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For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
For the inaugural issue of Numéro Istanbul, Filmmaker and ISTANBUL’74 & IST.FESTIVAL co-founder Alphan Eşeli sits down with art director and production designer Happy Massee.
Working across film, theatre and fashion, Massee reflects on the construction of visual worlds, the collaborative nature of filmmaking, and why design must always serve the narrative.
@numero.istanbul @alphan_eseli @per_haps @gulenyelmen
#ISTANBUL74
Semper Vivens
Photo: @marienoorbergen
Creative: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
Semper Vivens
Photo: @marienoorbergen
Creative: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
Semper Vivens
Photo: @marienoorbergen
Creative: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
Semper Vivens
Photo: @marienoorbergen
Creative: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
Semper Vivens
Photo: @marienoorbergen
Creative: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
GUCCI Première 2012 interview and making of
With Blake Lively
Directed by Nicolas Winding Refn @nwrefn
For @gucci designed by @fridagianniniofficial
Music: Midnight City by @m83music remixed by@ericprydz
Set designed by @per_haps
Creative Direction by @riccardoruini
GUCCI Première 2012
With Blake Lively
Directed by Nicolas Winding Refn @nwrefn
For @gucci designed by @fridagianniniofficial
Music: Midnight City by @m83music remixed by@ericprydz
Set designed by @per_haps
Creative Direction by @riccardoruini
Priscilla and Elizabeth. Synchronized dreaming since 1930.
Photographer: @marienoorbergen
Creative Direction: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
Priscilla and Elizabeth. Synchronized dreaming since 1930.
Photographer: @marienoorbergen
Creative Direction: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
Priscilla and Elizabeth. Synchronized dreaming since 1930.
Photographer: @marienoorbergen
Creative Direction: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
Priscilla and Elizabeth. Synchronized dreaming since 1930.
Photographer: @marienoorbergen
Creative Direction: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
Priscilla and Elizabeth. Synchronized dreaming since 1930.
Photographer: @marienoorbergen
Creative Direction: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
Priscilla and Elizabeth. Synchronized dreaming since 1930.
Photographer: @marienoorbergen
Creative Direction: @pollyannarose_
Set Design: @per_haps
BTS: @fuschiakate
Who didnt have a crush on this guy? Thanks for this movie, the sting, downhill racer etc…, and everything else you did 🙏. #truekingofcool
DAVID LYNCH (1946-2025) directed my first commercial for Gucci in 2008. One of the greatest moments of my life and career. So many beautiful stories and such a great team. @davidlynchfoundation @giannini8767 @natashapoly@frejabeha.erichsen @raquel_zimmermann @emmanuellealt @tompecheux @luigimurenu set design @per_haps cinematograohy @philippe.lesourd.asc @gucci Music “Heart of Glass” by @blondieofficial
A very sad day. One of the greatest, and one of the greatest to work for. RIP David Lynch.
A very sad day. One of the greatest, and one of the greatest to work for. RIP David Lynch.
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