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For 82 years, Helga Knott knew only two things about her father: his name, Lorenz, and that he had died in the war.
This was her truth until a few months ago, when historian Alexander Knob contacted her to deliver the farewell letter Lorenz had written on the morning before his execution, six weeks prior to Helga’s birth.

Lorenz was among the 1,188 men and women executed by the Nazi regime at Munich’s Stadelheim prison and today thanks to the efforts of the researchers at @arolsenarchives hundreds of documents have found their way home.

Out today in @zeit the piece by @helena_ott_journo ✍🏼🗞️
Thanks to @t.h.i.zz.l.e for this opportunity. 🙏🏼

For 82 years, Helga Knott knew only two things about her father: his name, Lorenz, and that he had died in the war.
This was her truth until a few months ago, when historian Alexander Knob contacted her to deliver the farewell letter Lorenz had written on the morning before his execution, six weeks prior to Helga’s birth.

Lorenz was among the 1,188 men and women executed by the Nazi regime at Munich’s Stadelheim prison and today thanks to the efforts of the researchers at @arolsenarchives hundreds of documents have found their way home.

Out today in @zeit the piece by @helena_ott_journo ✍🏼🗞️
Thanks to @t.h.i.zz.l.e for this opportunity. 🙏🏼

For 82 years, Helga Knott knew only two things about her father: his name, Lorenz, and that he had died in the war.
This was her truth until a few months ago, when historian Alexander Knob contacted her to deliver the farewell letter Lorenz had written on the morning before his execution, six weeks prior to Helga’s birth.

Lorenz was among the 1,188 men and women executed by the Nazi regime at Munich’s Stadelheim prison and today thanks to the efforts of the researchers at @arolsenarchives hundreds of documents have found their way home.

Out today in @zeit the piece by @helena_ott_journo ✍🏼🗞️
Thanks to @t.h.i.zz.l.e for this opportunity. 🙏🏼

For 82 years, Helga Knott knew only two things about her father: his name, Lorenz, and that he had died in the war.
This was her truth until a few months ago, when historian Alexander Knob contacted her to deliver the farewell letter Lorenz had written on the morning before his execution, six weeks prior to Helga’s birth.

Lorenz was among the 1,188 men and women executed by the Nazi regime at Munich’s Stadelheim prison and today thanks to the efforts of the researchers at @arolsenarchives hundreds of documents have found their way home.

Out today in @zeit the piece by @helena_ott_journo ✍🏼🗞️
Thanks to @t.h.i.zz.l.e for this opportunity. 🙏🏼

»I’ve never been so happy in my life«
It was such a pleasure to meet Isabella Ducrot in her studio in Rome for the latest ZEIT Kunst.
Interview by @christophamend
Thanks @jasminahanf for the trust 🙏🏼
@zeit @ducrotisabella

»I’ve never been so happy in my life«
It was such a pleasure to meet Isabella Ducrot in her studio in Rome for the latest ZEIT Kunst.
Interview by @christophamend
Thanks @jasminahanf for the trust 🙏🏼
@zeit @ducrotisabella

»I’ve never been so happy in my life«
It was such a pleasure to meet Isabella Ducrot in her studio in Rome for the latest ZEIT Kunst.
Interview by @christophamend
Thanks @jasminahanf for the trust 🙏🏼
@zeit @ducrotisabella

»I’ve never been so happy in my life«
It was such a pleasure to meet Isabella Ducrot in her studio in Rome for the latest ZEIT Kunst.
Interview by @christophamend
Thanks @jasminahanf for the trust 🙏🏼
@zeit @ducrotisabella

»I’ve never been so happy in my life«
It was such a pleasure to meet Isabella Ducrot in her studio in Rome for the latest ZEIT Kunst.
Interview by @christophamend
Thanks @jasminahanf for the trust 🙏🏼
@zeit @ducrotisabella

»I’ve never been so happy in my life«
It was such a pleasure to meet Isabella Ducrot in her studio in Rome for the latest ZEIT Kunst.
Interview by @christophamend
Thanks @jasminahanf for the trust 🙏🏼
@zeit @ducrotisabella

»I’ve never been so happy in my life«
It was such a pleasure to meet Isabella Ducrot in her studio in Rome for the latest ZEIT Kunst.
Interview by @christophamend
Thanks @jasminahanf for the trust 🙏🏼
@zeit @ducrotisabella

»I’ve never been so happy in my life«
It was such a pleasure to meet Isabella Ducrot in her studio in Rome for the latest ZEIT Kunst.
Interview by @christophamend
Thanks @jasminahanf for the trust 🙏🏼
@zeit @ducrotisabella

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

The New York Times sent me to @fonderiadelchiaro in Pietrasanta to photograph Giuseppe Penone as he prepared for his upcoming exhibition at Gagosian in New York.

Together with his curator, Adam Weinberg, Penone was putting the final touches on his monumental works. 🪾

Go read the brilliant interview by @laurarysman out today in @nytimes 🗞️

@giuseppe_penone
@gagosian

Last lap before my 40s ❄️

Last lap before my 40s ❄️

Buoni propositi per questo 2026: dare un senso all’archivio. 📚

Sorna, 2024.

On April 10, 1991, an experimental project was underway at Livorno Radio Station, involving the 24-hour recording of VHF channel 16, used for rescue and emergency communications at sea.

That evening, RAIwas broadcasting the UEFA Cup Winners’ Cup semifinal between Barcelona and Juventus; the oil tankers Agip Abruzzo and Agip Napoli and six American military vessels returning from the Gulf War were anchored in the Livorno harbor; a Na.Var.Ma ferry had just departed for Olbia. On channel 16, around 10:20 PM, a voice, in English, warned: “The passenger ship, the passenger ship...” A few minutes later, at 10:25 PM, the Moby Prince collided with the Agip Abruzzo, and the faint mayday call issued by the passenger ship, which no one seems to have ever received, was forever etched on the tape.

Of the 141 people on board—passengers and crew—only one survived.

The story of the greatest tragedy of the Italian civil navy begins there.

#ThePassengerShip
Photos: @emacame
Curatorship: Chiara Ruberti @stellesicure
Short story: @emiliano__dominici
Narrative Reportage: Valerio Millefoglie
Editorial Coordination: @la__zarina, @giammariadegasperis
Art Direction and Graphic Design: @fouturista
Translations: @livfranchini and @serenabraida
Printing: @longo.media – Bolzano

On April 10, 1991, an experimental project was underway at Livorno Radio Station, involving the 24-hour recording of VHF channel 16, used for rescue and emergency communications at sea.

That evening, RAIwas broadcasting the UEFA Cup Winners’ Cup semifinal between Barcelona and Juventus; the oil tankers Agip Abruzzo and Agip Napoli and six American military vessels returning from the Gulf War were anchored in the Livorno harbor; a Na.Var.Ma ferry had just departed for Olbia. On channel 16, around 10:20 PM, a voice, in English, warned: “The passenger ship, the passenger ship...” A few minutes later, at 10:25 PM, the Moby Prince collided with the Agip Abruzzo, and the faint mayday call issued by the passenger ship, which no one seems to have ever received, was forever etched on the tape.

Of the 141 people on board—passengers and crew—only one survived.

The story of the greatest tragedy of the Italian civil navy begins there.

#ThePassengerShip
Photos: @emacame
Curatorship: Chiara Ruberti @stellesicure
Short story: @emiliano__dominici
Narrative Reportage: Valerio Millefoglie
Editorial Coordination: @la__zarina, @giammariadegasperis
Art Direction and Graphic Design: @fouturista
Translations: @livfranchini and @serenabraida
Printing: @longo.media – Bolzano

On April 10, 1991, an experimental project was underway at Livorno Radio Station, involving the 24-hour recording of VHF channel 16, used for rescue and emergency communications at sea.

That evening, RAIwas broadcasting the UEFA Cup Winners’ Cup semifinal between Barcelona and Juventus; the oil tankers Agip Abruzzo and Agip Napoli and six American military vessels returning from the Gulf War were anchored in the Livorno harbor; a Na.Var.Ma ferry had just departed for Olbia. On channel 16, around 10:20 PM, a voice, in English, warned: “The passenger ship, the passenger ship...” A few minutes later, at 10:25 PM, the Moby Prince collided with the Agip Abruzzo, and the faint mayday call issued by the passenger ship, which no one seems to have ever received, was forever etched on the tape.

Of the 141 people on board—passengers and crew—only one survived.

The story of the greatest tragedy of the Italian civil navy begins there.

#ThePassengerShip
Photos: @emacame
Curatorship: Chiara Ruberti @stellesicure
Short story: @emiliano__dominici
Narrative Reportage: Valerio Millefoglie
Editorial Coordination: @la__zarina, @giammariadegasperis
Art Direction and Graphic Design: @fouturista
Translations: @livfranchini and @serenabraida
Printing: @longo.media – Bolzano

On April 10, 1991, an experimental project was underway at Livorno Radio Station, involving the 24-hour recording of VHF channel 16, used for rescue and emergency communications at sea.

That evening, RAIwas broadcasting the UEFA Cup Winners’ Cup semifinal between Barcelona and Juventus; the oil tankers Agip Abruzzo and Agip Napoli and six American military vessels returning from the Gulf War were anchored in the Livorno harbor; a Na.Var.Ma ferry had just departed for Olbia. On channel 16, around 10:20 PM, a voice, in English, warned: “The passenger ship, the passenger ship...” A few minutes later, at 10:25 PM, the Moby Prince collided with the Agip Abruzzo, and the faint mayday call issued by the passenger ship, which no one seems to have ever received, was forever etched on the tape.

Of the 141 people on board—passengers and crew—only one survived.

The story of the greatest tragedy of the Italian civil navy begins there.

#ThePassengerShip
Photos: @emacame
Curatorship: Chiara Ruberti @stellesicure
Short story: @emiliano__dominici
Narrative Reportage: Valerio Millefoglie
Editorial Coordination: @la__zarina, @giammariadegasperis
Art Direction and Graphic Design: @fouturista
Translations: @livfranchini and @serenabraida
Printing: @longo.media – Bolzano

On April 10, 1991, an experimental project was underway at Livorno Radio Station, involving the 24-hour recording of VHF channel 16, used for rescue and emergency communications at sea.

That evening, RAIwas broadcasting the UEFA Cup Winners’ Cup semifinal between Barcelona and Juventus; the oil tankers Agip Abruzzo and Agip Napoli and six American military vessels returning from the Gulf War were anchored in the Livorno harbor; a Na.Var.Ma ferry had just departed for Olbia. On channel 16, around 10:20 PM, a voice, in English, warned: “The passenger ship, the passenger ship...” A few minutes later, at 10:25 PM, the Moby Prince collided with the Agip Abruzzo, and the faint mayday call issued by the passenger ship, which no one seems to have ever received, was forever etched on the tape.

Of the 141 people on board—passengers and crew—only one survived.

The story of the greatest tragedy of the Italian civil navy begins there.

#ThePassengerShip
Photos: @emacame
Curatorship: Chiara Ruberti @stellesicure
Short story: @emiliano__dominici
Narrative Reportage: Valerio Millefoglie
Editorial Coordination: @la__zarina, @giammariadegasperis
Art Direction and Graphic Design: @fouturista
Translations: @livfranchini and @serenabraida
Printing: @longo.media – Bolzano

On April 10, 1991, an experimental project was underway at Livorno Radio Station, involving the 24-hour recording of VHF channel 16, used for rescue and emergency communications at sea.

That evening, RAIwas broadcasting the UEFA Cup Winners’ Cup semifinal between Barcelona and Juventus; the oil tankers Agip Abruzzo and Agip Napoli and six American military vessels returning from the Gulf War were anchored in the Livorno harbor; a Na.Var.Ma ferry had just departed for Olbia. On channel 16, around 10:20 PM, a voice, in English, warned: “The passenger ship, the passenger ship...” A few minutes later, at 10:25 PM, the Moby Prince collided with the Agip Abruzzo, and the faint mayday call issued by the passenger ship, which no one seems to have ever received, was forever etched on the tape.

Of the 141 people on board—passengers and crew—only one survived.

The story of the greatest tragedy of the Italian civil navy begins there.

#ThePassengerShip
Photos: @emacame
Curatorship: Chiara Ruberti @stellesicure
Short story: @emiliano__dominici
Narrative Reportage: Valerio Millefoglie
Editorial Coordination: @la__zarina, @giammariadegasperis
Art Direction and Graphic Design: @fouturista
Translations: @livfranchini and @serenabraida
Printing: @longo.media – Bolzano

On April 10, 1991, an experimental project was underway at Livorno Radio Station, involving the 24-hour recording of VHF channel 16, used for rescue and emergency communications at sea.

That evening, RAIwas broadcasting the UEFA Cup Winners’ Cup semifinal between Barcelona and Juventus; the oil tankers Agip Abruzzo and Agip Napoli and six American military vessels returning from the Gulf War were anchored in the Livorno harbor; a Na.Var.Ma ferry had just departed for Olbia. On channel 16, around 10:20 PM, a voice, in English, warned: “The passenger ship, the passenger ship...” A few minutes later, at 10:25 PM, the Moby Prince collided with the Agip Abruzzo, and the faint mayday call issued by the passenger ship, which no one seems to have ever received, was forever etched on the tape.

Of the 141 people on board—passengers and crew—only one survived.

The story of the greatest tragedy of the Italian civil navy begins there.

#ThePassengerShip
Photos: @emacame
Curatorship: Chiara Ruberti @stellesicure
Short story: @emiliano__dominici
Narrative Reportage: Valerio Millefoglie
Editorial Coordination: @la__zarina, @giammariadegasperis
Art Direction and Graphic Design: @fouturista
Translations: @livfranchini and @serenabraida
Printing: @longo.media – Bolzano

On April 10, 1991, an experimental project was underway at Livorno Radio Station, involving the 24-hour recording of VHF channel 16, used for rescue and emergency communications at sea.

That evening, RAIwas broadcasting the UEFA Cup Winners’ Cup semifinal between Barcelona and Juventus; the oil tankers Agip Abruzzo and Agip Napoli and six American military vessels returning from the Gulf War were anchored in the Livorno harbor; a Na.Var.Ma ferry had just departed for Olbia. On channel 16, around 10:20 PM, a voice, in English, warned: “The passenger ship, the passenger ship...” A few minutes later, at 10:25 PM, the Moby Prince collided with the Agip Abruzzo, and the faint mayday call issued by the passenger ship, which no one seems to have ever received, was forever etched on the tape.

Of the 141 people on board—passengers and crew—only one survived.

The story of the greatest tragedy of the Italian civil navy begins there.

#ThePassengerShip
Photos: @emacame
Curatorship: Chiara Ruberti @stellesicure
Short story: @emiliano__dominici
Narrative Reportage: Valerio Millefoglie
Editorial Coordination: @la__zarina, @giammariadegasperis
Art Direction and Graphic Design: @fouturista
Translations: @livfranchini and @serenabraida
Printing: @longo.media – Bolzano

Outtakes from last spring, when I spent a few weeks revisiting places connected to the story of Il Mostro di Firenze for @das_magazin

Still one of the most infamous and well known cases in Italy’s criminal history. 🩸

Thanks again to @roberto_taddeo for his precious hints

Outtakes from last spring, when I spent a few weeks revisiting places connected to the story of Il Mostro di Firenze for @das_magazin

Still one of the most infamous and well known cases in Italy’s criminal history. 🩸

Thanks again to @roberto_taddeo for his precious hints

Outtakes from last spring, when I spent a few weeks revisiting places connected to the story of Il Mostro di Firenze for @das_magazin

Still one of the most infamous and well known cases in Italy’s criminal history. 🩸

Thanks again to @roberto_taddeo for his precious hints

Outtakes from last spring, when I spent a few weeks revisiting places connected to the story of Il Mostro di Firenze for @das_magazin

Still one of the most infamous and well known cases in Italy’s criminal history. 🩸

Thanks again to @roberto_taddeo for his precious hints

Outtakes from last spring, when I spent a few weeks revisiting places connected to the story of Il Mostro di Firenze for @das_magazin

Still one of the most infamous and well known cases in Italy’s criminal history. 🩸

Thanks again to @roberto_taddeo for his precious hints

Outtakes from last spring, when I spent a few weeks revisiting places connected to the story of Il Mostro di Firenze for @das_magazin

Still one of the most infamous and well known cases in Italy’s criminal history. 🩸

Thanks again to @roberto_taddeo for his precious hints

Outtakes from last spring, when I spent a few weeks revisiting places connected to the story of Il Mostro di Firenze for @das_magazin

Still one of the most infamous and well known cases in Italy’s criminal history. 🩸

Thanks again to @roberto_taddeo for his precious hints

Outtakes from last spring, when I spent a few weeks revisiting places connected to the story of Il Mostro di Firenze for @das_magazin

Still one of the most infamous and well known cases in Italy’s criminal history. 🩸

Thanks again to @roberto_taddeo for his precious hints

Outtakes from last spring, when I spent a few weeks revisiting places connected to the story of Il Mostro di Firenze for @das_magazin

Still one of the most infamous and well known cases in Italy’s criminal history. 🩸

Thanks again to @roberto_taddeo for his precious hints

Vino, una fragile somma delle cose.
Propositi e aspettative, corrispondenze di vita.
-
@azienda_agricola_schirru - Orroli
dalla rubrica Stralci /n°1
foto @emacame

Continua a sostenerci, abbonati per ricevere i prossimi numeri di #bromiomagazine

Vino, una fragile somma delle cose.
Propositi e aspettative, corrispondenze di vita.
-
@azienda_agricola_schirru - Orroli
dalla rubrica Stralci /n°1
foto @emacame

Continua a sostenerci, abbonati per ricevere i prossimi numeri di #bromiomagazine

Vino, una fragile somma delle cose.
Propositi e aspettative, corrispondenze di vita.
-
@azienda_agricola_schirru - Orroli
dalla rubrica Stralci /n°1
foto @emacame

Continua a sostenerci, abbonati per ricevere i prossimi numeri di #bromiomagazine

Vino, una fragile somma delle cose.
Propositi e aspettative, corrispondenze di vita.
-
@azienda_agricola_schirru - Orroli
dalla rubrica Stralci /n°1
foto @emacame

Continua a sostenerci, abbonati per ricevere i prossimi numeri di #bromiomagazine

Vino, una fragile somma delle cose.
Propositi e aspettative, corrispondenze di vita.
-
@azienda_agricola_schirru - Orroli
dalla rubrica Stralci /n°1
foto @emacame

Continua a sostenerci, abbonati per ricevere i prossimi numeri di #bromiomagazine

Vino, una fragile somma delle cose.
Propositi e aspettative, corrispondenze di vita.
-
@azienda_agricola_schirru - Orroli
dalla rubrica Stralci /n°1
foto @emacame

Continua a sostenerci, abbonati per ricevere i prossimi numeri di #bromiomagazine

Vino, una fragile somma delle cose.
Propositi e aspettative, corrispondenze di vita.
-
@azienda_agricola_schirru - Orroli
dalla rubrica Stralci /n°1
foto @emacame

Continua a sostenerci, abbonati per ricevere i prossimi numeri di #bromiomagazine

Vino, una fragile somma delle cose.
Propositi e aspettative, corrispondenze di vita.
-
@azienda_agricola_schirru - Orroli
dalla rubrica Stralci /n°1
foto @emacame

Continua a sostenerci, abbonati per ricevere i prossimi numeri di #bromiomagazine

Miscellaneous summer 🌌

Miscellaneous summer 🌌

Miscellaneous summer 🌌

Miscellaneous summer 🌌

Miscellaneous summer 🌌

Miscellaneous summer 🌌

Miscellaneous summer 🌌

Miscellaneous summer 🌌

Miscellaneous summer 🌌

Miscellaneous summer 🌌

@konfektmagazine summer issue is out with my pictures from the authentic @piastri1961 workshop and the beautiful @lapensioneamerica
Summer vibes in Forte dei Marmi.
🏖️🌊🍸

@konfektmagazine summer issue is out with my pictures from the authentic @piastri1961 workshop and the beautiful @lapensioneamerica
Summer vibes in Forte dei Marmi.
🏖️🌊🍸

@konfektmagazine summer issue is out with my pictures from the authentic @piastri1961 workshop and the beautiful @lapensioneamerica
Summer vibes in Forte dei Marmi.
🏖️🌊🍸

@konfektmagazine summer issue is out with my pictures from the authentic @piastri1961 workshop and the beautiful @lapensioneamerica
Summer vibes in Forte dei Marmi.
🏖️🌊🍸

@konfektmagazine summer issue is out with my pictures from the authentic @piastri1961 workshop and the beautiful @lapensioneamerica
Summer vibes in Forte dei Marmi.
🏖️🌊🍸

@konfektmagazine summer issue is out with my pictures from the authentic @piastri1961 workshop and the beautiful @lapensioneamerica
Summer vibes in Forte dei Marmi.
🏖️🌊🍸

@konfektmagazine summer issue is out with my pictures from the authentic @piastri1961 workshop and the beautiful @lapensioneamerica
Summer vibes in Forte dei Marmi.
🏖️🌊🍸

@konfektmagazine summer issue is out with my pictures from the authentic @piastri1961 workshop and the beautiful @lapensioneamerica
Summer vibes in Forte dei Marmi.
🏖️🌊🍸

“An ambassador adrift”
For @telegraph magazine I met Khaled Ahmad Zekriya, Afghanistan ambassador to Italy and UN agencies.
A vocal critic of the Taliban, the ambassador live his life in limbo in the splendid - if faded - embassy in Rome.
Thanks to @andygreenacre_ for this!
Full interview by Camilla Tominey out today 🗞️

“An ambassador adrift”
For @telegraph magazine I met Khaled Ahmad Zekriya, Afghanistan ambassador to Italy and UN agencies.
A vocal critic of the Taliban, the ambassador live his life in limbo in the splendid - if faded - embassy in Rome.
Thanks to @andygreenacre_ for this!
Full interview by Camilla Tominey out today 🗞️

“An ambassador adrift”
For @telegraph magazine I met Khaled Ahmad Zekriya, Afghanistan ambassador to Italy and UN agencies.
A vocal critic of the Taliban, the ambassador live his life in limbo in the splendid - if faded - embassy in Rome.
Thanks to @andygreenacre_ for this!
Full interview by Camilla Tominey out today 🗞️

“An ambassador adrift”
For @telegraph magazine I met Khaled Ahmad Zekriya, Afghanistan ambassador to Italy and UN agencies.
A vocal critic of the Taliban, the ambassador live his life in limbo in the splendid - if faded - embassy in Rome.
Thanks to @andygreenacre_ for this!
Full interview by Camilla Tominey out today 🗞️

“An ambassador adrift”
For @telegraph magazine I met Khaled Ahmad Zekriya, Afghanistan ambassador to Italy and UN agencies.
A vocal critic of the Taliban, the ambassador live his life in limbo in the splendid - if faded - embassy in Rome.
Thanks to @andygreenacre_ for this!
Full interview by Camilla Tominey out today 🗞️

“An ambassador adrift”
For @telegraph magazine I met Khaled Ahmad Zekriya, Afghanistan ambassador to Italy and UN agencies.
A vocal critic of the Taliban, the ambassador live his life in limbo in the splendid - if faded - embassy in Rome.
Thanks to @andygreenacre_ for this!
Full interview by Camilla Tominey out today 🗞️

“An ambassador adrift”
For @telegraph magazine I met Khaled Ahmad Zekriya, Afghanistan ambassador to Italy and UN agencies.
A vocal critic of the Taliban, the ambassador live his life in limbo in the splendid - if faded - embassy in Rome.
Thanks to @andygreenacre_ for this!
Full interview by Camilla Tominey out today 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️

“Like in a fairy tale”
For @szmagazin I went to Volterra to visit Cornelia Funke and the young illustrators currently attending an art residency program she runs in her beautiful countryside home.
Thanks to @jakob.feigl for his trust.
Full story on SZ Magazin 🗞️