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_dotpress

publishing experimental text + sound

8
posts
191
followers
256
following

𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 will be participating in Tsundoku Art Book Fair (2026) at the International Centre for the Image, Dublin (IE) with recent experimental publication 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 (2024). we are thrilled to be participating alongside some amazing national and international artists and publishers. link in bio to book your free ticket to the event launch ☆

with thanks to @image.museum.ireland and @photoireland

Proudly supported by the Arts Council of Ireland.


26
1 months ago


𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 will be participating in Tsundoku Art Book Fair (2026) at the International Centre for the Image, Dublin (IE) with recent experimental publication 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 (2024). we are thrilled to be participating alongside some amazing national and international artists and publishers. link in bio to book your free ticket to the event launch ☆

with thanks to @image.museum.ireland and @photoireland

Proudly supported by the Arts Council of Ireland.


26
1 months ago

𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 will be participating in Tsundoku Art Book Fair (2026) at the International Centre for the Image, Dublin (IE) with recent experimental publication 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 (2024). we are thrilled to be participating alongside some amazing national and international artists and publishers. link in bio to book your free ticket to the event launch ☆

with thanks to @image.museum.ireland and @photoireland

Proudly supported by the Arts Council of Ireland.


26
1 months ago

catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆

text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren


3
10 months ago

catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆

text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren


3
10 months ago

catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆

text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren


3
10 months ago

catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆

text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren


3
10 months ago

catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆

text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren


3
10 months ago


𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago


𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

ctd ep12 - final show of the series from November w @w______ren + @sophiazhuravkova now archived 🩶🖇️
collaged music, writing and field recordings exchanged through sept-nov 24.


36
1 years ago

ctd ep12 - final show of the series from November w @w______ren + @sophiazhuravkova now archived 🩶🖇️
collaged music, writing and field recordings exchanged through sept-nov 24.


36
1 years ago

ctd ep12 - final show of the series from November w @w______ren + @sophiazhuravkova now archived 🩶🖇️
collaged music, writing and field recordings exchanged through sept-nov 24.


36
1 years ago


ctd ep12 - final show of the series from November w @w______ren + @sophiazhuravkova now archived 🩶🖇️
collaged music, writing and field recordings exchanged through sept-nov 24.


36
1 years ago

ctd ep12 - final show of the series from November w @w______ren + @sophiazhuravkova now archived 🩶🖇️
collaged music, writing and field recordings exchanged through sept-nov 24.


36
1 years ago

ctd ep11 - excerpt of live performance from last september, at new fears gallery, berlin w @w______ren @em.ilj @elysiatuohy @marylanddd___ 🔗 now archived


28
1 years ago

ctd ep11 - excerpt of live performance from last september, at new fears gallery, berlin w @w______ren @em.ilj @elysiatuohy @marylanddd___ 🔗 now archived


28
1 years ago

ctd ep10 from July, witchcraft w @suzanabenesova , archived🪞


3
1 years ago

ctd ep10 from July, witchcraft w @suzanabenesova , archived🪞


3
1 years ago

ctd ep10 from July, witchcraft w @suzanabenesova , archived🪞


3
1 years ago

ctd ep10 from July, witchcraft w @suzanabenesova , archived🪞


3
1 years ago

ctd ep10 from July, witchcraft w @suzanabenesova , archived🪞


3
1 years ago

ctd ep08, from March. w @glinod0 now archived / repetitive rhythms, discussions on dreams 💤


3
1 years ago

ctd ep08, from March. w @glinod0 now archived / repetitive rhythms, discussions on dreams 💤


3
1 years ago

ctd ep08, from March. w @glinod0 now archived / repetitive rhythms, discussions on dreams 💤


3
1 years ago

ctd ep08, from March. w @glinod0 now archived / repetitive rhythms, discussions on dreams 💤


3
1 years ago

ctd ep07 from Feb, w @j.marner4, now typeset and archived 💨


3
2 years ago

ctd ep07 from Feb, w @j.marner4, now typeset and archived 💨


3
2 years ago

ctd ep07 from Feb, w @j.marner4, now typeset and archived 💨


3
2 years ago


스토리 세이브 - 스토리, 릴스, 사진, 비디오, 하이라이트, IGTV를 핸드폰에 저장할 수 있는 최고의 무료 도구.

스토리-세이브.com은 사용자들이 인스타그램에서 스토리, 사진, 비디오, IGTV 등을 직접 다운로드하고 저장할 수 있게 도와주는 직관적인 온라인 도구입니다. Story-Save를 사용하면 인스타그램에서 다양한 콘텐츠를 쉽게 다운로드하고 인터넷 없이도 편리하게 볼 수 있습니다. 인스타그램에서 흥미로운 내용을 발견하고 나중에 보기 위해 저장하고 싶을 때 이 도구가 완벽합니다. Story-Save를 사용하여 인스타그램의 소중한 순간을 놓치지 마세요!

우리의 장점:

회원가입 불필요

앱 다운로드 및 가입 없이, 웹에서 스토리를 저장하세요.

독점적인 고화질

저화질 콘텐츠는 이제 그만, 고해상도 스토리만 보존하세요.

모든 장치에서 접근 가능

모든 브라우저, 아이폰, 안드로이드에서 인스타그램 스토리를 다운로드하세요.

완전 무료 사용

전혀 비용 없이 스토리를 다운로드할 수 있습니다.

자주 묻는 질문

인스타그램 스토리 다운로드 기능은 인스타그램 스토리를 안전하고 고품질로 다운로드할 수 있는 방법을 제공합니다. 사용자 친화적이며, 가입 없이 사용 가능합니다. 링크를 복사하여 붙여넣고 콘텐츠를 즐기세요.
인스타그램 스토리 다운로드는 간단한 과정으로, 세 가지 단계가 필요합니다:
  • 1. 인스타그램 스토리 다운로드 도구에 접속하세요.
  • 2. 인스타그램 프로필의 사용자명을 제공된 필드에 입력하고 다운로드 버튼을 클릭하세요.
  • 3. 현재 24시간 동안 사용 가능한 모든 스토리가 표시됩니다. 원하는 스토리를 선택하고 다운로드하세요.
선택한 스토리는 빠르게 기기의 로컬 저장소에 저장됩니다.
불행히도 개인 계정의 스토리는 개인정보 보호 정책으로 인해 다운로드할 수 없습니다.
인스타그램 스토리 다운로드 서비스에는 사용 횟수 제한이 없습니다. 무제한으로 무료로 사용 가능합니다.
네, 다른 사용자의 인스타그램 스토리를 다운로드하고 저장하는 것은 상업적 용도가 아닌 한 합법입니다. 상업적 용도로 사용하려면 원래 콘텐츠 소유자로부터 허락을 받고, 매번 스토리를 사용할 때마다 출처를 밝혀야 합니다.
다운로드한 스토리는 일반적으로 컴퓨터의 다운로드 폴더에 저장됩니다. 윈도우, 맥, iOS 모두 동일합니다. 모바일 장치에서는 스토리가 핸드폰 저장소에 저장되며, 다운로드 후 바로 갤러리 앱에 나타납니다.