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El tribal mexicano nace de un pulso colectivo: la necesidad de reencontrarse con una historia fracturada, y con la memoria de aquello que alguna vez fue arrebatado.
A partir de ecos que viajaron desde territorios y continentes lejanos,se fue tejiendo una fusión de sonidos tribales que, con el tiempo, encontró una formula propia: el tribal mexicano.
Incorregible” nace de una necesidadpersonal de pertenencia y de reescritura. Surge de mi deseo de entender de dónde vengo, de mirar hacia adentro y de honrar aquello que más amo.
Es un proyecto sonoro de introspección en el que convergen ideas, símbolos, paisajes e influencias de los lugares que me han tocado y transformado.
La música está construida con instrumentos y sonidos de la naturaleza que pertenecen al continente americano, acompañados de poemas y de melodías que evocan la fuerza festiva de nuestra cultura latinoamericana.
Este disco es un viaje hacia los elementos que considero esenciales, los que deseo preservar por encima de todo: la memoria, la raíz, la intuición, el ritual y la conexión.
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Mexican tribal was born from a collective pulse: the need to reconnect with a fractured history, and with the memory of what was once taken away. From echoes that traveled across distant territories and continents, a fusion of tribal sounds began to take shape, eventually finding its own distinct form: Mexican tribal.
“Incorregible” was born from a personal need for belonging and reimagining. It comes from my desire to understand where I come from, to look inward, and to honor what I love most. It is a sonic project of introspection in which ideas, symbols, landscapes, and influences from the places that have touched and transformed me converge.
The music is built from instruments and sounds from nature that belong to the American continent, accompanied by poems and melodies that evoke the festive strength of our Latin American culture.
This album is a journey toward the elements I consider essential, the ones I wish to preserve above all else: memory, roots, intuition, ritual, and connection.
Vinilo disponible en @eck_echo
Agradecimiento especial a @freebot_ , Ignacio Esteban “Nacho” y Maribel Galicia.
El tribal mexicano nace de un pulso colectivo: la necesidad de reencontrarse con una historia fracturada, y con la memoria de aquello que alguna vez fue arrebatado.
A partir de ecos que viajaron desde territorios y continentes lejanos,se fue tejiendo una fusión de sonidos tribales que, con el tiempo, encontró una formula propia: el tribal mexicano.
Incorregible” nace de una necesidadpersonal de pertenencia y de reescritura. Surge de mi deseo de entender de dónde vengo, de mirar hacia adentro y de honrar aquello que más amo.
Es un proyecto sonoro de introspección en el que convergen ideas, símbolos, paisajes e influencias de los lugares que me han tocado y transformado.
La música está construida con instrumentos y sonidos de la naturaleza que pertenecen al continente americano, acompañados de poemas y de melodías que evocan la fuerza festiva de nuestra cultura latinoamericana.
Este disco es un viaje hacia los elementos que considero esenciales, los que deseo preservar por encima de todo: la memoria, la raíz, la intuición, el ritual y la conexión.
.
Mexican tribal was born from a collective pulse: the need to reconnect with a fractured history, and with the memory of what was once taken away. From echoes that traveled across distant territories and continents, a fusion of tribal sounds began to take shape, eventually finding its own distinct form: Mexican tribal.
“Incorregible” was born from a personal need for belonging and reimagining. It comes from my desire to understand where I come from, to look inward, and to honor what I love most. It is a sonic project of introspection in which ideas, symbols, landscapes, and influences from the places that have touched and transformed me converge.
The music is built from instruments and sounds from nature that belong to the American continent, accompanied by poems and melodies that evoke the festive strength of our Latin American culture.
This album is a journey toward the elements I consider essential, the ones I wish to preserve above all else: memory, roots, intuition, ritual, and connection.
Vinilo disponible en @eck_echo
Agradecimiento especial a @freebot_ , Ignacio Esteban “Nacho” y Maribel Galicia.
El tribal mexicano nace de un pulso colectivo: la necesidad de reencontrarse con una historia fracturada, y con la memoria de aquello que alguna vez fue arrebatado.
A partir de ecos que viajaron desde territorios y continentes lejanos,se fue tejiendo una fusión de sonidos tribales que, con el tiempo, encontró una formula propia: el tribal mexicano.
Incorregible” nace de una necesidadpersonal de pertenencia y de reescritura. Surge de mi deseo de entender de dónde vengo, de mirar hacia adentro y de honrar aquello que más amo.
Es un proyecto sonoro de introspección en el que convergen ideas, símbolos, paisajes e influencias de los lugares que me han tocado y transformado.
La música está construida con instrumentos y sonidos de la naturaleza que pertenecen al continente americano, acompañados de poemas y de melodías que evocan la fuerza festiva de nuestra cultura latinoamericana.
Este disco es un viaje hacia los elementos que considero esenciales, los que deseo preservar por encima de todo: la memoria, la raíz, la intuición, el ritual y la conexión.
.
Mexican tribal was born from a collective pulse: the need to reconnect with a fractured history, and with the memory of what was once taken away. From echoes that traveled across distant territories and continents, a fusion of tribal sounds began to take shape, eventually finding its own distinct form: Mexican tribal.
“Incorregible” was born from a personal need for belonging and reimagining. It comes from my desire to understand where I come from, to look inward, and to honor what I love most. It is a sonic project of introspection in which ideas, symbols, landscapes, and influences from the places that have touched and transformed me converge.
The music is built from instruments and sounds from nature that belong to the American continent, accompanied by poems and melodies that evoke the festive strength of our Latin American culture.
This album is a journey toward the elements I consider essential, the ones I wish to preserve above all else: memory, roots, intuition, ritual, and connection.
Vinilo disponible en @eck_echo
Agradecimiento especial a @freebot_ , Ignacio Esteban “Nacho” y Maribel Galicia.
URA UKU
Nuestro primer álbum físico esta disponible.
Producido por Atzil Jesús Bonilla en ANTA Records a los pies de la Mama Cotacachi y el Tayta Imbabura.
@turuku_comuna_kichwa
JATUN MAMA
Jesús @jesus_atzil y Félix @felix_razu
Músicos invitados
@ismunoz_music @alvaroandrademusic @seproc_audio_iluminacion @andres_bracero @_ene_ese @feliperomomunoz @cruzloma_ @wawa_bonilla @lenin.farinango.56
Arte: @alvear367 @katina.paola
Grabación: @antarecords Jesús Bonilla
Mezcla: Dirk Leyers in Berlín
Mastering: Cem Oral @jammin masters
Comunicación: @katicninayuyaric
Label: @eck_echo / @kimchi_records
URA UKU
Nuestro primer álbum físico esta disponible.
Producido por Atzil Jesús Bonilla en ANTA Records a los pies de la Mama Cotacachi y el Tayta Imbabura.
@turuku_comuna_kichwa
JATUN MAMA
Jesús @jesus_atzil y Félix @felix_razu
Músicos invitados
@ismunoz_music @alvaroandrademusic @seproc_audio_iluminacion @andres_bracero @_ene_ese @feliperomomunoz @cruzloma_ @wawa_bonilla @lenin.farinango.56
Arte: @alvear367 @katina.paola
Grabación: @antarecords Jesús Bonilla
Mezcla: Dirk Leyers in Berlín
Mastering: Cem Oral @jammin masters
Comunicación: @katicninayuyaric
Label: @eck_echo / @kimchi_records
@eck_echo teams up with Chiang-Mai based @animistrecords to bring you @apichatpakwanofficial live in concert at Neukölln’s @arkaodaberlin .
Continuing our collaborations with subtropical sound pushers of the global south we are happy to co-produce Apichat Pakwan’s unique proposal where modern Thai “Isan” traditions meet dub aesthetics, boiled in a sizzling broth of funk and psychedelia . Featured in the soundtrack of White Lotus’ Thailand Season 3, the band will include this and other songs of their upcoming album in this one-time Berlin concert.
FULL LINEUP:
@memeshift (Hybrid set): Sound researcher Sully Morgan is an active component of the Soy Division crew and the founder of the L-KW label. His collaboration with both latin and middle-east managed platforms Radical Sounds Latinamerica and Morphine Raum are fostering the kind of networks that we love and therefore we feel humbled to host him performing a hybrid set for the hybrid crowds :)
-DJ Support:
From Barcelona we are joined by the red-haired vinyl selectress and all-round Eck Echo team member @red.bananna . Plus more unpredictable - all global longitudinal lines expected- tropical selections by Eck Echo’s and Animists’ very own homegrown DJs.
Date: June 10th , 2026
Place: Arkaoda Berlin, Karl-Marx-Platz 16-18, 12043 Berlin
Doors: 8pm
Tickets RSVP on RA
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
Egypt’s contemporary music scene is being built in rooftops, basements, wedding halls, home studios and nights that move between cities.
In our latest deep dive into the country’s underground, Juan Valero and Diego Hernández speak to artists including Azzouni, Jana, El Kontessa, El Mokh and Rozer, tracing the collectives, releases and improvised spaces shaping the sound in Cairo and beyond.
From mahraganat, rap and shaabi to grime, bass, footwork, breaks and baile funk, we’ve explored how these sounds are being reworked across Egypt right now.
Read the full feature in Issue 176, or at the link in @crackmagazine’s bio.
Photography: Javier Suarez @javihsuarez
Words: Diego Hernández @eck_echo and Juan Valero @sonomayrit
🌹 @djrosapistola Vinyl Test Pressing INCORREGIBLE has arrived!
🌹Order your copy on bandcamp or distro worlwide. Limited stock. LinkInBio
🌹 Lacquer cut for club and low end depth
🌹3 songs x side for optimal dynamics spacing
🌹Mastered for vinyl by @ribesmastering
🌹Record manufactured by @objects.press
🌹Distribution by @kudosrecords
🌹PR by @tailoredcommunication
🌹©️ @eck_echo / @lachekerarecords 2026
Vayan a ver mi nuevo video Flauta Nahua
Album Incorregible
Sello @eck_echo
Video por @reflgnt
Performers @ogfertellez @adrian.ramirez.th @blakweed.23
Director @iannn.dani
Fotografía @thenamesgaudi
Asistente de Fotografía Soren Angeles
Foto Fija @logikirracional
Arte y vestuario Rosa Pistola
Asistente de vestuario @claudia.aragon_
Asistente de producción @barrio_bravo666
Sponsor venue @ccemx_
Edicion Ian D. Esquivel
Color Gaudi Angeles
Disponible en YouTube ▶️
Recuerda que INCORREGIBLE estará disponible en vinilo muy pronto gracias a @eck_echo
@eck_echo curated vinyl edition of @djrosapistola - Incorregible
-Lacquer cut for dancefloor depth
SIDE A - prehispánico
01 Conejo y Luna
02 Flauta Nahua
03 Teonanacatl
SIDE B - norteño
01 La Guitarra
02 Media Noche
03 Fierro Pariente
Preorders now available, shipping beings May 10th 2026
Shipping options: If your country is sabrosón and not hegemonic, feel free to drop us a DM para la orientación.
Eck Echo / La Chekera records 2026
🎼 Producción musical: Laura Puentes (@djrosapistola), Alfredo Olaf Lopez Acuña (@freebot_), Ignacio Esteban
🎛️ Mastering by @ribesmastering
🎨 Artwork by @lachekerarecords
🖼️ Vinyl Layout by Anna Fillat (@red.bananna)
@eck_echo curated vinyl edition of @djrosapistola - Incorregible
-Lacquer cut for dancefloor depth
SIDE A - prehispánico
01 Conejo y Luna
02 Flauta Nahua
03 Teonanacatl
SIDE B - norteño
01 La Guitarra
02 Media Noche
03 Fierro Pariente
Preorders now available, shipping beings May 10th 2026
Shipping options: If your country is sabrosón and not hegemonic, feel free to drop us a DM para la orientación.
Eck Echo / La Chekera records 2026
🎼 Producción musical: Laura Puentes (@djrosapistola), Alfredo Olaf Lopez Acuña (@freebot_), Ignacio Esteban
🎛️ Mastering by @ribesmastering
🎨 Artwork by @lachekerarecords
🖼️ Vinyl Layout by Anna Fillat (@red.bananna)
We are happiest to announce the new musical project of @djrosapistola with “Conejo y Luna” single and video out now from her upcoming album INCORREGIBLE out on @eck_echo records - links and preorder in bio
Mexican Tribal music caught our ears in amazement a while back during the UK Bass explosion and we wondered when it can continue infusing the dancefloors this and that side of the world and now we are humbled to provide a platform to continue the path from the prehispanic calm before the storm into the unknown fragmented future
Conejo y Luna is a poem written and sung in Nahuatl by Maribel Galicia. Walk to the moon with us for what’s coming—
“Conejo en la luna
En la media noche
El canto en la gran lluvia”
Totochin in metzelt
In yohualnepantl
In cuic cenca quiahua
In cuic aoyahque
In timixtli
Azo quitlayah
Tochi ni metztic
Nichoc nicnoctlamatl
Nicmati
Nic ilnamitzli
Nitla cocoya
Mastering by @ribesmastering
Distribution by @kudosrecords
We are happiest to announce the new musical project of @djrosapistola with “Conejo y Luna” single and video out now from her upcoming album INCORREGIBLE out on @eck_echo records - links and preorder in bio
Mexican Tribal music caught our ears in amazement a while back during the UK Bass explosion and we wondered when it can continue infusing the dancefloors this and that side of the world and now we are humbled to provide a platform to continue the path from the prehispanic calm before the storm into the unknown fragmented future
Conejo y Luna is a poem written and sung in Nahuatl by Maribel Galicia. Walk to the moon with us for what’s coming—
“Conejo en la luna
En la media noche
El canto en la gran lluvia”
Totochin in metzelt
In yohualnepantl
In cuic cenca quiahua
In cuic aoyahque
In timixtli
Azo quitlayah
Tochi ni metztic
Nichoc nicnoctlamatl
Nicmati
Nic ilnamitzli
Nitla cocoya
Mastering by @ribesmastering
Distribution by @kudosrecords
“Conejo y Luna” es el primer sencillo de lo que considero uno de mis proyectos más preciados.
El poema fue escrito y recitado en náhuatl por Maribel Galicia, artista de ascendencia nahua del Estado de México, y está acompañado por una instrumental sencilla de tribal mexicano con sonidos e instrumentos que evocan al continente americano. Este sencillo forma parte de “INCORREGIBLE” un disco diverso, con influencias de distintos rincones de mi continente: un viaje astral que, a través de sonidos de la naturaleza y ritmos repetitivos, busca llevarnos hacia estados alterados de conciencia. Es un ritual colectivo que usa el baile como expresión simbólica y herramienta de introspección, tendiendo un puente entre lo ancestral y lo contemporáneo, y honrando las raíces del tribal y de la música prehispánica.
Video producido por @reflgnt
Coreografía y performance @hannaborrayoo @originals.mx
Dirección y Edición @iannn.dani
Fotografia y color @thenamesgaudi
Asistente de fotografía Soren Angeles
Foto fija @logikirracional
Arte y Vestuario Rosa Pistola
Asistente vestuario @claudia.aragon_
Asistente de producción @barrio_bravo666
Sponsor Venue @ccemx_
Master @ribesmastering
Label @eck_echo
Agradecimiento especial a Maribel Galicia, Ignacio Esteban, @freebot_ , @termi4eva @liviadrvsila3 @djsuenno y @eles_culto .
VIDEO DISPONIBLE EN YOUTUBE - CONEJO Y LUNA
“Conejo y Luna” es el primer sencillo de lo que considero uno de mis proyectos más preciados.
El poema fue escrito y recitado en náhuatl por Maribel Galicia, artista de ascendencia nahua del Estado de México, y está acompañado por una instrumental sencilla de tribal mexicano con sonidos e instrumentos que evocan al continente americano. Este sencillo forma parte de “INCORREGIBLE” un disco diverso, con influencias de distintos rincones de mi continente: un viaje astral que, a través de sonidos de la naturaleza y ritmos repetitivos, busca llevarnos hacia estados alterados de conciencia. Es un ritual colectivo que usa el baile como expresión simbólica y herramienta de introspección, tendiendo un puente entre lo ancestral y lo contemporáneo, y honrando las raíces del tribal y de la música prehispánica.
Video producido por @reflgnt
Coreografía y performance @hannaborrayoo @originals.mx
Dirección y Edición @iannn.dani
Fotografia y color @thenamesgaudi
Asistente de fotografía Soren Angeles
Foto fija @logikirracional
Arte y Vestuario Rosa Pistola
Asistente vestuario @claudia.aragon_
Asistente de producción @barrio_bravo666
Sponsor Venue @ccemx_
Master @ribesmastering
Label @eck_echo
Agradecimiento especial a Maribel Galicia, Ignacio Esteban, @freebot_ , @termi4eva @liviadrvsila3 @djsuenno y @eles_culto .
VIDEO DISPONIBLE EN YOUTUBE - CONEJO Y LUNA
Remix bells are ringing. We met in Barcelona with our dearest @djphran to mix and boombast @ngwakasonsysteme’s “Mokili Na Poche” tracks. After a round of filter sweeps and EQs we were joined in the studio by moroccan musician Zine El Abidine aka Zeal and from a synths and stabs session Mayumba’s remix came to life. Catch this dancefloor mellow while still flying down the rooftops of Poble Nou. Eck Echo bridging Congo with Maghreb via Venezuela. Lipate EP and our music workshop project out February 27th 2026
Remix bells are ringing. We met in Barcelona with our dearest @djphran to mix and boombast @ngwakasonsysteme’s “Mokili Na Poche” tracks. After a round of filter sweeps and EQs we were joined in the studio by moroccan musician Zine El Abidine aka Zeal and from a synths and stabs session Mayumba’s remix came to life. Catch this dancefloor mellow while still flying down the rooftops of Poble Nou. Eck Echo bridging Congo with Maghreb via Venezuela. Lipate EP and our music workshop project out February 27th 2026
Remix bells are ringing. We met in Barcelona with our dearest @djphran to mix and boombast @ngwakasonsysteme’s “Mokili Na Poche” tracks. After a round of filter sweeps and EQs we were joined in the studio by moroccan musician Zine El Abidine aka Zeal and from a synths and stabs session Mayumba’s remix came to life. Catch this dancefloor mellow while still flying down the rooftops of Poble Nou. Eck Echo bridging Congo with Maghreb via Venezuela. Lipate EP and our music workshop project out February 27th 2026
Ecuadorian producer @entranas_ flowing like lava with the kinoisematic remix of @ngwakasonsysteme 'Molaso Ya Bibwa' off the Lipate EP. Grab it now, out of the oven and into the dancefloor. Maintenance workout to the solid and ancient bridges between the African and Southamerican continents. Follow us for more on the DIY-Congo scene and how we pay our musical respects. Entrañas remix out now / Lipate EP out Feb 27th 🇪🇨 🌋 🇨🇩 🌴
Ecuadorian producer @entranas_ flowing like lava with the kinoisematic remix of @ngwakasonsysteme 'Molaso Ya Bibwa' off the Lipate EP. Grab it now, out of the oven and into the dancefloor. Maintenance workout to the solid and ancient bridges between the African and Southamerican continents. Follow us for more on the DIY-Congo scene and how we pay our musical respects. Entrañas remix out now / Lipate EP out Feb 27th 🇪🇨 🌋 🇨🇩 🌴
Announcing @ngwakasonsystemeLIPATE 4-song EP + 2 latin rmxs , first single „Mayumba“.
Conceived, crafted and rehearsedat Centre @mokili_na_poche and recorded at @qiblastudio in Bandal, Kinshasa. The album is a direct result of an instrument building workshop supported by Roskilde Fund. Preorder now, out February 27th, follow us to keep learning about the project !
LIPATE: Process of selection, grouping, or classification, often used in the context of traditional Congolese games. This practice dates back to Congolese ancestors and is considered an essential routine for choosing players before a game begins. Generally, a master selector is responsible for this task, ensuring that teams are formed equitably. For example, players may be divided into teams A, B, or C, which guarantees organized and structured play.
Remixes by @djphran & @entranas_
Cover Photo by Merdi Lelo
Layout byAnna Fillat @red.bananna
Conference and workshop managed by Cedrick Tshimbalanga @tshimssss
Stems mix and studio effects by @djphran
Mastering by @ribesmastering
Announcing @ngwakasonsystemeLIPATE 4-song EP + 2 latin rmxs , first single „Mayumba“.
Conceived, crafted and rehearsedat Centre @mokili_na_poche and recorded at @qiblastudio in Bandal, Kinshasa. The album is a direct result of an instrument building workshop supported by Roskilde Fund. Preorder now, out February 27th, follow us to keep learning about the project !
LIPATE: Process of selection, grouping, or classification, often used in the context of traditional Congolese games. This practice dates back to Congolese ancestors and is considered an essential routine for choosing players before a game begins. Generally, a master selector is responsible for this task, ensuring that teams are formed equitably. For example, players may be divided into teams A, B, or C, which guarantees organized and structured play.
Remixes by @djphran & @entranas_
Cover Photo by Merdi Lelo
Layout byAnna Fillat @red.bananna
Conference and workshop managed by Cedrick Tshimbalanga @tshimssss
Stems mix and studio effects by @djphran
Mastering by @ribesmastering
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