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@englishheritage has now unveiled the reconstruction of a 4,500-year-old Neolithic structure, for which we have been providing engineering advice as part of our work on two new additional buildings at Stonehenge designed by @aocarchitecture

The Kusuma Neolithic Hall is based on archaeological evidence of a large prehistoric structure, found two miles away from the stone circle. Working under the expert guidance of award-winning experimental archaeologist Luke Winter, the charity’s volunteers have used historically accurate tools and materials (including thatch, coppiced timber and chalk daub) to recreate the building techniques used by Neolithic people and to better understand the work and timescales that would have been involved.

The £1 million project, funded by the Kusuma Trust, is in the final stages of construction and will be open to the public this summer, ahead of its use as a living-history learning space for school groups from September onwards.

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Photos courtesy of English Heritage

@englishheritage has now unveiled the reconstruction of a 4,500-year-old Neolithic structure, for which we have been providing engineering advice as part of our work on two new additional buildings at Stonehenge designed by @aocarchitecture

The Kusuma Neolithic Hall is based on archaeological evidence of a large prehistoric structure, found two miles away from the stone circle. Working under the expert guidance of award-winning experimental archaeologist Luke Winter, the charity’s volunteers have used historically accurate tools and materials (including thatch, coppiced timber and chalk daub) to recreate the building techniques used by Neolithic people and to better understand the work and timescales that would have been involved.

The £1 million project, funded by the Kusuma Trust, is in the final stages of construction and will be open to the public this summer, ahead of its use as a living-history learning space for school groups from September onwards.

--
Photos courtesy of English Heritage

@englishheritage has now unveiled the reconstruction of a 4,500-year-old Neolithic structure, for which we have been providing engineering advice as part of our work on two new additional buildings at Stonehenge designed by @aocarchitecture

The Kusuma Neolithic Hall is based on archaeological evidence of a large prehistoric structure, found two miles away from the stone circle. Working under the expert guidance of award-winning experimental archaeologist Luke Winter, the charity’s volunteers have used historically accurate tools and materials (including thatch, coppiced timber and chalk daub) to recreate the building techniques used by Neolithic people and to better understand the work and timescales that would have been involved.

The £1 million project, funded by the Kusuma Trust, is in the final stages of construction and will be open to the public this summer, ahead of its use as a living-history learning space for school groups from September onwards.

--
Photos courtesy of English Heritage

@englishheritage has now unveiled the reconstruction of a 4,500-year-old Neolithic structure, for which we have been providing engineering advice as part of our work on two new additional buildings at Stonehenge designed by @aocarchitecture

The Kusuma Neolithic Hall is based on archaeological evidence of a large prehistoric structure, found two miles away from the stone circle. Working under the expert guidance of award-winning experimental archaeologist Luke Winter, the charity’s volunteers have used historically accurate tools and materials (including thatch, coppiced timber and chalk daub) to recreate the building techniques used by Neolithic people and to better understand the work and timescales that would have been involved.

The £1 million project, funded by the Kusuma Trust, is in the final stages of construction and will be open to the public this summer, ahead of its use as a living-history learning space for school groups from September onwards.

--
Photos courtesy of English Heritage

@englishheritage has now unveiled the reconstruction of a 4,500-year-old Neolithic structure, for which we have been providing engineering advice as part of our work on two new additional buildings at Stonehenge designed by @aocarchitecture

The Kusuma Neolithic Hall is based on archaeological evidence of a large prehistoric structure, found two miles away from the stone circle. Working under the expert guidance of award-winning experimental archaeologist Luke Winter, the charity’s volunteers have used historically accurate tools and materials (including thatch, coppiced timber and chalk daub) to recreate the building techniques used by Neolithic people and to better understand the work and timescales that would have been involved.

The £1 million project, funded by the Kusuma Trust, is in the final stages of construction and will be open to the public this summer, ahead of its use as a living-history learning space for school groups from September onwards.

--
Photos courtesy of English Heritage

Phase 2 of the redevelopment of Peckham Rye Station is underway, where contractors @bamukandireland are currently progressing the demolition of the 1930s arcade buildings which sit between the two historic viaducts.

As these photos from @landoltandbrownarchitects show, this is a delicate operation due to the interface with the railway and that part of the roof structure supports one of the platforms.

Once this is complete, the original view of the station building from the road will be reinstated, revealing its original north-facing façade and portico, enhancing visibility and connectivity with Rye Lane.

A new public square will then be created in front of the station to provide better pedestrian access and support broader public realm improvements.

Phase 2 of the redevelopment of Peckham Rye Station is underway, where contractors @bamukandireland are currently progressing the demolition of the 1930s arcade buildings which sit between the two historic viaducts.

As these photos from @landoltandbrownarchitects show, this is a delicate operation due to the interface with the railway and that part of the roof structure supports one of the platforms.

Once this is complete, the original view of the station building from the road will be reinstated, revealing its original north-facing façade and portico, enhancing visibility and connectivity with Rye Lane.

A new public square will then be created in front of the station to provide better pedestrian access and support broader public realm improvements.

Phase 2 of the redevelopment of Peckham Rye Station is underway, where contractors @bamukandireland are currently progressing the demolition of the 1930s arcade buildings which sit between the two historic viaducts.

As these photos from @landoltandbrownarchitects show, this is a delicate operation due to the interface with the railway and that part of the roof structure supports one of the platforms.

Once this is complete, the original view of the station building from the road will be reinstated, revealing its original north-facing façade and portico, enhancing visibility and connectivity with Rye Lane.

A new public square will then be created in front of the station to provide better pedestrian access and support broader public realm improvements.

Phase 2 of the redevelopment of Peckham Rye Station is underway, where contractors @bamukandireland are currently progressing the demolition of the 1930s arcade buildings which sit between the two historic viaducts.

As these photos from @landoltandbrownarchitects show, this is a delicate operation due to the interface with the railway and that part of the roof structure supports one of the platforms.

Once this is complete, the original view of the station building from the road will be reinstated, revealing its original north-facing façade and portico, enhancing visibility and connectivity with Rye Lane.

A new public square will then be created in front of the station to provide better pedestrian access and support broader public realm improvements.

Phase 2 of the redevelopment of Peckham Rye Station is underway, where contractors @bamukandireland are currently progressing the demolition of the 1930s arcade buildings which sit between the two historic viaducts.

As these photos from @landoltandbrownarchitects show, this is a delicate operation due to the interface with the railway and that part of the roof structure supports one of the platforms.

Once this is complete, the original view of the station building from the road will be reinstated, revealing its original north-facing façade and portico, enhancing visibility and connectivity with Rye Lane.

A new public square will then be created in front of the station to provide better pedestrian access and support broader public realm improvements.

Well done to six members of our team who participated in the annual @hayesdavidson 5K in Hyde Park on Tuesday evening, in support of @mndassoc.

Tim WON the race, with a time of 18:10, while Cara came bronze in the women’s category, with a time of 21:09.

Motor Neurone Disease is a brutal, degenerative condition, and fundraising is essential to provide support for those affected and drive forward research.

Over 150 runners from the architecture, design and property sectors took part to raise over £30,000, which includes match-funding from the Alan Davidson Foundation, a charity set up to help MND patients with their care and to further the research for a cure. Alan Davidson, who pioneered early architectural visualisation in the 1990s, was diagnosed with MND in 2012 and died in 2018, aged 58.

#HD5K #HD5K2026

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@cara.mal, @takingthedaniel, @matthew.waks, @tim_ashworth11

Well done to six members of our team who participated in the annual @hayesdavidson 5K in Hyde Park on Tuesday evening, in support of @mndassoc.

Tim WON the race, with a time of 18:10, while Cara came bronze in the women’s category, with a time of 21:09.

Motor Neurone Disease is a brutal, degenerative condition, and fundraising is essential to provide support for those affected and drive forward research.

Over 150 runners from the architecture, design and property sectors took part to raise over £30,000, which includes match-funding from the Alan Davidson Foundation, a charity set up to help MND patients with their care and to further the research for a cure. Alan Davidson, who pioneered early architectural visualisation in the 1990s, was diagnosed with MND in 2012 and died in 2018, aged 58.

#HD5K #HD5K2026

--
@cara.mal, @takingthedaniel, @matthew.waks, @tim_ashworth11

Well done to six members of our team who participated in the annual @hayesdavidson 5K in Hyde Park on Tuesday evening, in support of @mndassoc.

Tim WON the race, with a time of 18:10, while Cara came bronze in the women’s category, with a time of 21:09.

Motor Neurone Disease is a brutal, degenerative condition, and fundraising is essential to provide support for those affected and drive forward research.

Over 150 runners from the architecture, design and property sectors took part to raise over £30,000, which includes match-funding from the Alan Davidson Foundation, a charity set up to help MND patients with their care and to further the research for a cure. Alan Davidson, who pioneered early architectural visualisation in the 1990s, was diagnosed with MND in 2012 and died in 2018, aged 58.

#HD5K #HD5K2026

--
@cara.mal, @takingthedaniel, @matthew.waks, @tim_ashworth11

Well done to six members of our team who participated in the annual @hayesdavidson 5K in Hyde Park on Tuesday evening, in support of @mndassoc.

Tim WON the race, with a time of 18:10, while Cara came bronze in the women’s category, with a time of 21:09.

Motor Neurone Disease is a brutal, degenerative condition, and fundraising is essential to provide support for those affected and drive forward research.

Over 150 runners from the architecture, design and property sectors took part to raise over £30,000, which includes match-funding from the Alan Davidson Foundation, a charity set up to help MND patients with their care and to further the research for a cure. Alan Davidson, who pioneered early architectural visualisation in the 1990s, was diagnosed with MND in 2012 and died in 2018, aged 58.

#HD5K #HD5K2026

--
@cara.mal, @takingthedaniel, @matthew.waks, @tim_ashworth11

Well done to six members of our team who participated in the annual @hayesdavidson 5K in Hyde Park on Tuesday evening, in support of @mndassoc.

Tim WON the race, with a time of 18:10, while Cara came bronze in the women’s category, with a time of 21:09.

Motor Neurone Disease is a brutal, degenerative condition, and fundraising is essential to provide support for those affected and drive forward research.

Over 150 runners from the architecture, design and property sectors took part to raise over £30,000, which includes match-funding from the Alan Davidson Foundation, a charity set up to help MND patients with their care and to further the research for a cure. Alan Davidson, who pioneered early architectural visualisation in the 1990s, was diagnosed with MND in 2012 and died in 2018, aged 58.

#HD5K #HD5K2026

--
@cara.mal, @takingthedaniel, @matthew.waks, @tim_ashworth11

Well done to six members of our team who participated in the annual @hayesdavidson 5K in Hyde Park on Tuesday evening, in support of @mndassoc.

Tim WON the race, with a time of 18:10, while Cara came bronze in the women’s category, with a time of 21:09.

Motor Neurone Disease is a brutal, degenerative condition, and fundraising is essential to provide support for those affected and drive forward research.

Over 150 runners from the architecture, design and property sectors took part to raise over £30,000, which includes match-funding from the Alan Davidson Foundation, a charity set up to help MND patients with their care and to further the research for a cure. Alan Davidson, who pioneered early architectural visualisation in the 1990s, was diagnosed with MND in 2012 and died in 2018, aged 58.

#HD5K #HD5K2026

--
@cara.mal, @takingthedaniel, @matthew.waks, @tim_ashworth11

The Tate Britain Garden is one of nine show gardens at this year’s @the_RHS Chelsea Flower Show, which has been unveiled today.

The garden – designed by tomstuartsmithstudio – presents elements from The Clore Garden at @Tate Britain, which opens later this year, and for which we have been providing engineering and conservation advice.

Our engineers advised on the design and construction of the Chelsea show garden, which features Barbara Hepworth’s “Bicentric Form” (1949): a limestone sculpture that was the first Hepworth work to be acquired by the Tate.

Gently curving around the sculpture, a pathway of stone reclaimed from the existing Tate Britain Garden leads to a circular seating area surrounded by rich and vibrant planting. The benches – which required careful engineering advice from our team - are made from existing materials in the Tate Britain Garden, crushed and reformed.

A water feature inspired by microscopic images of fungal hyphae is inlaid in the path. Made from bronze dishes and lights with water flowing within thin rills, the feature encourages interactivity and sensory engagement.

The planting design – a major focus of any Chelsea garden – is intentionally serene, tex­tural, and takes cues from East Asian woodlands and resilient drought-tolerant plants adapted to warmer climates, being informed by Tate’s commitment to sustainability, finding long-lasting plants which increase biodiversity.

The garden has been generously funded by the Clore Duffield Foundation and @project.giving.back. At the end of the show, the garden will be transferred to Tate Britain and incorporated into the wider project, which is due to complete at the beginning of 2027, and which also includes a new outdoor classroom designed by @feildenfowles.

Images courtesy of Tate Britain / Jason Ingram

The Tate Britain Garden is one of nine show gardens at this year’s @the_RHS Chelsea Flower Show, which has been unveiled today.

The garden – designed by tomstuartsmithstudio – presents elements from The Clore Garden at @Tate Britain, which opens later this year, and for which we have been providing engineering and conservation advice.

Our engineers advised on the design and construction of the Chelsea show garden, which features Barbara Hepworth’s “Bicentric Form” (1949): a limestone sculpture that was the first Hepworth work to be acquired by the Tate.

Gently curving around the sculpture, a pathway of stone reclaimed from the existing Tate Britain Garden leads to a circular seating area surrounded by rich and vibrant planting. The benches – which required careful engineering advice from our team - are made from existing materials in the Tate Britain Garden, crushed and reformed.

A water feature inspired by microscopic images of fungal hyphae is inlaid in the path. Made from bronze dishes and lights with water flowing within thin rills, the feature encourages interactivity and sensory engagement.

The planting design – a major focus of any Chelsea garden – is intentionally serene, tex­tural, and takes cues from East Asian woodlands and resilient drought-tolerant plants adapted to warmer climates, being informed by Tate’s commitment to sustainability, finding long-lasting plants which increase biodiversity.

The garden has been generously funded by the Clore Duffield Foundation and @project.giving.back. At the end of the show, the garden will be transferred to Tate Britain and incorporated into the wider project, which is due to complete at the beginning of 2027, and which also includes a new outdoor classroom designed by @feildenfowles.

Images courtesy of Tate Britain / Jason Ingram

The Tate Britain Garden is one of nine show gardens at this year’s @the_RHS Chelsea Flower Show, which has been unveiled today.

The garden – designed by tomstuartsmithstudio – presents elements from The Clore Garden at @Tate Britain, which opens later this year, and for which we have been providing engineering and conservation advice.

Our engineers advised on the design and construction of the Chelsea show garden, which features Barbara Hepworth’s “Bicentric Form” (1949): a limestone sculpture that was the first Hepworth work to be acquired by the Tate.

Gently curving around the sculpture, a pathway of stone reclaimed from the existing Tate Britain Garden leads to a circular seating area surrounded by rich and vibrant planting. The benches – which required careful engineering advice from our team - are made from existing materials in the Tate Britain Garden, crushed and reformed.

A water feature inspired by microscopic images of fungal hyphae is inlaid in the path. Made from bronze dishes and lights with water flowing within thin rills, the feature encourages interactivity and sensory engagement.

The planting design – a major focus of any Chelsea garden – is intentionally serene, tex­tural, and takes cues from East Asian woodlands and resilient drought-tolerant plants adapted to warmer climates, being informed by Tate’s commitment to sustainability, finding long-lasting plants which increase biodiversity.

The garden has been generously funded by the Clore Duffield Foundation and @project.giving.back. At the end of the show, the garden will be transferred to Tate Britain and incorporated into the wider project, which is due to complete at the beginning of 2027, and which also includes a new outdoor classroom designed by @feildenfowles.

Images courtesy of Tate Britain / Jason Ingram

The Tate Britain Garden is one of nine show gardens at this year’s @the_RHS Chelsea Flower Show, which has been unveiled today.

The garden – designed by tomstuartsmithstudio – presents elements from The Clore Garden at @Tate Britain, which opens later this year, and for which we have been providing engineering and conservation advice.

Our engineers advised on the design and construction of the Chelsea show garden, which features Barbara Hepworth’s “Bicentric Form” (1949): a limestone sculpture that was the first Hepworth work to be acquired by the Tate.

Gently curving around the sculpture, a pathway of stone reclaimed from the existing Tate Britain Garden leads to a circular seating area surrounded by rich and vibrant planting. The benches – which required careful engineering advice from our team - are made from existing materials in the Tate Britain Garden, crushed and reformed.

A water feature inspired by microscopic images of fungal hyphae is inlaid in the path. Made from bronze dishes and lights with water flowing within thin rills, the feature encourages interactivity and sensory engagement.

The planting design – a major focus of any Chelsea garden – is intentionally serene, tex­tural, and takes cues from East Asian woodlands and resilient drought-tolerant plants adapted to warmer climates, being informed by Tate’s commitment to sustainability, finding long-lasting plants which increase biodiversity.

The garden has been generously funded by the Clore Duffield Foundation and @project.giving.back. At the end of the show, the garden will be transferred to Tate Britain and incorporated into the wider project, which is due to complete at the beginning of 2027, and which also includes a new outdoor classroom designed by @feildenfowles.

Images courtesy of Tate Britain / Jason Ingram

The Tate Britain Garden is one of nine show gardens at this year’s @the_RHS Chelsea Flower Show, which has been unveiled today.

The garden – designed by tomstuartsmithstudio – presents elements from The Clore Garden at @Tate Britain, which opens later this year, and for which we have been providing engineering and conservation advice.

Our engineers advised on the design and construction of the Chelsea show garden, which features Barbara Hepworth’s “Bicentric Form” (1949): a limestone sculpture that was the first Hepworth work to be acquired by the Tate.

Gently curving around the sculpture, a pathway of stone reclaimed from the existing Tate Britain Garden leads to a circular seating area surrounded by rich and vibrant planting. The benches – which required careful engineering advice from our team - are made from existing materials in the Tate Britain Garden, crushed and reformed.

A water feature inspired by microscopic images of fungal hyphae is inlaid in the path. Made from bronze dishes and lights with water flowing within thin rills, the feature encourages interactivity and sensory engagement.

The planting design – a major focus of any Chelsea garden – is intentionally serene, tex­tural, and takes cues from East Asian woodlands and resilient drought-tolerant plants adapted to warmer climates, being informed by Tate’s commitment to sustainability, finding long-lasting plants which increase biodiversity.

The garden has been generously funded by the Clore Duffield Foundation and @project.giving.back. At the end of the show, the garden will be transferred to Tate Britain and incorporated into the wider project, which is due to complete at the beginning of 2027, and which also includes a new outdoor classroom designed by @feildenfowles.

Images courtesy of Tate Britain / Jason Ingram

The Tate Britain Garden is one of nine show gardens at this year’s @the_RHS Chelsea Flower Show, which has been unveiled today.

The garden – designed by tomstuartsmithstudio – presents elements from The Clore Garden at @Tate Britain, which opens later this year, and for which we have been providing engineering and conservation advice.

Our engineers advised on the design and construction of the Chelsea show garden, which features Barbara Hepworth’s “Bicentric Form” (1949): a limestone sculpture that was the first Hepworth work to be acquired by the Tate.

Gently curving around the sculpture, a pathway of stone reclaimed from the existing Tate Britain Garden leads to a circular seating area surrounded by rich and vibrant planting. The benches – which required careful engineering advice from our team - are made from existing materials in the Tate Britain Garden, crushed and reformed.

A water feature inspired by microscopic images of fungal hyphae is inlaid in the path. Made from bronze dishes and lights with water flowing within thin rills, the feature encourages interactivity and sensory engagement.

The planting design – a major focus of any Chelsea garden – is intentionally serene, tex­tural, and takes cues from East Asian woodlands and resilient drought-tolerant plants adapted to warmer climates, being informed by Tate’s commitment to sustainability, finding long-lasting plants which increase biodiversity.

The garden has been generously funded by the Clore Duffield Foundation and @project.giving.back. At the end of the show, the garden will be transferred to Tate Britain and incorporated into the wider project, which is due to complete at the beginning of 2027, and which also includes a new outdoor classroom designed by @feildenfowles.

Images courtesy of Tate Britain / Jason Ingram

The Tate Britain Garden is one of nine show gardens at this year’s @the_RHS Chelsea Flower Show, which has been unveiled today.

The garden – designed by tomstuartsmithstudio – presents elements from The Clore Garden at @Tate Britain, which opens later this year, and for which we have been providing engineering and conservation advice.

Our engineers advised on the design and construction of the Chelsea show garden, which features Barbara Hepworth’s “Bicentric Form” (1949): a limestone sculpture that was the first Hepworth work to be acquired by the Tate.

Gently curving around the sculpture, a pathway of stone reclaimed from the existing Tate Britain Garden leads to a circular seating area surrounded by rich and vibrant planting. The benches – which required careful engineering advice from our team - are made from existing materials in the Tate Britain Garden, crushed and reformed.

A water feature inspired by microscopic images of fungal hyphae is inlaid in the path. Made from bronze dishes and lights with water flowing within thin rills, the feature encourages interactivity and sensory engagement.

The planting design – a major focus of any Chelsea garden – is intentionally serene, tex­tural, and takes cues from East Asian woodlands and resilient drought-tolerant plants adapted to warmer climates, being informed by Tate’s commitment to sustainability, finding long-lasting plants which increase biodiversity.

The garden has been generously funded by the Clore Duffield Foundation and @project.giving.back. At the end of the show, the garden will be transferred to Tate Britain and incorporated into the wider project, which is due to complete at the beginning of 2027, and which also includes a new outdoor classroom designed by @feildenfowles.

Images courtesy of Tate Britain / Jason Ingram

Our heritage team helped secure planning approval for ‘origo’ - a temporary installation sited in the Barbican Sculpture Court which is now open to the public.

origo, meaning ‘origin’ in Latin, is designed by Colobian artist Delcy Morelos and marks the return of artwork to the Sculpture Court for the first time in 10 years. It is comprised of a large hollow elliptical ring, approximately 24 by 18 metres in footprint and 3.85 metres high, made from soil, water-resistant clay, spices and plant matter.

Working in consultation with the @barbicancentre and @the_planninglab, we assessed the heritage impact of the installation, identifying that it would cause no harm to the Barbican’s listed fabric. We also argued that that the installation aligned strongly with the original purpose of the Sculpture Court as a place for contemporary art and public engagement and that it would make a positive contribution to the Barbican’s cultural life.

This commission is Morelos’ most ambitious outdoor work to date and her first major presentation in the UK.

Our heritage team helped secure planning approval for ‘origo’ - a temporary installation sited in the Barbican Sculpture Court which is now open to the public.

origo, meaning ‘origin’ in Latin, is designed by Colobian artist Delcy Morelos and marks the return of artwork to the Sculpture Court for the first time in 10 years. It is comprised of a large hollow elliptical ring, approximately 24 by 18 metres in footprint and 3.85 metres high, made from soil, water-resistant clay, spices and plant matter.

Working in consultation with the @barbicancentre and @the_planninglab, we assessed the heritage impact of the installation, identifying that it would cause no harm to the Barbican’s listed fabric. We also argued that that the installation aligned strongly with the original purpose of the Sculpture Court as a place for contemporary art and public engagement and that it would make a positive contribution to the Barbican’s cultural life.

This commission is Morelos’ most ambitious outdoor work to date and her first major presentation in the UK.

Our heritage team helped secure planning approval for ‘origo’ - a temporary installation sited in the Barbican Sculpture Court which is now open to the public.

origo, meaning ‘origin’ in Latin, is designed by Colobian artist Delcy Morelos and marks the return of artwork to the Sculpture Court for the first time in 10 years. It is comprised of a large hollow elliptical ring, approximately 24 by 18 metres in footprint and 3.85 metres high, made from soil, water-resistant clay, spices and plant matter.

Working in consultation with the @barbicancentre and @the_planninglab, we assessed the heritage impact of the installation, identifying that it would cause no harm to the Barbican’s listed fabric. We also argued that that the installation aligned strongly with the original purpose of the Sculpture Court as a place for contemporary art and public engagement and that it would make a positive contribution to the Barbican’s cultural life.

This commission is Morelos’ most ambitious outdoor work to date and her first major presentation in the UK.

Our heritage team helped secure planning approval for ‘origo’ - a temporary installation sited in the Barbican Sculpture Court which is now open to the public.

origo, meaning ‘origin’ in Latin, is designed by Colobian artist Delcy Morelos and marks the return of artwork to the Sculpture Court for the first time in 10 years. It is comprised of a large hollow elliptical ring, approximately 24 by 18 metres in footprint and 3.85 metres high, made from soil, water-resistant clay, spices and plant matter.

Working in consultation with the @barbicancentre and @the_planninglab, we assessed the heritage impact of the installation, identifying that it would cause no harm to the Barbican’s listed fabric. We also argued that that the installation aligned strongly with the original purpose of the Sculpture Court as a place for contemporary art and public engagement and that it would make a positive contribution to the Barbican’s cultural life.

This commission is Morelos’ most ambitious outdoor work to date and her first major presentation in the UK.

Our heritage team helped secure planning approval for ‘origo’ - a temporary installation sited in the Barbican Sculpture Court which is now open to the public.

origo, meaning ‘origin’ in Latin, is designed by Colobian artist Delcy Morelos and marks the return of artwork to the Sculpture Court for the first time in 10 years. It is comprised of a large hollow elliptical ring, approximately 24 by 18 metres in footprint and 3.85 metres high, made from soil, water-resistant clay, spices and plant matter.

Working in consultation with the @barbicancentre and @the_planninglab, we assessed the heritage impact of the installation, identifying that it would cause no harm to the Barbican’s listed fabric. We also argued that that the installation aligned strongly with the original purpose of the Sculpture Court as a place for contemporary art and public engagement and that it would make a positive contribution to the Barbican’s cultural life.

This commission is Morelos’ most ambitious outdoor work to date and her first major presentation in the UK.

A huge congratulations to our engineers Daniel Blower and Matthew Waks on completing the @LondonMarathon, in 3h36m and 4h18m, respectively - what an incredible achievement!

Their training has benefitted from our weekly run club, which is open to everyone, whatever their pace or experience. We have found it a great way to boost fitness, clear our heads, and swap notes on training!

--
@takingthedaniel
@matthew.waks
#LondonMarathon

A huge congratulations to our engineers Daniel Blower and Matthew Waks on completing the @LondonMarathon, in 3h36m and 4h18m, respectively - what an incredible achievement!

Their training has benefitted from our weekly run club, which is open to everyone, whatever their pace or experience. We have found it a great way to boost fitness, clear our heads, and swap notes on training!

--
@takingthedaniel
@matthew.waks
#LondonMarathon

A huge congratulations to our engineers Daniel Blower and Matthew Waks on completing the @LondonMarathon, in 3h36m and 4h18m, respectively - what an incredible achievement!

Their training has benefitted from our weekly run club, which is open to everyone, whatever their pace or experience. We have found it a great way to boost fitness, clear our heads, and swap notes on training!

--
@takingthedaniel
@matthew.waks
#LondonMarathon

One of our heritage consultants, Boryana Ivanova, recently attended the Society of Architectural Historian’s 79th Annual International Conference in Mexico City to present her master’s research on war-damaged churches and the creation of memorial gardens in the City of London.

Boryana explained: “Discussing this work with a global cohort of scholars was incredibly productive, offering new insights that will directly inform my future projects.
Crucially, the location allowed me to widen the scope of architectural examples I engage with, looking well beyond the usual UK and European contexts.

Exploring Mexico City’s unique urban fabric was also a highlight that added significant depth to my perspective on heritage and preservation, with a particular focus on its outstanding twentieth-century buildings.”

The full title of Boryana’s paper is Making of Memorial Gardens in the City of London, undertaken at the University of Cambridge.
--
@B0ry_
@sah1365
@cambridgeuniversity
#SAH2026

One of our heritage consultants, Boryana Ivanova, recently attended the Society of Architectural Historian’s 79th Annual International Conference in Mexico City to present her master’s research on war-damaged churches and the creation of memorial gardens in the City of London.

Boryana explained: “Discussing this work with a global cohort of scholars was incredibly productive, offering new insights that will directly inform my future projects.
Crucially, the location allowed me to widen the scope of architectural examples I engage with, looking well beyond the usual UK and European contexts.

Exploring Mexico City’s unique urban fabric was also a highlight that added significant depth to my perspective on heritage and preservation, with a particular focus on its outstanding twentieth-century buildings.”

The full title of Boryana’s paper is Making of Memorial Gardens in the City of London, undertaken at the University of Cambridge.
--
@B0ry_
@sah1365
@cambridgeuniversity
#SAH2026

One of our heritage consultants, Boryana Ivanova, recently attended the Society of Architectural Historian’s 79th Annual International Conference in Mexico City to present her master’s research on war-damaged churches and the creation of memorial gardens in the City of London.

Boryana explained: “Discussing this work with a global cohort of scholars was incredibly productive, offering new insights that will directly inform my future projects.
Crucially, the location allowed me to widen the scope of architectural examples I engage with, looking well beyond the usual UK and European contexts.

Exploring Mexico City’s unique urban fabric was also a highlight that added significant depth to my perspective on heritage and preservation, with a particular focus on its outstanding twentieth-century buildings.”

The full title of Boryana’s paper is Making of Memorial Gardens in the City of London, undertaken at the University of Cambridge.
--
@B0ry_
@sah1365
@cambridgeuniversity
#SAH2026

One of our heritage consultants, Boryana Ivanova, recently attended the Society of Architectural Historian’s 79th Annual International Conference in Mexico City to present her master’s research on war-damaged churches and the creation of memorial gardens in the City of London.

Boryana explained: “Discussing this work with a global cohort of scholars was incredibly productive, offering new insights that will directly inform my future projects.
Crucially, the location allowed me to widen the scope of architectural examples I engage with, looking well beyond the usual UK and European contexts.

Exploring Mexico City’s unique urban fabric was also a highlight that added significant depth to my perspective on heritage and preservation, with a particular focus on its outstanding twentieth-century buildings.”

The full title of Boryana’s paper is Making of Memorial Gardens in the City of London, undertaken at the University of Cambridge.
--
@B0ry_
@sah1365
@cambridgeuniversity
#SAH2026

One of our heritage consultants, Boryana Ivanova, recently attended the Society of Architectural Historian’s 79th Annual International Conference in Mexico City to present her master’s research on war-damaged churches and the creation of memorial gardens in the City of London.

Boryana explained: “Discussing this work with a global cohort of scholars was incredibly productive, offering new insights that will directly inform my future projects.
Crucially, the location allowed me to widen the scope of architectural examples I engage with, looking well beyond the usual UK and European contexts.

Exploring Mexico City’s unique urban fabric was also a highlight that added significant depth to my perspective on heritage and preservation, with a particular focus on its outstanding twentieth-century buildings.”

The full title of Boryana’s paper is Making of Memorial Gardens in the City of London, undertaken at the University of Cambridge.
--
@B0ry_
@sah1365
@cambridgeuniversity
#SAH2026

One of our heritage consultants, Boryana Ivanova, recently attended the Society of Architectural Historian’s 79th Annual International Conference in Mexico City to present her master’s research on war-damaged churches and the creation of memorial gardens in the City of London.

Boryana explained: “Discussing this work with a global cohort of scholars was incredibly productive, offering new insights that will directly inform my future projects.
Crucially, the location allowed me to widen the scope of architectural examples I engage with, looking well beyond the usual UK and European contexts.

Exploring Mexico City’s unique urban fabric was also a highlight that added significant depth to my perspective on heritage and preservation, with a particular focus on its outstanding twentieth-century buildings.”

The full title of Boryana’s paper is Making of Memorial Gardens in the City of London, undertaken at the University of Cambridge.
--
@B0ry_
@sah1365
@cambridgeuniversity
#SAH2026

One of our heritage consultants, Boryana Ivanova, recently attended the Society of Architectural Historian’s 79th Annual International Conference in Mexico City to present her master’s research on war-damaged churches and the creation of memorial gardens in the City of London.

Boryana explained: “Discussing this work with a global cohort of scholars was incredibly productive, offering new insights that will directly inform my future projects.
Crucially, the location allowed me to widen the scope of architectural examples I engage with, looking well beyond the usual UK and European contexts.

Exploring Mexico City’s unique urban fabric was also a highlight that added significant depth to my perspective on heritage and preservation, with a particular focus on its outstanding twentieth-century buildings.”

The full title of Boryana’s paper is Making of Memorial Gardens in the City of London, undertaken at the University of Cambridge.
--
@B0ry_
@sah1365
@cambridgeuniversity
#SAH2026

One of our heritage consultants, Boryana Ivanova, recently attended the Society of Architectural Historian’s 79th Annual International Conference in Mexico City to present her master’s research on war-damaged churches and the creation of memorial gardens in the City of London.

Boryana explained: “Discussing this work with a global cohort of scholars was incredibly productive, offering new insights that will directly inform my future projects.
Crucially, the location allowed me to widen the scope of architectural examples I engage with, looking well beyond the usual UK and European contexts.

Exploring Mexico City’s unique urban fabric was also a highlight that added significant depth to my perspective on heritage and preservation, with a particular focus on its outstanding twentieth-century buildings.”

The full title of Boryana’s paper is Making of Memorial Gardens in the City of London, undertaken at the University of Cambridge.
--
@B0ry_
@sah1365
@cambridgeuniversity
#SAH2026

Last week some of our heritage team visited the Kent town of Rochester for a study day.

The town’s historic character is centred on its historic High Street, Cathedral and Castle. The High Street in particular retains a strong sense of place, with a rich mix of historic buildings that give the town a distinctive identity, and perhaps one of the best-preserved high streets in the country.

Rochester Cathedral provided a quieter counterpoint, reflecting the town’s long ecclesiastical history, while the Castle remains a major visual landmark and a reminder of Rochester’s strategic importance on the Medway.

The visit also highlighted some of the challenges facing heritage-led regeneration. Historic high streets depend on active uses, footfall and investment, but can be vulnerable to vacant units, traffic pressures, changing retail habits and the costs of maintaining older buildings. Rochester is a very good example of how heritage can support local identity and visitor appeal, but also how conservation must be matched with sustainable economic uses if town centres are to remain resilient.

--
@jfwillans
@carlosfinlay
@joepundek

Last week some of our heritage team visited the Kent town of Rochester for a study day.

The town’s historic character is centred on its historic High Street, Cathedral and Castle. The High Street in particular retains a strong sense of place, with a rich mix of historic buildings that give the town a distinctive identity, and perhaps one of the best-preserved high streets in the country.

Rochester Cathedral provided a quieter counterpoint, reflecting the town’s long ecclesiastical history, while the Castle remains a major visual landmark and a reminder of Rochester’s strategic importance on the Medway.

The visit also highlighted some of the challenges facing heritage-led regeneration. Historic high streets depend on active uses, footfall and investment, but can be vulnerable to vacant units, traffic pressures, changing retail habits and the costs of maintaining older buildings. Rochester is a very good example of how heritage can support local identity and visitor appeal, but also how conservation must be matched with sustainable economic uses if town centres are to remain resilient.

--
@jfwillans
@carlosfinlay
@joepundek

Last week some of our heritage team visited the Kent town of Rochester for a study day.

The town’s historic character is centred on its historic High Street, Cathedral and Castle. The High Street in particular retains a strong sense of place, with a rich mix of historic buildings that give the town a distinctive identity, and perhaps one of the best-preserved high streets in the country.

Rochester Cathedral provided a quieter counterpoint, reflecting the town’s long ecclesiastical history, while the Castle remains a major visual landmark and a reminder of Rochester’s strategic importance on the Medway.

The visit also highlighted some of the challenges facing heritage-led regeneration. Historic high streets depend on active uses, footfall and investment, but can be vulnerable to vacant units, traffic pressures, changing retail habits and the costs of maintaining older buildings. Rochester is a very good example of how heritage can support local identity and visitor appeal, but also how conservation must be matched with sustainable economic uses if town centres are to remain resilient.

--
@jfwillans
@carlosfinlay
@joepundek

Last week some of our heritage team visited the Kent town of Rochester for a study day.

The town’s historic character is centred on its historic High Street, Cathedral and Castle. The High Street in particular retains a strong sense of place, with a rich mix of historic buildings that give the town a distinctive identity, and perhaps one of the best-preserved high streets in the country.

Rochester Cathedral provided a quieter counterpoint, reflecting the town’s long ecclesiastical history, while the Castle remains a major visual landmark and a reminder of Rochester’s strategic importance on the Medway.

The visit also highlighted some of the challenges facing heritage-led regeneration. Historic high streets depend on active uses, footfall and investment, but can be vulnerable to vacant units, traffic pressures, changing retail habits and the costs of maintaining older buildings. Rochester is a very good example of how heritage can support local identity and visitor appeal, but also how conservation must be matched with sustainable economic uses if town centres are to remain resilient.

--
@jfwillans
@carlosfinlay
@joepundek

Last week some of our heritage team visited the Kent town of Rochester for a study day.

The town’s historic character is centred on its historic High Street, Cathedral and Castle. The High Street in particular retains a strong sense of place, with a rich mix of historic buildings that give the town a distinctive identity, and perhaps one of the best-preserved high streets in the country.

Rochester Cathedral provided a quieter counterpoint, reflecting the town’s long ecclesiastical history, while the Castle remains a major visual landmark and a reminder of Rochester’s strategic importance on the Medway.

The visit also highlighted some of the challenges facing heritage-led regeneration. Historic high streets depend on active uses, footfall and investment, but can be vulnerable to vacant units, traffic pressures, changing retail habits and the costs of maintaining older buildings. Rochester is a very good example of how heritage can support local identity and visitor appeal, but also how conservation must be matched with sustainable economic uses if town centres are to remain resilient.

--
@jfwillans
@carlosfinlay
@joepundek

Last week some of our heritage team visited the Kent town of Rochester for a study day.

The town’s historic character is centred on its historic High Street, Cathedral and Castle. The High Street in particular retains a strong sense of place, with a rich mix of historic buildings that give the town a distinctive identity, and perhaps one of the best-preserved high streets in the country.

Rochester Cathedral provided a quieter counterpoint, reflecting the town’s long ecclesiastical history, while the Castle remains a major visual landmark and a reminder of Rochester’s strategic importance on the Medway.

The visit also highlighted some of the challenges facing heritage-led regeneration. Historic high streets depend on active uses, footfall and investment, but can be vulnerable to vacant units, traffic pressures, changing retail habits and the costs of maintaining older buildings. Rochester is a very good example of how heritage can support local identity and visitor appeal, but also how conservation must be matched with sustainable economic uses if town centres are to remain resilient.

--
@jfwillans
@carlosfinlay
@joepundek

Last week some of our heritage team visited the Kent town of Rochester for a study day.

The town’s historic character is centred on its historic High Street, Cathedral and Castle. The High Street in particular retains a strong sense of place, with a rich mix of historic buildings that give the town a distinctive identity, and perhaps one of the best-preserved high streets in the country.

Rochester Cathedral provided a quieter counterpoint, reflecting the town’s long ecclesiastical history, while the Castle remains a major visual landmark and a reminder of Rochester’s strategic importance on the Medway.

The visit also highlighted some of the challenges facing heritage-led regeneration. Historic high streets depend on active uses, footfall and investment, but can be vulnerable to vacant units, traffic pressures, changing retail habits and the costs of maintaining older buildings. Rochester is a very good example of how heritage can support local identity and visitor appeal, but also how conservation must be matched with sustainable economic uses if town centres are to remain resilient.

--
@jfwillans
@carlosfinlay
@joepundek

Last week some of our heritage team visited the Kent town of Rochester for a study day.

The town’s historic character is centred on its historic High Street, Cathedral and Castle. The High Street in particular retains a strong sense of place, with a rich mix of historic buildings that give the town a distinctive identity, and perhaps one of the best-preserved high streets in the country.

Rochester Cathedral provided a quieter counterpoint, reflecting the town’s long ecclesiastical history, while the Castle remains a major visual landmark and a reminder of Rochester’s strategic importance on the Medway.

The visit also highlighted some of the challenges facing heritage-led regeneration. Historic high streets depend on active uses, footfall and investment, but can be vulnerable to vacant units, traffic pressures, changing retail habits and the costs of maintaining older buildings. Rochester is a very good example of how heritage can support local identity and visitor appeal, but also how conservation must be matched with sustainable economic uses if town centres are to remain resilient.

--
@jfwillans
@carlosfinlay
@joepundek

On behalf of Imperial College Healthcare NHS Trust @imperialnhs we have provided conservation advice for The Fleming Centre at St Mary’s Hospital in Paddington, which will provide a new, dedicated centre to focus on tackling antimicrobial resistance (AMR), which is one of the greatest global public health threats.

Granted planning approval this week, the project will adapt and reuse Paddington’s historic canal-side industrial warehouses, known as The Bays. These former industrial warehouses, dating back to around 1850, were originally used for transport and distribution before being incorporated into the hospital in 1983.

Designed by @Stanton_Williams, the design prioritises sustainability, proposing features such as renewable energy systems, including a water-source heat pump and photovoltaic panels, alongside biodiverse landscaping and a low-carbon structure.

The new building will occupy a waterfront site overlooking the Regent’s Canal and will be the first new building to open at St Mary’s as part of ongoing plans for the site’s wider redevelopment under the government’s New Hospital Programme.

The Centre is part of the wider Fleming Initiative, established jointly by Imperial College Healthcare and Imperial College London to find solutions to antimicrobial resistance (AMR) at a global scale.

The Centre is intended to be integrated into a full redevelopment of St Mary’s Hospital which is included in the Government’s New Hospital Programme and for which we are providing ongoing conservation advice.

The Fleming Centre is due to open on the 100-year anniversary of Sir Alexander Fleming’s discovery of penicillin at St Mary’s, in 2028.

--
@fleminginitiative
@carlosfinlay
@jfwillans

On behalf of Imperial College Healthcare NHS Trust @imperialnhs we have provided conservation advice for The Fleming Centre at St Mary’s Hospital in Paddington, which will provide a new, dedicated centre to focus on tackling antimicrobial resistance (AMR), which is one of the greatest global public health threats.

Granted planning approval this week, the project will adapt and reuse Paddington’s historic canal-side industrial warehouses, known as The Bays. These former industrial warehouses, dating back to around 1850, were originally used for transport and distribution before being incorporated into the hospital in 1983.

Designed by @Stanton_Williams, the design prioritises sustainability, proposing features such as renewable energy systems, including a water-source heat pump and photovoltaic panels, alongside biodiverse landscaping and a low-carbon structure.

The new building will occupy a waterfront site overlooking the Regent’s Canal and will be the first new building to open at St Mary’s as part of ongoing plans for the site’s wider redevelopment under the government’s New Hospital Programme.

The Centre is part of the wider Fleming Initiative, established jointly by Imperial College Healthcare and Imperial College London to find solutions to antimicrobial resistance (AMR) at a global scale.

The Centre is intended to be integrated into a full redevelopment of St Mary’s Hospital which is included in the Government’s New Hospital Programme and for which we are providing ongoing conservation advice.

The Fleming Centre is due to open on the 100-year anniversary of Sir Alexander Fleming’s discovery of penicillin at St Mary’s, in 2028.

--
@fleminginitiative
@carlosfinlay
@jfwillans

On behalf of Imperial College Healthcare NHS Trust @imperialnhs we have provided conservation advice for The Fleming Centre at St Mary’s Hospital in Paddington, which will provide a new, dedicated centre to focus on tackling antimicrobial resistance (AMR), which is one of the greatest global public health threats.

Granted planning approval this week, the project will adapt and reuse Paddington’s historic canal-side industrial warehouses, known as The Bays. These former industrial warehouses, dating back to around 1850, were originally used for transport and distribution before being incorporated into the hospital in 1983.

Designed by @Stanton_Williams, the design prioritises sustainability, proposing features such as renewable energy systems, including a water-source heat pump and photovoltaic panels, alongside biodiverse landscaping and a low-carbon structure.

The new building will occupy a waterfront site overlooking the Regent’s Canal and will be the first new building to open at St Mary’s as part of ongoing plans for the site’s wider redevelopment under the government’s New Hospital Programme.

The Centre is part of the wider Fleming Initiative, established jointly by Imperial College Healthcare and Imperial College London to find solutions to antimicrobial resistance (AMR) at a global scale.

The Centre is intended to be integrated into a full redevelopment of St Mary’s Hospital which is included in the Government’s New Hospital Programme and for which we are providing ongoing conservation advice.

The Fleming Centre is due to open on the 100-year anniversary of Sir Alexander Fleming’s discovery of penicillin at St Mary’s, in 2028.

--
@fleminginitiative
@carlosfinlay
@jfwillans

On behalf of Imperial College Healthcare NHS Trust @imperialnhs we have provided conservation advice for The Fleming Centre at St Mary’s Hospital in Paddington, which will provide a new, dedicated centre to focus on tackling antimicrobial resistance (AMR), which is one of the greatest global public health threats.

Granted planning approval this week, the project will adapt and reuse Paddington’s historic canal-side industrial warehouses, known as The Bays. These former industrial warehouses, dating back to around 1850, were originally used for transport and distribution before being incorporated into the hospital in 1983.

Designed by @Stanton_Williams, the design prioritises sustainability, proposing features such as renewable energy systems, including a water-source heat pump and photovoltaic panels, alongside biodiverse landscaping and a low-carbon structure.

The new building will occupy a waterfront site overlooking the Regent’s Canal and will be the first new building to open at St Mary’s as part of ongoing plans for the site’s wider redevelopment under the government’s New Hospital Programme.

The Centre is part of the wider Fleming Initiative, established jointly by Imperial College Healthcare and Imperial College London to find solutions to antimicrobial resistance (AMR) at a global scale.

The Centre is intended to be integrated into a full redevelopment of St Mary’s Hospital which is included in the Government’s New Hospital Programme and for which we are providing ongoing conservation advice.

The Fleming Centre is due to open on the 100-year anniversary of Sir Alexander Fleming’s discovery of penicillin at St Mary’s, in 2028.

--
@fleminginitiative
@carlosfinlay
@jfwillans

On behalf of Imperial College Healthcare NHS Trust @imperialnhs we have provided conservation advice for The Fleming Centre at St Mary’s Hospital in Paddington, which will provide a new, dedicated centre to focus on tackling antimicrobial resistance (AMR), which is one of the greatest global public health threats.

Granted planning approval this week, the project will adapt and reuse Paddington’s historic canal-side industrial warehouses, known as The Bays. These former industrial warehouses, dating back to around 1850, were originally used for transport and distribution before being incorporated into the hospital in 1983.

Designed by @Stanton_Williams, the design prioritises sustainability, proposing features such as renewable energy systems, including a water-source heat pump and photovoltaic panels, alongside biodiverse landscaping and a low-carbon structure.

The new building will occupy a waterfront site overlooking the Regent’s Canal and will be the first new building to open at St Mary’s as part of ongoing plans for the site’s wider redevelopment under the government’s New Hospital Programme.

The Centre is part of the wider Fleming Initiative, established jointly by Imperial College Healthcare and Imperial College London to find solutions to antimicrobial resistance (AMR) at a global scale.

The Centre is intended to be integrated into a full redevelopment of St Mary’s Hospital which is included in the Government’s New Hospital Programme and for which we are providing ongoing conservation advice.

The Fleming Centre is due to open on the 100-year anniversary of Sir Alexander Fleming’s discovery of penicillin at St Mary’s, in 2028.

--
@fleminginitiative
@carlosfinlay
@jfwillans

Last month some of our team attended ‘Late: Art at the Abbey’, held at @westminsterabbeylondon

This was a thoughtful and well-curated evening that brought together art and history in a remarkable, atmospheric setting.

The event offered us the chance to experience the Abbey in a different way, using creative activity and interpretation to encourage closer engagement with the building, its stories and its collections.

Carlos Finlay, Senior Heritage Consultant: “There was a strong sense of curiosity throughout the evening as we were granted free rein of the Abbey, exploring its historic spaces and reflecting on the building’s architectural details through pencil and paper. The event made the Abbey experience feel both intimate and accessible, showing how art can be a medium for observing and understanding historic places.”

--
@carlosfinlay

Last month some of our team attended ‘Late: Art at the Abbey’, held at @westminsterabbeylondon

This was a thoughtful and well-curated evening that brought together art and history in a remarkable, atmospheric setting.

The event offered us the chance to experience the Abbey in a different way, using creative activity and interpretation to encourage closer engagement with the building, its stories and its collections.

Carlos Finlay, Senior Heritage Consultant: “There was a strong sense of curiosity throughout the evening as we were granted free rein of the Abbey, exploring its historic spaces and reflecting on the building’s architectural details through pencil and paper. The event made the Abbey experience feel both intimate and accessible, showing how art can be a medium for observing and understanding historic places.”

--
@carlosfinlay

Last month some of our team attended ‘Late: Art at the Abbey’, held at @westminsterabbeylondon

This was a thoughtful and well-curated evening that brought together art and history in a remarkable, atmospheric setting.

The event offered us the chance to experience the Abbey in a different way, using creative activity and interpretation to encourage closer engagement with the building, its stories and its collections.

Carlos Finlay, Senior Heritage Consultant: “There was a strong sense of curiosity throughout the evening as we were granted free rein of the Abbey, exploring its historic spaces and reflecting on the building’s architectural details through pencil and paper. The event made the Abbey experience feel both intimate and accessible, showing how art can be a medium for observing and understanding historic places.”

--
@carlosfinlay

Last month some of our team attended ‘Late: Art at the Abbey’, held at @westminsterabbeylondon

This was a thoughtful and well-curated evening that brought together art and history in a remarkable, atmospheric setting.

The event offered us the chance to experience the Abbey in a different way, using creative activity and interpretation to encourage closer engagement with the building, its stories and its collections.

Carlos Finlay, Senior Heritage Consultant: “There was a strong sense of curiosity throughout the evening as we were granted free rein of the Abbey, exploring its historic spaces and reflecting on the building’s architectural details through pencil and paper. The event made the Abbey experience feel both intimate and accessible, showing how art can be a medium for observing and understanding historic places.”

--
@carlosfinlay

Work is progressing at Brown Hart Gardens in Mayfair, where we are providing engineering advice for a long-planned transformation of a public rooftop garden above the Grade II listed Duke Street Electricity Substation.

Working in collaboration with @studio_ageli; @nigel.dunnett; and @thelandscapeagency, the project involves refurbishing an existing café pavilion and introducing a new landscape scheme.

Our work has focused on the extension of the existing garden pavilion, retaining much of the existing steel frame and extending it to achieve an organic form with new curved roofing, cladding and glazing.

The steel structural frame for this is now in place, beginning to reveal the new profile of the pavilion.

Our input also involved a detailed appraisal of the existing steel-framed structure of the 1904 substation roof deck, working with the landscape architects to advise on the new curved planting arrangements.

--
Images courtesy of Studio Ageli
@tim_ashworth11
@ta.desiign

Work is progressing at Brown Hart Gardens in Mayfair, where we are providing engineering advice for a long-planned transformation of a public rooftop garden above the Grade II listed Duke Street Electricity Substation.

Working in collaboration with @studio_ageli; @nigel.dunnett; and @thelandscapeagency, the project involves refurbishing an existing café pavilion and introducing a new landscape scheme.

Our work has focused on the extension of the existing garden pavilion, retaining much of the existing steel frame and extending it to achieve an organic form with new curved roofing, cladding and glazing.

The steel structural frame for this is now in place, beginning to reveal the new profile of the pavilion.

Our input also involved a detailed appraisal of the existing steel-framed structure of the 1904 substation roof deck, working with the landscape architects to advise on the new curved planting arrangements.

--
Images courtesy of Studio Ageli
@tim_ashworth11
@ta.desiign

Work is progressing at Brown Hart Gardens in Mayfair, where we are providing engineering advice for a long-planned transformation of a public rooftop garden above the Grade II listed Duke Street Electricity Substation.

Working in collaboration with @studio_ageli; @nigel.dunnett; and @thelandscapeagency, the project involves refurbishing an existing café pavilion and introducing a new landscape scheme.

Our work has focused on the extension of the existing garden pavilion, retaining much of the existing steel frame and extending it to achieve an organic form with new curved roofing, cladding and glazing.

The steel structural frame for this is now in place, beginning to reveal the new profile of the pavilion.

Our input also involved a detailed appraisal of the existing steel-framed structure of the 1904 substation roof deck, working with the landscape architects to advise on the new curved planting arrangements.

--
Images courtesy of Studio Ageli
@tim_ashworth11
@ta.desiign

Work is progressing at Brown Hart Gardens in Mayfair, where we are providing engineering advice for a long-planned transformation of a public rooftop garden above the Grade II listed Duke Street Electricity Substation.

Working in collaboration with @studio_ageli; @nigel.dunnett; and @thelandscapeagency, the project involves refurbishing an existing café pavilion and introducing a new landscape scheme.

Our work has focused on the extension of the existing garden pavilion, retaining much of the existing steel frame and extending it to achieve an organic form with new curved roofing, cladding and glazing.

The steel structural frame for this is now in place, beginning to reveal the new profile of the pavilion.

Our input also involved a detailed appraisal of the existing steel-framed structure of the 1904 substation roof deck, working with the landscape architects to advise on the new curved planting arrangements.

--
Images courtesy of Studio Ageli
@tim_ashworth11
@ta.desiign

Work is progressing at Brown Hart Gardens in Mayfair, where we are providing engineering advice for a long-planned transformation of a public rooftop garden above the Grade II listed Duke Street Electricity Substation.

Working in collaboration with @studio_ageli; @nigel.dunnett; and @thelandscapeagency, the project involves refurbishing an existing café pavilion and introducing a new landscape scheme.

Our work has focused on the extension of the existing garden pavilion, retaining much of the existing steel frame and extending it to achieve an organic form with new curved roofing, cladding and glazing.

The steel structural frame for this is now in place, beginning to reveal the new profile of the pavilion.

Our input also involved a detailed appraisal of the existing steel-framed structure of the 1904 substation roof deck, working with the landscape architects to advise on the new curved planting arrangements.

--
Images courtesy of Studio Ageli
@tim_ashworth11
@ta.desiign

Work is progressing at Brown Hart Gardens in Mayfair, where we are providing engineering advice for a long-planned transformation of a public rooftop garden above the Grade II listed Duke Street Electricity Substation.

Working in collaboration with @studio_ageli; @nigel.dunnett; and @thelandscapeagency, the project involves refurbishing an existing café pavilion and introducing a new landscape scheme.

Our work has focused on the extension of the existing garden pavilion, retaining much of the existing steel frame and extending it to achieve an organic form with new curved roofing, cladding and glazing.

The steel structural frame for this is now in place, beginning to reveal the new profile of the pavilion.

Our input also involved a detailed appraisal of the existing steel-framed structure of the 1904 substation roof deck, working with the landscape architects to advise on the new curved planting arrangements.

--
Images courtesy of Studio Ageli
@tim_ashworth11
@ta.desiign

Work is progressing at Brown Hart Gardens in Mayfair, where we are providing engineering advice for a long-planned transformation of a public rooftop garden above the Grade II listed Duke Street Electricity Substation.

Working in collaboration with @studio_ageli; @nigel.dunnett; and @thelandscapeagency, the project involves refurbishing an existing café pavilion and introducing a new landscape scheme.

Our work has focused on the extension of the existing garden pavilion, retaining much of the existing steel frame and extending it to achieve an organic form with new curved roofing, cladding and glazing.

The steel structural frame for this is now in place, beginning to reveal the new profile of the pavilion.

Our input also involved a detailed appraisal of the existing steel-framed structure of the 1904 substation roof deck, working with the landscape architects to advise on the new curved planting arrangements.

--
Images courtesy of Studio Ageli
@tim_ashworth11
@ta.desiign

Work is progressing at Brown Hart Gardens in Mayfair, where we are providing engineering advice for a long-planned transformation of a public rooftop garden above the Grade II listed Duke Street Electricity Substation.

Working in collaboration with @studio_ageli; @nigel.dunnett; and @thelandscapeagency, the project involves refurbishing an existing café pavilion and introducing a new landscape scheme.

Our work has focused on the extension of the existing garden pavilion, retaining much of the existing steel frame and extending it to achieve an organic form with new curved roofing, cladding and glazing.

The steel structural frame for this is now in place, beginning to reveal the new profile of the pavilion.

Our input also involved a detailed appraisal of the existing steel-framed structure of the 1904 substation roof deck, working with the landscape architects to advise on the new curved planting arrangements.

--
Images courtesy of Studio Ageli
@tim_ashworth11
@ta.desiign

Work is progressing at Brown Hart Gardens in Mayfair, where we are providing engineering advice for a long-planned transformation of a public rooftop garden above the Grade II listed Duke Street Electricity Substation.

Working in collaboration with @studio_ageli; @nigel.dunnett; and @thelandscapeagency, the project involves refurbishing an existing café pavilion and introducing a new landscape scheme.

Our work has focused on the extension of the existing garden pavilion, retaining much of the existing steel frame and extending it to achieve an organic form with new curved roofing, cladding and glazing.

The steel structural frame for this is now in place, beginning to reveal the new profile of the pavilion.

Our input also involved a detailed appraisal of the existing steel-framed structure of the 1904 substation roof deck, working with the landscape architects to advise on the new curved planting arrangements.

--
Images courtesy of Studio Ageli
@tim_ashworth11
@ta.desiign

Last week our Urbanism group was out and about on a study trip in East London, where they were able to look at some of the recent developments and major regeneration schemes that have taken place. Whilst as a practice we design and work on these types of schemes ourselves, it’s always useful to see what’s been delivered elsewhere.

Some of the sites and developments included Chobham Manor in Stratford, Hackney Wick/Fish Island, Canning Town, Trinity Buoy Wharf & Good Luck Hope, the Royal Docks, and the Design District in North Greenwich. It was an all-day affair, with around 20,000 steps each, including a well needed lunch!

Their conclusion? There is a huge amount happening in this part of London, delivering residential and mixed-use schemes at various scales, but also managing to tie into the area’s rich heritage in different ways. Moreover, the Royal Docks is one of our own projects, with our movement team having worked on the Public Realm Framework (shortlisted for an NLA Award), as well as the recently completed improvements to North Woolwich Road. So, a great chance to see it in the flesh.

Last week our Urbanism group was out and about on a study trip in East London, where they were able to look at some of the recent developments and major regeneration schemes that have taken place. Whilst as a practice we design and work on these types of schemes ourselves, it’s always useful to see what’s been delivered elsewhere.

Some of the sites and developments included Chobham Manor in Stratford, Hackney Wick/Fish Island, Canning Town, Trinity Buoy Wharf & Good Luck Hope, the Royal Docks, and the Design District in North Greenwich. It was an all-day affair, with around 20,000 steps each, including a well needed lunch!

Their conclusion? There is a huge amount happening in this part of London, delivering residential and mixed-use schemes at various scales, but also managing to tie into the area’s rich heritage in different ways. Moreover, the Royal Docks is one of our own projects, with our movement team having worked on the Public Realm Framework (shortlisted for an NLA Award), as well as the recently completed improvements to North Woolwich Road. So, a great chance to see it in the flesh.

Last week our Urbanism group was out and about on a study trip in East London, where they were able to look at some of the recent developments and major regeneration schemes that have taken place. Whilst as a practice we design and work on these types of schemes ourselves, it’s always useful to see what’s been delivered elsewhere.

Some of the sites and developments included Chobham Manor in Stratford, Hackney Wick/Fish Island, Canning Town, Trinity Buoy Wharf & Good Luck Hope, the Royal Docks, and the Design District in North Greenwich. It was an all-day affair, with around 20,000 steps each, including a well needed lunch!

Their conclusion? There is a huge amount happening in this part of London, delivering residential and mixed-use schemes at various scales, but also managing to tie into the area’s rich heritage in different ways. Moreover, the Royal Docks is one of our own projects, with our movement team having worked on the Public Realm Framework (shortlisted for an NLA Award), as well as the recently completed improvements to North Woolwich Road. So, a great chance to see it in the flesh.

Last week our Urbanism group was out and about on a study trip in East London, where they were able to look at some of the recent developments and major regeneration schemes that have taken place. Whilst as a practice we design and work on these types of schemes ourselves, it’s always useful to see what’s been delivered elsewhere.

Some of the sites and developments included Chobham Manor in Stratford, Hackney Wick/Fish Island, Canning Town, Trinity Buoy Wharf & Good Luck Hope, the Royal Docks, and the Design District in North Greenwich. It was an all-day affair, with around 20,000 steps each, including a well needed lunch!

Their conclusion? There is a huge amount happening in this part of London, delivering residential and mixed-use schemes at various scales, but also managing to tie into the area’s rich heritage in different ways. Moreover, the Royal Docks is one of our own projects, with our movement team having worked on the Public Realm Framework (shortlisted for an NLA Award), as well as the recently completed improvements to North Woolwich Road. So, a great chance to see it in the flesh.

Last week our Urbanism group was out and about on a study trip in East London, where they were able to look at some of the recent developments and major regeneration schemes that have taken place. Whilst as a practice we design and work on these types of schemes ourselves, it’s always useful to see what’s been delivered elsewhere.

Some of the sites and developments included Chobham Manor in Stratford, Hackney Wick/Fish Island, Canning Town, Trinity Buoy Wharf & Good Luck Hope, the Royal Docks, and the Design District in North Greenwich. It was an all-day affair, with around 20,000 steps each, including a well needed lunch!

Their conclusion? There is a huge amount happening in this part of London, delivering residential and mixed-use schemes at various scales, but also managing to tie into the area’s rich heritage in different ways. Moreover, the Royal Docks is one of our own projects, with our movement team having worked on the Public Realm Framework (shortlisted for an NLA Award), as well as the recently completed improvements to North Woolwich Road. So, a great chance to see it in the flesh.

Last week our Urbanism group was out and about on a study trip in East London, where they were able to look at some of the recent developments and major regeneration schemes that have taken place. Whilst as a practice we design and work on these types of schemes ourselves, it’s always useful to see what’s been delivered elsewhere.

Some of the sites and developments included Chobham Manor in Stratford, Hackney Wick/Fish Island, Canning Town, Trinity Buoy Wharf & Good Luck Hope, the Royal Docks, and the Design District in North Greenwich. It was an all-day affair, with around 20,000 steps each, including a well needed lunch!

Their conclusion? There is a huge amount happening in this part of London, delivering residential and mixed-use schemes at various scales, but also managing to tie into the area’s rich heritage in different ways. Moreover, the Royal Docks is one of our own projects, with our movement team having worked on the Public Realm Framework (shortlisted for an NLA Award), as well as the recently completed improvements to North Woolwich Road. So, a great chance to see it in the flesh.

Last week our Urbanism group was out and about on a study trip in East London, where they were able to look at some of the recent developments and major regeneration schemes that have taken place. Whilst as a practice we design and work on these types of schemes ourselves, it’s always useful to see what’s been delivered elsewhere.

Some of the sites and developments included Chobham Manor in Stratford, Hackney Wick/Fish Island, Canning Town, Trinity Buoy Wharf & Good Luck Hope, the Royal Docks, and the Design District in North Greenwich. It was an all-day affair, with around 20,000 steps each, including a well needed lunch!

Their conclusion? There is a huge amount happening in this part of London, delivering residential and mixed-use schemes at various scales, but also managing to tie into the area’s rich heritage in different ways. Moreover, the Royal Docks is one of our own projects, with our movement team having worked on the Public Realm Framework (shortlisted for an NLA Award), as well as the recently completed improvements to North Woolwich Road. So, a great chance to see it in the flesh.