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👽 WE ARE BACK 👽

After years of radio silence…
🛸 Aconito Records has returned from space.

A new chapter begins.
A refined roster.
A redefined sound.

Label founder @nax_acid.official joins forces with the already known @oxarzero and new face @ben_u_r
Two years in the lab.
Countless transmissions.
One mission.

🌍 The aliens are back on Earth.
And we’re ready to make noise.

🚨 BIG ANNOUNCEMENT COMING SOON 🚨
Stay tuned. Lock in. This is only the beginning.

#aconitorecords #weareback #undergroundhousemusic #techno #staytuned

👽 WE ARE BACK 👽

After years of radio silence…
🛸 Aconito Records has returned from space.

A new chapter begins.
A refined roster.
A redefined sound.

Label founder @nax_acid.official joins forces with the already known @oxarzero and new face @ben_u_r
Two years in the lab.
Countless transmissions.
One mission.

🌍 The aliens are back on Earth.
And we’re ready to make noise.

🚨 BIG ANNOUNCEMENT COMING SOON 🚨
Stay tuned. Lock in. This is only the beginning.

#aconitorecords #weareback #undergroundhousemusic #techno #staytuned

👽 WE ARE BACK 👽

After years of radio silence…
🛸 Aconito Records has returned from space.

A new chapter begins.
A refined roster.
A redefined sound.

Label founder @nax_acid.official joins forces with the already known @oxarzero and new face @ben_u_r
Two years in the lab.
Countless transmissions.
One mission.

🌍 The aliens are back on Earth.
And we’re ready to make noise.

🚨 BIG ANNOUNCEMENT COMING SOON 🚨
Stay tuned. Lock in. This is only the beginning.

#aconitorecords #weareback #undergroundhousemusic #techno #staytuned

👽 WE ARE BACK 👽

After years of radio silence…
🛸 Aconito Records has returned from space.

A new chapter begins.
A refined roster.
A redefined sound.

Label founder @nax_acid.official joins forces with the already known @oxarzero and new face @ben_u_r
Two years in the lab.
Countless transmissions.
One mission.

🌍 The aliens are back on Earth.
And we’re ready to make noise.

🚨 BIG ANNOUNCEMENT COMING SOON 🚨
Stay tuned. Lock in. This is only the beginning.

#aconitorecords #weareback #undergroundhousemusic #techno #staytuned

The Lockers #20

First off, we got @oxarzero, who moves through electro, techno, and experimental club music. Blurring reality and the surreal, their practice takes listeners on journeys through sonic wonderlands shaped by fractured rhythms, acid textures, and unstable structures that explore tension, perception, and groove.

@socialxcrisis is an upcoming dj/organiser from Estonia while currently based in Brussels. The name reflects the duality of his sound, as he uses music to explore the complexities of the modern world by balancing the darkness and the light in his mixes with deep minimal grooves and techy twists to add some quirkiness.

@ivyfoederer is an artist born and raised in The Hague. She is driven by electro, heavy basslines, breaks, and acid influences, bringing raw energy and an underground feeling to every performance. Her sound creates a dynamic, bass-driven experience that keeps dancefloor moving.

Finally, @sbs_simon explores authenticity through sound and changes within entrenched systems. Unveiling the overlooked. Sounds unfold as an abstract narrative through strange, psychedelic and glitching elements. Distortion becoming language.

Listen now on pipradio.nl or via the link in bio.

The Lockers #20

First off, we got @oxarzero, who moves through electro, techno, and experimental club music. Blurring reality and the surreal, their practice takes listeners on journeys through sonic wonderlands shaped by fractured rhythms, acid textures, and unstable structures that explore tension, perception, and groove.

@socialxcrisis is an upcoming dj/organiser from Estonia while currently based in Brussels. The name reflects the duality of his sound, as he uses music to explore the complexities of the modern world by balancing the darkness and the light in his mixes with deep minimal grooves and techy twists to add some quirkiness.

@ivyfoederer is an artist born and raised in The Hague. She is driven by electro, heavy basslines, breaks, and acid influences, bringing raw energy and an underground feeling to every performance. Her sound creates a dynamic, bass-driven experience that keeps dancefloor moving.

Finally, @sbs_simon explores authenticity through sound and changes within entrenched systems. Unveiling the overlooked. Sounds unfold as an abstract narrative through strange, psychedelic and glitching elements. Distortion becoming language.

Listen now on pipradio.nl or via the link in bio.

The Lockers #20

First off, we got @oxarzero, who moves through electro, techno, and experimental club music. Blurring reality and the surreal, their practice takes listeners on journeys through sonic wonderlands shaped by fractured rhythms, acid textures, and unstable structures that explore tension, perception, and groove.

@socialxcrisis is an upcoming dj/organiser from Estonia while currently based in Brussels. The name reflects the duality of his sound, as he uses music to explore the complexities of the modern world by balancing the darkness and the light in his mixes with deep minimal grooves and techy twists to add some quirkiness.

@ivyfoederer is an artist born and raised in The Hague. She is driven by electro, heavy basslines, breaks, and acid influences, bringing raw energy and an underground feeling to every performance. Her sound creates a dynamic, bass-driven experience that keeps dancefloor moving.

Finally, @sbs_simon explores authenticity through sound and changes within entrenched systems. Unveiling the overlooked. Sounds unfold as an abstract narrative through strange, psychedelic and glitching elements. Distortion becoming language.

Listen now on pipradio.nl or via the link in bio.

The Lockers #20

First off, we got @oxarzero, who moves through electro, techno, and experimental club music. Blurring reality and the surreal, their practice takes listeners on journeys through sonic wonderlands shaped by fractured rhythms, acid textures, and unstable structures that explore tension, perception, and groove.

@socialxcrisis is an upcoming dj/organiser from Estonia while currently based in Brussels. The name reflects the duality of his sound, as he uses music to explore the complexities of the modern world by balancing the darkness and the light in his mixes with deep minimal grooves and techy twists to add some quirkiness.

@ivyfoederer is an artist born and raised in The Hague. She is driven by electro, heavy basslines, breaks, and acid influences, bringing raw energy and an underground feeling to every performance. Her sound creates a dynamic, bass-driven experience that keeps dancefloor moving.

Finally, @sbs_simon explores authenticity through sound and changes within entrenched systems. Unveiling the overlooked. Sounds unfold as an abstract narrative through strange, psychedelic and glitching elements. Distortion becoming language.

Listen now on pipradio.nl or via the link in bio.

The Lockers #20

First off, we got @oxarzero, who moves through electro, techno, and experimental club music. Blurring reality and the surreal, their practice takes listeners on journeys through sonic wonderlands shaped by fractured rhythms, acid textures, and unstable structures that explore tension, perception, and groove.

@socialxcrisis is an upcoming dj/organiser from Estonia while currently based in Brussels. The name reflects the duality of his sound, as he uses music to explore the complexities of the modern world by balancing the darkness and the light in his mixes with deep minimal grooves and techy twists to add some quirkiness.

@ivyfoederer is an artist born and raised in The Hague. She is driven by electro, heavy basslines, breaks, and acid influences, bringing raw energy and an underground feeling to every performance. Her sound creates a dynamic, bass-driven experience that keeps dancefloor moving.

Finally, @sbs_simon explores authenticity through sound and changes within entrenched systems. Unveiling the overlooked. Sounds unfold as an abstract narrative through strange, psychedelic and glitching elements. Distortion becoming language.

Listen now on pipradio.nl or via the link in bio.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

I AM SANDSTORM.

It is a post-performance performance. An absurdist act of autotheory exploring the surreal condition of post-modern living: a pure act of resistance against conformity.
Lost in a vast landscape of dunes, an individual sees only sand in every direction. One colour. One taste. One dimension. Everything is purely an infinite repetition of sameness. In the principle of enantiodromia, the way out becomes the way in. The only escape is to let go of form and imposed structure and transform into the sandstorm.

Enantiodromia comes from Eraclito: the transformation of an extreme in its opposite. This work is an exhortation to accept your own diversity, to liste the others feeling, to care about them, to differentiate from the others, and probably an auto-theory to escape depression and the feeling of never fitting, and many other sub-layers.
It is an interactive piece in which the audience is asked to take part and to identify with the desert. Inspired by Dora Kalff, the script ask you to reconnect with playing in order to absorb the underlining meaning.
It is a tribute to my parents which as Junghian Sandplay therapists grow me with a different point of view on this world.

The sound exploit my critical complex resonant systems and a electronic composition creating a onyric state.

The Premiere was for the exhibition “The weight of air” made possible by @water.trappen and @pavlovskayaaaaa, @pulchristudio during @museumnachtdenhaag 11/10/25.

Written by Nicola Ruffino.
Performed by Nicola Ruffino.
Sound and scenography by Nicola Ruffino.
Costume design Hilt de Vos.
Co-edited Hilt de Vos.
Co-directed Hilt de Vos.
Pictures @sophie.pankevich
Videography @pavlovskayaaaaa

Thanks for the feedback session @wowtermol, @laura.moood, @justineellulphotographer, @jedrek.eltman, @jellylynn, @multivariate.olivello, @loonaeol.

Origin unknown - Hyperbolic Trajectory - by @nax_acid.official / @ben_u_r / @oxarzero

Post-acid. Highly textured techno.
A hyperbolic spatial sound trajectory bending perception into a hyper-hypnotic dream state.

🌌 Now available for PRE-ORDER
🔗 Bandcamp link in bio
🎥 Video credits: @oxarzero

Tap in.
Preorder.
Enter the unknown.

Origin unknown - Interstellar Encounter by @nax_acid.official and @ben_u_r

A four-to-the-floor spiraling exploration, deep acid techno with layered vortexing texture, always shifting, pulling you into the deep space.

Hypnotic. Driving.

🌌 Now available for PRE-ORDER
🔗 Bandcamp link in bio
🎥 Video credits: @oxarzero

Tap in.
Preorder.
Enter the unknown.

#techno #acid #music #preorder #bandcamp

Oxar Zero moves through electro, techno, and experimental club music with an Artscience approach to sound. Blurring reality and the surreal, their practice takes listeners on journeys through sonic wonderlands shaped by fractured rhythms, acid textures, and unstable structures that explore tension, perception, and groove.

Shaped by studies at the @koninklijkconservatorium The Hague and the @royalacademyofart.thehague , The Hague, Oxar Zero treats each set as a live experiment. Performances unfold as evolving systems—marked by feedback, sudden shifts, and raw energy—drawing dancers into unpredictable sonic environments.

An artist and partner of Aconito Records and founder of the Artscience festival @early_hours_myths, Oxar Zero has performed at @garagenoord , @pipdenhaag , @laak.club , and @bunkertorino , with radio shows on @operator.radio , @pipradio , @future.intel , @maxi.radio , and @linea_milano

#techno #electro #music #artist #dj

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

𝙒𝙝𝙮 𝙖𝙧𝙚𝙣’𝙩 𝙮𝙤𝙪 𝙝𝙚𝙧𝙚 ?
Ox: As Loona decided to explore the retroscene of a clown life and its body movement, I continue my exploration of Junghian Theory. I see the clown masks as the process of wearing a persona to cover the turbulent psychic landscape. Who get hurt when we get hurt, and who get hurt when we hurt ? How many time do we have to crash before we lose our ability to feel ? With a personal method for automatic writing I let my Anima archetype speak through my hand. During a long depression I let her disappear in the shadow, and she is questioning why I left her fading alone in the dark corner of the shadow. I choose Italian to test a deeper and primal connection with the audience. The text performance was non linear and iterative, becoming a complex dynamic mantra.

Written by Nicola Ruffino,
Sound Performance by Nicola Ruffino
Co-directed with Loona Dusser @loonaeol
Body movement exploration Loona Dusser @loonaeol

Thanks @laura.moood for aftermath feedback session

Pictures: Justine Ellul @justineellulphotographer

For @early_hours_myths takeover @laak.bar @laak.club 4th October 2025.

Thanks @laak.club for the trust.
A while without playing techno for both, definitely one for the books.

Thanks @laak.club for the trust.
A while without playing techno for both, definitely one for the books.

Thanks @laak.club for the trust.
A while without playing techno for both, definitely one for the books.

Thanks @laak.club for the trust.
A while without playing techno for both, definitely one for the books.

Thanks @laak.club for the trust.
A while without playing techno for both, definitely one for the books.

25.10 @laak.club on toilet closing duties with my man @oxarzero 🏥

25.10 @laak.club on toilet closing duties with my man @oxarzero 🏥

25.10 @laak.club on toilet closing duties with my man @oxarzero 🏥

🎉 We’re delighted to invite you all!!! On 11th October, the exhibition Weight of Air, will open at Pulchri Studio at 5 p.m. Feel free to join us! During @museumnachtdenhaag they will show a series of performances that bring light, sound, and movement into the exhibition space. 💫⚡️

19:00 — Akiko Mik, Nothing | In Between | Everything
Songs inspired by Janne Teller’s novel Nothing: “The children cut off their index finger, killed a dog and burned a boy at the sawmill. All to find and prove significance.” Mik translates this search for meaning into fragile, haunting music.
@akiko_mik_

19:30 — Lea Deutscher, ° Wasserbrot
“Wasserbrot“ is a performative and theatrical examination of balance. What sacrifice does it take to conserve the state of equilibrium within the realm of infinitely shifting movements of water, where it tends to show only in ungraspable fragments of time, like the silverskin of fish.”
@koenig.raoul

21:00 — Wouter van Elzen & Yannis Michos, Lights, Sound, Fans
Light, sound, and airflow form a living system. Two performers navigate its constant change: “Sound, lights, fans and DIY electronics interact in a dynamic setup—blending motion, noise, and atmosphere.”
@wautor @yannis.michos

21:30 — Jacobus Benning & Bo Oskamp, bareskin (within/without)
A bodily, audiovisual performance: “Gelatin drawn over flesh, a second skin forged from another’s remains… Once hardened, what shelters also suffocates.” The piece explores how protection can become constraint.
@redandyellowsweater @water.trappen

22:45 — Oxar Zero, I Am Sandstorm
“Imagine being on a vast dune landscape, every direction only sand. You start hearing the wind from afar—the only choice is to become the sandstorm.” A post-performance performance about rootlessness and transformation.
@oxarzero

📍 Pulchri Studio, The Hague
🗓️ 11 Oct 2025, from 17:00 till 23:30

#WeightOfAir #PulchriStudio #Museumnacht #YearOfYoungArt #Opening #LivePerformance #PerformanceArt #ExperimentalMusic #TheatricalArt #AudiovisualArt #ImmersiveExperience #ContemporaryArt #YoungArtists #ArtAndMovement #ArtAndSound #ArtExperience #CulturalEvent #TheHagueArt #LightAndSound #DynamicPerformances

🎉 We’re delighted to invite you all!!! On 11th October, the exhibition Weight of Air, will open at Pulchri Studio at 5 p.m. Feel free to join us! During @museumnachtdenhaag they will show a series of performances that bring light, sound, and movement into the exhibition space. 💫⚡️

19:00 — Akiko Mik, Nothing | In Between | Everything
Songs inspired by Janne Teller’s novel Nothing: “The children cut off their index finger, killed a dog and burned a boy at the sawmill. All to find and prove significance.” Mik translates this search for meaning into fragile, haunting music.
@akiko_mik_

19:30 — Lea Deutscher, ° Wasserbrot
“Wasserbrot“ is a performative and theatrical examination of balance. What sacrifice does it take to conserve the state of equilibrium within the realm of infinitely shifting movements of water, where it tends to show only in ungraspable fragments of time, like the silverskin of fish.”
@koenig.raoul

21:00 — Wouter van Elzen & Yannis Michos, Lights, Sound, Fans
Light, sound, and airflow form a living system. Two performers navigate its constant change: “Sound, lights, fans and DIY electronics interact in a dynamic setup—blending motion, noise, and atmosphere.”
@wautor @yannis.michos

21:30 — Jacobus Benning & Bo Oskamp, bareskin (within/without)
A bodily, audiovisual performance: “Gelatin drawn over flesh, a second skin forged from another’s remains… Once hardened, what shelters also suffocates.” The piece explores how protection can become constraint.
@redandyellowsweater @water.trappen

22:45 — Oxar Zero, I Am Sandstorm
“Imagine being on a vast dune landscape, every direction only sand. You start hearing the wind from afar—the only choice is to become the sandstorm.” A post-performance performance about rootlessness and transformation.
@oxarzero

📍 Pulchri Studio, The Hague
🗓️ 11 Oct 2025, from 17:00 till 23:30

#WeightOfAir #PulchriStudio #Museumnacht #YearOfYoungArt #Opening #LivePerformance #PerformanceArt #ExperimentalMusic #TheatricalArt #AudiovisualArt #ImmersiveExperience #ContemporaryArt #YoungArtists #ArtAndMovement #ArtAndSound #ArtExperience #CulturalEvent #TheHagueArt #LightAndSound #DynamicPerformances

🎉 We’re delighted to invite you all!!! On 11th October, the exhibition Weight of Air, will open at Pulchri Studio at 5 p.m. Feel free to join us! During @museumnachtdenhaag they will show a series of performances that bring light, sound, and movement into the exhibition space. 💫⚡️

19:00 — Akiko Mik, Nothing | In Between | Everything
Songs inspired by Janne Teller’s novel Nothing: “The children cut off their index finger, killed a dog and burned a boy at the sawmill. All to find and prove significance.” Mik translates this search for meaning into fragile, haunting music.
@akiko_mik_

19:30 — Lea Deutscher, ° Wasserbrot
“Wasserbrot“ is a performative and theatrical examination of balance. What sacrifice does it take to conserve the state of equilibrium within the realm of infinitely shifting movements of water, where it tends to show only in ungraspable fragments of time, like the silverskin of fish.”
@koenig.raoul

21:00 — Wouter van Elzen & Yannis Michos, Lights, Sound, Fans
Light, sound, and airflow form a living system. Two performers navigate its constant change: “Sound, lights, fans and DIY electronics interact in a dynamic setup—blending motion, noise, and atmosphere.”
@wautor @yannis.michos

21:30 — Jacobus Benning & Bo Oskamp, bareskin (within/without)
A bodily, audiovisual performance: “Gelatin drawn over flesh, a second skin forged from another’s remains… Once hardened, what shelters also suffocates.” The piece explores how protection can become constraint.
@redandyellowsweater @water.trappen

22:45 — Oxar Zero, I Am Sandstorm
“Imagine being on a vast dune landscape, every direction only sand. You start hearing the wind from afar—the only choice is to become the sandstorm.” A post-performance performance about rootlessness and transformation.
@oxarzero

📍 Pulchri Studio, The Hague
🗓️ 11 Oct 2025, from 17:00 till 23:30

#WeightOfAir #PulchriStudio #Museumnacht #YearOfYoungArt #Opening #LivePerformance #PerformanceArt #ExperimentalMusic #TheatricalArt #AudiovisualArt #ImmersiveExperience #ContemporaryArt #YoungArtists #ArtAndMovement #ArtAndSound #ArtExperience #CulturalEvent #TheHagueArt #LightAndSound #DynamicPerformances

🎉 We’re delighted to invite you all!!! On 11th October, the exhibition Weight of Air, will open at Pulchri Studio at 5 p.m. Feel free to join us! During @museumnachtdenhaag they will show a series of performances that bring light, sound, and movement into the exhibition space. 💫⚡️

19:00 — Akiko Mik, Nothing | In Between | Everything
Songs inspired by Janne Teller’s novel Nothing: “The children cut off their index finger, killed a dog and burned a boy at the sawmill. All to find and prove significance.” Mik translates this search for meaning into fragile, haunting music.
@akiko_mik_

19:30 — Lea Deutscher, ° Wasserbrot
“Wasserbrot“ is a performative and theatrical examination of balance. What sacrifice does it take to conserve the state of equilibrium within the realm of infinitely shifting movements of water, where it tends to show only in ungraspable fragments of time, like the silverskin of fish.”
@koenig.raoul

21:00 — Wouter van Elzen & Yannis Michos, Lights, Sound, Fans
Light, sound, and airflow form a living system. Two performers navigate its constant change: “Sound, lights, fans and DIY electronics interact in a dynamic setup—blending motion, noise, and atmosphere.”
@wautor @yannis.michos

21:30 — Jacobus Benning & Bo Oskamp, bareskin (within/without)
A bodily, audiovisual performance: “Gelatin drawn over flesh, a second skin forged from another’s remains… Once hardened, what shelters also suffocates.” The piece explores how protection can become constraint.
@redandyellowsweater @water.trappen

22:45 — Oxar Zero, I Am Sandstorm
“Imagine being on a vast dune landscape, every direction only sand. You start hearing the wind from afar—the only choice is to become the sandstorm.” A post-performance performance about rootlessness and transformation.
@oxarzero

📍 Pulchri Studio, The Hague
🗓️ 11 Oct 2025, from 17:00 till 23:30

#WeightOfAir #PulchriStudio #Museumnacht #YearOfYoungArt #Opening #LivePerformance #PerformanceArt #ExperimentalMusic #TheatricalArt #AudiovisualArt #ImmersiveExperience #ContemporaryArt #YoungArtists #ArtAndMovement #ArtAndSound #ArtExperience #CulturalEvent #TheHagueArt #LightAndSound #DynamicPerformances

🎉 We’re delighted to invite you all!!! On 11th October, the exhibition Weight of Air, will open at Pulchri Studio at 5 p.m. Feel free to join us! During @museumnachtdenhaag they will show a series of performances that bring light, sound, and movement into the exhibition space. 💫⚡️

19:00 — Akiko Mik, Nothing | In Between | Everything
Songs inspired by Janne Teller’s novel Nothing: “The children cut off their index finger, killed a dog and burned a boy at the sawmill. All to find and prove significance.” Mik translates this search for meaning into fragile, haunting music.
@akiko_mik_

19:30 — Lea Deutscher, ° Wasserbrot
“Wasserbrot“ is a performative and theatrical examination of balance. What sacrifice does it take to conserve the state of equilibrium within the realm of infinitely shifting movements of water, where it tends to show only in ungraspable fragments of time, like the silverskin of fish.”
@koenig.raoul

21:00 — Wouter van Elzen & Yannis Michos, Lights, Sound, Fans
Light, sound, and airflow form a living system. Two performers navigate its constant change: “Sound, lights, fans and DIY electronics interact in a dynamic setup—blending motion, noise, and atmosphere.”
@wautor @yannis.michos

21:30 — Jacobus Benning & Bo Oskamp, bareskin (within/without)
A bodily, audiovisual performance: “Gelatin drawn over flesh, a second skin forged from another’s remains… Once hardened, what shelters also suffocates.” The piece explores how protection can become constraint.
@redandyellowsweater @water.trappen

22:45 — Oxar Zero, I Am Sandstorm
“Imagine being on a vast dune landscape, every direction only sand. You start hearing the wind from afar—the only choice is to become the sandstorm.” A post-performance performance about rootlessness and transformation.
@oxarzero

📍 Pulchri Studio, The Hague
🗓️ 11 Oct 2025, from 17:00 till 23:30

#WeightOfAir #PulchriStudio #Museumnacht #YearOfYoungArt #Opening #LivePerformance #PerformanceArt #ExperimentalMusic #TheatricalArt #AudiovisualArt #ImmersiveExperience #ContemporaryArt #YoungArtists #ArtAndMovement #ArtAndSound #ArtExperience #CulturalEvent #TheHagueArt #LightAndSound #DynamicPerformances

Friday 3rd and Saturday 4th October 2025
@laak.club @laak.bar
5 more myths:

A̴̧̝͉͆͂̒͆̂̑̉̿̈͘M̸̪̪͚̜͉̜͚̼̄B̸̩̥͝Ǘ̷̟̠̭̖̟̰̜̘̳̽̈͑͌͒ͅ ̴̢͉̣̐́͠B̴̗͇͖̱̦̜͎̹͚̔̽̋̀͊̒͘͘͝Ą̸̛̊̾͗͊̀̂̈́̕M̷̢̛̛͎͓̰̯͍̞̖͖̉̂̔̏̕B̷̛͓͔̫̐́͜͝͠Ṷ̷̢̤̗̫̾͂͛͜͝ @ambu_bambu_ - DJSET

Known to break a beat or two.
But don’t yell at her, she might cry… ( ・⌓・｀)

̶̛̛̱̫̻͚̮̩͉̣͎̈́̀̕͜͠͝C̶̲̱̠̐̐͆͠ͅ0̴̳̣̾̓͒̃̎̍̇0̶͖͔̙̻̻̱͈̪̤̖͠ @c00stanzach - IMPRO LIVE SESSION

Legend says it is a Human-cyborg mould with chaos and sound.

̸̛̫̳̮͎̜͆̿̐͋͗̊͗͠Q̴̧̡̥͔̽̀̐̓̈́̕Ũ̴̧̠͚̋̀̐͊̐A̷͔̲̿͆̍̑̚̕N̶̛̹̖̤̘̅́́́̑̇͆̒̐T̸̺̩̽̃̋͗͘͝Ĩ̸̧̟̼͇̦̽͒̏͐̀̄̍̇C̵̡̞̮̲̩̻̆̓́̈́̕ ̸̮̘͍̐̅̅̎͆̂͛̈́̍Q̵̤͕̲͉͕̜͉̇̍̇U̶̢̩̣͕̳̙̬̘̅́͒̒͘̚Ę̸͎̙̀͑̃͂̔͛S̴͉̱͉̜͐̓̀͑͋̋̀̎͒Ṯ̶̬̭̦̗͙͌́͋̾̇̃̾͑͑͜ͅỈ̷̧̛̠̤̝͕̥̝͓͍͆̂̈͌̚Ọ̸̀N̶̰̤̺̤̘̖͙̱̻̓͒̈́̆̇̏̈́͑̔͝S̷̨͕̗͐́̒͋̆̅̋̈́ @quanticquestions - IMPRO LIVE SESSION

Did the proton
come before the electrons or vice versa?

̸̞͙̓͛̄̋̍Ḻ̶̛̛͉͐̆̽́̕Ó̵̲̇Ơ̷͕͈͎͙̙͕̠̭̙͉̋̓̈́͊͗̿̎̀͊N̶̦̤̝̈́̍̾̀̽̕A̷̧͐̂̆͋̇̆̄͘ͅ ̸̛̬͕̣̭̗͇̱̈́̎̒̐͠ͅD̸̬̼̣̥̍̎͊Ű̶̧̡̅̑͗̾̔̍͘͠S̸̱̯̺͓̬͕̉̃̑́́͑̕͜͠S̶̢͙̗͋͌́͐͆͠Ȩ̵̢̺̟̥̪̼͈̦̂͛̊̎̑̚͘͝ͅR̴͍͕͆̆̅̓̍̓͝ͅ @loonaeol - PERFORMER

Moving edges,
Metal, Raw, Edges,
a sound in the cabinet,
a smooth corner,
soft metal bound.

̴̡̰̝̻͕̊̀̂͘ͅÓ̷̡̞͇̝̦̺̽̎ͅX̶̡̨̰̜̼̱͓̤̜̪̍̔̈́̇̓̇̒̌̋̽A̸̭̩̹̥̹̝̖͚̤͆̇̓̇̏͝Ȓ̸̜̪̣̻͜Z̸̧̢̜̪͈͂͆̔̓̏͋͘E̷̪̞͒̒̆͛͊̂̎̀͑͝R̴̨̗̰̘͎͎̩̟͙̤̿̋͌̄̓̊͘Ő̶̦̻͖̗̀͌͘͜ @oxarzero - IMPRO LIVE SESSION & PERFORMANCE

He was born in a Discoteca labyrinto.

Friday 3rd and Saturday 4th October 2025
@laak.club @laak.bar
5 more myths:

A̴̧̝͉͆͂̒͆̂̑̉̿̈͘M̸̪̪͚̜͉̜͚̼̄B̸̩̥͝Ǘ̷̟̠̭̖̟̰̜̘̳̽̈͑͌͒ͅ ̴̢͉̣̐́͠B̴̗͇͖̱̦̜͎̹͚̔̽̋̀͊̒͘͘͝Ą̸̛̊̾͗͊̀̂̈́̕M̷̢̛̛͎͓̰̯͍̞̖͖̉̂̔̏̕B̷̛͓͔̫̐́͜͝͠Ṷ̷̢̤̗̫̾͂͛͜͝ @ambu_bambu_ - DJSET

Known to break a beat or two.
But don’t yell at her, she might cry… ( ・⌓・｀)

̶̛̛̱̫̻͚̮̩͉̣͎̈́̀̕͜͠͝C̶̲̱̠̐̐͆͠ͅ0̴̳̣̾̓͒̃̎̍̇0̶͖͔̙̻̻̱͈̪̤̖͠ @c00stanzach - IMPRO LIVE SESSION

Legend says it is a Human-cyborg mould with chaos and sound.

̸̛̫̳̮͎̜͆̿̐͋͗̊͗͠Q̴̧̡̥͔̽̀̐̓̈́̕Ũ̴̧̠͚̋̀̐͊̐A̷͔̲̿͆̍̑̚̕N̶̛̹̖̤̘̅́́́̑̇͆̒̐T̸̺̩̽̃̋͗͘͝Ĩ̸̧̟̼͇̦̽͒̏͐̀̄̍̇C̵̡̞̮̲̩̻̆̓́̈́̕ ̸̮̘͍̐̅̅̎͆̂͛̈́̍Q̵̤͕̲͉͕̜͉̇̍̇U̶̢̩̣͕̳̙̬̘̅́͒̒͘̚Ę̸͎̙̀͑̃͂̔͛S̴͉̱͉̜͐̓̀͑͋̋̀̎͒Ṯ̶̬̭̦̗͙͌́͋̾̇̃̾͑͑͜ͅỈ̷̧̛̠̤̝͕̥̝͓͍͆̂̈͌̚Ọ̸̀N̶̰̤̺̤̘̖͙̱̻̓͒̈́̆̇̏̈́͑̔͝S̷̨͕̗͐́̒͋̆̅̋̈́ @quanticquestions - IMPRO LIVE SESSION

Did the proton
come before the electrons or vice versa?

̸̞͙̓͛̄̋̍Ḻ̶̛̛͉͐̆̽́̕Ó̵̲̇Ơ̷͕͈͎͙̙͕̠̭̙͉̋̓̈́͊͗̿̎̀͊N̶̦̤̝̈́̍̾̀̽̕A̷̧͐̂̆͋̇̆̄͘ͅ ̸̛̬͕̣̭̗͇̱̈́̎̒̐͠ͅD̸̬̼̣̥̍̎͊Ű̶̧̡̅̑͗̾̔̍͘͠S̸̱̯̺͓̬͕̉̃̑́́͑̕͜͠S̶̢͙̗͋͌́͐͆͠Ȩ̵̢̺̟̥̪̼͈̦̂͛̊̎̑̚͘͝ͅR̴͍͕͆̆̅̓̍̓͝ͅ @loonaeol - PERFORMER

Moving edges,
Metal, Raw, Edges,
a sound in the cabinet,
a smooth corner,
soft metal bound.

̴̡̰̝̻͕̊̀̂͘ͅÓ̷̡̞͇̝̦̺̽̎ͅX̶̡̨̰̜̼̱͓̤̜̪̍̔̈́̇̓̇̒̌̋̽A̸̭̩̹̥̹̝̖͚̤͆̇̓̇̏͝Ȓ̸̜̪̣̻͜Z̸̧̢̜̪͈͂͆̔̓̏͋͘E̷̪̞͒̒̆͛͊̂̎̀͑͝R̴̨̗̰̘͎͎̩̟͙̤̿̋͌̄̓̊͘Ő̶̦̻͖̗̀͌͘͜ @oxarzero - IMPRO LIVE SESSION & PERFORMANCE

He was born in a Discoteca labyrinto.

Friday 3rd and Saturday 4th October 2025
@laak.club @laak.bar
5 more myths:

A̴̧̝͉͆͂̒͆̂̑̉̿̈͘M̸̪̪͚̜͉̜͚̼̄B̸̩̥͝Ǘ̷̟̠̭̖̟̰̜̘̳̽̈͑͌͒ͅ ̴̢͉̣̐́͠B̴̗͇͖̱̦̜͎̹͚̔̽̋̀͊̒͘͘͝Ą̸̛̊̾͗͊̀̂̈́̕M̷̢̛̛͎͓̰̯͍̞̖͖̉̂̔̏̕B̷̛͓͔̫̐́͜͝͠Ṷ̷̢̤̗̫̾͂͛͜͝ @ambu_bambu_ - DJSET

Known to break a beat or two.
But don’t yell at her, she might cry… ( ・⌓・｀)

̶̛̛̱̫̻͚̮̩͉̣͎̈́̀̕͜͠͝C̶̲̱̠̐̐͆͠ͅ0̴̳̣̾̓͒̃̎̍̇0̶͖͔̙̻̻̱͈̪̤̖͠ @c00stanzach - IMPRO LIVE SESSION

Legend says it is a Human-cyborg mould with chaos and sound.

̸̛̫̳̮͎̜͆̿̐͋͗̊͗͠Q̴̧̡̥͔̽̀̐̓̈́̕Ũ̴̧̠͚̋̀̐͊̐A̷͔̲̿͆̍̑̚̕N̶̛̹̖̤̘̅́́́̑̇͆̒̐T̸̺̩̽̃̋͗͘͝Ĩ̸̧̟̼͇̦̽͒̏͐̀̄̍̇C̵̡̞̮̲̩̻̆̓́̈́̕ ̸̮̘͍̐̅̅̎͆̂͛̈́̍Q̵̤͕̲͉͕̜͉̇̍̇U̶̢̩̣͕̳̙̬̘̅́͒̒͘̚Ę̸͎̙̀͑̃͂̔͛S̴͉̱͉̜͐̓̀͑͋̋̀̎͒Ṯ̶̬̭̦̗͙͌́͋̾̇̃̾͑͑͜ͅỈ̷̧̛̠̤̝͕̥̝͓͍͆̂̈͌̚Ọ̸̀N̶̰̤̺̤̘̖͙̱̻̓͒̈́̆̇̏̈́͑̔͝S̷̨͕̗͐́̒͋̆̅̋̈́ @quanticquestions - IMPRO LIVE SESSION

Did the proton
come before the electrons or vice versa?

̸̞͙̓͛̄̋̍Ḻ̶̛̛͉͐̆̽́̕Ó̵̲̇Ơ̷͕͈͎͙̙͕̠̭̙͉̋̓̈́͊͗̿̎̀͊N̶̦̤̝̈́̍̾̀̽̕A̷̧͐̂̆͋̇̆̄͘ͅ ̸̛̬͕̣̭̗͇̱̈́̎̒̐͠ͅD̸̬̼̣̥̍̎͊Ű̶̧̡̅̑͗̾̔̍͘͠S̸̱̯̺͓̬͕̉̃̑́́͑̕͜͠S̶̢͙̗͋͌́͐͆͠Ȩ̵̢̺̟̥̪̼͈̦̂͛̊̎̑̚͘͝ͅR̴͍͕͆̆̅̓̍̓͝ͅ @loonaeol - PERFORMER

Moving edges,
Metal, Raw, Edges,
a sound in the cabinet,
a smooth corner,
soft metal bound.

̴̡̰̝̻͕̊̀̂͘ͅÓ̷̡̞͇̝̦̺̽̎ͅX̶̡̨̰̜̼̱͓̤̜̪̍̔̈́̇̓̇̒̌̋̽A̸̭̩̹̥̹̝̖͚̤͆̇̓̇̏͝Ȓ̸̜̪̣̻͜Z̸̧̢̜̪͈͂͆̔̓̏͋͘E̷̪̞͒̒̆͛͊̂̎̀͑͝R̴̨̗̰̘͎͎̩̟͙̤̿̋͌̄̓̊͘Ő̶̦̻͖̗̀͌͘͜ @oxarzero - IMPRO LIVE SESSION & PERFORMANCE

He was born in a Discoteca labyrinto.

Friday 3rd and Saturday 4th October 2025
@laak.club @laak.bar
5 more myths:

A̴̧̝͉͆͂̒͆̂̑̉̿̈͘M̸̪̪͚̜͉̜͚̼̄B̸̩̥͝Ǘ̷̟̠̭̖̟̰̜̘̳̽̈͑͌͒ͅ ̴̢͉̣̐́͠B̴̗͇͖̱̦̜͎̹͚̔̽̋̀͊̒͘͘͝Ą̸̛̊̾͗͊̀̂̈́̕M̷̢̛̛͎͓̰̯͍̞̖͖̉̂̔̏̕B̷̛͓͔̫̐́͜͝͠Ṷ̷̢̤̗̫̾͂͛͜͝ @ambu_bambu_ - DJSET

Known to break a beat or two.
But don’t yell at her, she might cry… ( ・⌓・｀)

̶̛̛̱̫̻͚̮̩͉̣͎̈́̀̕͜͠͝C̶̲̱̠̐̐͆͠ͅ0̴̳̣̾̓͒̃̎̍̇0̶͖͔̙̻̻̱͈̪̤̖͠ @c00stanzach - IMPRO LIVE SESSION

Legend says it is a Human-cyborg mould with chaos and sound.

̸̛̫̳̮͎̜͆̿̐͋͗̊͗͠Q̴̧̡̥͔̽̀̐̓̈́̕Ũ̴̧̠͚̋̀̐͊̐A̷͔̲̿͆̍̑̚̕N̶̛̹̖̤̘̅́́́̑̇͆̒̐T̸̺̩̽̃̋͗͘͝Ĩ̸̧̟̼͇̦̽͒̏͐̀̄̍̇C̵̡̞̮̲̩̻̆̓́̈́̕ ̸̮̘͍̐̅̅̎͆̂͛̈́̍Q̵̤͕̲͉͕̜͉̇̍̇U̶̢̩̣͕̳̙̬̘̅́͒̒͘̚Ę̸͎̙̀͑̃͂̔͛S̴͉̱͉̜͐̓̀͑͋̋̀̎͒Ṯ̶̬̭̦̗͙͌́͋̾̇̃̾͑͑͜ͅỈ̷̧̛̠̤̝͕̥̝͓͍͆̂̈͌̚Ọ̸̀N̶̰̤̺̤̘̖͙̱̻̓͒̈́̆̇̏̈́͑̔͝S̷̨͕̗͐́̒͋̆̅̋̈́ @quanticquestions - IMPRO LIVE SESSION

Did the proton
come before the electrons or vice versa?

̸̞͙̓͛̄̋̍Ḻ̶̛̛͉͐̆̽́̕Ó̵̲̇Ơ̷͕͈͎͙̙͕̠̭̙͉̋̓̈́͊͗̿̎̀͊N̶̦̤̝̈́̍̾̀̽̕A̷̧͐̂̆͋̇̆̄͘ͅ ̸̛̬͕̣̭̗͇̱̈́̎̒̐͠ͅD̸̬̼̣̥̍̎͊Ű̶̧̡̅̑͗̾̔̍͘͠S̸̱̯̺͓̬͕̉̃̑́́͑̕͜͠S̶̢͙̗͋͌́͐͆͠Ȩ̵̢̺̟̥̪̼͈̦̂͛̊̎̑̚͘͝ͅR̴͍͕͆̆̅̓̍̓͝ͅ @loonaeol - PERFORMER

Moving edges,
Metal, Raw, Edges,
a sound in the cabinet,
a smooth corner,
soft metal bound.

̴̡̰̝̻͕̊̀̂͘ͅÓ̷̡̞͇̝̦̺̽̎ͅX̶̡̨̰̜̼̱͓̤̜̪̍̔̈́̇̓̇̒̌̋̽A̸̭̩̹̥̹̝̖͚̤͆̇̓̇̏͝Ȓ̸̜̪̣̻͜Z̸̧̢̜̪͈͂͆̔̓̏͋͘E̷̪̞͒̒̆͛͊̂̎̀͑͝R̴̨̗̰̘͎͎̩̟͙̤̿̋͌̄̓̊͘Ő̶̦̻͖̗̀͌͘͜ @oxarzero - IMPRO LIVE SESSION & PERFORMANCE

He was born in a Discoteca labyrinto.

Friday 3rd and Saturday 4th October 2025
@laak.club @laak.bar
5 more myths:

A̴̧̝͉͆͂̒͆̂̑̉̿̈͘M̸̪̪͚̜͉̜͚̼̄B̸̩̥͝Ǘ̷̟̠̭̖̟̰̜̘̳̽̈͑͌͒ͅ ̴̢͉̣̐́͠B̴̗͇͖̱̦̜͎̹͚̔̽̋̀͊̒͘͘͝Ą̸̛̊̾͗͊̀̂̈́̕M̷̢̛̛͎͓̰̯͍̞̖͖̉̂̔̏̕B̷̛͓͔̫̐́͜͝͠Ṷ̷̢̤̗̫̾͂͛͜͝ @ambu_bambu_ - DJSET

Known to break a beat or two.
But don’t yell at her, she might cry… ( ・⌓・｀)

̶̛̛̱̫̻͚̮̩͉̣͎̈́̀̕͜͠͝C̶̲̱̠̐̐͆͠ͅ0̴̳̣̾̓͒̃̎̍̇0̶͖͔̙̻̻̱͈̪̤̖͠ @c00stanzach - IMPRO LIVE SESSION

Legend says it is a Human-cyborg mould with chaos and sound.

̸̛̫̳̮͎̜͆̿̐͋͗̊͗͠Q̴̧̡̥͔̽̀̐̓̈́̕Ũ̴̧̠͚̋̀̐͊̐A̷͔̲̿͆̍̑̚̕N̶̛̹̖̤̘̅́́́̑̇͆̒̐T̸̺̩̽̃̋͗͘͝Ĩ̸̧̟̼͇̦̽͒̏͐̀̄̍̇C̵̡̞̮̲̩̻̆̓́̈́̕ ̸̮̘͍̐̅̅̎͆̂͛̈́̍Q̵̤͕̲͉͕̜͉̇̍̇U̶̢̩̣͕̳̙̬̘̅́͒̒͘̚Ę̸͎̙̀͑̃͂̔͛S̴͉̱͉̜͐̓̀͑͋̋̀̎͒Ṯ̶̬̭̦̗͙͌́͋̾̇̃̾͑͑͜ͅỈ̷̧̛̠̤̝͕̥̝͓͍͆̂̈͌̚Ọ̸̀N̶̰̤̺̤̘̖͙̱̻̓͒̈́̆̇̏̈́͑̔͝S̷̨͕̗͐́̒͋̆̅̋̈́ @quanticquestions - IMPRO LIVE SESSION

Did the proton
come before the electrons or vice versa?

̸̞͙̓͛̄̋̍Ḻ̶̛̛͉͐̆̽́̕Ó̵̲̇Ơ̷͕͈͎͙̙͕̠̭̙͉̋̓̈́͊͗̿̎̀͊N̶̦̤̝̈́̍̾̀̽̕A̷̧͐̂̆͋̇̆̄͘ͅ ̸̛̬͕̣̭̗͇̱̈́̎̒̐͠ͅD̸̬̼̣̥̍̎͊Ű̶̧̡̅̑͗̾̔̍͘͠S̸̱̯̺͓̬͕̉̃̑́́͑̕͜͠S̶̢͙̗͋͌́͐͆͠Ȩ̵̢̺̟̥̪̼͈̦̂͛̊̎̑̚͘͝ͅR̴͍͕͆̆̅̓̍̓͝ͅ @loonaeol - PERFORMER

Moving edges,
Metal, Raw, Edges,
a sound in the cabinet,
a smooth corner,
soft metal bound.

̴̡̰̝̻͕̊̀̂͘ͅÓ̷̡̞͇̝̦̺̽̎ͅX̶̡̨̰̜̼̱͓̤̜̪̍̔̈́̇̓̇̒̌̋̽A̸̭̩̹̥̹̝̖͚̤͆̇̓̇̏͝Ȓ̸̜̪̣̻͜Z̸̧̢̜̪͈͂͆̔̓̏͋͘E̷̪̞͒̒̆͛͊̂̎̀͑͝R̴̨̗̰̘͎͎̩̟͙̤̿̋͌̄̓̊͘Ő̶̦̻͖̗̀͌͘͜ @oxarzero - IMPRO LIVE SESSION & PERFORMANCE

He was born in a Discoteca labyrinto.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.

Come back fresh from a dense summer.
Next gigs
28/09/25 studio preview
03/10/25 impro sessio w/ @c00stanzach and @quanticquestions - @early_hours_myths takeover @laak.bar
04/10/25 performance w/ @loonaeol and maybe spinning records
11/10/25 performance @museumnachtdenhaag @pulchristudio
11/11/25 recording @pipradio

Thoughts that goes to summer.
Fresh wind making contrast with the dense warm air.
Never been so warm, even under my skin.
The same skin refreshed only from outside.
Hot head.
Mouth full of salt.
Asking to Neptune:
Will I exit the abyss?
Thought goes to the kisses not given,
Saving space in my memories.
Healing while waiting a revolution that never comes.
Godot-ing the time, the action, an act, the rosemary.
Before I realised I was already back.