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Dust never settles. Ram Trucks (DC) out now, for those who don’t look back.

Amazing creative team below. Always a pleasure to work with LA crews.

Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producers: @shoschrock and @slinky.mikey

Director of Photography: @gardellafella and @christopherclark___
Aerial Cinematographer: @downtofilm
Stills Photographer: @bensagerphoto

Editorial House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor: Dana Ryan
Executive Producer: @kayanch01
Producer: Daniel Gillette
Colorist: @yerrekke
Sound Studio: @echolab
Composer: Steve Lynch
Sound Design and Final Mix: @echolab

Dust never settles. Ram Trucks (DC) out now, for those who don’t look back.

Amazing creative team below. Always a pleasure to work with LA crews.

Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producers: @shoschrock and @slinky.mikey

Director of Photography: @gardellafella and @christopherclark___
Aerial Cinematographer: @downtofilm
Stills Photographer: @bensagerphoto

Editorial House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor: Dana Ryan
Executive Producer: @kayanch01
Producer: Daniel Gillette
Colorist: @yerrekke
Sound Studio: @echolab
Composer: Steve Lynch
Sound Design and Final Mix: @echolab

Dust never settles. Ram Trucks (DC) out now, for those who don’t look back.

Amazing creative team below. Always a pleasure to work with LA crews.

Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producers: @shoschrock and @slinky.mikey

Director of Photography: @gardellafella and @christopherclark___
Aerial Cinematographer: @downtofilm
Stills Photographer: @bensagerphoto

Editorial House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor: Dana Ryan
Executive Producer: @kayanch01
Producer: Daniel Gillette
Colorist: @yerrekke
Sound Studio: @echolab
Composer: Steve Lynch
Sound Design and Final Mix: @echolab

Dust never settles. Ram Trucks (DC) out now, for those who don’t look back.

Amazing creative team below. Always a pleasure to work with LA crews.

Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producers: @shoschrock and @slinky.mikey

Director of Photography: @gardellafella and @christopherclark___
Aerial Cinematographer: @downtofilm
Stills Photographer: @bensagerphoto

Editorial House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor: Dana Ryan
Executive Producer: @kayanch01
Producer: Daniel Gillette
Colorist: @yerrekke
Sound Studio: @echolab
Composer: Steve Lynch
Sound Design and Final Mix: @echolab

Dust never settles. Ram Trucks (DC) out now, for those who don’t look back.

Amazing creative team below. Always a pleasure to work with LA crews.

Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producers: @shoschrock and @slinky.mikey

Director of Photography: @gardellafella and @christopherclark___
Aerial Cinematographer: @downtofilm
Stills Photographer: @bensagerphoto

Editorial House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor: Dana Ryan
Executive Producer: @kayanch01
Producer: Daniel Gillette
Colorist: @yerrekke
Sound Studio: @echolab
Composer: Steve Lynch
Sound Design and Final Mix: @echolab

“DUST” for Ram Trucks (DC)

Loved creating this dusty world in Los Angeles with amazing local crews and the go-tos below.

Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producers: @shoschrock and @slinky.mikey

Director of Photography: @gardellafella & @christopherclark___
Aerial Cinematographer: @downtofilm
Stills Photographer: @bensagerphoto

Editorial House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor: Dana Ryan
Executive Producer: @kayanch01
Producer: Daniel Gillette
Colorist: @yerrekke
Sound Studio: ECHOLAB
Composer: Steve Lynch
Sound Design and Final Mix: @echolab

SOS on Your Wrist - Garmin’s first-ever watch with inReach life-saving technology.

Between location and character work, our crew in Vancouver was incredibly versatile to make each scene happen.

1. After a 4-hour Cessna scout, we found this Fjord on British Columbia’s Sunshine Coast. @downtofilm and @brodyjonescinema lined up this reveal right after sunrise when the light was balanced.
2. We planned to shoot the stylized/delirious beats with the Canon FD 50mm f/0.95 Zack Snyder Dream Lens. Once tested, it was actually too clean for our look, so @christopherclark___ built a custom 40mm lens for our moments of him on the ground.
3. Natural backlight paired with tube-of-death haze made this the perfect way to “spy in” on the runner, featuring his frantic POV.
4. This sequence is shot practically, in-camera and on location, without VFX. @brendanmegannety created a handmade foam-core board, painted and dressed to match the land for the watch’s impact.
5. @ethanmyers music and sound end us in the relief and magnitude of the rescue.

Full credits in first post!

SOS on Your Wrist - Garmin’s first-ever watch with inReach life-saving technology.

Between location and character work, our crew in Vancouver was incredibly versatile to make each scene happen.

1. After a 4-hour Cessna scout, we found this Fjord on British Columbia’s Sunshine Coast. @downtofilm and @brodyjonescinema lined up this reveal right after sunrise when the light was balanced.
2. We planned to shoot the stylized/delirious beats with the Canon FD 50mm f/0.95 Zack Snyder Dream Lens. Once tested, it was actually too clean for our look, so @christopherclark___ built a custom 40mm lens for our moments of him on the ground.
3. Natural backlight paired with tube-of-death haze made this the perfect way to “spy in” on the runner, featuring his frantic POV.
4. This sequence is shot practically, in-camera and on location, without VFX. @brendanmegannety created a handmade foam-core board, painted and dressed to match the land for the watch’s impact.
5. @ethanmyers music and sound end us in the relief and magnitude of the rescue.

Full credits in first post!

SOS on Your Wrist - Garmin’s first-ever watch with inReach life-saving technology.

Between location and character work, our crew in Vancouver was incredibly versatile to make each scene happen.

1. After a 4-hour Cessna scout, we found this Fjord on British Columbia’s Sunshine Coast. @downtofilm and @brodyjonescinema lined up this reveal right after sunrise when the light was balanced.
2. We planned to shoot the stylized/delirious beats with the Canon FD 50mm f/0.95 Zack Snyder Dream Lens. Once tested, it was actually too clean for our look, so @christopherclark___ built a custom 40mm lens for our moments of him on the ground.
3. Natural backlight paired with tube-of-death haze made this the perfect way to “spy in” on the runner, featuring his frantic POV.
4. This sequence is shot practically, in-camera and on location, without VFX. @brendanmegannety created a handmade foam-core board, painted and dressed to match the land for the watch’s impact.
5. @ethanmyers music and sound end us in the relief and magnitude of the rescue.

Full credits in first post!

SOS on Your Wrist - Garmin’s first-ever watch with inReach life-saving technology.

Between location and character work, our crew in Vancouver was incredibly versatile to make each scene happen.

1. After a 4-hour Cessna scout, we found this Fjord on British Columbia’s Sunshine Coast. @downtofilm and @brodyjonescinema lined up this reveal right after sunrise when the light was balanced.
2. We planned to shoot the stylized/delirious beats with the Canon FD 50mm f/0.95 Zack Snyder Dream Lens. Once tested, it was actually too clean for our look, so @christopherclark___ built a custom 40mm lens for our moments of him on the ground.
3. Natural backlight paired with tube-of-death haze made this the perfect way to “spy in” on the runner, featuring his frantic POV.
4. This sequence is shot practically, in-camera and on location, without VFX. @brendanmegannety created a handmade foam-core board, painted and dressed to match the land for the watch’s impact.
5. @ethanmyers music and sound end us in the relief and magnitude of the rescue.

Full credits in first post!

SOS on Your Wrist - Garmin’s first-ever watch with inReach life-saving technology.

Between location and character work, our crew in Vancouver was incredibly versatile to make each scene happen.

1. After a 4-hour Cessna scout, we found this Fjord on British Columbia’s Sunshine Coast. @downtofilm and @brodyjonescinema lined up this reveal right after sunrise when the light was balanced.
2. We planned to shoot the stylized/delirious beats with the Canon FD 50mm f/0.95 Zack Snyder Dream Lens. Once tested, it was actually too clean for our look, so @christopherclark___ built a custom 40mm lens for our moments of him on the ground.
3. Natural backlight paired with tube-of-death haze made this the perfect way to “spy in” on the runner, featuring his frantic POV.
4. This sequence is shot practically, in-camera and on location, without VFX. @brendanmegannety created a handmade foam-core board, painted and dressed to match the land for the watch’s impact.
5. @ethanmyers music and sound end us in the relief and magnitude of the rescue.

Full credits in first post!

The Garmin fēnix 8 Pro, the tether between your life at home and your survival outdoors.

Thankful for the wild ride with Garmin, @nativefour, @outsidereditorial, Vapor Music, @company_3 . And so much love to our crew in Vancouver who held it down.

Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto

Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
DIT: @digitalanthill

Production Designer: Steph Shepherd
Art Director: @brendanmegannety

Cast: Bryan Phillips and @celestio

Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: Nathan Olszewicki
Executive Producer: Kayan Choi

Sound Studio: Vapor Music
Composer and Sound Design: @ethanmyers

Color House: @company_3
Colorist: @yerrekke

Client: Garmin
VP, Global Creative: Brian Brooker
Global Creative Director: Matt Bowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: @jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: @pusateri
Global Executive Producer: Maggie Wasserman
Senior Post Producer: Shawn Ketchem
Team Leader Motion Design: Drew Shaneyfelt
Lead Art Director – Motion: Jono Gaughan
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: Sara Rhodes
Senior Project Manager: Necia Hunt

Moments of Dr. Renata Lewis suspended 150 feet below a helicopter in a Long Line rescue for @wearfigs

It was a real honor to dive into the world of Helicopter Flight Rescue with @airwolf_md and @nativefour for the FIGS Extremes Collection.

“The Golden Hour” - full film on Vimeo

1. Between fuel costs and unstable weather, we had less than a 30-minute window to capture Renata suspended from the Heli. Seven cameras were rolling, including a Helicopter tracking side by side with an Immortal camera system.

2. We fell in love with Mount Fee’s characteristics. Its uneasy and mysterious feeling reflects the story’s uncertainty and beauty. 

3. Coordinates and critical information from the distress call are often incorrect. To locate the subject, instincts take over. 

4 Life and death walk side by side in The Golden Hour. The film opens with a 60-minute countdown.

5. We wanted to portray Dr. Renata Lewis as the hero she rightfully is.

6. A splinter unit raced to the peak of Mount Fee at 5:30AM. The sun finally broke, and our stomachs sank... The light was just right. We had all been dreaming of this shot: we placed the Helicopter in the bowl of jagged rocks as the story’s “beacon of hope.”

Moments of Dr. Renata Lewis suspended 150 feet below a helicopter in a Long Line rescue for @wearfigs

It was a real honor to dive into the world of Helicopter Flight Rescue with @airwolf_md and @nativefour for the FIGS Extremes Collection.

“The Golden Hour” - full film on Vimeo

1. Between fuel costs and unstable weather, we had less than a 30-minute window to capture Renata suspended from the Heli. Seven cameras were rolling, including a Helicopter tracking side by side with an Immortal camera system.

2. We fell in love with Mount Fee’s characteristics. Its uneasy and mysterious feeling reflects the story’s uncertainty and beauty. 

3. Coordinates and critical information from the distress call are often incorrect. To locate the subject, instincts take over. 

4 Life and death walk side by side in The Golden Hour. The film opens with a 60-minute countdown.

5. We wanted to portray Dr. Renata Lewis as the hero she rightfully is.

6. A splinter unit raced to the peak of Mount Fee at 5:30AM. The sun finally broke, and our stomachs sank... The light was just right. We had all been dreaming of this shot: we placed the Helicopter in the bowl of jagged rocks as the story’s “beacon of hope.”

Moments of Dr. Renata Lewis suspended 150 feet below a helicopter in a Long Line rescue for @wearfigs

It was a real honor to dive into the world of Helicopter Flight Rescue with @airwolf_md and @nativefour for the FIGS Extremes Collection.

“The Golden Hour” - full film on Vimeo

1. Between fuel costs and unstable weather, we had less than a 30-minute window to capture Renata suspended from the Heli. Seven cameras were rolling, including a Helicopter tracking side by side with an Immortal camera system.

2. We fell in love with Mount Fee’s characteristics. Its uneasy and mysterious feeling reflects the story’s uncertainty and beauty. 

3. Coordinates and critical information from the distress call are often incorrect. To locate the subject, instincts take over. 

4 Life and death walk side by side in The Golden Hour. The film opens with a 60-minute countdown.

5. We wanted to portray Dr. Renata Lewis as the hero she rightfully is.

6. A splinter unit raced to the peak of Mount Fee at 5:30AM. The sun finally broke, and our stomachs sank... The light was just right. We had all been dreaming of this shot: we placed the Helicopter in the bowl of jagged rocks as the story’s “beacon of hope.”

Moments of Dr. Renata Lewis suspended 150 feet below a helicopter in a Long Line rescue for @wearfigs

It was a real honor to dive into the world of Helicopter Flight Rescue with @airwolf_md and @nativefour for the FIGS Extremes Collection.

“The Golden Hour” - full film on Vimeo

1. Between fuel costs and unstable weather, we had less than a 30-minute window to capture Renata suspended from the Heli. Seven cameras were rolling, including a Helicopter tracking side by side with an Immortal camera system.

2. We fell in love with Mount Fee’s characteristics. Its uneasy and mysterious feeling reflects the story’s uncertainty and beauty. 

3. Coordinates and critical information from the distress call are often incorrect. To locate the subject, instincts take over. 

4 Life and death walk side by side in The Golden Hour. The film opens with a 60-minute countdown.

5. We wanted to portray Dr. Renata Lewis as the hero she rightfully is.

6. A splinter unit raced to the peak of Mount Fee at 5:30AM. The sun finally broke, and our stomachs sank... The light was just right. We had all been dreaming of this shot: we placed the Helicopter in the bowl of jagged rocks as the story’s “beacon of hope.”

Moments of Dr. Renata Lewis suspended 150 feet below a helicopter in a Long Line rescue for @wearfigs

It was a real honor to dive into the world of Helicopter Flight Rescue with @airwolf_md and @nativefour for the FIGS Extremes Collection.

“The Golden Hour” - full film on Vimeo

1. Between fuel costs and unstable weather, we had less than a 30-minute window to capture Renata suspended from the Heli. Seven cameras were rolling, including a Helicopter tracking side by side with an Immortal camera system.

2. We fell in love with Mount Fee’s characteristics. Its uneasy and mysterious feeling reflects the story’s uncertainty and beauty. 

3. Coordinates and critical information from the distress call are often incorrect. To locate the subject, instincts take over. 

4 Life and death walk side by side in The Golden Hour. The film opens with a 60-minute countdown.

5. We wanted to portray Dr. Renata Lewis as the hero she rightfully is.

6. A splinter unit raced to the peak of Mount Fee at 5:30AM. The sun finally broke, and our stomachs sank... The light was just right. We had all been dreaming of this shot: we placed the Helicopter in the bowl of jagged rocks as the story’s “beacon of hope.”

Moments of Dr. Renata Lewis suspended 150 feet below a helicopter in a Long Line rescue for @wearfigs

It was a real honor to dive into the world of Helicopter Flight Rescue with @airwolf_md and @nativefour for the FIGS Extremes Collection.

“The Golden Hour” - full film on Vimeo

1. Between fuel costs and unstable weather, we had less than a 30-minute window to capture Renata suspended from the Heli. Seven cameras were rolling, including a Helicopter tracking side by side with an Immortal camera system.

2. We fell in love with Mount Fee’s characteristics. Its uneasy and mysterious feeling reflects the story’s uncertainty and beauty. 

3. Coordinates and critical information from the distress call are often incorrect. To locate the subject, instincts take over. 

4 Life and death walk side by side in The Golden Hour. The film opens with a 60-minute countdown.

5. We wanted to portray Dr. Renata Lewis as the hero she rightfully is.

6. A splinter unit raced to the peak of Mount Fee at 5:30AM. The sun finally broke, and our stomachs sank... The light was just right. We had all been dreaming of this shot: we placed the Helicopter in the bowl of jagged rocks as the story’s “beacon of hope.”

The finite moments to save a life in “The Golden Hour” for @wearfigs as Dr. Renata Lewis leads a helicopter rescue mission at the peak of Mount Fee.

I loved telling Renata’s story with @christopherclark___ alongside our crew in British Columbia. The entire FIGs team poured themselves into telling this narrative, and everybody at @nativefour pulled off miracles to bring it to life.

Full film on Vimeo starring @airwolf_md

Written and Directed by: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producer: @getsalano
Production Manager: Genevieve Strachen

Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Assistant Camera: @jbv.tv
Additional Operator: @viktorwallmark

Editor: @c.n_may
Composer: @ethanmyers at @vapormusic
Sound Design: @defactosound
Colorist: @parkerjarvie at @company_3
Creative Direction: @gardellafella
Story Consultants: @graysonwhitehurst and @colesax

Heli Support: @contourhelicopters
Lead Pilot: Jeff Stebnicki
Immortal Pilot: Colin Pelton

Client: FIGS
Chief Marketing Officer: Bené Eaton
Creative Director: Marie Boney
SVP of Concept and Design: John Caruso
Sr. Director Brand Marketing: Sabrina Tager
Sr. Director of Photography: Sam Pepke
Sr. Producer: Stephanie Hernandez
Sr. Manager, Creative Operations: Andrea Voth
Director of Community: Anum Hashmani
Director, Brand: Mary Schoneman
Art Director: Anna Yung
Creative Coordinator: Matthew Howard

The finite moments to save a life in “The Golden Hour” for @wearfigs as Dr. Renata Lewis leads a helicopter rescue mission at the peak of Mount Fee.

I loved telling Renata’s story with @christopherclark___ alongside our crew in British Columbia. The entire FIGs team poured themselves into telling this narrative, and everybody at @nativefour pulled off miracles to bring it to life.

Full film on Vimeo starring @airwolf_md

Written and Directed by: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producer: @getsalano
Production Manager: Genevieve Strachen

Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Assistant Camera: @jbv.tv
Additional Operator: @viktorwallmark

Editor: @c.n_may
Composer: @ethanmyers at @vapormusic
Sound Design: @defactosound
Colorist: @parkerjarvie at @company_3
Creative Direction: @gardellafella
Story Consultants: @graysonwhitehurst and @colesax

Heli Support: @contourhelicopters
Lead Pilot: Jeff Stebnicki
Immortal Pilot: Colin Pelton

Client: FIGS
Chief Marketing Officer: Bené Eaton
Creative Director: Marie Boney
SVP of Concept and Design: John Caruso
Sr. Director Brand Marketing: Sabrina Tager
Sr. Director of Photography: Sam Pepke
Sr. Producer: Stephanie Hernandez
Sr. Manager, Creative Operations: Andrea Voth
Director of Community: Anum Hashmani
Director, Brand: Mary Schoneman
Art Director: Anna Yung
Creative Coordinator: Matthew Howard

The finite moments to save a life in “The Golden Hour” for @wearfigs as Dr. Renata Lewis leads a helicopter rescue mission at the peak of Mount Fee.

I loved telling Renata’s story with @christopherclark___ alongside our crew in British Columbia. The entire FIGs team poured themselves into telling this narrative, and everybody at @nativefour pulled off miracles to bring it to life.

Full film on Vimeo starring @airwolf_md

Written and Directed by: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producer: @getsalano
Production Manager: Genevieve Strachen

Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Assistant Camera: @jbv.tv
Additional Operator: @viktorwallmark

Editor: @c.n_may
Composer: @ethanmyers at @vapormusic
Sound Design: @defactosound
Colorist: @parkerjarvie at @company_3
Creative Direction: @gardellafella
Story Consultants: @graysonwhitehurst and @colesax

Heli Support: @contourhelicopters
Lead Pilot: Jeff Stebnicki
Immortal Pilot: Colin Pelton

Client: FIGS
Chief Marketing Officer: Bené Eaton
Creative Director: Marie Boney
SVP of Concept and Design: John Caruso
Sr. Director Brand Marketing: Sabrina Tager
Sr. Director of Photography: Sam Pepke
Sr. Producer: Stephanie Hernandez
Sr. Manager, Creative Operations: Andrea Voth
Director of Community: Anum Hashmani
Director, Brand: Mary Schoneman
Art Director: Anna Yung
Creative Coordinator: Matthew Howard

The finite moments to save a life in “The Golden Hour” for @wearfigs as Dr. Renata Lewis leads a helicopter rescue mission at the peak of Mount Fee.

I loved telling Renata’s story with @christopherclark___ alongside our crew in British Columbia. The entire FIGs team poured themselves into telling this narrative, and everybody at @nativefour pulled off miracles to bring it to life.

Full film on Vimeo starring @airwolf_md

Written and Directed by: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producer: @getsalano
Production Manager: Genevieve Strachen

Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Assistant Camera: @jbv.tv
Additional Operator: @viktorwallmark

Editor: @c.n_may
Composer: @ethanmyers at @vapormusic
Sound Design: @defactosound
Colorist: @parkerjarvie at @company_3
Creative Direction: @gardellafella
Story Consultants: @graysonwhitehurst and @colesax

Heli Support: @contourhelicopters
Lead Pilot: Jeff Stebnicki
Immortal Pilot: Colin Pelton

Client: FIGS
Chief Marketing Officer: Bené Eaton
Creative Director: Marie Boney
SVP of Concept and Design: John Caruso
Sr. Director Brand Marketing: Sabrina Tager
Sr. Director of Photography: Sam Pepke
Sr. Producer: Stephanie Hernandez
Sr. Manager, Creative Operations: Andrea Voth
Director of Community: Anum Hashmani
Director, Brand: Mary Schoneman
Art Director: Anna Yung
Creative Coordinator: Matthew Howard

The all-new 2025 Kia Telluride | “Tides of Change”

Loved building out this world with the team below!

Directed by: Cameron Thuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producer: Sho Schrock-Manabe
1st AD: Trent De Haan
Locations Manager: Larry Kelly

Director of Photography: @gardellafella
2nd Unit DP: @gabeofsweden
Stills Photographer: @bensagerphoto
U-Crane: @filmotechnicusa @kevin_descheemaeker
Precision Driver: @robbiemac_331

Client: Kia
Digital Media Manager: Marissa Grant
Media Agency: @motortrend
Director of Branded Content: Scott Moon
Producer, Branded Content: Seth Frye
VP, Integrated Sales: Matthew Smith
Project Manager: Lucia Salas

Editor: @c.n_may
VO Artist: @stephaniekerbis
Copy: @graysonwhitehurst
Composer: @gavinbrivik
Sound Design: @defactosound
Colorist: @matt_osborne_color at @company_3

The all-new 2025 Kia Telluride | “Tides of Change”

Loved building out this world with the team below!

Directed by: Cameron Thuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producer: Sho Schrock-Manabe
1st AD: Trent De Haan
Locations Manager: Larry Kelly

Director of Photography: @gardellafella
2nd Unit DP: @gabeofsweden
Stills Photographer: @bensagerphoto
U-Crane: @filmotechnicusa @kevin_descheemaeker
Precision Driver: @robbiemac_331

Client: Kia
Digital Media Manager: Marissa Grant
Media Agency: @motortrend
Director of Branded Content: Scott Moon
Producer, Branded Content: Seth Frye
VP, Integrated Sales: Matthew Smith
Project Manager: Lucia Salas

Editor: @c.n_may
VO Artist: @stephaniekerbis
Copy: @graysonwhitehurst
Composer: @gavinbrivik
Sound Design: @defactosound
Colorist: @matt_osborne_color at @company_3

The all-new 2025 Kia Telluride | “Tides of Change”

Loved building out this world with the team below!

Directed by: Cameron Thuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Producer: Sho Schrock-Manabe
1st AD: Trent De Haan
Locations Manager: Larry Kelly

Director of Photography: @gardellafella
2nd Unit DP: @gabeofsweden
Stills Photographer: @bensagerphoto
U-Crane: @filmotechnicusa @kevin_descheemaeker
Precision Driver: @robbiemac_331

Client: Kia
Digital Media Manager: Marissa Grant
Media Agency: @motortrend
Director of Branded Content: Scott Moon
Producer, Branded Content: Seth Frye
VP, Integrated Sales: Matthew Smith
Project Manager: Lucia Salas

Editor: @c.n_may
VO Artist: @stephaniekerbis
Copy: @graysonwhitehurst
Composer: @gavinbrivik
Sound Design: @defactosound
Colorist: @matt_osborne_color at @company_3

Loved chasing these Tacomas around for Toyota.

Kicked things off with @radketv and had the best time working in Montréal with @creativebycraig and the @saatchicanada team. I found a second home in Canada this year thanks to @kristoferbonnell, @julianweiman, @tnt_604, @downtofilm, @brodyjonescinema, @jakedyson ❤️

Director: Cameron Thuman
Production Company: @radketv & @undefined.tv_
Executive Producer: @julianweiman
Talent: @toto.vallieres, @howaboutnao, @strasbourgdavid, @russell_yuen
Service Company: @4zero1mtl
Montréal Producer: Michel Boily
1st AD: @tnt_604

Director of Photography: @kristoferbonnell
Production Designer: Maxine DutilGravel
Aerial Pilot: @downtofilm
Aerial Op: @brodyjonescinema
Aerial Assistant: @kaddyfpv
U-Crane: Rapid Filmworks
Precision drivers: @mab_stunts & @helena.laliberte

Agency: @saatchicanada
VP, ECD: Rob Gendron
CD, Art Director: @creativebycraig
CD, Copy Writer: Michael De Candido
Head of Production: Tara Handley
Integrated Producer: @anddoe1
Group Lead: Tony Tarle
Group Account Director: Katherine Tomlinson
Account Supervisor: James Purcell

Post Production: @thepubproduction_ca
Colourist: @jasonzukowski at @fortyorkvfx
Audio/Music: @ta2soundandmusic
Composer: @okayitsdrew

Loved chasing these Tacomas around for Toyota.

Kicked things off with @radketv and had the best time working in Montréal with @creativebycraig and the @saatchicanada team. I found a second home in Canada this year thanks to @kristoferbonnell, @julianweiman, @tnt_604, @downtofilm, @brodyjonescinema, @jakedyson ❤️

Director: Cameron Thuman
Production Company: @radketv & @undefined.tv_
Executive Producer: @julianweiman
Talent: @toto.vallieres, @howaboutnao, @strasbourgdavid, @russell_yuen
Service Company: @4zero1mtl
Montréal Producer: Michel Boily
1st AD: @tnt_604

Director of Photography: @kristoferbonnell
Production Designer: Maxine DutilGravel
Aerial Pilot: @downtofilm
Aerial Op: @brodyjonescinema
Aerial Assistant: @kaddyfpv
U-Crane: Rapid Filmworks
Precision drivers: @mab_stunts & @helena.laliberte

Agency: @saatchicanada
VP, ECD: Rob Gendron
CD, Art Director: @creativebycraig
CD, Copy Writer: Michael De Candido
Head of Production: Tara Handley
Integrated Producer: @anddoe1
Group Lead: Tony Tarle
Group Account Director: Katherine Tomlinson
Account Supervisor: James Purcell

Post Production: @thepubproduction_ca
Colourist: @jasonzukowski at @fortyorkvfx
Audio/Music: @ta2soundandmusic
Composer: @okayitsdrew

Loved chasing these Tacomas around for Toyota.

Kicked things off with @radketv and had the best time working in Montréal with @creativebycraig and the @saatchicanada team. I found a second home in Canada this year thanks to @kristoferbonnell, @julianweiman, @tnt_604, @downtofilm, @brodyjonescinema, @jakedyson ❤️

Director: Cameron Thuman
Production Company: @radketv & @undefined.tv_
Executive Producer: @julianweiman
Talent: @toto.vallieres, @howaboutnao, @strasbourgdavid, @russell_yuen
Service Company: @4zero1mtl
Montréal Producer: Michel Boily
1st AD: @tnt_604

Director of Photography: @kristoferbonnell
Production Designer: Maxine DutilGravel
Aerial Pilot: @downtofilm
Aerial Op: @brodyjonescinema
Aerial Assistant: @kaddyfpv
U-Crane: Rapid Filmworks
Precision drivers: @mab_stunts & @helena.laliberte

Agency: @saatchicanada
VP, ECD: Rob Gendron
CD, Art Director: @creativebycraig
CD, Copy Writer: Michael De Candido
Head of Production: Tara Handley
Integrated Producer: @anddoe1
Group Lead: Tony Tarle
Group Account Director: Katherine Tomlinson
Account Supervisor: James Purcell

Post Production: @thepubproduction_ca
Colourist: @jasonzukowski at @fortyorkvfx
Audio/Music: @ta2soundandmusic
Composer: @okayitsdrew

A tale of legacy, “The Grand Prestige” for Dutch brand Hertog Yan uncovers the world’s finest barreled aged beer.

From the Netherlands to Mexico, it was a pleasure working with master brewers Micha Peute and Gerard van den Broek. Their devotion to innovation and heritage was infectious. It led @christopherclark___ and me to think of each image as their fingerprint. 

Producer @benjaduranprod brought on the kindest crew in Guadalajara. Thank you to @draftline.eu , @thevalley_nl , & @michapeute for having me work with this beloved brand, @hertogjan.nl

Director: @cameronthuman
Production Company: @fightgravityfilms + @nativefour
Executive Producer: @paulyaucheung and @dilanmistry
Head of Production: @dancounihan
Producer: @benjaduranprod
Production Manager: @paulina_m_jozwiak
Director of Photography: @christopherclark___
Editor: @murphyeditor at @outsidereditorial
Composer: @gavinbrivik
Sound Design: @defactosound
Colorist: @parkerjarvie at @company_3

Client: @hertogjan.nl and @abinbev
Brand Manager: @britt.vbn
Starring: Micha Peute and Gerard van den Broek

Agency: @draftline.eu
Executive Producer: @roth1000
Senior Producer: @theramonricard
Producer: Anna Colbourn

Creative Agency: @thevalley_nl
Creative Director: Sheldon Bont
Senior Creative: @​​michellequekel
Project Manager: @wout_koot

Stills Photographer: @mariapaularios.foto
Production Coordinator: @nallely.limon
Post Production EP: @kayanch01 at @outsidereditorial
Color Producer: @wesxlewis at @company_3

A tale of legacy, “The Grand Prestige” for Dutch brand Hertog Yan uncovers the world’s finest barreled aged beer.

From the Netherlands to Mexico, it was a pleasure working with master brewers Micha Peute and Gerard van den Broek. Their devotion to innovation and heritage was infectious. It led @christopherclark___ and me to think of each image as their fingerprint. 

Producer @benjaduranprod brought on the kindest crew in Guadalajara. Thank you to @draftline.eu , @thevalley_nl , & @michapeute for having me work with this beloved brand, @hertogjan.nl

Director: @cameronthuman
Production Company: @fightgravityfilms + @nativefour
Executive Producer: @paulyaucheung and @dilanmistry
Head of Production: @dancounihan
Producer: @benjaduranprod
Production Manager: @paulina_m_jozwiak
Director of Photography: @christopherclark___
Editor: @murphyeditor at @outsidereditorial
Composer: @gavinbrivik
Sound Design: @defactosound
Colorist: @parkerjarvie at @company_3

Client: @hertogjan.nl and @abinbev
Brand Manager: @britt.vbn
Starring: Micha Peute and Gerard van den Broek

Agency: @draftline.eu
Executive Producer: @roth1000
Senior Producer: @theramonricard
Producer: Anna Colbourn

Creative Agency: @thevalley_nl
Creative Director: Sheldon Bont
Senior Creative: @​​michellequekel
Project Manager: @wout_koot

Stills Photographer: @mariapaularios.foto
Production Coordinator: @nallely.limon
Post Production EP: @kayanch01 at @outsidereditorial
Color Producer: @wesxlewis at @company_3

A tale of legacy, “The Grand Prestige” for Dutch brand Hertog Yan uncovers the world’s finest barreled aged beer.

From the Netherlands to Mexico, it was a pleasure working with master brewers Micha Peute and Gerard van den Broek. Their devotion to innovation and heritage was infectious. It led @christopherclark___ and me to think of each image as their fingerprint. 

Producer @benjaduranprod brought on the kindest crew in Guadalajara. Thank you to @draftline.eu , @thevalley_nl , & @michapeute for having me work with this beloved brand, @hertogjan.nl

Director: @cameronthuman
Production Company: @fightgravityfilms + @nativefour
Executive Producer: @paulyaucheung and @dilanmistry
Head of Production: @dancounihan
Producer: @benjaduranprod
Production Manager: @paulina_m_jozwiak
Director of Photography: @christopherclark___
Editor: @murphyeditor at @outsidereditorial
Composer: @gavinbrivik
Sound Design: @defactosound
Colorist: @parkerjarvie at @company_3

Client: @hertogjan.nl and @abinbev
Brand Manager: @britt.vbn
Starring: Micha Peute and Gerard van den Broek

Agency: @draftline.eu
Executive Producer: @roth1000
Senior Producer: @theramonricard
Producer: Anna Colbourn

Creative Agency: @thevalley_nl
Creative Director: Sheldon Bont
Senior Creative: @​​michellequekel
Project Manager: @wout_koot

Stills Photographer: @mariapaularios.foto
Production Coordinator: @nallely.limon
Post Production EP: @kayanch01 at @outsidereditorial
Color Producer: @wesxlewis at @company_3

A tale of legacy, “The Grand Prestige” for Dutch brand Hertog Yan uncovers the world’s finest barreled aged beer.

From the Netherlands to Mexico, it was a pleasure working with master brewers Micha Peute and Gerard van den Broek. Their devotion to innovation and heritage was infectious. It led @christopherclark___ and me to think of each image as their fingerprint. 

Producer @benjaduranprod brought on the kindest crew in Guadalajara. Thank you to @draftline.eu , @thevalley_nl , & @michapeute for having me work with this beloved brand, @hertogjan.nl

Director: @cameronthuman
Production Company: @fightgravityfilms + @nativefour
Executive Producer: @paulyaucheung and @dilanmistry
Head of Production: @dancounihan
Producer: @benjaduranprod
Production Manager: @paulina_m_jozwiak
Director of Photography: @christopherclark___
Editor: @murphyeditor at @outsidereditorial
Composer: @gavinbrivik
Sound Design: @defactosound
Colorist: @parkerjarvie at @company_3

Client: @hertogjan.nl and @abinbev
Brand Manager: @britt.vbn
Starring: Micha Peute and Gerard van den Broek

Agency: @draftline.eu
Executive Producer: @roth1000
Senior Producer: @theramonricard
Producer: Anna Colbourn

Creative Agency: @thevalley_nl
Creative Director: Sheldon Bont
Senior Creative: @​​michellequekel
Project Manager: @wout_koot

Stills Photographer: @mariapaularios.foto
Production Coordinator: @nallely.limon
Post Production EP: @kayanch01 at @outsidereditorial
Color Producer: @wesxlewis at @company_3

A tale of legacy, “The Grand Prestige” for Dutch brand Hertog Yan uncovers the world’s finest barreled aged beer.

From the Netherlands to Mexico, it was a pleasure working with master brewers Micha Peute and Gerard van den Broek. Their devotion to innovation and heritage was infectious. It led @christopherclark___ and me to think of each image as their fingerprint. 

Producer @benjaduranprod brought on the kindest crew in Guadalajara. Thank you to @draftline.eu , @thevalley_nl , & @michapeute for having me work with this beloved brand, @hertogjan.nl

Director: @cameronthuman
Production Company: @fightgravityfilms + @nativefour
Executive Producer: @paulyaucheung and @dilanmistry
Head of Production: @dancounihan
Producer: @benjaduranprod
Production Manager: @paulina_m_jozwiak
Director of Photography: @christopherclark___
Editor: @murphyeditor at @outsidereditorial
Composer: @gavinbrivik
Sound Design: @defactosound
Colorist: @parkerjarvie at @company_3

Client: @hertogjan.nl and @abinbev
Brand Manager: @britt.vbn
Starring: Micha Peute and Gerard van den Broek

Agency: @draftline.eu
Executive Producer: @roth1000
Senior Producer: @theramonricard
Producer: Anna Colbourn

Creative Agency: @thevalley_nl
Creative Director: Sheldon Bont
Senior Creative: @​​michellequekel
Project Manager: @wout_koot

Stills Photographer: @mariapaularios.foto
Production Coordinator: @nallely.limon
Post Production EP: @kayanch01 at @outsidereditorial
Color Producer: @wesxlewis at @company_3

At the very heart of this Olympics campaign is the human behind the athlete. I was so moved by each Paralympian and Olympian we worked with. It was truly a special experience to represent their worlds.

Lots of love for the filmmakers I got to tell this story with: @garretthardydavis, @gerser, @canidoyourbirthchart, @isabel__hrv, Emma Lowney, @michaelbbarker, @outsidereditorial, @defactosound , @mikeypackage, and the entire @motherland_ie team and family in Dublin 🇮🇪♥️

Full film on Vimeo

Client: PTSB
Agency: @publicisdublin
Production company: @motherland_ie
Starring: @kelly_harrington14 @rhysmcc1 Paul O’Donovan @fintanmccarthy @jordanplee23 and @nicky_t18

At the very heart of this Olympics campaign is the human behind the athlete. I was so moved by each Paralympian and Olympian we worked with. It was truly a special experience to represent their worlds.

Lots of love for the filmmakers I got to tell this story with: @garretthardydavis, @gerser, @canidoyourbirthchart, @isabel__hrv, Emma Lowney, @michaelbbarker, @outsidereditorial, @defactosound , @mikeypackage, and the entire @motherland_ie team and family in Dublin 🇮🇪♥️

Full film on Vimeo

Client: PTSB
Agency: @publicisdublin
Production company: @motherland_ie
Starring: @kelly_harrington14 @rhysmcc1 Paul O’Donovan @fintanmccarthy @jordanplee23 and @nicky_t18

At the very heart of this Olympics campaign is the human behind the athlete. I was so moved by each Paralympian and Olympian we worked with. It was truly a special experience to represent their worlds.

Lots of love for the filmmakers I got to tell this story with: @garretthardydavis, @gerser, @canidoyourbirthchart, @isabel__hrv, Emma Lowney, @michaelbbarker, @outsidereditorial, @defactosound , @mikeypackage, and the entire @motherland_ie team and family in Dublin 🇮🇪♥️

Full film on Vimeo

Client: PTSB
Agency: @publicisdublin
Production company: @motherland_ie
Starring: @kelly_harrington14 @rhysmcc1 Paul O’Donovan @fintanmccarthy @jordanplee23 and @nicky_t18

At the very heart of this Olympics campaign is the human behind the athlete. I was so moved by each Paralympian and Olympian we worked with. It was truly a special experience to represent their worlds.

Lots of love for the filmmakers I got to tell this story with: @garretthardydavis, @gerser, @canidoyourbirthchart, @isabel__hrv, Emma Lowney, @michaelbbarker, @outsidereditorial, @defactosound , @mikeypackage, and the entire @motherland_ie team and family in Dublin 🇮🇪♥️

Full film on Vimeo

Client: PTSB
Agency: @publicisdublin
Production company: @motherland_ie
Starring: @kelly_harrington14 @rhysmcc1 Paul O’Donovan @fintanmccarthy @jordanplee23 and @nicky_t18

At the very heart of this Olympics campaign is the human behind the athlete. I was so moved by each Paralympian and Olympian we worked with. It was truly a special experience to represent their worlds.

Lots of love for the filmmakers I got to tell this story with: @garretthardydavis, @gerser, @canidoyourbirthchart, @isabel__hrv, Emma Lowney, @michaelbbarker, @outsidereditorial, @defactosound , @mikeypackage, and the entire @motherland_ie team and family in Dublin 🇮🇪♥️

Full film on Vimeo

Client: PTSB
Agency: @publicisdublin
Production company: @motherland_ie
Starring: @kelly_harrington14 @rhysmcc1 Paul O’Donovan @fintanmccarthy @jordanplee23 and @nicky_t18

It was a real honor directing Team Ireland’s campaign for the Paris 2024 Olympics. PTSB is the first-ever title sponsor of the Irish Olympic and Paralympic teams.

Working with Kellie Harrington, Rhys McClenaghan, Paul O’Donovan, Fintan McCarthy, Jordan Lee, and Nicole Turner was such an inspirational experience.

The charge was led by Ger Roe as we set out to tell the story of “The Human Behind the Athlete,” and I was lucky enough to develop the concept and script with Ivona Poljak and Isabel Harvey.

Thank you to our lovely crew in Dublin, the Olympic Federation of Ireland, and Paralympics Ireland.

Directed by: Cameron Thuman
Production Company: @motherland_ie
Founder: @rosskilleen
MD: @the_french
EP: @magslev
Producer: @tiernangrainne
Director of Photography: @garretthardydavis
Production Designer: @emmalowney
Editor: @michaelbbarker at @outsidereditorial
Sound Design: @defactosound
Colorist: @mikeypackage at @blacksmithvfx

Client: PTSB
Agency: Publicis Dublin
Board Creative Director: @gerser
Art Director: @canidoyourbirthchart
Copywriter: @isabel__hrv
Senior Producer: @rachelamurray
Business Director: Karen Muckian
Senior Account Manager: Cormac Dooley

1st AD: Sandra Corbally
Locations: Mick Swan
Production Coordinator: Rachel Smith
Sustainability: @laralefada
Sound: @deanmurraymedia
Hair and Makeup: Barbara Conway

Head of Post-Production: @mcquaffers
Executive Producer: @kayanch01 at @outsidereditorial
Post-Producer: @lsheareralot & Keeva Bolger
Online Editor: @anniewalshfilm & @laurabriggsedits
Assistant Editor: @kelsokeepingitclassy
VFX: @andy_brown_congress

It was a real honor directing Team Ireland’s campaign for the Paris 2024 Olympics. PTSB is the first-ever title sponsor of the Irish Olympic and Paralympic teams.

Working with Kellie Harrington, Rhys McClenaghan, Paul O’Donovan, Fintan McCarthy, Jordan Lee, and Nicole Turner was such an inspirational experience.

The charge was led by Ger Roe as we set out to tell the story of “The Human Behind the Athlete,” and I was lucky enough to develop the concept and script with Ivona Poljak and Isabel Harvey.

Thank you to our lovely crew in Dublin, the Olympic Federation of Ireland, and Paralympics Ireland.

Directed by: Cameron Thuman
Production Company: @motherland_ie
Founder: @rosskilleen
MD: @the_french
EP: @magslev
Producer: @tiernangrainne
Director of Photography: @garretthardydavis
Production Designer: @emmalowney
Editor: @michaelbbarker at @outsidereditorial
Sound Design: @defactosound
Colorist: @mikeypackage at @blacksmithvfx

Client: PTSB
Agency: Publicis Dublin
Board Creative Director: @gerser
Art Director: @canidoyourbirthchart
Copywriter: @isabel__hrv
Senior Producer: @rachelamurray
Business Director: Karen Muckian
Senior Account Manager: Cormac Dooley

1st AD: Sandra Corbally
Locations: Mick Swan
Production Coordinator: Rachel Smith
Sustainability: @laralefada
Sound: @deanmurraymedia
Hair and Makeup: Barbara Conway

Head of Post-Production: @mcquaffers
Executive Producer: @kayanch01 at @outsidereditorial
Post-Producer: @lsheareralot & Keeva Bolger
Online Editor: @anniewalshfilm & @laurabriggsedits
Assistant Editor: @kelsokeepingitclassy
VFX: @andy_brown_congress

It was a real honor directing Team Ireland’s campaign for the Paris 2024 Olympics. PTSB is the first-ever title sponsor of the Irish Olympic and Paralympic teams.

Working with Kellie Harrington, Rhys McClenaghan, Paul O’Donovan, Fintan McCarthy, Jordan Lee, and Nicole Turner was such an inspirational experience.

The charge was led by Ger Roe as we set out to tell the story of “The Human Behind the Athlete,” and I was lucky enough to develop the concept and script with Ivona Poljak and Isabel Harvey.

Thank you to our lovely crew in Dublin, the Olympic Federation of Ireland, and Paralympics Ireland.

Directed by: Cameron Thuman
Production Company: @motherland_ie
Founder: @rosskilleen
MD: @the_french
EP: @magslev
Producer: @tiernangrainne
Director of Photography: @garretthardydavis
Production Designer: @emmalowney
Editor: @michaelbbarker at @outsidereditorial
Sound Design: @defactosound
Colorist: @mikeypackage at @blacksmithvfx

Client: PTSB
Agency: Publicis Dublin
Board Creative Director: @gerser
Art Director: @canidoyourbirthchart
Copywriter: @isabel__hrv
Senior Producer: @rachelamurray
Business Director: Karen Muckian
Senior Account Manager: Cormac Dooley

1st AD: Sandra Corbally
Locations: Mick Swan
Production Coordinator: Rachel Smith
Sustainability: @laralefada
Sound: @deanmurraymedia
Hair and Makeup: Barbara Conway

Head of Post-Production: @mcquaffers
Executive Producer: @kayanch01 at @outsidereditorial
Post-Producer: @lsheareralot & Keeva Bolger
Online Editor: @anniewalshfilm & @laurabriggsedits
Assistant Editor: @kelsokeepingitclassy
VFX: @andy_brown_congress

It was a real honor directing Team Ireland’s campaign for the Paris 2024 Olympics. PTSB is the first-ever title sponsor of the Irish Olympic and Paralympic teams.

Working with Kellie Harrington, Rhys McClenaghan, Paul O’Donovan, Fintan McCarthy, Jordan Lee, and Nicole Turner was such an inspirational experience.

The charge was led by Ger Roe as we set out to tell the story of “The Human Behind the Athlete,” and I was lucky enough to develop the concept and script with Ivona Poljak and Isabel Harvey.

Thank you to our lovely crew in Dublin, the Olympic Federation of Ireland, and Paralympics Ireland.

Directed by: Cameron Thuman
Production Company: @motherland_ie
Founder: @rosskilleen
MD: @the_french
EP: @magslev
Producer: @tiernangrainne
Director of Photography: @garretthardydavis
Production Designer: @emmalowney
Editor: @michaelbbarker at @outsidereditorial
Sound Design: @defactosound
Colorist: @mikeypackage at @blacksmithvfx

Client: PTSB
Agency: Publicis Dublin
Board Creative Director: @gerser
Art Director: @canidoyourbirthchart
Copywriter: @isabel__hrv
Senior Producer: @rachelamurray
Business Director: Karen Muckian
Senior Account Manager: Cormac Dooley

1st AD: Sandra Corbally
Locations: Mick Swan
Production Coordinator: Rachel Smith
Sustainability: @laralefada
Sound: @deanmurraymedia
Hair and Makeup: Barbara Conway

Head of Post-Production: @mcquaffers
Executive Producer: @kayanch01 at @outsidereditorial
Post-Producer: @lsheareralot & Keeva Bolger
Online Editor: @anniewalshfilm & @laurabriggsedits
Assistant Editor: @kelsokeepingitclassy
VFX: @andy_brown_congress

It was a real honor directing Team Ireland’s campaign for the Paris 2024 Olympics. PTSB is the first-ever title sponsor of the Irish Olympic and Paralympic teams.

Working with Kellie Harrington, Rhys McClenaghan, Paul O’Donovan, Fintan McCarthy, Jordan Lee, and Nicole Turner was such an inspirational experience.

The charge was led by Ger Roe as we set out to tell the story of “The Human Behind the Athlete,” and I was lucky enough to develop the concept and script with Ivona Poljak and Isabel Harvey.

Thank you to our lovely crew in Dublin, the Olympic Federation of Ireland, and Paralympics Ireland.

Directed by: Cameron Thuman
Production Company: @motherland_ie
Founder: @rosskilleen
MD: @the_french
EP: @magslev
Producer: @tiernangrainne
Director of Photography: @garretthardydavis
Production Designer: @emmalowney
Editor: @michaelbbarker at @outsidereditorial
Sound Design: @defactosound
Colorist: @mikeypackage at @blacksmithvfx

Client: PTSB
Agency: Publicis Dublin
Board Creative Director: @gerser
Art Director: @canidoyourbirthchart
Copywriter: @isabel__hrv
Senior Producer: @rachelamurray
Business Director: Karen Muckian
Senior Account Manager: Cormac Dooley

1st AD: Sandra Corbally
Locations: Mick Swan
Production Coordinator: Rachel Smith
Sustainability: @laralefada
Sound: @deanmurraymedia
Hair and Makeup: Barbara Conway

Head of Post-Production: @mcquaffers
Executive Producer: @kayanch01 at @outsidereditorial
Post-Producer: @lsheareralot & Keeva Bolger
Online Editor: @anniewalshfilm & @laurabriggsedits
Assistant Editor: @kelsokeepingitclassy
VFX: @andy_brown_congress

Entranced by the snow, “Suspended in Space” bends between reality and dreams with an all-original film score by @liammour_

Full film on Vimeo. So much love for the creative minds @christopherclark___ , @downtofilm, @christianwhittemore, @defactosound, & @parkerjarvie who brought this story to life.

A @nativefour film produced by @dilanmistry starring @kajsal & @celeste.pomerantz

Entranced by the snow, “Suspended in Space” bends between reality and dreams with an all-original film score by @liammour_

Full film on Vimeo. So much love for the creative minds @christopherclark___ , @downtofilm, @christianwhittemore, @defactosound, & @parkerjarvie who brought this story to life.

A @nativefour film produced by @dilanmistry starring @kajsal & @celeste.pomerantz

Entranced by the snow, “Suspended in Space” bends between reality and dreams with an all-original film score by @liammour_

Full film on Vimeo. So much love for the creative minds @christopherclark___ , @downtofilm, @christianwhittemore, @defactosound, & @parkerjarvie who brought this story to life.

A @nativefour film produced by @dilanmistry starring @kajsal & @celeste.pomerantz

Entranced by the snow, “Suspended in Space” bends between reality and dreams with an all-original film score by @liammour_

Full film on Vimeo. So much love for the creative minds @christopherclark___ , @downtofilm, @christianwhittemore, @defactosound, & @parkerjarvie who brought this story to life.

A @nativefour film produced by @dilanmistry starring @kajsal & @celeste.pomerantz

Entranced by the snow, “Suspended in Space” bends between reality and dreams with an all-original film score by @liammour_

Full film on Vimeo. So much love for the creative minds @christopherclark___ , @downtofilm, @christianwhittemore, @defactosound, & @parkerjarvie who brought this story to life.

A @nativefour film produced by @dilanmistry starring @kajsal & @celeste.pomerantz