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_dotpress

publishing experimental text + sound

8
posts
191
followers
256
following

𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 will be participating in Tsundoku Art Book Fair (2026) at the International Centre for the Image, Dublin (IE) with recent experimental publication 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 (2024). we are thrilled to be participating alongside some amazing national and international artists and publishers. link in bio to book your free ticket to the event launch ☆

with thanks to @image.museum.ireland and @photoireland

Proudly supported by the Arts Council of Ireland.


26
1 months ago


𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 will be participating in Tsundoku Art Book Fair (2026) at the International Centre for the Image, Dublin (IE) with recent experimental publication 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 (2024). we are thrilled to be participating alongside some amazing national and international artists and publishers. link in bio to book your free ticket to the event launch ☆

with thanks to @image.museum.ireland and @photoireland

Proudly supported by the Arts Council of Ireland.


26
1 months ago

𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 will be participating in Tsundoku Art Book Fair (2026) at the International Centre for the Image, Dublin (IE) with recent experimental publication 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 (2024). we are thrilled to be participating alongside some amazing national and international artists and publishers. link in bio to book your free ticket to the event launch ☆

with thanks to @image.museum.ireland and @photoireland

Proudly supported by the Arts Council of Ireland.


26
1 months ago

catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆

text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren


3
10 months ago

catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆

text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren


3
10 months ago

catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆

text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren


3
10 months ago

catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆

text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren


3
10 months ago

catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆

text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren


3
10 months ago


𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago


𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.

The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.

The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.

This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.

A4, 2-colour risograph printing by WayBad; cassette tape.

Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.

The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.

Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press

All proceeds going to Palestinian relief.


3
3
1 years ago

ctd ep12 - final show of the series from November w @w______ren + @sophiazhuravkova now archived 🩶🖇️
collaged music, writing and field recordings exchanged through sept-nov 24.


36
1 years ago

ctd ep12 - final show of the series from November w @w______ren + @sophiazhuravkova now archived 🩶🖇️
collaged music, writing and field recordings exchanged through sept-nov 24.


36
1 years ago

ctd ep12 - final show of the series from November w @w______ren + @sophiazhuravkova now archived 🩶🖇️
collaged music, writing and field recordings exchanged through sept-nov 24.


36
1 years ago


ctd ep12 - final show of the series from November w @w______ren + @sophiazhuravkova now archived 🩶🖇️
collaged music, writing and field recordings exchanged through sept-nov 24.


36
1 years ago

ctd ep12 - final show of the series from November w @w______ren + @sophiazhuravkova now archived 🩶🖇️
collaged music, writing and field recordings exchanged through sept-nov 24.


36
1 years ago

ctd ep11 - excerpt of live performance from last september, at new fears gallery, berlin w @w______ren @em.ilj @elysiatuohy @marylanddd___ 🔗 now archived


28
1 years ago

ctd ep11 - excerpt of live performance from last september, at new fears gallery, berlin w @w______ren @em.ilj @elysiatuohy @marylanddd___ 🔗 now archived


28
1 years ago

ctd ep10 from July, witchcraft w @suzanabenesova , archived🪞


3
1 years ago

ctd ep10 from July, witchcraft w @suzanabenesova , archived🪞


3
1 years ago

ctd ep10 from July, witchcraft w @suzanabenesova , archived🪞


3
1 years ago

ctd ep10 from July, witchcraft w @suzanabenesova , archived🪞


3
1 years ago

ctd ep10 from July, witchcraft w @suzanabenesova , archived🪞


3
1 years ago

ctd ep08, from March. w @glinod0 now archived / repetitive rhythms, discussions on dreams 💤


3
1 years ago

ctd ep08, from March. w @glinod0 now archived / repetitive rhythms, discussions on dreams 💤


3
1 years ago

ctd ep08, from March. w @glinod0 now archived / repetitive rhythms, discussions on dreams 💤


3
1 years ago

ctd ep08, from March. w @glinod0 now archived / repetitive rhythms, discussions on dreams 💤


3
1 years ago

ctd ep07 from Feb, w @j.marner4, now typeset and archived 💨


3
2 years ago

ctd ep07 from Feb, w @j.marner4, now typeset and archived 💨


3
2 years ago

ctd ep07 from Feb, w @j.marner4, now typeset and archived 💨


3
2 years ago


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よくある質問

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Instagramのストーリーをダウンロードする手順は簡単です。
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  • 3. 現在の24時間内に利用可能なすべてのストーリーが表示されます。ダウンロードしたいものを選んで、ダウンロード。
選択したストーリーは迅速にデバイスのローカルストレージに保存されます。
残念ながら、プライベートアカウントからストーリーをダウンロードすることは、プライバシー制限によりできません。
Instagramストーリーのダウンロードサービスには回数制限はありません。無制限に使用でき、完全に無料です。
はい、商業目的で使用しない限り、他のユーザーのInstagramストーリーをダウンロードして保存することは合法です。商業的に使用する場合は、元のコンテンツ所有者の許可を得て、ストーリーを使用するたびにクレジットを付与する必要があります。
ダウンロードしたストーリーは、通常、Windows、Mac、またはiOSのコンピューターのダウンロードフォルダに保存されます。モバイルデバイスの場合、ストーリーは電話のストレージに保存され、ダウンロード後すぐにギャラリーアプリに表示されます。