Hanuse Corlett. 2025.
Slide 2: All Ears. By Bracken Hanuse Corlett. 2025.
Slide 3: Online Performance. By Bracken Hanuse Corlett. 2025.
Slide 4: Your Job Has Just Begun. By Bracken Hanuse Corlett. 2025.

#VisitMOA #MuseumOfAnthropologyVancouver #ubc #museum #culture #Indigenous #NIHM #NationalIndigenousHistoryMonth #archive

Congratulations to the A/CA members presenting their research at this year’s Film and Media Studies Association of Canada (FMSAC) Annual Conference, May 27th-29th at Queen’s University in Kingston, ON!

For more details about A/CA members’ events, collaborative workshops, panels, and individual paper presentations, see our linktr.ee in bio.

We are thrilled to share: Episode 4 of Talking Archives 2, featuring Marcel Beltrán, a Cuban filmmaker working with analog and digital film processes, in conversation with Monika Kin Gagnon. To learn more about the interview on our website: https://counterarchive.ca/talking-archives-2-episode-4-marcel-beltran
To see more episodes from our Talking Archives series (Seasons 1 and 2): https://counterarchive.ca/video-recordings

We are thrilled to announce the launch of the newest A/CA Educational Guide produced as part of the Through Feminist Lenses: Women and Video Works at Groupe Intervention Vidéo | Archive/CounterArchive Case Study.

Desire Lines: Experimental Video as Social and Spatial Interventions is a collaboration between A/CA, Groupe Intervention Vidéo (GIV), the Moving Image Research Lab (MIRL) at McGill University, and the independent, artist-driven, Canadian bilingual streaming platform VUCAVU.

See the trailer for Desire Lines here:
https://vimeo.com/1071926927

The Desire Lines full video program is listed below:
1 au canada (kimura byol lemoine, 2014; 1:40 min;English)
2 Aberrant Motion #1 (Cathy Sisler, 1993; 10:42 min; English)
3 Static (Nik Forrest, 1995; 7:00 min; English)
4 Comptines (Diane Poitras, 1986; 4:00 min; English)
5 Win-Nip-Egg (lamathilde, 2015; 4:12 min; English)
6 Welcome to Africville (Dana Inkster, 1999; 15 min; English)
7 Agenda (Kim Kölle Valentine, 2011; 5:02 min; English)
8 Where We Were Not: Feeling Reserved, Alexus’ Story (Jess MacCormack & Alexus Young, 2011; 6:00 min; English)
9 Deb! (Dayna McLeod, 2021; 2:13 min; English)
10 Two Snakes (Kriss Li, 2015; 9:30 min; English)
11 Buried Traces [Traces Souterraines] (Michelle Smith, 2010; 7:55 min; English)
12 My Heart the Tourist (Anne Golden, 2007; 2:00 min; no dialogue)

If you’re at FMSAC this year, you’ll also have the chance to view the program during the “Desire Lines: Intimate Autonomies in 50 years of Groupe Intervention Vidéo” workshop on Thursday, May 29 at 1:00 pm.

To find out more about our new Educational Guide and program, see our Linktree

We are thrilled to announce the launch of the newest A/CA Educational Guide produced as part of the Through Feminist Lenses: Women and Video Works at Groupe Intervention Vidéo | Archive/CounterArchive Case Study.

Desire Lines: Experimental Video as Social and Spatial Interventions is a collaboration between A/CA, Groupe Intervention Vidéo (GIV), the Moving Image Research Lab (MIRL) at McGill University, and the independent, artist-driven, Canadian bilingual streaming platform VUCAVU.

See the trailer for Desire Lines here:
https://vimeo.com/1071926927

The Desire Lines full video program is listed below:
1 au canada (kimura byol lemoine, 2014; 1:40 min;English)
2 Aberrant Motion #1 (Cathy Sisler, 1993; 10:42 min; English)
3 Static (Nik Forrest, 1995; 7:00 min; English)
4 Comptines (Diane Poitras, 1986; 4:00 min; English)
5 Win-Nip-Egg (lamathilde, 2015; 4:12 min; English)
6 Welcome to Africville (Dana Inkster, 1999; 15 min; English)
7 Agenda (Kim Kölle Valentine, 2011; 5:02 min; English)
8 Where We Were Not: Feeling Reserved, Alexus’ Story (Jess MacCormack & Alexus Young, 2011; 6:00 min; English)
9 Deb! (Dayna McLeod, 2021; 2:13 min; English)
10 Two Snakes (Kriss Li, 2015; 9:30 min; English)
11 Buried Traces [Traces Souterraines] (Michelle Smith, 2010; 7:55 min; English)
12 My Heart the Tourist (Anne Golden, 2007; 2:00 min; no dialogue)

If you’re at FMSAC this year, you’ll also have the chance to view the program during the “Desire Lines: Intimate Autonomies in 50 years of Groupe Intervention Vidéo” workshop on Thursday, May 29 at 1:00 pm.

To find out more about our new Educational Guide and program, see our Linktree

We are thrilled to announce the launch of a new bilingual Educational Guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study with our partners Groupe Intervention Vidéo (GIV) titled, “Through Feminist Lenses: Video Works at Groupe Intervention Vidéo”. This program features a curatorial essai by Alanna Thain and Ylenia Olibet from the Moving Image Research Lab (MIRL) at McGill University and is available for VOD on VUCAVU.
.
A Montréal-based artist-run centre founded in Montreal in 1975, GIV is dedicated to the preservation and promotion of media artworks by women (women is used here in the most inclusive sense of the term), distributing and disseminating them while actively supporting production.
.
See the link-in-bio for more information of go to: https://vucavu.com/en/a-ca/education-guides
.
Nous sommes ravis d’annoncer le lancement du nouveau guide pédagogique bilingue produit dans le cadre de l’étude de cas d’Archive/Counter-Archive (A/CA) avec nos partenaires du Groupe Intervention Vidéo (GIV), intitulé « Through Feminist Lenses : Video Works at Groupe Intervention Vidéo » (À travers un prisme féministe : les œuvres du Groupe Intervention Vidéo) . Ce programme comprend un essai curatorial réalisé par Alanna Thain et Ylenia Olibet du Moving Image Research Lab (MIRL) de l’Université McGill et qui est disponible en VSD sur VUCAVU.
.
Fondé en 1975 à Montréal, le GIV fait partie des rares centres d’artistes qui, de par le monde, se consacrent à la conservation et mise en valeur d’œuvres réalisées par des femmes (au sens le plus inclusif du terme) en les distribuant et les diffusant tout en soutenant activement la production.
.
Voir le lien sur notre profil pour en savoir plus ou allez sur : https://vucavu.com/fr/aca-giv/lignes-de-desir

IMAGE: Screenshot from Aberrant Motion #1 (Cathy Sisler, 1993). / Capture d’écran, Aberrant Motion #1 (Cathy Sisler, 1993).

We are thrilled to announce the launch of a new bilingual Educational Guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study with our partners Groupe Intervention Vidéo (GIV) titled, “Through Feminist Lenses: Video Works at Groupe Intervention Vidéo”. This program features a curatorial essai by Alanna Thain and Ylenia Olibet from the Moving Image Research Lab (MIRL) at McGill University and is available for VOD on VUCAVU.
.
A Montréal-based artist-run centre founded in Montreal in 1975, GIV is dedicated to the preservation and promotion of media artworks by women (women is used here in the most inclusive sense of the term), distributing and disseminating them while actively supporting production.
.
See the link-in-bio for more information of go to: https://vucavu.com/en/a-ca/education-guides
.
Nous sommes ravis d’annoncer le lancement du nouveau guide pédagogique bilingue produit dans le cadre de l’étude de cas d’Archive/Counter-Archive (A/CA) avec nos partenaires du Groupe Intervention Vidéo (GIV), intitulé « Through Feminist Lenses : Video Works at Groupe Intervention Vidéo » (À travers un prisme féministe : les œuvres du Groupe Intervention Vidéo) . Ce programme comprend un essai curatorial réalisé par Alanna Thain et Ylenia Olibet du Moving Image Research Lab (MIRL) de l’Université McGill et qui est disponible en VSD sur VUCAVU.
.
Fondé en 1975 à Montréal, le GIV fait partie des rares centres d’artistes qui, de par le monde, se consacrent à la conservation et mise en valeur d’œuvres réalisées par des femmes (au sens le plus inclusif du terme) en les distribuant et les diffusant tout en soutenant activement la production.
.
Voir le lien sur notre profil pour en savoir plus ou allez sur : https://vucavu.com/fr/aca-giv/lignes-de-desir

IMAGE: Screenshot from Aberrant Motion #1 (Cathy Sisler, 1993). / Capture d’écran, Aberrant Motion #1 (Cathy Sisler, 1993).

With tremendous pride, we are sharing news of the world premiere of Parade: Queer Acts of Love & Resistance at the 2025 Toronto Hot Docs Festival this Thursday, April 24th!

Parade captures pivotal moments that sparked Canada’s 2SLGBTQI+ movement, honouring the activists and elders whose resistance led to the rights we have today. Through rarely seen archival footage and first-person accounts—from police raids to early drag shows, community organizing to the House of Commons—audiences are brought to the frontlines of the struggle and the complex history of our country’s diverse communities is brought to life.

This project was an incredible collaborative effort that includes several A/CA members. See our Linktree for more information.For the film’s screening times and to purchase tickets: https://hotdocs.ca/whats-on/hot-docs-festival/films/2025/parade.