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wsjmag
WSJ. Magazine
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April 2026 issue available now.
After the Spice Girls disbanded in 2001, @victoriabeckham held onto her love of clothes. Eager to launch herself in the fashion industry, Victoria found a mentor and teacher in designer Roland Mouret.
“I wanted to do tailoring, I wanted to do knit, I wanted to do shoes and bags, there was so much that I wanted to do,” she says. “And he said to me, ‘Perfect the dress.’ ” She launched her label in 2008, showing her first collection of 10 dresses in New York. Desperate for it to be seen as more than a vanity brand, she worked with her team to create a sleek aesthetic that would be recognizably her own.
“I’m the kind of person that will be on holiday, and I’ll go to the bathroom and sort of hide and make calls and send emails and be working so that my family don’t know, because I can’t switch off,” she says. “This isn’t just a job.”
Read the full cover story at the link in bio or on wsj.com.
Written by: @ellengamerman
Photos: @Studio_Jackson
Styling: @louise__ford
Makeup: @wendyrowe
Hair: @kenpaves
Manicure: @annailslondon
Set Design: @alexandraleavey104
Production: @honor.agency
BTS Video: @harryclarkharryclark
Talent Booking: @specialprojectsmedia
After the Spice Girls disbanded in 2001, @victoriabeckham held onto her love of clothes. Eager to launch herself in the fashion industry, Victoria found a mentor and teacher in designer Roland Mouret.
“I wanted to do tailoring, I wanted to do knit, I wanted to do shoes and bags, there was so much that I wanted to do,” she says. “And he said to me, ‘Perfect the dress.’ ” She launched her label in 2008, showing her first collection of 10 dresses in New York. Desperate for it to be seen as more than a vanity brand, she worked with her team to create a sleek aesthetic that would be recognizably her own.
“I’m the kind of person that will be on holiday, and I’ll go to the bathroom and sort of hide and make calls and send emails and be working so that my family don’t know, because I can’t switch off,” she says. “This isn’t just a job.”
Read the full cover story at the link in bio or on wsj.com.
Written by: @ellengamerman
Photos: @Studio_Jackson
Styling: @louise__ford
Makeup: @wendyrowe
Hair: @kenpaves
Manicure: @annailslondon
Set Design: @alexandraleavey104
Production: @honor.agency
BTS Video: @harryclarkharryclark
Talent Booking: @specialprojectsmedia
After the Spice Girls disbanded in 2001, @victoriabeckham held onto her love of clothes. Eager to launch herself in the fashion industry, Victoria found a mentor and teacher in designer Roland Mouret.
“I wanted to do tailoring, I wanted to do knit, I wanted to do shoes and bags, there was so much that I wanted to do,” she says. “And he said to me, ‘Perfect the dress.’ ” She launched her label in 2008, showing her first collection of 10 dresses in New York. Desperate for it to be seen as more than a vanity brand, she worked with her team to create a sleek aesthetic that would be recognizably her own.
“I’m the kind of person that will be on holiday, and I’ll go to the bathroom and sort of hide and make calls and send emails and be working so that my family don’t know, because I can’t switch off,” she says. “This isn’t just a job.”
Read the full cover story at the link in bio or on wsj.com.
Written by: @ellengamerman
Photos: @Studio_Jackson
Styling: @louise__ford
Makeup: @wendyrowe
Hair: @kenpaves
Manicure: @annailslondon
Set Design: @alexandraleavey104
Production: @honor.agency
BTS Video: @harryclarkharryclark
Talent Booking: @specialprojectsmedia
A little more than five years ago, @victoriabeckham’s brand was roughly $68 million in debt.
The daily operations of the company finally climbed into the black in 2022. The returns have grown since then— four years of double-digit revenue growth. Projected revenue for 2025 is roughly $170 million.
“At a time when we’re reading so much about how fashion is really struggling, the huge houses are really struggling, to be an independent brand, be profitable, fashion in its own right—clothing is selling and we are profitable independent of beauty—is something that I’m so proud of,” she says.
When considering a Gap collaboration, she had no misgivings about designing for accessible price points.
“Look at the details of that trench,” she says of her new Gap version, “the little hidden surprises that you’ll see on the linings, and you’ll see those kinds of details throughout the collection that is so part of my DNA.”
While corporations can be governed, human children grow into adults who make their own decisions, including those that fuel tabloid scandals and threaten brand reputations.
She says the negative press has not affected her business. “I think that ultimately people are buying my product because the product is really good. I don’t think they’re buying my eyeliner just because it’s me.”
Read the full cover story at the link in bio or on wsj.com.
Written by: @ellengamerman
Photos: @Studio_Jackson
Styling: @louise__ford
Makeup: @wendyrowe
Hair: @kenpaves
Manicure: @annailslondon
Set Design: @alexandraleavey104
Production: @honor.agency
BTS Video: @harryclarkharryclark
Talent Booking: @specialprojectsmedia
A little more than five years ago, @victoriabeckham’s brand was roughly $68 million in debt.
The daily operations of the company finally climbed into the black in 2022. The returns have grown since then— four years of double-digit revenue growth. Projected revenue for 2025 is roughly $170 million.
“At a time when we’re reading so much about how fashion is really struggling, the huge houses are really struggling, to be an independent brand, be profitable, fashion in its own right—clothing is selling and we are profitable independent of beauty—is something that I’m so proud of,” she says.
When considering a Gap collaboration, she had no misgivings about designing for accessible price points.
“Look at the details of that trench,” she says of her new Gap version, “the little hidden surprises that you’ll see on the linings, and you’ll see those kinds of details throughout the collection that is so part of my DNA.”
While corporations can be governed, human children grow into adults who make their own decisions, including those that fuel tabloid scandals and threaten brand reputations.
She says the negative press has not affected her business. “I think that ultimately people are buying my product because the product is really good. I don’t think they’re buying my eyeliner just because it’s me.”
Read the full cover story at the link in bio or on wsj.com.
Written by: @ellengamerman
Photos: @Studio_Jackson
Styling: @louise__ford
Makeup: @wendyrowe
Hair: @kenpaves
Manicure: @annailslondon
Set Design: @alexandraleavey104
Production: @honor.agency
BTS Video: @harryclarkharryclark
Talent Booking: @specialprojectsmedia
A little more than five years ago, @victoriabeckham’s brand was roughly $68 million in debt.
The daily operations of the company finally climbed into the black in 2022. The returns have grown since then— four years of double-digit revenue growth. Projected revenue for 2025 is roughly $170 million.
“At a time when we’re reading so much about how fashion is really struggling, the huge houses are really struggling, to be an independent brand, be profitable, fashion in its own right—clothing is selling and we are profitable independent of beauty—is something that I’m so proud of,” she says.
When considering a Gap collaboration, she had no misgivings about designing for accessible price points.
“Look at the details of that trench,” she says of her new Gap version, “the little hidden surprises that you’ll see on the linings, and you’ll see those kinds of details throughout the collection that is so part of my DNA.”
While corporations can be governed, human children grow into adults who make their own decisions, including those that fuel tabloid scandals and threaten brand reputations.
She says the negative press has not affected her business. “I think that ultimately people are buying my product because the product is really good. I don’t think they’re buying my eyeliner just because it’s me.”
Read the full cover story at the link in bio or on wsj.com.
Written by: @ellengamerman
Photos: @Studio_Jackson
Styling: @louise__ford
Makeup: @wendyrowe
Hair: @kenpaves
Manicure: @annailslondon
Set Design: @alexandraleavey104
Production: @honor.agency
BTS Video: @harryclarkharryclark
Talent Booking: @specialprojectsmedia
A little more than five years ago, @victoriabeckham’s brand was roughly $68 million in debt.
The daily operations of the company finally climbed into the black in 2022. The returns have grown since then— four years of double-digit revenue growth. Projected revenue for 2025 is roughly $170 million.
“At a time when we’re reading so much about how fashion is really struggling, the huge houses are really struggling, to be an independent brand, be profitable, fashion in its own right—clothing is selling and we are profitable independent of beauty—is something that I’m so proud of,” she says.
When considering a Gap collaboration, she had no misgivings about designing for accessible price points.
“Look at the details of that trench,” she says of her new Gap version, “the little hidden surprises that you’ll see on the linings, and you’ll see those kinds of details throughout the collection that is so part of my DNA.”
While corporations can be governed, human children grow into adults who make their own decisions, including those that fuel tabloid scandals and threaten brand reputations.
She says the negative press has not affected her business. “I think that ultimately people are buying my product because the product is really good. I don’t think they’re buying my eyeliner just because it’s me.”
Read the full cover story at the link in bio or on wsj.com.
Written by: @ellengamerman
Photos: @Studio_Jackson
Styling: @louise__ford
Makeup: @wendyrowe
Hair: @kenpaves
Manicure: @annailslondon
Set Design: @alexandraleavey104
Production: @honor.agency
BTS Video: @harryclarkharryclark
Talent Booking: @specialprojectsmedia
A little more than five years ago, @victoriabeckham’s brand was roughly $68 million in debt.
The daily operations of the company finally climbed into the black in 2022. The returns have grown since then— four years of double-digit revenue growth. Projected revenue for 2025 is roughly $170 million.
“At a time when we’re reading so much about how fashion is really struggling, the huge houses are really struggling, to be an independent brand, be profitable, fashion in its own right—clothing is selling and we are profitable independent of beauty—is something that I’m so proud of,” she says.
When considering a Gap collaboration, she had no misgivings about designing for accessible price points.
“Look at the details of that trench,” she says of her new Gap version, “the little hidden surprises that you’ll see on the linings, and you’ll see those kinds of details throughout the collection that is so part of my DNA.”
While corporations can be governed, human children grow into adults who make their own decisions, including those that fuel tabloid scandals and threaten brand reputations.
She says the negative press has not affected her business. “I think that ultimately people are buying my product because the product is really good. I don’t think they’re buying my eyeliner just because it’s me.”
Read the full cover story at the link in bio or on wsj.com.
Written by: @ellengamerman
Photos: @Studio_Jackson
Styling: @louise__ford
Makeup: @wendyrowe
Hair: @kenpaves
Manicure: @annailslondon
Set Design: @alexandraleavey104
Production: @honor.agency
BTS Video: @harryclarkharryclark
Talent Booking: @specialprojectsmedia
A little more than five years ago, @victoriabeckham’s brand was roughly $68 million in debt.
The daily operations of the company finally climbed into the black in 2022. The returns have grown since then— four years of double-digit revenue growth. Projected revenue for 2025 is roughly $170 million.
“At a time when we’re reading so much about how fashion is really struggling, the huge houses are really struggling, to be an independent brand, be profitable, fashion in its own right—clothing is selling and we are profitable independent of beauty—is something that I’m so proud of,” she says.
When considering a Gap collaboration, she had no misgivings about designing for accessible price points.
“Look at the details of that trench,” she says of her new Gap version, “the little hidden surprises that you’ll see on the linings, and you’ll see those kinds of details throughout the collection that is so part of my DNA.”
While corporations can be governed, human children grow into adults who make their own decisions, including those that fuel tabloid scandals and threaten brand reputations.
She says the negative press has not affected her business. “I think that ultimately people are buying my product because the product is really good. I don’t think they’re buying my eyeliner just because it’s me.”
Read the full cover story at the link in bio or on wsj.com.
Written by: @ellengamerman
Photos: @Studio_Jackson
Styling: @louise__ford
Makeup: @wendyrowe
Hair: @kenpaves
Manicure: @annailslondon
Set Design: @alexandraleavey104
Production: @honor.agency
BTS Video: @harryclarkharryclark
Talent Booking: @specialprojectsmedia
🌟 Victoria Beckham is our April 2026 cover star 🌟
The former Spice Girl has spent nearly two decades building a company that would stand on its own merit, a true luxury brand that just happens to be founded by a celebrity. In England, her fame has been an unavoidable fact since the 1990s, when she catapulted to pop superstardom and married David Beckham, becoming half of Britain’s most famous non-royal couple.
For years, the @victoriabeckham brand was in the red, with Victoria and her staff spending wildly on fabrics and scrapping designs at the 11th hour in pursuit of perfection. But she is proud to say that the company’s latest phase has been one of radical transformation: It rose to record profits in the past year, with a Netflix documentary taking viewers behind the scenes of the turnaround that boosted sales. Now she’s laying plans for something bigger: a legacy brand selling everything from fragrances to handbags, one that she hopes will long outlive her.
“I’m very optimistic,” Beckham, 51, says. “I dream big.”
A “reformed control freak,” she is learning to let go as she leads her company into its next era. As the brand explores opening stores in New York and Paris, it’s pushing its clothes into the mainstream with a new spring-summer collaboration with Gap, followed by a second collection in the fall.
Read our full profile of Victoria Beckham at the link in bio or on WSJ.com.
Written by: @ellengamerman
Photos: @Studio_Jackson
Styling: @louise__ford
Makeup: @wendyrowe
Hair: @kenpaves
Manicure: @annailslondon
Set Design: @alexandraleavey104
Production: @honor.agency
BTS Video: @harryclarkharryclark
Talent Booking: @specialprojectsmedia
All-American staples like Mary Janes, cable knits and blazers come with a wink at Rosecliff mansion in Newport, Rhode Island.
Explore all the look at the link in bio or on wsj.com.
Photos: @cococapitan
Styling: @jaymassacret
Models: @gretcheaste with Heroes Model Management, @avashipp with The Society Management, @constanze.v.r with Heroes Model Management
Casting: @julialangecasting
Makeup: @laurastiassni with Frank Reps using Dior Makeup
Hair: #TamásTüzes at @bryantartists using L’Oréal Paris
Set Design: @itsmeiansaltersworld
Production: @gtsprod
Shot at Rosecliff Mansion, Newport NY
All-American staples like Mary Janes, cable knits and blazers come with a wink at Rosecliff mansion in Newport, Rhode Island.
Explore all the look at the link in bio or on wsj.com.
Photos: @cococapitan
Styling: @jaymassacret
Models: @gretcheaste with Heroes Model Management, @avashipp with The Society Management, @constanze.v.r with Heroes Model Management
Casting: @julialangecasting
Makeup: @laurastiassni with Frank Reps using Dior Makeup
Hair: #TamásTüzes at @bryantartists using L’Oréal Paris
Set Design: @itsmeiansaltersworld
Production: @gtsprod
Shot at Rosecliff Mansion, Newport NY
All-American staples like Mary Janes, cable knits and blazers come with a wink at Rosecliff mansion in Newport, Rhode Island.
Explore all the look at the link in bio or on wsj.com.
Photos: @cococapitan
Styling: @jaymassacret
Models: @gretcheaste with Heroes Model Management, @avashipp with The Society Management, @constanze.v.r with Heroes Model Management
Casting: @julialangecasting
Makeup: @laurastiassni with Frank Reps using Dior Makeup
Hair: #TamásTüzes at @bryantartists using L’Oréal Paris
Set Design: @itsmeiansaltersworld
Production: @gtsprod
Shot at Rosecliff Mansion, Newport NY
All-American staples like Mary Janes, cable knits and blazers come with a wink at Rosecliff mansion in Newport, Rhode Island.
Explore all the look at the link in bio or on wsj.com.
Photos: @cococapitan
Styling: @jaymassacret
Models: @gretcheaste with Heroes Model Management, @avashipp with The Society Management, @constanze.v.r with Heroes Model Management
Casting: @julialangecasting
Makeup: @laurastiassni with Frank Reps using Dior Makeup
Hair: #TamásTüzes at @bryantartists using L’Oréal Paris
Set Design: @itsmeiansaltersworld
Production: @gtsprod
Shot at Rosecliff Mansion, Newport NY
All-American staples like Mary Janes, cable knits and blazers come with a wink at Rosecliff mansion in Newport, Rhode Island.
Explore all the look at the link in bio or on wsj.com.
Photos: @cococapitan
Styling: @jaymassacret
Models: @gretcheaste with Heroes Model Management, @avashipp with The Society Management, @constanze.v.r with Heroes Model Management
Casting: @julialangecasting
Makeup: @laurastiassni with Frank Reps using Dior Makeup
Hair: #TamásTüzes at @bryantartists using L’Oréal Paris
Set Design: @itsmeiansaltersworld
Production: @gtsprod
Shot at Rosecliff Mansion, Newport NY
All-American staples like Mary Janes, cable knits and blazers come with a wink at Rosecliff mansion in Newport, Rhode Island.
Explore all the look at the link in bio or on wsj.com.
Photos: @cococapitan
Styling: @jaymassacret
Models: @gretcheaste with Heroes Model Management, @avashipp with The Society Management, @constanze.v.r with Heroes Model Management
Casting: @julialangecasting
Makeup: @laurastiassni with Frank Reps using Dior Makeup
Hair: #TamásTüzes at @bryantartists using L’Oréal Paris
Set Design: @itsmeiansaltersworld
Production: @gtsprod
Shot at Rosecliff Mansion, Newport NY
All-American staples like Mary Janes, cable knits and blazers come with a wink at Rosecliff mansion in Newport, Rhode Island.
Explore all the look at the link in bio or on wsj.com.
Photos: @cococapitan
Styling: @jaymassacret
Models: @gretcheaste with Heroes Model Management, @avashipp with The Society Management, @constanze.v.r with Heroes Model Management
Casting: @julialangecasting
Makeup: @laurastiassni with Frank Reps using Dior Makeup
Hair: #TamásTüzes at @bryantartists using L’Oréal Paris
Set Design: @itsmeiansaltersworld
Production: @gtsprod
Shot at Rosecliff Mansion, Newport NY
Is it ever too late for a second chance?
For Matt Haig, whose new book “The Midnight Train” is out this week, there’s always time to try again.
The British author had written nearly two dozen books before rising to fame with his 2020 blockbuster “The Midnight Library,” which sold 15 million copies in 56 languages and is being adapted into a film starring Florence Pugh. The book’s heroine, Nora Seed, sees how alternate life paths would have turned out for her as she teeters on the brink of suicide. Despite its success, the book divided audiences. Some hailed it as powerfully profound, others dismissed it as cotton-candy wisdom.
Though not a sequel, “The Midnight Train” also plays with multiple universes. Its hero, Wilbur Budd, is grappling not with mental illness, as Nora was, but with grief and missed opportunities. At the end of his life, 81-year-old Wilbur boards a supernatural train that takes him to critical moments in his past, revealing how often he chose work over relationships. He wants to try his life again, the right way.
Haig, 50, who survived addiction and a suicide attempt in his 20s, says second chances are central to his writing for a simple reason: “Because I had one.”
Read the full interview at the link in bio or on wsj.com.
Written by @ellengamerman
Photo: Ken Laily
Is it ever too late for a second chance?
For Matt Haig, whose new book “The Midnight Train” is out this week, there’s always time to try again.
The British author had written nearly two dozen books before rising to fame with his 2020 blockbuster “The Midnight Library,” which sold 15 million copies in 56 languages and is being adapted into a film starring Florence Pugh. The book’s heroine, Nora Seed, sees how alternate life paths would have turned out for her as she teeters on the brink of suicide. Despite its success, the book divided audiences. Some hailed it as powerfully profound, others dismissed it as cotton-candy wisdom.
Though not a sequel, “The Midnight Train” also plays with multiple universes. Its hero, Wilbur Budd, is grappling not with mental illness, as Nora was, but with grief and missed opportunities. At the end of his life, 81-year-old Wilbur boards a supernatural train that takes him to critical moments in his past, revealing how often he chose work over relationships. He wants to try his life again, the right way.
Haig, 50, who survived addiction and a suicide attempt in his 20s, says second chances are central to his writing for a simple reason: “Because I had one.”
Read the full interview at the link in bio or on wsj.com.
Written by @ellengamerman
Photo: Ken Laily
Is it ever too late for a second chance?
For Matt Haig, whose new book “The Midnight Train” is out this week, there’s always time to try again.
The British author had written nearly two dozen books before rising to fame with his 2020 blockbuster “The Midnight Library,” which sold 15 million copies in 56 languages and is being adapted into a film starring Florence Pugh. The book’s heroine, Nora Seed, sees how alternate life paths would have turned out for her as she teeters on the brink of suicide. Despite its success, the book divided audiences. Some hailed it as powerfully profound, others dismissed it as cotton-candy wisdom.
Though not a sequel, “The Midnight Train” also plays with multiple universes. Its hero, Wilbur Budd, is grappling not with mental illness, as Nora was, but with grief and missed opportunities. At the end of his life, 81-year-old Wilbur boards a supernatural train that takes him to critical moments in his past, revealing how often he chose work over relationships. He wants to try his life again, the right way.
Haig, 50, who survived addiction and a suicide attempt in his 20s, says second chances are central to his writing for a simple reason: “Because I had one.”
Read the full interview at the link in bio or on wsj.com.
Written by @ellengamerman
Photo: Ken Laily
Is it ever too late for a second chance?
For Matt Haig, whose new book “The Midnight Train” is out this week, there’s always time to try again.
The British author had written nearly two dozen books before rising to fame with his 2020 blockbuster “The Midnight Library,” which sold 15 million copies in 56 languages and is being adapted into a film starring Florence Pugh. The book’s heroine, Nora Seed, sees how alternate life paths would have turned out for her as she teeters on the brink of suicide. Despite its success, the book divided audiences. Some hailed it as powerfully profound, others dismissed it as cotton-candy wisdom.
Though not a sequel, “The Midnight Train” also plays with multiple universes. Its hero, Wilbur Budd, is grappling not with mental illness, as Nora was, but with grief and missed opportunities. At the end of his life, 81-year-old Wilbur boards a supernatural train that takes him to critical moments in his past, revealing how often he chose work over relationships. He wants to try his life again, the right way.
Haig, 50, who survived addiction and a suicide attempt in his 20s, says second chances are central to his writing for a simple reason: “Because I had one.”
Read the full interview at the link in bio or on wsj.com.
Written by @ellengamerman
Photo: Ken Laily
Is it ever too late for a second chance?
For Matt Haig, whose new book “The Midnight Train” is out this week, there’s always time to try again.
The British author had written nearly two dozen books before rising to fame with his 2020 blockbuster “The Midnight Library,” which sold 15 million copies in 56 languages and is being adapted into a film starring Florence Pugh. The book’s heroine, Nora Seed, sees how alternate life paths would have turned out for her as she teeters on the brink of suicide. Despite its success, the book divided audiences. Some hailed it as powerfully profound, others dismissed it as cotton-candy wisdom.
Though not a sequel, “The Midnight Train” also plays with multiple universes. Its hero, Wilbur Budd, is grappling not with mental illness, as Nora was, but with grief and missed opportunities. At the end of his life, 81-year-old Wilbur boards a supernatural train that takes him to critical moments in his past, revealing how often he chose work over relationships. He wants to try his life again, the right way.
Haig, 50, who survived addiction and a suicide attempt in his 20s, says second chances are central to his writing for a simple reason: “Because I had one.”
Read the full interview at the link in bio or on wsj.com.
Written by @ellengamerman
Photo: Ken Laily
In one of the essays in his new book, "The Land and Its People," David Sedaris recounts a trip to the Vatican during which he met Pope Francis and went shopping with Julia Louis-Dreyfus. The pair visited Gammarelli, then the official tailor of the papacy, where he purchased an ankle-length black cassock, usually worn by priests.
In a recent interview, the humor writer said he wears the garment onstage during his speaking tours and even while running errands, including a trip to the local UPS. “My doorman saw me there, and he said, ‘Father David…?’ ” says Sedaris. “I mean, can you imagine? There’s one of your tenants completely trying to pass himself off as a priest.”
Sedaris, 69, enjoys wearing the robe because some people treat him more nicely. But he also lives in fear that someone will approach him seeking his services. “ ‘Oh, oh, can you give last rites? My boss had a heart attack,’ ” he imagines being asked. “And then to say, ‘Well, it’s slimming. I’m not a priest. It just has a slimming effect.’ ”
Read the full article at the link in bio or on wsj.com.
Written by @laneflorsheim
Photo: Vincent Tullo
In one of the essays in his new book, "The Land and Its People," David Sedaris recounts a trip to the Vatican during which he met Pope Francis and went shopping with Julia Louis-Dreyfus. The pair visited Gammarelli, then the official tailor of the papacy, where he purchased an ankle-length black cassock, usually worn by priests.
In a recent interview, the humor writer said he wears the garment onstage during his speaking tours and even while running errands, including a trip to the local UPS. “My doorman saw me there, and he said, ‘Father David…?’ ” says Sedaris. “I mean, can you imagine? There’s one of your tenants completely trying to pass himself off as a priest.”
Sedaris, 69, enjoys wearing the robe because some people treat him more nicely. But he also lives in fear that someone will approach him seeking his services. “ ‘Oh, oh, can you give last rites? My boss had a heart attack,’ ” he imagines being asked. “And then to say, ‘Well, it’s slimming. I’m not a priest. It just has a slimming effect.’ ”
Read the full article at the link in bio or on wsj.com.
Written by @laneflorsheim
Photo: Vincent Tullo
In one of the essays in his new book, "The Land and Its People," David Sedaris recounts a trip to the Vatican during which he met Pope Francis and went shopping with Julia Louis-Dreyfus. The pair visited Gammarelli, then the official tailor of the papacy, where he purchased an ankle-length black cassock, usually worn by priests.
In a recent interview, the humor writer said he wears the garment onstage during his speaking tours and even while running errands, including a trip to the local UPS. “My doorman saw me there, and he said, ‘Father David…?’ ” says Sedaris. “I mean, can you imagine? There’s one of your tenants completely trying to pass himself off as a priest.”
Sedaris, 69, enjoys wearing the robe because some people treat him more nicely. But he also lives in fear that someone will approach him seeking his services. “ ‘Oh, oh, can you give last rites? My boss had a heart attack,’ ” he imagines being asked. “And then to say, ‘Well, it’s slimming. I’m not a priest. It just has a slimming effect.’ ”
Read the full article at the link in bio or on wsj.com.
Written by @laneflorsheim
Photo: Vincent Tullo
In one of the essays in his new book, "The Land and Its People," David Sedaris recounts a trip to the Vatican during which he met Pope Francis and went shopping with Julia Louis-Dreyfus. The pair visited Gammarelli, then the official tailor of the papacy, where he purchased an ankle-length black cassock, usually worn by priests.
In a recent interview, the humor writer said he wears the garment onstage during his speaking tours and even while running errands, including a trip to the local UPS. “My doorman saw me there, and he said, ‘Father David…?’ ” says Sedaris. “I mean, can you imagine? There’s one of your tenants completely trying to pass himself off as a priest.”
Sedaris, 69, enjoys wearing the robe because some people treat him more nicely. But he also lives in fear that someone will approach him seeking his services. “ ‘Oh, oh, can you give last rites? My boss had a heart attack,’ ” he imagines being asked. “And then to say, ‘Well, it’s slimming. I’m not a priest. It just has a slimming effect.’ ”
Read the full article at the link in bio or on wsj.com.
Written by @laneflorsheim
Photo: Vincent Tullo
In one of the essays in his new book, "The Land and Its People," David Sedaris recounts a trip to the Vatican during which he met Pope Francis and went shopping with Julia Louis-Dreyfus. The pair visited Gammarelli, then the official tailor of the papacy, where he purchased an ankle-length black cassock, usually worn by priests.
In a recent interview, the humor writer said he wears the garment onstage during his speaking tours and even while running errands, including a trip to the local UPS. “My doorman saw me there, and he said, ‘Father David…?’ ” says Sedaris. “I mean, can you imagine? There’s one of your tenants completely trying to pass himself off as a priest.”
Sedaris, 69, enjoys wearing the robe because some people treat him more nicely. But he also lives in fear that someone will approach him seeking his services. “ ‘Oh, oh, can you give last rites? My boss had a heart attack,’ ” he imagines being asked. “And then to say, ‘Well, it’s slimming. I’m not a priest. It just has a slimming effect.’ ”
Read the full article at the link in bio or on wsj.com.
Written by @laneflorsheim
Photo: Vincent Tullo
In one of the essays in his new book, "The Land and Its People," David Sedaris recounts a trip to the Vatican during which he met Pope Francis and went shopping with Julia Louis-Dreyfus. The pair visited Gammarelli, then the official tailor of the papacy, where he purchased an ankle-length black cassock, usually worn by priests.
In a recent interview, the humor writer said he wears the garment onstage during his speaking tours and even while running errands, including a trip to the local UPS. “My doorman saw me there, and he said, ‘Father David…?’ ” says Sedaris. “I mean, can you imagine? There’s one of your tenants completely trying to pass himself off as a priest.”
Sedaris, 69, enjoys wearing the robe because some people treat him more nicely. But he also lives in fear that someone will approach him seeking his services. “ ‘Oh, oh, can you give last rites? My boss had a heart attack,’ ” he imagines being asked. “And then to say, ‘Well, it’s slimming. I’m not a priest. It just has a slimming effect.’ ”
Read the full article at the link in bio or on wsj.com.
Written by @laneflorsheim
Photo: Vincent Tullo
In one of the essays in his new book, "The Land and Its People," David Sedaris recounts a trip to the Vatican during which he met Pope Francis and went shopping with Julia Louis-Dreyfus. The pair visited Gammarelli, then the official tailor of the papacy, where he purchased an ankle-length black cassock, usually worn by priests.
In a recent interview, the humor writer said he wears the garment onstage during his speaking tours and even while running errands, including a trip to the local UPS. “My doorman saw me there, and he said, ‘Father David…?’ ” says Sedaris. “I mean, can you imagine? There’s one of your tenants completely trying to pass himself off as a priest.”
Sedaris, 69, enjoys wearing the robe because some people treat him more nicely. But he also lives in fear that someone will approach him seeking his services. “ ‘Oh, oh, can you give last rites? My boss had a heart attack,’ ” he imagines being asked. “And then to say, ‘Well, it’s slimming. I’m not a priest. It just has a slimming effect.’ ”
Read the full article at the link in bio or on wsj.com.
Written by @laneflorsheim
Photo: Vincent Tullo
The clothing brand Everlane burst onto the fashion scene in 2011 with a bold proclamation: “The finest designer-quality accessories, basics & essentials under $100.” Over time, the promise of fair pricing became enmeshed with an even loftier assurance: by partnering with “ethical factories,” it would sell better-made clothing in a way that didn’t run afoul of the customer’s morals.
Everlane boomed alongside a cohort of like-minded brands, including Warby Parker (eyeglasses), Casper (mattresses) and Allbirds (washable wool sneakers), that offered customers a shopping experience that flattered both their taste and their morals. They sold the right things in the right way.
So customers were likely taken aback when earlier this month reports emerged that the company had been acquired by Shein, the Chinese fast-fashion brand whose runaway success has been tarnished by criticism of its labor practices and its negative environmental footprint.
What happened to the feel-good millennial brand?
Read the full article at the link in bio or on wsj.com.
Written by @samschube
Photo: Liz Hafalia/San Francisco Chronicle/Getty Images
The clothing brand Everlane burst onto the fashion scene in 2011 with a bold proclamation: “The finest designer-quality accessories, basics & essentials under $100.” Over time, the promise of fair pricing became enmeshed with an even loftier assurance: by partnering with “ethical factories,” it would sell better-made clothing in a way that didn’t run afoul of the customer’s morals.
Everlane boomed alongside a cohort of like-minded brands, including Warby Parker (eyeglasses), Casper (mattresses) and Allbirds (washable wool sneakers), that offered customers a shopping experience that flattered both their taste and their morals. They sold the right things in the right way.
So customers were likely taken aback when earlier this month reports emerged that the company had been acquired by Shein, the Chinese fast-fashion brand whose runaway success has been tarnished by criticism of its labor practices and its negative environmental footprint.
What happened to the feel-good millennial brand?
Read the full article at the link in bio or on wsj.com.
Written by @samschube
Photo: Liz Hafalia/San Francisco Chronicle/Getty Images
The breakout star of the celebrity summer-movie circuit is a wrinkly green puppet.
At a time when the entertainment world is stuffed with hyper-realistic digital effects and generative AI can conjure most anything from thin air, Disney has put one of its most important franchises on the shoulders of a tiny analog creation.
The knee-high space creature—known as Grogu, Baby Yoda or just, as his human minders often call him, “the baby”—is a main character in the first Star Wars movie to hit theaters in nearly seven years, “The Mandalorian and Grogu.”
In 2019, when “The Mandalorian” helped launch the Disney+ streaming service, it set off a scramble for Baby Yoda merch that Disney wasn’t prepared for. Now the company is hoping the stars can draw an audience beyond kids for a PG-13 release and score a much-needed win for the Star Wars franchise.
But there’s something bigger afoot.
People first embraced Grogu as a novelty, the latest in a line of cute, rascally critters going back to the Ewoks. The difference now: They also seem to be championing Grogu as a small but symbolic physical specimen—a feat of human art and craft that stands out against a tide of AI-generated content many see as ominous.
Read the full story at the link in bio or on wsj.com.
Written by @johnjurg
Photo: Chris Torres/EPA/Shutterstock
The breakout star of the celebrity summer-movie circuit is a wrinkly green puppet.
At a time when the entertainment world is stuffed with hyper-realistic digital effects and generative AI can conjure most anything from thin air, Disney has put one of its most important franchises on the shoulders of a tiny analog creation.
The knee-high space creature—known as Grogu, Baby Yoda or just, as his human minders often call him, “the baby”—is a main character in the first Star Wars movie to hit theaters in nearly seven years, “The Mandalorian and Grogu.”
In 2019, when “The Mandalorian” helped launch the Disney+ streaming service, it set off a scramble for Baby Yoda merch that Disney wasn’t prepared for. Now the company is hoping the stars can draw an audience beyond kids for a PG-13 release and score a much-needed win for the Star Wars franchise.
But there’s something bigger afoot.
People first embraced Grogu as a novelty, the latest in a line of cute, rascally critters going back to the Ewoks. The difference now: They also seem to be championing Grogu as a small but symbolic physical specimen—a feat of human art and craft that stands out against a tide of AI-generated content many see as ominous.
Read the full story at the link in bio or on wsj.com.
Written by @johnjurg
Photo: Chris Torres/EPA/Shutterstock
The Cannes Film Festival wraps up today after two weeks of marathon screenings, black-tie gala premieres and beach parties. The bejeweled event on the French Riviera has become a crucial stop for filmmakers and movie stars to elevate a film’s credibility and bolster its appeal ahead of awards season.
There was no splashy Hollywood premiere like last year’s “Mission: Impossible — The Final Reckoning,” and there were only two American films in the prestigious main competition. Those included director James Gray’s crime drama “Paper Tiger,” starring Adam Driver and Scarlett Johansson, and “The Man I Love,” starring Rami Malek as an artist dying of AIDS.
Instead of the large-studio presence, this year’s festival offered an intriguing mix of provocative films from around the globe, featuring hot button issues, occasional movie stars and artistic flourishes.
Written by @ezwrites
Photos: Ryan Plummer, Cannes Film Festival
The Cannes Film Festival wraps up today after two weeks of marathon screenings, black-tie gala premieres and beach parties. The bejeweled event on the French Riviera has become a crucial stop for filmmakers and movie stars to elevate a film’s credibility and bolster its appeal ahead of awards season.
There was no splashy Hollywood premiere like last year’s “Mission: Impossible — The Final Reckoning,” and there were only two American films in the prestigious main competition. Those included director James Gray’s crime drama “Paper Tiger,” starring Adam Driver and Scarlett Johansson, and “The Man I Love,” starring Rami Malek as an artist dying of AIDS.
Instead of the large-studio presence, this year’s festival offered an intriguing mix of provocative films from around the globe, featuring hot button issues, occasional movie stars and artistic flourishes.
Written by @ezwrites
Photos: Ryan Plummer, Cannes Film Festival
The Cannes Film Festival wraps up today after two weeks of marathon screenings, black-tie gala premieres and beach parties. The bejeweled event on the French Riviera has become a crucial stop for filmmakers and movie stars to elevate a film’s credibility and bolster its appeal ahead of awards season.
There was no splashy Hollywood premiere like last year’s “Mission: Impossible — The Final Reckoning,” and there were only two American films in the prestigious main competition. Those included director James Gray’s crime drama “Paper Tiger,” starring Adam Driver and Scarlett Johansson, and “The Man I Love,” starring Rami Malek as an artist dying of AIDS.
Instead of the large-studio presence, this year’s festival offered an intriguing mix of provocative films from around the globe, featuring hot button issues, occasional movie stars and artistic flourishes.
Written by @ezwrites
Photos: Ryan Plummer, Cannes Film Festival
The Cannes Film Festival wraps up today after two weeks of marathon screenings, black-tie gala premieres and beach parties. The bejeweled event on the French Riviera has become a crucial stop for filmmakers and movie stars to elevate a film’s credibility and bolster its appeal ahead of awards season.
There was no splashy Hollywood premiere like last year’s “Mission: Impossible — The Final Reckoning,” and there were only two American films in the prestigious main competition. Those included director James Gray’s crime drama “Paper Tiger,” starring Adam Driver and Scarlett Johansson, and “The Man I Love,” starring Rami Malek as an artist dying of AIDS.
Instead of the large-studio presence, this year’s festival offered an intriguing mix of provocative films from around the globe, featuring hot button issues, occasional movie stars and artistic flourishes.
Written by @ezwrites
Photos: Ryan Plummer, Cannes Film Festival
The Cannes Film Festival wraps up today after two weeks of marathon screenings, black-tie gala premieres and beach parties. The bejeweled event on the French Riviera has become a crucial stop for filmmakers and movie stars to elevate a film’s credibility and bolster its appeal ahead of awards season.
There was no splashy Hollywood premiere like last year’s “Mission: Impossible — The Final Reckoning,” and there were only two American films in the prestigious main competition. Those included director James Gray’s crime drama “Paper Tiger,” starring Adam Driver and Scarlett Johansson, and “The Man I Love,” starring Rami Malek as an artist dying of AIDS.
Instead of the large-studio presence, this year’s festival offered an intriguing mix of provocative films from around the globe, featuring hot button issues, occasional movie stars and artistic flourishes.
Written by @ezwrites
Photos: Ryan Plummer, Cannes Film Festival
The Cannes Film Festival wraps up today after two weeks of marathon screenings, black-tie gala premieres and beach parties. The bejeweled event on the French Riviera has become a crucial stop for filmmakers and movie stars to elevate a film’s credibility and bolster its appeal ahead of awards season.
There was no splashy Hollywood premiere like last year’s “Mission: Impossible — The Final Reckoning,” and there were only two American films in the prestigious main competition. Those included director James Gray’s crime drama “Paper Tiger,” starring Adam Driver and Scarlett Johansson, and “The Man I Love,” starring Rami Malek as an artist dying of AIDS.
Instead of the large-studio presence, this year’s festival offered an intriguing mix of provocative films from around the globe, featuring hot button issues, occasional movie stars and artistic flourishes.
Written by @ezwrites
Photos: Ryan Plummer, Cannes Film Festival
Everlane, a pioneer of "radical transparency" just sold to Shein, the titan of ultra-fast fashion. WSJ breaks down the fierce customer backlash and what it means for the future of ethical millennial brands.
Watch more at the link in our bio.
Photo: George Downs
At first, David Betesh didn’t even want a wedding. Too showy and performative. But three months after proposing to his girlfriend, he discovered that not only did he want one, he needed mini Yorkshire puddings with prime rib and horseradish cream at the event. He requested an ice sculpture of the couple’s two dogs lounging in a cocktail glass. And he was very specific about the vibe he envisioned.
“Pretend we’re on the Titanic,” he told his fiancée, “and we’re sinking and we’re drinking Champagne.”
A growing groom economy is ready to make those dreams, and more, come true.
The wedding industry that’s created demand for everything from caged doves to ceiling flowers finally is turning its attention to men, reminding brides of four important words: It’s his day too.
“We found that no grooms were really being catered to whatsoever,” said Fletcher Kasell, half of the fashion label Tanner Fletcher, a New York brand that began offering more options for grooms three years ago. “The wedding industry is a sea of white dresses.”
Read the full story at the link in bio or on wsj.com.
Written by @ellengamerman
Photos: Hunter Abrams, Allan Zepeda, Sam Noyer, Stanlo Photography
At first, David Betesh didn’t even want a wedding. Too showy and performative. But three months after proposing to his girlfriend, he discovered that not only did he want one, he needed mini Yorkshire puddings with prime rib and horseradish cream at the event. He requested an ice sculpture of the couple’s two dogs lounging in a cocktail glass. And he was very specific about the vibe he envisioned.
“Pretend we’re on the Titanic,” he told his fiancée, “and we’re sinking and we’re drinking Champagne.”
A growing groom economy is ready to make those dreams, and more, come true.
The wedding industry that’s created demand for everything from caged doves to ceiling flowers finally is turning its attention to men, reminding brides of four important words: It’s his day too.
“We found that no grooms were really being catered to whatsoever,” said Fletcher Kasell, half of the fashion label Tanner Fletcher, a New York brand that began offering more options for grooms three years ago. “The wedding industry is a sea of white dresses.”
Read the full story at the link in bio or on wsj.com.
Written by @ellengamerman
Photos: Hunter Abrams, Allan Zepeda, Sam Noyer, Stanlo Photography
At first, David Betesh didn’t even want a wedding. Too showy and performative. But three months after proposing to his girlfriend, he discovered that not only did he want one, he needed mini Yorkshire puddings with prime rib and horseradish cream at the event. He requested an ice sculpture of the couple’s two dogs lounging in a cocktail glass. And he was very specific about the vibe he envisioned.
“Pretend we’re on the Titanic,” he told his fiancée, “and we’re sinking and we’re drinking Champagne.”
A growing groom economy is ready to make those dreams, and more, come true.
The wedding industry that’s created demand for everything from caged doves to ceiling flowers finally is turning its attention to men, reminding brides of four important words: It’s his day too.
“We found that no grooms were really being catered to whatsoever,” said Fletcher Kasell, half of the fashion label Tanner Fletcher, a New York brand that began offering more options for grooms three years ago. “The wedding industry is a sea of white dresses.”
Read the full story at the link in bio or on wsj.com.
Written by @ellengamerman
Photos: Hunter Abrams, Allan Zepeda, Sam Noyer, Stanlo Photography
At first, David Betesh didn’t even want a wedding. Too showy and performative. But three months after proposing to his girlfriend, he discovered that not only did he want one, he needed mini Yorkshire puddings with prime rib and horseradish cream at the event. He requested an ice sculpture of the couple’s two dogs lounging in a cocktail glass. And he was very specific about the vibe he envisioned.
“Pretend we’re on the Titanic,” he told his fiancée, “and we’re sinking and we’re drinking Champagne.”
A growing groom economy is ready to make those dreams, and more, come true.
The wedding industry that’s created demand for everything from caged doves to ceiling flowers finally is turning its attention to men, reminding brides of four important words: It’s his day too.
“We found that no grooms were really being catered to whatsoever,” said Fletcher Kasell, half of the fashion label Tanner Fletcher, a New York brand that began offering more options for grooms three years ago. “The wedding industry is a sea of white dresses.”
Read the full story at the link in bio or on wsj.com.
Written by @ellengamerman
Photos: Hunter Abrams, Allan Zepeda, Sam Noyer, Stanlo Photography
Elizabeth Smart lit up the internet last month after posting a picture of herself in a tiny midnight-blue bikini with a full-body spray tan, blonde hair extensions and a seriously ripped physique.
In 2002, when she was 14, she was abducted in Utah by an older married couple and sexually and physically abused for nine months. Now a married mother of three, Smart, 38, who was raised Mormon, is an advocate for survivors of sexual violence. Decades after captivity that she said made her feel less than human, she’s now adopting the almost superhuman form of a competitive bodybuilder.
“It is a way of honoring my body,” she said, “because it really has seen me through everything.”
Read our full conversation with Smart at the link in bio or on wsj.com.
Written by @ellengamerman
Photo: Mitchell Gilbert
Elizabeth Smart lit up the internet last month after posting a picture of herself in a tiny midnight-blue bikini with a full-body spray tan, blonde hair extensions and a seriously ripped physique.
In 2002, when she was 14, she was abducted in Utah by an older married couple and sexually and physically abused for nine months. Now a married mother of three, Smart, 38, who was raised Mormon, is an advocate for survivors of sexual violence. Decades after captivity that she said made her feel less than human, she’s now adopting the almost superhuman form of a competitive bodybuilder.
“It is a way of honoring my body,” she said, “because it really has seen me through everything.”
Read our full conversation with Smart at the link in bio or on wsj.com.
Written by @ellengamerman
Photo: Mitchell Gilbert
Elizabeth Smart lit up the internet last month after posting a picture of herself in a tiny midnight-blue bikini with a full-body spray tan, blonde hair extensions and a seriously ripped physique.
In 2002, when she was 14, she was abducted in Utah by an older married couple and sexually and physically abused for nine months. Now a married mother of three, Smart, 38, who was raised Mormon, is an advocate for survivors of sexual violence. Decades after captivity that she said made her feel less than human, she’s now adopting the almost superhuman form of a competitive bodybuilder.
“It is a way of honoring my body,” she said, “because it really has seen me through everything.”
Read our full conversation with Smart at the link in bio or on wsj.com.
Written by @ellengamerman
Photo: Mitchell Gilbert
Elizabeth Smart lit up the internet last month after posting a picture of herself in a tiny midnight-blue bikini with a full-body spray tan, blonde hair extensions and a seriously ripped physique.
In 2002, when she was 14, she was abducted in Utah by an older married couple and sexually and physically abused for nine months. Now a married mother of three, Smart, 38, who was raised Mormon, is an advocate for survivors of sexual violence. Decades after captivity that she said made her feel less than human, she’s now adopting the almost superhuman form of a competitive bodybuilder.
“It is a way of honoring my body,” she said, “because it really has seen me through everything.”
Read our full conversation with Smart at the link in bio or on wsj.com.
Written by @ellengamerman
Photo: Mitchell Gilbert
Elizabeth Smart lit up the internet last month after posting a picture of herself in a tiny midnight-blue bikini with a full-body spray tan, blonde hair extensions and a seriously ripped physique.
In 2002, when she was 14, she was abducted in Utah by an older married couple and sexually and physically abused for nine months. Now a married mother of three, Smart, 38, who was raised Mormon, is an advocate for survivors of sexual violence. Decades after captivity that she said made her feel less than human, she’s now adopting the almost superhuman form of a competitive bodybuilder.
“It is a way of honoring my body,” she said, “because it really has seen me through everything.”
Read our full conversation with Smart at the link in bio or on wsj.com.
Written by @ellengamerman
Photo: Mitchell Gilbert
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