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Exclusive: A dead cowboy, a punk drifter, and a hippie history teacher set off a surreal crime story in the trailer for 'Flick!,' the debut feature from Nicolas Pegon and one of Cartoon Movie's buzziest titles.

We spoke with Pegon and Wizz producers Claire Madigan and Amanda Stubbs about the film’s comic roots, its musical themes, and partnering with Folivari's FOST on the impressive-looking feature.

More info and artwork are linked in our bio.
#animation #trailer

A few IMDB comments from Splinter Cell: Deathwatch enjoyers 💚

The series is still streaming on @netflix! Go watch this animation gem if you haven't already

🔫 Directed by @guillaume.dousse & @feliciendaage
🔫 Produced by @ubisoft Film & Television Paris
🔫 Distributed by @netflix

Welcome to the official FLICK! account!
An animated feature film in the making.
A film directed by @pegon_nicolas
Produced by @wizzdesign & @fost.studio
Written by @pegon_nicolas & @vale_thibault
We can’t wait to share more with you… 👀

Bienvenue sur le compte de FLICK!
Un long-métrage d’animation en cours de développement.
Un film réalisé par @pegon_nicolas
Produit par @wizzdesign & @fost.studio
Écrit par @pegon_nicolas & @vale_thibault
On a très hâte de vous en montrer plus…👀

Cartoon Movie was a blast! We headed to Bordeaux to pitch…

🪴 Flick, brand new feature film from director @pegon_nicolas (CRCR), co-produced with @wizzdesign

A dead cowboy in the Vosges, a reluctant duo, and a soundtrack by folk artist Nora Brown… think Little Miss Sunshine meets underground comics.

More news coming soon! A big thank you to the Cartoon Movie team and everyone who came to see the pitch 💛

Cartoon Movie was a blast! We headed to Bordeaux to pitch…

🪴 Flick, brand new feature film from director @pegon_nicolas (CRCR), co-produced with @wizzdesign

A dead cowboy in the Vosges, a reluctant duo, and a soundtrack by folk artist Nora Brown… think Little Miss Sunshine meets underground comics.

More news coming soon! A big thank you to the Cartoon Movie team and everyone who came to see the pitch 💛

Driven by contrast and burlesque humor, The Boob Fairy creates a striking dialogue between two worlds. 🎪 🤡

Through an alternating montage, the film connects the backstage of a circus, where a wild animal is trained to perform, with the intimate world of a four-year-old girl learning what it means to “grow up.” Two stories echo each other, revealing the quiet violence of conditioning: taming animals for entertainment, and shaping young girls to fit an idea of femininity.

Who performs best: the dancing lioness, or the child being taught her role? Only the Boob Fairy knows who truly deserves her attention! ⚡

🎬 Directed by @_.leahn._
🎬 Distributed by @miyudistribution

Driven by contrast and burlesque humor, The Boob Fairy creates a striking dialogue between two worlds. 🎪 🤡

Through an alternating montage, the film connects the backstage of a circus, where a wild animal is trained to perform, with the intimate world of a four-year-old girl learning what it means to “grow up.” Two stories echo each other, revealing the quiet violence of conditioning: taming animals for entertainment, and shaping young girls to fit an idea of femininity.

Who performs best: the dancing lioness, or the child being taught her role? Only the Boob Fairy knows who truly deserves her attention! ⚡

🎬 Directed by @_.leahn._
🎬 Distributed by @miyudistribution

Driven by contrast and burlesque humor, The Boob Fairy creates a striking dialogue between two worlds. 🎪 🤡

Through an alternating montage, the film connects the backstage of a circus, where a wild animal is trained to perform, with the intimate world of a four-year-old girl learning what it means to “grow up.” Two stories echo each other, revealing the quiet violence of conditioning: taming animals for entertainment, and shaping young girls to fit an idea of femininity.

Who performs best: the dancing lioness, or the child being taught her role? Only the Boob Fairy knows who truly deserves her attention! ⚡

🎬 Directed by @_.leahn._
🎬 Distributed by @miyudistribution

Driven by contrast and burlesque humor, The Boob Fairy creates a striking dialogue between two worlds. 🎪 🤡

Through an alternating montage, the film connects the backstage of a circus, where a wild animal is trained to perform, with the intimate world of a four-year-old girl learning what it means to “grow up.” Two stories echo each other, revealing the quiet violence of conditioning: taming animals for entertainment, and shaping young girls to fit an idea of femininity.

Who performs best: the dancing lioness, or the child being taught her role? Only the Boob Fairy knows who truly deserves her attention! ⚡

🎬 Directed by @_.leahn._
🎬 Distributed by @miyudistribution

🎬 Making the Shot – Prends Chair/ Flesh Out

A look back at the short film Prends Chair/ Flesh Out, directed by @arminassadipour , for which FOST did the color and compositing back in 2022! 🔥

Animation done at @studioastronautes .

Synopsis: Venance, an overweight teenager, faces remarks and teasing about his weight, in his neighborhood and even in his own family. His body reacts to become an outlet for his pain.

Splinter Cell: Deathwatch is nominated for BEST EDITORIAL – TV / MEDIA for its pilot episode “Up from the Grave” at the 53rd Annie Awards! 🌟
Want to support the series? You have until February 14th to cast your vote 🗳️

#SplinterCell #Animation

Bodies tell the story before they move.
Here’s a look at the posing work on Splinter Cell: Deathwatch. This key step defines clear, strong poses that already carry tension and intention.
The team focused on weight, balance and physicality to keep the action grounded and believable, in line with the gritty tone of the series.

🟢 Stream Splinter Cell: Deathwatch now on Netflix!

🔫 Tom Clancy’s Splinter Cell: Deathwatch
Directed by Guillaume Dousse & Félicien Colmet-Daâge
Produced by Ubisoft Film & Television Paris
Distributed by Netflix

Bodies tell the story before they move.
Here’s a look at the posing work on Splinter Cell: Deathwatch. This key step defines clear, strong poses that already carry tension and intention.
The team focused on weight, balance and physicality to keep the action grounded and believable, in line with the gritty tone of the series.

🟢 Stream Splinter Cell: Deathwatch now on Netflix!

🔫 Tom Clancy’s Splinter Cell: Deathwatch
Directed by Guillaume Dousse & Félicien Colmet-Daâge
Produced by Ubisoft Film & Television Paris
Distributed by Netflix

Bodies tell the story before they move.
Here’s a look at the posing work on Splinter Cell: Deathwatch. This key step defines clear, strong poses that already carry tension and intention.
The team focused on weight, balance and physicality to keep the action grounded and believable, in line with the gritty tone of the series.

🟢 Stream Splinter Cell: Deathwatch now on Netflix!

🔫 Tom Clancy’s Splinter Cell: Deathwatch
Directed by Guillaume Dousse & Félicien Colmet-Daâge
Produced by Ubisoft Film & Television Paris
Distributed by Netflix

Bodies tell the story before they move.
Here’s a look at the posing work on Splinter Cell: Deathwatch. This key step defines clear, strong poses that already carry tension and intention.
The team focused on weight, balance and physicality to keep the action grounded and believable, in line with the gritty tone of the series.

🟢 Stream Splinter Cell: Deathwatch now on Netflix!

🔫 Tom Clancy’s Splinter Cell: Deathwatch
Directed by Guillaume Dousse & Félicien Colmet-Daâge
Produced by Ubisoft Film & Television Paris
Distributed by Netflix

Welcome, 2026! ⚡

A huge thanks to everyone who stood with us through 2025. Onward to a year full of fresh ideas and new adventures! ❤️

Fantastic news! ✨

We’re very grateful to @theacademy for selecting Hurikán as one of the 15 Animated Shorts on the shortlist. It’s a tremendous honour for the entire team. Special thanks to the FOST artists for their outstanding work on this little animated gem!

Hurikán rushes to save his favourite beer stand from closure by fetching a new keg to impress the bartender he crushes on. In a wild Prague district, he faces robbers, cops, and his own thirst.

Directed by Jan Saska @bca.mastr_jansaska
Produced by @maurfilm, @laidakfilms, Last Films, @artichokeproduction, @aeon_production
Distributed by @MiyuDistribution

FOST wishes you a Merry Christmas ! 🎄 🎅 ❄️
As good as Stinky Dog’s one 🎁

4 Interfaces and Screens, Splinter Cell

Today, we’re highlighting the work of Maxime Bernard (@max.bernard_ ), Motion Designer on the interfaces and screens for the animated series Splinter Cell: Deathwatch, directed by Félicien Colmet Daâge and Guillaume Dousse.

Essential elements in a spy series: from the iconic Echelon 4 OPSAT to enemy operating systems and various mobile phones, espionage screens are a key tool for Sam Fisher!

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🟢 Splinter Cell: Deathwatch is now streaming on Netflix!

🔫 Tom Clancy’s Splinter Cell: Deathwatch
Directed by Guillaume Dousse & Félicien Colmet Daâge
Produced by Ubisoft Film & Television Paris
Distributed by Netflix