Salva Storie Instagram

I am delighted to announce the publication of BAD MANNERS, my first monograph.

Warmest thanks to the 5 authors !

Also to :
* ZOLO PRESS for this delightful collaboration
* S.M.A.K for this project and support
* KARMA gallery for the support

My thoughts go out to my mum and Walter, who passed away recently.

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)


Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners

320PP

210 x 272 mm

191 color plates

800 copies

English + French / Dutch


@carole.vdlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
@zolo.press
#zolopress
#carolevanderlinden

I am delighted to announce the publication of BAD MANNERS, my first monograph.

Warmest thanks to the 5 authors !

Also to :
* ZOLO PRESS for this delightful collaboration
* S.M.A.K for this project and support
* KARMA gallery for the support

My thoughts go out to my mum and Walter, who passed away recently.

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)


Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners

320PP

210 x 272 mm

191 color plates

800 copies

English + French / Dutch


@carole.vdlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
@zolo.press
#zolopress
#carolevanderlinden

I am delighted to announce the publication of BAD MANNERS, my first monograph.

Warmest thanks to the 5 authors !

Also to :
* ZOLO PRESS for this delightful collaboration
* S.M.A.K for this project and support
* KARMA gallery for the support

My thoughts go out to my mum and Walter, who passed away recently.

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)


Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners

320PP

210 x 272 mm

191 color plates

800 copies

English + French / Dutch


@carole.vdlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
@zolo.press
#zolopress
#carolevanderlinden

I am delighted to announce the publication of BAD MANNERS, my first monograph.

Warmest thanks to the 5 authors !

Also to :
* ZOLO PRESS for this delightful collaboration
* S.M.A.K for this project and support
* KARMA gallery for the support

My thoughts go out to my mum and Walter, who passed away recently.

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)


Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners

320PP

210 x 272 mm

191 color plates

800 copies

English + French / Dutch


@carole.vdlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
@zolo.press
#zolopress
#carolevanderlinden

I am delighted to announce the publication of BAD MANNERS, my first monograph.

Warmest thanks to the 5 authors !

Also to :
* ZOLO PRESS for this delightful collaboration
* S.M.A.K for this project and support
* KARMA gallery for the support

My thoughts go out to my mum and Walter, who passed away recently.

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)


Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners

320PP

210 x 272 mm

191 color plates

800 copies

English + French / Dutch


@carole.vdlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
@zolo.press
#zolopress
#carolevanderlinden

I am delighted to announce the publication of BAD MANNERS, my first monograph.

Warmest thanks to the 5 authors !

Also to :
* ZOLO PRESS for this delightful collaboration
* S.M.A.K for this project and support
* KARMA gallery for the support

My thoughts go out to my mum and Walter, who passed away recently.

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)


Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners

320PP

210 x 272 mm

191 color plates

800 copies

English + French / Dutch


@carole.vdlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
@zolo.press
#zolopress
#carolevanderlinden

I am delighted to announce the publication of BAD MANNERS, my first monograph.

Warmest thanks to the 5 authors !

Also to :
* ZOLO PRESS for this delightful collaboration
* S.M.A.K for this project and support
* KARMA gallery for the support

My thoughts go out to my mum and Walter, who passed away recently.

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)


Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners

320PP

210 x 272 mm

191 color plates

800 copies

English + French / Dutch


@carole.vdlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
@zolo.press
#zolopress
#carolevanderlinden

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners
320PP
210 x 272 mm
191 color plates
800 copies
English + French / Dutch

@carole.vdlinden
#CaroleVanderlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
#zolopress

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners
320PP
210 x 272 mm
191 color plates
800 copies
English + French / Dutch

@carole.vdlinden
#CaroleVanderlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
#zolopress

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners
320PP
210 x 272 mm
191 color plates
800 copies
English + French / Dutch

@carole.vdlinden
#CaroleVanderlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
#zolopress

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners
320PP
210 x 272 mm
191 color plates
800 copies
English + French / Dutch

@carole.vdlinden
#CaroleVanderlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
#zolopress

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners
320PP
210 x 272 mm
191 color plates
800 copies
English + French / Dutch

@carole.vdlinden
#CaroleVanderlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
#zolopress

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners
320PP
210 x 272 mm
191 color plates
800 copies
English + French / Dutch

@carole.vdlinden
#CaroleVanderlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
#zolopress

BAD MANNERS BY CAROLE VANDERLINDEN IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

Carole Vanderlinden’s first monograph, Bad Manners, covers over a decade of the artist’s practice. It gathers close to 200 paintings and works on paper, alongside texts by Belgian novelist Jean-Philippe Toussaint, essays by curators Ann Hoste, Ory Dessau, and Hans den Hartog Jager, as well as a conversation between musician and composer Joëlle Léandre and Vanderlinden. Published on the occasion of the solo exhibition Keep a Promise at S.M.A.K., Ghent, Bad Manners was co-published in collaboration with the museum.

Bad Manners
320PP
210 x 272 mm
191 color plates
800 copies
English + French / Dutch

@carole.vdlinden
#CaroleVanderlinden
@dessauory
@hansdhj
@a_hoste_a
@joelleleandre
@jptoussaint57
@smakgent
@karmakarma9
#zolopress

NEW YORK: JOIN US FOR DAVID GILBERT’S LAUNCH AND ARTIST TALK!

Book launch and conversation between David Gilbert and artist, poet, and cultural critic Wayne Koestenbaum.

WHEN: Thursday, May 21st
TIME: 6:00 PM — 8:00 PM
WHERE: Mast Books
ADDRESS: 72 Avenue A, New York, NY

Lilies
by David Gilbert
212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@wayne.koestenbaum
#waynekoestenbaum
@mastbooks
@zolo.press
#ZoloPress

NEW YORK: JOIN US FOR DAVID GILBERT’S LAUNCH AND ARTIST TALK!

Book launch and conversation between David Gilbert and artist, poet, and cultural critic Wayne Koestenbaum.

WHEN: Thursday, May 21st
TIME: 6:00 PM — 8:00 PM
WHERE: Mast Books
ADDRESS: 72 Avenue A, New York, NY

Lilies
by David Gilbert
212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@wayne.koestenbaum
#waynekoestenbaum
@mastbooks
@zolo.press
#ZoloPress

STUDIOS AND VISITS… LATELY…

#AbrahamCruzvillegas #PaulMpagiSepuya #SerbanIonescu #JoseEduardoBarajas #TaliLennox SebastianSilva RossSimonini LouisJacquot MattPaweski ZoloPress

STUDIOS AND VISITS… LATELY…

#AbrahamCruzvillegas #PaulMpagiSepuya #SerbanIonescu #JoseEduardoBarajas #TaliLennox SebastianSilva RossSimonini LouisJacquot MattPaweski ZoloPress

STUDIOS AND VISITS… LATELY…

#AbrahamCruzvillegas #PaulMpagiSepuya #SerbanIonescu #JoseEduardoBarajas #TaliLennox SebastianSilva RossSimonini LouisJacquot MattPaweski ZoloPress

STUDIOS AND VISITS… LATELY…

#AbrahamCruzvillegas #PaulMpagiSepuya #SerbanIonescu #JoseEduardoBarajas #TaliLennox SebastianSilva RossSimonini LouisJacquot MattPaweski ZoloPress

STUDIOS AND VISITS… LATELY…

#AbrahamCruzvillegas #PaulMpagiSepuya #SerbanIonescu #JoseEduardoBarajas #TaliLennox SebastianSilva RossSimonini LouisJacquot MattPaweski ZoloPress

STUDIOS AND VISITS… LATELY…

#AbrahamCruzvillegas #PaulMpagiSepuya #SerbanIonescu #JoseEduardoBarajas #TaliLennox SebastianSilva RossSimonini LouisJacquot MattPaweski ZoloPress

STUDIOS AND VISITS… LATELY…

#AbrahamCruzvillegas #PaulMpagiSepuya #SerbanIonescu #JoseEduardoBarajas #TaliLennox SebastianSilva RossSimonini LouisJacquot MattPaweski ZoloPress

STUDIOS AND VISITS… LATELY…

#AbrahamCruzvillegas #PaulMpagiSepuya #SerbanIonescu #JoseEduardoBarajas #TaliLennox SebastianSilva RossSimonini LouisJacquot MattPaweski ZoloPress

STUDIOS AND VISITS… LATELY…

#AbrahamCruzvillegas #PaulMpagiSepuya #SerbanIonescu #JoseEduardoBarajas #TaliLennox SebastianSilva RossSimonini LouisJacquot MattPaweski ZoloPress

LONDON: JOIN US AT OFFPRINT!

BACK IN LONDON WITH FRESH TITLES—FIND US SHARING A TABLE WITH THE @sendb00ks CREW!

FRI, MAY 15
3 – 9PM

SAT, MAY 16
12 – 8PM

SUN, MAY 17
11 AM – 6 PM

180 Studios
180 Strand,‌ Temple
London, WC2R 1EA

@Offprint
#ZoloPress

LOS ANGELES: JOIN US AT PRINTED MATTER L.A. ART BOOK FAIR (BOOTH C22)

NEW BOOKS, NEW EDITIONS, NEW ARTWORKS. SIGNING WITH DAVID GILBERT ON SUNDAY, 2–3PM!

THUR, MAY 7
6–9 PM

FRI, MAY 8 + SAT, MAY 9
11 AM – 7 PM

SUN, MAY 10
11 AM – 6 PM

ArtCenter College of Design
1700 Lida St, Pasadena

@printedmatter_artbookfairs
#ZoloPress

WE’RE DELIGHTED TO LAUNCH ‘IT ME’, A LIMITED EDITION PRINT BY DAVID GILBERT! (DM for info and availability).

Edition of 30
25.4 × 17 cm
Color photograph

Only a few left! They will be available at:

PRINTED MATTER L.A. ART BOOK FAIR (BOOTH C22)
Thursday, May 7 – Sunday, May 10, 2026

ArtCenter College of Design (South Campus)
950 S. Raymond Ave.
Pasadena

AND AT GILBERT’S BOOK LAUNCH AND ARTIST TALK
Saturday, May 9, 2 PM

Orange Grove Friends Meeting
520 E Orange Grove Blvd, Pasadena

@davygilby
#davidgilbert
@printedmatter_artbookfairs
#ZoloPress

WE’RE DELIGHTED TO LAUNCH ‘IT ME’, A LIMITED EDITION PRINT BY DAVID GILBERT! (DM for info and availability).

Edition of 30
25.4 × 17 cm
Color photograph

Only a few left! They will be available at:

PRINTED MATTER L.A. ART BOOK FAIR (BOOTH C22)
Thursday, May 7 – Sunday, May 10, 2026

ArtCenter College of Design (South Campus)
950 S. Raymond Ave.
Pasadena

AND AT GILBERT’S BOOK LAUNCH AND ARTIST TALK
Saturday, May 9, 2 PM

Orange Grove Friends Meeting
520 E Orange Grove Blvd, Pasadena

@davygilby
#davidgilbert
@printedmatter_artbookfairs
#ZoloPress

LOS ANGELES: JOIN US FOR DAVID GILBERT’S TWO BOOK LAUNCHES AND AN ARTIST TALK!

🔵
SATURDAY MAY 9TH
2PM

Book launch and conversation between David Gilbert and writer and LARB editor Kate Wolf.

📍 Orange Grove Quaker Meeting House
520 E Orange Grove Blvd, Pasadena

🔵
SUNDAY MAY 10TH
2—3PM

Book signing and artist edition launch.

📍 Printed Matter Art Book Fair (Both C22)
ArtCenter College of Design

@davygilby
#davidgilbert
@printedmatter_artbookfairs
#ZoloPress
@zolo.press

LOS ANGELES: JOIN US FOR DAVID GILBERT’S TWO BOOK LAUNCHES AND AN ARTIST TALK!

🔵
SATURDAY MAY 9TH
2PM

Book launch and conversation between David Gilbert and writer and LARB editor Kate Wolf.

📍 Orange Grove Quaker Meeting House
520 E Orange Grove Blvd, Pasadena

🔵
SUNDAY MAY 10TH
2—3PM

Book signing and artist edition launch.

📍 Printed Matter Art Book Fair (Both C22)
ArtCenter College of Design

@davygilby
#davidgilbert
@printedmatter_artbookfairs
#ZoloPress
@zolo.press

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin
#zolopress

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin
#zolopress

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin
#zolopress

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin
#zolopress

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin
#zolopress

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin
#zolopress

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER! (LINK IN BIO)

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin
#zolopress

CHICAGO, JOIN US FOR OREN PINHASSI’S BOOK LAUNCH, OPENING, AND ARTIST TALK!

Tuesday March 31st
6:00pm

The Arts Club of Chicago
201 E Ontario St, Chicago

#OrenPinhassi
@oren_pinhassi
@artsclubchicago
@jmileaf
#zolopress

LILIES BY DAVID GILBERT IS OUT!
(LINK IN BIO)

Books are available at Chris Sharp in LA @chrissharpla Klaus Gallery in NY @klausgallery and Rebecca Camacho in SF @rebeccacamachopresents 

Spanning almost two decades of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as space fantasy and experimentation. Gathering 114 photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: everything speaks to the artist’s presence and being, but there are no actual bodies present. As a consequence, the work grants the same attention to disposable materials as to traditional portraits of people. Gilbert’s constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonderland bearing unexpected and glorious fruit. And if all portraits are ghosts, in Gilbert’s case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty – another kind of beauty; a deeper kind of beauty – where no sign of it had been detected, where we have been told not to expect it.

The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert’s practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.

212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@sarahlehrergraiwer 
@chrissharpla
@klausgallery
@rebeccacamachopresents
@colourandbooks
@wilco_artbooks
#zolopress

LILIES BY DAVID GILBERT IS OUT!
(LINK IN BIO)

Books are available at Chris Sharp in LA @chrissharpla Klaus Gallery in NY @klausgallery and Rebecca Camacho in SF @rebeccacamachopresents 

Spanning almost two decades of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as space fantasy and experimentation. Gathering 114 photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: everything speaks to the artist’s presence and being, but there are no actual bodies present. As a consequence, the work grants the same attention to disposable materials as to traditional portraits of people. Gilbert’s constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonderland bearing unexpected and glorious fruit. And if all portraits are ghosts, in Gilbert’s case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty – another kind of beauty; a deeper kind of beauty – where no sign of it had been detected, where we have been told not to expect it.

The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert’s practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.

212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@sarahlehrergraiwer 
@chrissharpla
@klausgallery
@rebeccacamachopresents
@colourandbooks
@wilco_artbooks
#zolopress

LILIES BY DAVID GILBERT IS OUT!
(LINK IN BIO)

Books are available at Chris Sharp in LA @chrissharpla Klaus Gallery in NY @klausgallery and Rebecca Camacho in SF @rebeccacamachopresents 

Spanning almost two decades of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as space fantasy and experimentation. Gathering 114 photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: everything speaks to the artist’s presence and being, but there are no actual bodies present. As a consequence, the work grants the same attention to disposable materials as to traditional portraits of people. Gilbert’s constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonderland bearing unexpected and glorious fruit. And if all portraits are ghosts, in Gilbert’s case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty – another kind of beauty; a deeper kind of beauty – where no sign of it had been detected, where we have been told not to expect it.

The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert’s practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.

212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@sarahlehrergraiwer 
@chrissharpla
@klausgallery
@rebeccacamachopresents
@colourandbooks
@wilco_artbooks
#zolopress

LILIES BY DAVID GILBERT IS OUT!
(LINK IN BIO)

Books are available at Chris Sharp in LA @chrissharpla Klaus Gallery in NY @klausgallery and Rebecca Camacho in SF @rebeccacamachopresents 

Spanning almost two decades of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as space fantasy and experimentation. Gathering 114 photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: everything speaks to the artist’s presence and being, but there are no actual bodies present. As a consequence, the work grants the same attention to disposable materials as to traditional portraits of people. Gilbert’s constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonderland bearing unexpected and glorious fruit. And if all portraits are ghosts, in Gilbert’s case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty – another kind of beauty; a deeper kind of beauty – where no sign of it had been detected, where we have been told not to expect it.

The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert’s practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.

212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@sarahlehrergraiwer 
@chrissharpla
@klausgallery
@rebeccacamachopresents
@colourandbooks
@wilco_artbooks
#zolopress

LILIES BY DAVID GILBERT IS OUT!
(LINK IN BIO)

Books are available at Chris Sharp in LA @chrissharpla Klaus Gallery in NY @klausgallery and Rebecca Camacho in SF @rebeccacamachopresents 

Spanning almost two decades of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as space fantasy and experimentation. Gathering 114 photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: everything speaks to the artist’s presence and being, but there are no actual bodies present. As a consequence, the work grants the same attention to disposable materials as to traditional portraits of people. Gilbert’s constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonderland bearing unexpected and glorious fruit. And if all portraits are ghosts, in Gilbert’s case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty – another kind of beauty; a deeper kind of beauty – where no sign of it had been detected, where we have been told not to expect it.

The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert’s practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.

212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@sarahlehrergraiwer 
@chrissharpla
@klausgallery
@rebeccacamachopresents
@colourandbooks
@wilco_artbooks
#zolopress

LILIES BY DAVID GILBERT IS OUT!
(LINK IN BIO)

Books are available at Chris Sharp in LA @chrissharpla Klaus Gallery in NY @klausgallery and Rebecca Camacho in SF @rebeccacamachopresents 

Spanning almost two decades of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as space fantasy and experimentation. Gathering 114 photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: everything speaks to the artist’s presence and being, but there are no actual bodies present. As a consequence, the work grants the same attention to disposable materials as to traditional portraits of people. Gilbert’s constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonderland bearing unexpected and glorious fruit. And if all portraits are ghosts, in Gilbert’s case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty – another kind of beauty; a deeper kind of beauty – where no sign of it had been detected, where we have been told not to expect it.

The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert’s practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.

212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@sarahlehrergraiwer 
@chrissharpla
@klausgallery
@rebeccacamachopresents
@colourandbooks
@wilco_artbooks
#zolopress

LILIES BY DAVID GILBERT IS OUT!
(LINK IN BIO)

Books are available at Chris Sharp in LA @chrissharpla Klaus Gallery in NY @klausgallery and Rebecca Camacho in SF @rebeccacamachopresents 

Spanning almost two decades of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as space fantasy and experimentation. Gathering 114 photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: everything speaks to the artist’s presence and being, but there are no actual bodies present. As a consequence, the work grants the same attention to disposable materials as to traditional portraits of people. Gilbert’s constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonderland bearing unexpected and glorious fruit. And if all portraits are ghosts, in Gilbert’s case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty – another kind of beauty; a deeper kind of beauty – where no sign of it had been detected, where we have been told not to expect it.

The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert’s practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.

212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@sarahlehrergraiwer 
@chrissharpla
@klausgallery
@rebeccacamachopresents
@colourandbooks
@wilco_artbooks
#zolopress

LILIES BY DAVID GILBERT IS OUT!
(LINK IN BIO)

Books are available at Chris Sharp in LA @chrissharpla Klaus Gallery in NY @klausgallery and Rebecca Camacho in SF @rebeccacamachopresents 

Spanning almost two decades of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as space fantasy and experimentation. Gathering 114 photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: everything speaks to the artist’s presence and being, but there are no actual bodies present. As a consequence, the work grants the same attention to disposable materials as to traditional portraits of people. Gilbert’s constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonderland bearing unexpected and glorious fruit. And if all portraits are ghosts, in Gilbert’s case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty – another kind of beauty; a deeper kind of beauty – where no sign of it had been detected, where we have been told not to expect it.

The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert’s practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.

212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@sarahlehrergraiwer 
@chrissharpla
@klausgallery
@rebeccacamachopresents
@colourandbooks
@wilco_artbooks
#zolopress

LILIES BY DAVID GILBERT IS OUT!
(LINK IN BIO)

Books are available at Chris Sharp in LA @chrissharpla Klaus Gallery in NY @klausgallery and Rebecca Camacho in SF @rebeccacamachopresents 

Spanning almost two decades of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as space fantasy and experimentation. Gathering 114 photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: everything speaks to the artist’s presence and being, but there are no actual bodies present. As a consequence, the work grants the same attention to disposable materials as to traditional portraits of people. Gilbert’s constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonderland bearing unexpected and glorious fruit. And if all portraits are ghosts, in Gilbert’s case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty – another kind of beauty; a deeper kind of beauty – where no sign of it had been detected, where we have been told not to expect it.

The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert’s practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.

212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@sarahlehrergraiwer 
@chrissharpla
@klausgallery
@rebeccacamachopresents
@colourandbooks
@wilco_artbooks
#zolopress

LILIES BY DAVID GILBERT IS OUT!
(LINK IN BIO)

Books are available at Chris Sharp in LA @chrissharpla Klaus Gallery in NY @klausgallery and Rebecca Camacho in SF @rebeccacamachopresents 

Spanning almost two decades of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as space fantasy and experimentation. Gathering 114 photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: everything speaks to the artist’s presence and being, but there are no actual bodies present. As a consequence, the work grants the same attention to disposable materials as to traditional portraits of people. Gilbert’s constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonderland bearing unexpected and glorious fruit. And if all portraits are ghosts, in Gilbert’s case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty – another kind of beauty; a deeper kind of beauty – where no sign of it had been detected, where we have been told not to expect it.

The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert’s practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.

212PP
165 × 240 mm
124 color plates
English

@davygilby
#davidgilbert
@sarahlehrergraiwer 
@chrissharpla
@klausgallery
@rebeccacamachopresents
@colourandbooks
@wilco_artbooks
#zolopress

NYC, JOIN US FOR JENNIFER ROCHLIN’S BOOK LAUNCH AND SIGNING!

Saturday March 25th
2:00pm

Hauser & Wirth Bookshop
443 W 18th St
New York

Jennifer Rochlin’s first monograph, Wild is the Wind, is a catalyst for autobiographical and cultural storytelling spanning seven years and featuring more than 40 works. Illustrated with 131 color plates, the book is a collection of feelings, memories, and experiences shaped as hand-built clay vessels that defy conventional categories of both contemporary art and traditional craft.

Rochlin’s clay works are diaristic records made permanent by fire. They are uncommon sites for intimate storytelling that converge painting, drawing, and sculpture. Personal memories and general stories are carved, scratched, painted, and glazed onto the vases, with nature as the constant backdrop that frames the foreground of most narratives. Furthermore, representation follows a filmic composition, evident in the fact that stories cannot be taken as a whole but can only unfold over time and in the round. Nonlinearity, layering, and fragmentation are paired with a certain naïvité and avoidance of craft virtuosity to elevate the ordinary into the mythic, the fleeting everyday into artistic moments.

The publication features essays by journalist and writer Alexis Okeowo and artist Tony Marsh, as well as a series of diary-like entries by Rochlin herself, pairing short narratives with specific pieces and the events that unleash them. The book is co-published with Sorry We're Closed, Brussels.

#JENNIFERROCHLIN
@JENNIFERROCHLIN
@HAUSERWIRTH
#HAUSERWIRTHBOOKSHOP
#SORRYWEARECLOSED
@SORRYSORRY_WERE_CLOSED
#ZOLOPRESS

Portrait by Ye Rin Mok

NYC, JOIN US FOR JENNIFER ROCHLIN’S BOOK LAUNCH AND SIGNING!

Saturday March 25th
2:00pm

Hauser & Wirth Bookshop
443 W 18th St
New York

Jennifer Rochlin’s first monograph, Wild is the Wind, is a catalyst for autobiographical and cultural storytelling spanning seven years and featuring more than 40 works. Illustrated with 131 color plates, the book is a collection of feelings, memories, and experiences shaped as hand-built clay vessels that defy conventional categories of both contemporary art and traditional craft.

Rochlin’s clay works are diaristic records made permanent by fire. They are uncommon sites for intimate storytelling that converge painting, drawing, and sculpture. Personal memories and general stories are carved, scratched, painted, and glazed onto the vases, with nature as the constant backdrop that frames the foreground of most narratives. Furthermore, representation follows a filmic composition, evident in the fact that stories cannot be taken as a whole but can only unfold over time and in the round. Nonlinearity, layering, and fragmentation are paired with a certain naïvité and avoidance of craft virtuosity to elevate the ordinary into the mythic, the fleeting everyday into artistic moments.

The publication features essays by journalist and writer Alexis Okeowo and artist Tony Marsh, as well as a series of diary-like entries by Rochlin herself, pairing short narratives with specific pieces and the events that unleash them. The book is co-published with Sorry We're Closed, Brussels.

#JENNIFERROCHLIN
@JENNIFERROCHLIN
@HAUSERWIRTH
#HAUSERWIRTHBOOKSHOP
#SORRYWEARECLOSED
@SORRYSORRY_WERE_CLOSED
#ZOLOPRESS

Portrait by Ye Rin Mok