Salva Storie Instagram

The city needs you #womanintellectual #hotandsmart

Hello friends, I am going on a short research visit to Bergen, Norway to brainstorm and confabulate, link and build (June 11-17). I will giving a talk and participating in workshop put on by Gabriele de Seta and the ALGOFOLKs at the Center for Digital Narrative (CDN) at University of Bergen on June 12. Alexandra Deem will also be giving a talk, discussing AI Influencers as "outcomes of 'post-authentic storytelling'". Excited to learn more 🖋️

-x-x-x-x-x-

"Our talks will be followed by a lunch discussion in which participants can receive and offer feedback on their own development of concepts and methods for the study of similar topics."

Honestly - I love a good chat about the internet so come along and let's talk about data: big data, small data, screenshots, archives, hard drives, poetry, journals? TikToks, YouTube playlist? It's nice to have some good examples from your dataset or fieldwork close at hand for these workshops.

-x-x-x-x-x-

I'm putting together a curation of readings and links for the participants.

My talk is titled

"Algomaxxing: Notes on cultural production after the algorithm

Increasingly, cultural producers — across new media, music, film, art, literature, and fashion — forge anticipatory and recursive (Beer 2022) relations with social media algorithms. “Influencer creep” (Bishop 2025) has made its way into most kinds of creative work, where optimising algorithmic discoverability is now also part of the job. In digital folklore, “The Algorithm” appears as a sentient entity (Lupinacci 2024), a kind of techno-cultural gatekeeping deity (Galip 2023) that, with the right inputs, can be prompted, appeased (Glatt 2022), or managed (Bishop 2019). Everyday cultural production thus becomes oriented toward algorithmic optimisation — algomaxxing — an algorithmically mediated set of value relations that manifests as both a cynical disposition and a distinctive aesthetic register of (too) late capitalism (Kornbluh 2024). From clipfarming and memecoins to AI slop and ragebait, 'algomaxxing' saturates everyday digital culture. In this talk, I turn to three research cases from the Anglophone web to show how."

[Expect thoughts on livestreamers, b

Hello friends, I am going on a short research visit to Bergen, Norway to brainstorm and confabulate, link and build (June 11-17). I will giving a talk and participating in workshop put on by Gabriele de Seta and the ALGOFOLKs at the Center for Digital Narrative (CDN) at University of Bergen on June 12. Alexandra Deem will also be giving a talk, discussing AI Influencers as "outcomes of 'post-authentic storytelling'". Excited to learn more 🖋️

-x-x-x-x-x-

"Our talks will be followed by a lunch discussion in which participants can receive and offer feedback on their own development of concepts and methods for the study of similar topics."

Honestly - I love a good chat about the internet so come along and let's talk about data: big data, small data, screenshots, archives, hard drives, poetry, journals? TikToks, YouTube playlist? It's nice to have some good examples from your dataset or fieldwork close at hand for these workshops.

-x-x-x-x-x-

I'm putting together a curation of readings and links for the participants.

My talk is titled

"Algomaxxing: Notes on cultural production after the algorithm

Increasingly, cultural producers — across new media, music, film, art, literature, and fashion — forge anticipatory and recursive (Beer 2022) relations with social media algorithms. “Influencer creep” (Bishop 2025) has made its way into most kinds of creative work, where optimising algorithmic discoverability is now also part of the job. In digital folklore, “The Algorithm” appears as a sentient entity (Lupinacci 2024), a kind of techno-cultural gatekeeping deity (Galip 2023) that, with the right inputs, can be prompted, appeased (Glatt 2022), or managed (Bishop 2019). Everyday cultural production thus becomes oriented toward algorithmic optimisation — algomaxxing — an algorithmically mediated set of value relations that manifests as both a cynical disposition and a distinctive aesthetic register of (too) late capitalism (Kornbluh 2024). From clipfarming and memecoins to AI slop and ragebait, 'algomaxxing' saturates everyday digital culture. In this talk, I turn to three research cases from the Anglophone web to show how."

[Expect thoughts on livestreamers, b

Hello friends, I am going on a short research visit to Bergen, Norway to brainstorm and confabulate, link and build (June 11-17). I will giving a talk and participating in workshop put on by Gabriele de Seta and the ALGOFOLKs at the Center for Digital Narrative (CDN) at University of Bergen on June 12. Alexandra Deem will also be giving a talk, discussing AI Influencers as "outcomes of 'post-authentic storytelling'". Excited to learn more 🖋️

-x-x-x-x-x-

"Our talks will be followed by a lunch discussion in which participants can receive and offer feedback on their own development of concepts and methods for the study of similar topics."

Honestly - I love a good chat about the internet so come along and let's talk about data: big data, small data, screenshots, archives, hard drives, poetry, journals? TikToks, YouTube playlist? It's nice to have some good examples from your dataset or fieldwork close at hand for these workshops.

-x-x-x-x-x-

I'm putting together a curation of readings and links for the participants.

My talk is titled

"Algomaxxing: Notes on cultural production after the algorithm

Increasingly, cultural producers — across new media, music, film, art, literature, and fashion — forge anticipatory and recursive (Beer 2022) relations with social media algorithms. “Influencer creep” (Bishop 2025) has made its way into most kinds of creative work, where optimising algorithmic discoverability is now also part of the job. In digital folklore, “The Algorithm” appears as a sentient entity (Lupinacci 2024), a kind of techno-cultural gatekeeping deity (Galip 2023) that, with the right inputs, can be prompted, appeased (Glatt 2022), or managed (Bishop 2019). Everyday cultural production thus becomes oriented toward algorithmic optimisation — algomaxxing — an algorithmically mediated set of value relations that manifests as both a cynical disposition and a distinctive aesthetic register of (too) late capitalism (Kornbluh 2024). From clipfarming and memecoins to AI slop and ragebait, 'algomaxxing' saturates everyday digital culture. In this talk, I turn to three research cases from the Anglophone web to show how."

[Expect thoughts on livestreamers, b

Hello friends, I am going on a short research visit to Bergen, Norway to brainstorm and confabulate, link and build (June 11-17). I will giving a talk and participating in workshop put on by Gabriele de Seta and the ALGOFOLKs at the Center for Digital Narrative (CDN) at University of Bergen on June 12. Alexandra Deem will also be giving a talk, discussing AI Influencers as "outcomes of 'post-authentic storytelling'". Excited to learn more 🖋️

-x-x-x-x-x-

"Our talks will be followed by a lunch discussion in which participants can receive and offer feedback on their own development of concepts and methods for the study of similar topics."

Honestly - I love a good chat about the internet so come along and let's talk about data: big data, small data, screenshots, archives, hard drives, poetry, journals? TikToks, YouTube playlist? It's nice to have some good examples from your dataset or fieldwork close at hand for these workshops.

-x-x-x-x-x-

I'm putting together a curation of readings and links for the participants.

My talk is titled

"Algomaxxing: Notes on cultural production after the algorithm

Increasingly, cultural producers — across new media, music, film, art, literature, and fashion — forge anticipatory and recursive (Beer 2022) relations with social media algorithms. “Influencer creep” (Bishop 2025) has made its way into most kinds of creative work, where optimising algorithmic discoverability is now also part of the job. In digital folklore, “The Algorithm” appears as a sentient entity (Lupinacci 2024), a kind of techno-cultural gatekeeping deity (Galip 2023) that, with the right inputs, can be prompted, appeased (Glatt 2022), or managed (Bishop 2019). Everyday cultural production thus becomes oriented toward algorithmic optimisation — algomaxxing — an algorithmically mediated set of value relations that manifests as both a cynical disposition and a distinctive aesthetic register of (too) late capitalism (Kornbluh 2024). From clipfarming and memecoins to AI slop and ragebait, 'algomaxxing' saturates everyday digital culture. In this talk, I turn to three research cases from the Anglophone web to show how."

[Expect thoughts on livestreamers, b

Hello friends, I am going on a short research visit to Bergen, Norway to brainstorm and confabulate, link and build (June 11-17). I will giving a talk and participating in workshop put on by Gabriele de Seta and the ALGOFOLKs at the Center for Digital Narrative (CDN) at University of Bergen on June 12. Alexandra Deem will also be giving a talk, discussing AI Influencers as "outcomes of 'post-authentic storytelling'". Excited to learn more 🖋️

-x-x-x-x-x-

"Our talks will be followed by a lunch discussion in which participants can receive and offer feedback on their own development of concepts and methods for the study of similar topics."

Honestly - I love a good chat about the internet so come along and let's talk about data: big data, small data, screenshots, archives, hard drives, poetry, journals? TikToks, YouTube playlist? It's nice to have some good examples from your dataset or fieldwork close at hand for these workshops.

-x-x-x-x-x-

I'm putting together a curation of readings and links for the participants.

My talk is titled

"Algomaxxing: Notes on cultural production after the algorithm

Increasingly, cultural producers — across new media, music, film, art, literature, and fashion — forge anticipatory and recursive (Beer 2022) relations with social media algorithms. “Influencer creep” (Bishop 2025) has made its way into most kinds of creative work, where optimising algorithmic discoverability is now also part of the job. In digital folklore, “The Algorithm” appears as a sentient entity (Lupinacci 2024), a kind of techno-cultural gatekeeping deity (Galip 2023) that, with the right inputs, can be prompted, appeased (Glatt 2022), or managed (Bishop 2019). Everyday cultural production thus becomes oriented toward algorithmic optimisation — algomaxxing — an algorithmically mediated set of value relations that manifests as both a cynical disposition and a distinctive aesthetic register of (too) late capitalism (Kornbluh 2024). From clipfarming and memecoins to AI slop and ragebait, 'algomaxxing' saturates everyday digital culture. In this talk, I turn to three research cases from the Anglophone web to show how."

[Expect thoughts on livestreamers, b

Hello friends, I am going on a short research visit to Bergen, Norway to brainstorm and confabulate, link and build (June 11-17). I will giving a talk and participating in workshop put on by Gabriele de Seta and the ALGOFOLKs at the Center for Digital Narrative (CDN) at University of Bergen on June 12. Alexandra Deem will also be giving a talk, discussing AI Influencers as "outcomes of 'post-authentic storytelling'". Excited to learn more 🖋️

-x-x-x-x-x-

"Our talks will be followed by a lunch discussion in which participants can receive and offer feedback on their own development of concepts and methods for the study of similar topics."

Honestly - I love a good chat about the internet so come along and let's talk about data: big data, small data, screenshots, archives, hard drives, poetry, journals? TikToks, YouTube playlist? It's nice to have some good examples from your dataset or fieldwork close at hand for these workshops.

-x-x-x-x-x-

I'm putting together a curation of readings and links for the participants.

My talk is titled

"Algomaxxing: Notes on cultural production after the algorithm

Increasingly, cultural producers — across new media, music, film, art, literature, and fashion — forge anticipatory and recursive (Beer 2022) relations with social media algorithms. “Influencer creep” (Bishop 2025) has made its way into most kinds of creative work, where optimising algorithmic discoverability is now also part of the job. In digital folklore, “The Algorithm” appears as a sentient entity (Lupinacci 2024), a kind of techno-cultural gatekeeping deity (Galip 2023) that, with the right inputs, can be prompted, appeased (Glatt 2022), or managed (Bishop 2019). Everyday cultural production thus becomes oriented toward algorithmic optimisation — algomaxxing — an algorithmically mediated set of value relations that manifests as both a cynical disposition and a distinctive aesthetic register of (too) late capitalism (Kornbluh 2024). From clipfarming and memecoins to AI slop and ragebait, 'algomaxxing' saturates everyday digital culture. In this talk, I turn to three research cases from the Anglophone web to show how."

[Expect thoughts on livestreamers, b

Hello friends, I am going on a short research visit to Bergen, Norway to brainstorm and confabulate, link and build (June 11-17). I will giving a talk and participating in workshop put on by Gabriele de Seta and the ALGOFOLKs at the Center for Digital Narrative (CDN) at University of Bergen on June 12. Alexandra Deem will also be giving a talk, discussing AI Influencers as "outcomes of 'post-authentic storytelling'". Excited to learn more 🖋️

-x-x-x-x-x-

"Our talks will be followed by a lunch discussion in which participants can receive and offer feedback on their own development of concepts and methods for the study of similar topics."

Honestly - I love a good chat about the internet so come along and let's talk about data: big data, small data, screenshots, archives, hard drives, poetry, journals? TikToks, YouTube playlist? It's nice to have some good examples from your dataset or fieldwork close at hand for these workshops.

-x-x-x-x-x-

I'm putting together a curation of readings and links for the participants.

My talk is titled

"Algomaxxing: Notes on cultural production after the algorithm

Increasingly, cultural producers — across new media, music, film, art, literature, and fashion — forge anticipatory and recursive (Beer 2022) relations with social media algorithms. “Influencer creep” (Bishop 2025) has made its way into most kinds of creative work, where optimising algorithmic discoverability is now also part of the job. In digital folklore, “The Algorithm” appears as a sentient entity (Lupinacci 2024), a kind of techno-cultural gatekeeping deity (Galip 2023) that, with the right inputs, can be prompted, appeased (Glatt 2022), or managed (Bishop 2019). Everyday cultural production thus becomes oriented toward algorithmic optimisation — algomaxxing — an algorithmically mediated set of value relations that manifests as both a cynical disposition and a distinctive aesthetic register of (too) late capitalism (Kornbluh 2024). From clipfarming and memecoins to AI slop and ragebait, 'algomaxxing' saturates everyday digital culture. In this talk, I turn to three research cases from the Anglophone web to show how."

[Expect thoughts on livestreamers, b

Why does literary culture suddenly seem so interested in hotness? Recent discourse around the “hot literati” has sparked debates about who qualifies, whether the category is meaningful at all, and why literary culture suddenly seems so invested in attractiveness.

But beneath all this sits a broader question: are writers now expected to also be influencers? Have they always been?

Read the full SEED on Protein.XYZ, link in bio

Why does literary culture suddenly seem so interested in hotness? Recent discourse around the “hot literati” has sparked debates about who qualifies, whether the category is meaningful at all, and why literary culture suddenly seems so invested in attractiveness.

But beneath all this sits a broader question: are writers now expected to also be influencers? Have they always been?

Read the full SEED on Protein.XYZ, link in bio

Why does literary culture suddenly seem so interested in hotness? Recent discourse around the “hot literati” has sparked debates about who qualifies, whether the category is meaningful at all, and why literary culture suddenly seems so invested in attractiveness.

But beneath all this sits a broader question: are writers now expected to also be influencers? Have they always been?

Read the full SEED on Protein.XYZ, link in bio

Why does literary culture suddenly seem so interested in hotness? Recent discourse around the “hot literati” has sparked debates about who qualifies, whether the category is meaningful at all, and why literary culture suddenly seems so invested in attractiveness.

But beneath all this sits a broader question: are writers now expected to also be influencers? Have they always been?

Read the full SEED on Protein.XYZ, link in bio

Why does literary culture suddenly seem so interested in hotness? Recent discourse around the “hot literati” has sparked debates about who qualifies, whether the category is meaningful at all, and why literary culture suddenly seems so invested in attractiveness.

But beneath all this sits a broader question: are writers now expected to also be influencers? Have they always been?

Read the full SEED on Protein.XYZ, link in bio

Why does literary culture suddenly seem so interested in hotness? Recent discourse around the “hot literati” has sparked debates about who qualifies, whether the category is meaningful at all, and why literary culture suddenly seems so invested in attractiveness.

But beneath all this sits a broader question: are writers now expected to also be influencers? Have they always been?

Read the full SEED on Protein.XYZ, link in bio

Why does literary culture suddenly seem so interested in hotness? Recent discourse around the “hot literati” has sparked debates about who qualifies, whether the category is meaningful at all, and why literary culture suddenly seems so invested in attractiveness.

But beneath all this sits a broader question: are writers now expected to also be influencers? Have they always been?

Read the full SEED on Protein.XYZ, link in bio

Why does literary culture suddenly seem so interested in hotness? Recent discourse around the “hot literati” has sparked debates about who qualifies, whether the category is meaningful at all, and why literary culture suddenly seems so invested in attractiveness.

But beneath all this sits a broader question: are writers now expected to also be influencers? Have they always been?

Read the full SEED on Protein.XYZ, link in bio

bobiler nokta örg için 4 dakikalık ağıt 🪦

monte nasıl doğdu, nasıl zirveye çıktı, cipiti elinde nasıl öldü? yazı versiyonu websitemde mevcuttur

#bobiler #monte #mizah #turkishdeepweb #nostalji

Films about the internet - Screening programme #1
MAY 18 2026

Programme and RSVP now available

A relaxed afternoon screening program of short films, video essays, and other moving-image work made about the internet.

The intention is to create a curious context for watching films together.

The event will be in person at:
[post-office, AMS], [May 18, 18.00-20.00].

Please RSVP using the top link on @cybervolta's profile (cryptpad form)

You can find more information about accessibility and seating on the RSVP form.

Films by:
@aronmunkrosing
@postp0stpost
@444.000.444
@ermak0s
@jwyg
@winteremains
@daemonlovers
@jennifermerlyn
@cybervolta
@superposition.cc
@serr_ae
@salesforcechild
@johnnymcmahonart
@blah_pheh76
@lilian.c.scheuer
and more...

Films about the internet - Screening programme #1
MAY 18 2026

Programme and RSVP now available

A relaxed afternoon screening program of short films, video essays, and other moving-image work made about the internet.

The intention is to create a curious context for watching films together.

The event will be in person at:
[post-office, AMS], [May 18, 18.00-20.00].

Please RSVP using the top link on @cybervolta's profile (cryptpad form)

You can find more information about accessibility and seating on the RSVP form.

Films by:
@aronmunkrosing
@postp0stpost
@444.000.444
@ermak0s
@jwyg
@winteremains
@daemonlovers
@jennifermerlyn
@cybervolta
@superposition.cc
@serr_ae
@salesforcechild
@johnnymcmahonart
@blah_pheh76
@lilian.c.scheuer
and more...

Films about the internet - Screening programme #1
MAY 18 2026

Programme and RSVP now available

A relaxed afternoon screening program of short films, video essays, and other moving-image work made about the internet.

The intention is to create a curious context for watching films together.

The event will be in person at:
[post-office, AMS], [May 18, 18.00-20.00].

Please RSVP using the top link on @cybervolta's profile (cryptpad form)

You can find more information about accessibility and seating on the RSVP form.

Films by:
@aronmunkrosing
@postp0stpost
@444.000.444
@ermak0s
@jwyg
@winteremains
@daemonlovers
@jennifermerlyn
@cybervolta
@superposition.cc
@serr_ae
@salesforcechild
@johnnymcmahonart
@blah_pheh76
@lilian.c.scheuer
and more...

Films about the internet - Screening programme #1
MAY 18 2026

Programme and RSVP now available

A relaxed afternoon screening program of short films, video essays, and other moving-image work made about the internet.

The intention is to create a curious context for watching films together.

The event will be in person at:
[post-office, AMS], [May 18, 18.00-20.00].

Please RSVP using the top link on @cybervolta's profile (cryptpad form)

You can find more information about accessibility and seating on the RSVP form.

Films by:
@aronmunkrosing
@postp0stpost
@444.000.444
@ermak0s
@jwyg
@winteremains
@daemonlovers
@jennifermerlyn
@cybervolta
@superposition.cc
@serr_ae
@salesforcechild
@johnnymcmahonart
@blah_pheh76
@lilian.c.scheuer
and more...

Meet the panellists for our upcoming FORUM exploring if memes still matter – and what comes next.

Join us on 29th April to pressure-test meme culture as it exists today, how they’re changing culture in real time, and if brands should engage with memes at all.

This is a free online event open to all, go to the link in bio to register ✨

Meet the panellists for our upcoming FORUM exploring if memes still matter – and what comes next.

Join us on 29th April to pressure-test meme culture as it exists today, how they’re changing culture in real time, and if brands should engage with memes at all.

This is a free online event open to all, go to the link in bio to register ✨

Meet the panellists for our upcoming FORUM exploring if memes still matter – and what comes next.

Join us on 29th April to pressure-test meme culture as it exists today, how they’re changing culture in real time, and if brands should engage with memes at all.

This is a free online event open to all, go to the link in bio to register ✨

Meet the panellists for our upcoming FORUM exploring if memes still matter – and what comes next.

Join us on 29th April to pressure-test meme culture as it exists today, how they’re changing culture in real time, and if brands should engage with memes at all.

This is a free online event open to all, go to the link in bio to register ✨

Meet the panellists for our upcoming FORUM exploring if memes still matter – and what comes next.

Join us on 29th April to pressure-test meme culture as it exists today, how they’re changing culture in real time, and if brands should engage with memes at all.

This is a free online event open to all, go to the link in bio to register ✨

Meet the panellists for our upcoming FORUM exploring if memes still matter – and what comes next.

Join us on 29th April to pressure-test meme culture as it exists today, how they’re changing culture in real time, and if brands should engage with memes at all.

This is a free online event open to all, go to the link in bio to register ✨

Meet the panellists for our upcoming FORUM exploring if memes still matter – and what comes next.

Join us on 29th April to pressure-test meme culture as it exists today, how they’re changing culture in real time, and if brands should engage with memes at all.

This is a free online event open to all, go to the link in bio to register ✨

Meet the panellists for our upcoming FORUM exploring if memes still matter – and what comes next.

Join us on 29th April to pressure-test meme culture as it exists today, how they’re changing culture in real time, and if brands should engage with memes at all.

This is a free online event open to all, go to the link in bio to register ✨

OPEN CALL
"Films about the internet"

A relaxed afternoon screening program of short films, video essays, and other moving-image work made about the internet.

Broadly interpreted: essays, experiments, weird stuff, internet-native video of any kind, up to 20 minutes.

Open to everyone: amateurs, dabblers, professionals, first-timers. Aiming to show everything that comes in and fits the time.

To submit, send a link to the work (YouTube, Vimeo, Dropbox, WeTransfer, etc.) and a short description to:

[websurfer003@protonmail.com].

Submission deadline:
[May 4].

The intention is to create a curious context for watching films together.

The event will be in person at:
[post-office, AMS], [May 18, 18.00-20.00].

Free, no tickets, no funding, no compensation — entirely voluntary. Bring drinks and snacks to share.

OPEN CALL
"Films about the internet"

A relaxed afternoon screening program of short films, video essays, and other moving-image work made about the internet.

Broadly interpreted: essays, experiments, weird stuff, internet-native video of any kind, up to 20 minutes.

Open to everyone: amateurs, dabblers, professionals, first-timers. Aiming to show everything that comes in and fits the time.

To submit, send a link to the work (YouTube, Vimeo, Dropbox, WeTransfer, etc.) and a short description to:

[websurfer003@protonmail.com].

Submission deadline:
[May 4].

The intention is to create a curious context for watching films together.

The event will be in person at:
[post-office, AMS], [May 18, 18.00-20.00].

Free, no tickets, no funding, no compensation — entirely voluntary. Bring drinks and snacks to share.

New blogpost: "Is the edge all there is?: Post-internet’s cold heart"

it's imperfect so you know there is no ai involved

New blogpost: "Is the edge all there is?: Post-internet’s cold heart"

it's imperfect so you know there is no ai involved

New blogpost: "Is the edge all there is?: Post-internet’s cold heart"

it's imperfect so you know there is no ai involved

#woman #intellectual

#woman #intellectual

#woman #intellectual

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

does anyone have connections in the tech space? i have an idea that can change the world. it's called "love and respect for one another" #tech

girl dinner by Alia (@liaouioui) and Trang (@terrafic.soup)

girl dinner by Alia (@liaouioui) and Trang (@terrafic.soup)

girl dinner by Alia (@liaouioui) and Trang (@terrafic.soup)

girl dinner by Alia (@liaouioui) and Trang (@terrafic.soup)

girl dinner by Alia (@liaouioui) and Trang (@terrafic.soup)

girl dinner by Alia (@liaouioui) and Trang (@terrafic.soup)

girl dinner by Alia (@liaouioui) and Trang (@terrafic.soup)

girl dinner by Alia (@liaouioui) and Trang (@terrafic.soup)

girl dinner by Alia (@liaouioui) and Trang (@terrafic.soup)

girl dinner by Alia (@liaouioui) and Trang (@terrafic.soup)

Digital Culture Researcher Idil Galip @cybervolta on the strange feeling of loneliness and boredom we are experiencing online in the wake of Silicon Valley’s fervid AI hype and speculation

Watch the full video essay by @_y7_y7_y7_ at the 🔗 in bio!