Enregistrement d'histoires Instagram

The Third Line is pleased to present ‘From the Perspective of Language,’ Sara Naim’s (@saranaim__) fourth solo exhibition at the gallery. Please join us for the opening reception!

🕑Opening Reception: 7-10 pm on Wednesday, 4 March 2026
📣Artist Talk at 8:30 pm with Nadine Khalil (@nadine_a_khalil).

On view from 4 March until 7 April 2026
📍The Third Line, Dubai, UAE

The exhibition marks the artist’s first public presentation of paintings. Produced intermittently between 2023 and 2026, the large-scale works move between figuration and abstraction to examine boundaries and the limits of representation through arrangements of symbolically charged imagery. The exhibition is accompanied by a new video performance, ‘Mother Practices Her Tongue’ (2026), which abstracts the Arabic language into gestures and sounds that no longer produce coherent meaning. Together, the paintings and video extend Naim’s ongoing investigation into how meaning is constructed through inherited systems such as language, symbols, and ideology.

The artist talk will explore Naim’s multidisciplinary practice in relation to the new body of work created for the exhibition.

Tap on the link in our bio for more information.
––––––––––
#SaraNaim #FromThePerspectiveOfLanguage #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

NOW OPEN: 61st International Art Exhibition of La Biennale di Venezia (@labiennale)

Swipe right to view our artists’ presentations across the Central Pavilion and multiple National Pavilions.

Abbas Akhavan (@abbasakhavan)
Canada Pavilion (@natgallerycan)
‘Entre chien et loup’

Farah Al Qasimi (@frequentlyaskedquestion)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige)
Central Pavilion
‘In Minor Keys’

Lamya Gargash (@lamya_gargash)
National Pavilion UAE (@nationalpavilionuae)
‘Washwasha’

Sophia Al-Maria (@sxphix_xl_mxrix).
National Pavilion of Qatar
‘untitled 2026 (a gathering of remarkable people)’

Installation Views:
Abbas Akhavan, ‘Entre chien et loup,’ Canada Pavilion, La Biennale di Venezia, 2026. Photo: Francesco Barasciutti

Farah Al Qasimi, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Joana Hadjithomas & Khalil Joreige, ‘In Minor Keys,’ La Biennale di Venezia, 2026.

Lamya Gargash, ‘Washwasha,’ National Pavilion UAE, La Biennale di Venezia, 2026. Photo: Ismail Noor of Seeing Things.

Still: Sophia Al-Maria, DAMAR TV, 2026.
––––––––––
#LaBiennale #VeniceBiennale #TheThirdLine #ContemporaryArt

#OpeningSoon Farah Al Qasimi’s (@frequentlyaskedquestion) film, Um Al Dhabaab (Mother of Fog) (2022), will be featured in ‘FERTILE RESISTANCE: KADIST Collection-in-Residence,’ a summer-long program of film and video screenings launching KADIST’s (@kadistkadist) three-year collection-in-residence collaboration with the Institute for Contemporary Art at Virginia Commonwealth University (@icavcu).

On view from 5 June - 16 August 2026
📍KADIST, Paris, France

Six films drawn from KADIST’s collection travel across Chile, Whiskey’s Country (Aboriginal land), California, Asia‘s modern-day trade hubs, Ukraine, and Guatemala — weaving together meditations on memory, belonging, and resistance with critical explorations of labor politics, colonization, and the social and ecological afterlives of war. Lush, immersive, and formally profound, the works move through vanishing and reemerging landscapes, tracing the enduring power of artistic and civil resistance to remake the world.

Stills: Farah Al Qasimi, Um Al Dhabaab (Mother of Fog), 2022, Two-channel video, 29’ 45’’.

Installation View: Courtesy of Sharjah Art Foundation. Photo by Danko Stjepanovic.

Tap on the link in our bio for more information.
––––––––––
#FarahAlQasimi #KADIST #Filmscreening #ContemporaryArt

#OpeningSoon Farah Al Qasimi’s (@frequentlyaskedquestion) film, Um Al Dhabaab (Mother of Fog) (2022), will be featured in ‘FERTILE RESISTANCE: KADIST Collection-in-Residence,’ a summer-long program of film and video screenings launching KADIST’s (@kadistkadist) three-year collection-in-residence collaboration with the Institute for Contemporary Art at Virginia Commonwealth University (@icavcu).

On view from 5 June - 16 August 2026
📍KADIST, Paris, France

Six films drawn from KADIST’s collection travel across Chile, Whiskey’s Country (Aboriginal land), California, Asia‘s modern-day trade hubs, Ukraine, and Guatemala — weaving together meditations on memory, belonging, and resistance with critical explorations of labor politics, colonization, and the social and ecological afterlives of war. Lush, immersive, and formally profound, the works move through vanishing and reemerging landscapes, tracing the enduring power of artistic and civil resistance to remake the world.

Stills: Farah Al Qasimi, Um Al Dhabaab (Mother of Fog), 2022, Two-channel video, 29’ 45’’.

Installation View: Courtesy of Sharjah Art Foundation. Photo by Danko Stjepanovic.

Tap on the link in our bio for more information.
––––––––––
#FarahAlQasimi #KADIST #Filmscreening #ContemporaryArt

#OpeningSoon Farah Al Qasimi’s (@frequentlyaskedquestion) film, Um Al Dhabaab (Mother of Fog) (2022), will be featured in ‘FERTILE RESISTANCE: KADIST Collection-in-Residence,’ a summer-long program of film and video screenings launching KADIST’s (@kadistkadist) three-year collection-in-residence collaboration with the Institute for Contemporary Art at Virginia Commonwealth University (@icavcu).

On view from 5 June - 16 August 2026
📍KADIST, Paris, France

Six films drawn from KADIST’s collection travel across Chile, Whiskey’s Country (Aboriginal land), California, Asia‘s modern-day trade hubs, Ukraine, and Guatemala — weaving together meditations on memory, belonging, and resistance with critical explorations of labor politics, colonization, and the social and ecological afterlives of war. Lush, immersive, and formally profound, the works move through vanishing and reemerging landscapes, tracing the enduring power of artistic and civil resistance to remake the world.

Stills: Farah Al Qasimi, Um Al Dhabaab (Mother of Fog), 2022, Two-channel video, 29’ 45’’.

Installation View: Courtesy of Sharjah Art Foundation. Photo by Danko Stjepanovic.

Tap on the link in our bio for more information.
––––––––––
#FarahAlQasimi #KADIST #Filmscreening #ContemporaryArt

‘Outerworlds,’ a multi-venue mid-career survey of Vian Sora (@viansora) is currently #OnView at Asia Society Texas (@asiasocietytx).

On view until 2 August 2026
📍Asia Society Texas, Houston, TX, USA

Following presentations at Santa Barbara Museum of Art (@sbmuseart) and Speed Art Museum (@speedartmuseum), the exhibition traveled to Houston with an expanded display. Sora’s visceral, multilayered paintings are presented in dialogue with works by sculptor John Chamberlain and painter Etel Adnan.

The exhibition is curated by James Glisson, Chief Curator and Curator of Contemporary Art, Santa Barbara Museum of Art; Tyler Blackwell (@tylerblackwell), Curator of Contemporary Art, Speed Art Museum; and Owen Duffy (@owieduffy), Nancy C. Allen Curator and Director of Exhibitions at Asia Society Texas.

Installation View: Vian Sora, Outerworlds, 2026, Asia Society Texas, TX, USA.

Tap on the link in bio for more information.
––––––––––
#VianSora #Outerworlds #AsiaSocietyTexas #ContemporaryArt

‘Outerworlds,’ a multi-venue mid-career survey of Vian Sora (@viansora) is currently #OnView at Asia Society Texas (@asiasocietytx).

On view until 2 August 2026
📍Asia Society Texas, Houston, TX, USA

Following presentations at Santa Barbara Museum of Art (@sbmuseart) and Speed Art Museum (@speedartmuseum), the exhibition traveled to Houston with an expanded display. Sora’s visceral, multilayered paintings are presented in dialogue with works by sculptor John Chamberlain and painter Etel Adnan.

The exhibition is curated by James Glisson, Chief Curator and Curator of Contemporary Art, Santa Barbara Museum of Art; Tyler Blackwell (@tylerblackwell), Curator of Contemporary Art, Speed Art Museum; and Owen Duffy (@owieduffy), Nancy C. Allen Curator and Director of Exhibitions at Asia Society Texas.

Installation View: Vian Sora, Outerworlds, 2026, Asia Society Texas, TX, USA.

Tap on the link in bio for more information.
––––––––––
#VianSora #Outerworlds #AsiaSocietyTexas #ContemporaryArt

‘Outerworlds,’ a multi-venue mid-career survey of Vian Sora (@viansora) is currently #OnView at Asia Society Texas (@asiasocietytx).

On view until 2 August 2026
📍Asia Society Texas, Houston, TX, USA

Following presentations at Santa Barbara Museum of Art (@sbmuseart) and Speed Art Museum (@speedartmuseum), the exhibition traveled to Houston with an expanded display. Sora’s visceral, multilayered paintings are presented in dialogue with works by sculptor John Chamberlain and painter Etel Adnan.

The exhibition is curated by James Glisson, Chief Curator and Curator of Contemporary Art, Santa Barbara Museum of Art; Tyler Blackwell (@tylerblackwell), Curator of Contemporary Art, Speed Art Museum; and Owen Duffy (@owieduffy), Nancy C. Allen Curator and Director of Exhibitions at Asia Society Texas.

Installation View: Vian Sora, Outerworlds, 2026, Asia Society Texas, TX, USA.

Tap on the link in bio for more information.
––––––––––
#VianSora #Outerworlds #AsiaSocietyTexas #ContemporaryArt

‘Outerworlds,’ a multi-venue mid-career survey of Vian Sora (@viansora) is currently #OnView at Asia Society Texas (@asiasocietytx).

On view until 2 August 2026
📍Asia Society Texas, Houston, TX, USA

Following presentations at Santa Barbara Museum of Art (@sbmuseart) and Speed Art Museum (@speedartmuseum), the exhibition traveled to Houston with an expanded display. Sora’s visceral, multilayered paintings are presented in dialogue with works by sculptor John Chamberlain and painter Etel Adnan.

The exhibition is curated by James Glisson, Chief Curator and Curator of Contemporary Art, Santa Barbara Museum of Art; Tyler Blackwell (@tylerblackwell), Curator of Contemporary Art, Speed Art Museum; and Owen Duffy (@owieduffy), Nancy C. Allen Curator and Director of Exhibitions at Asia Society Texas.

Installation View: Vian Sora, Outerworlds, 2026, Asia Society Texas, TX, USA.

Tap on the link in bio for more information.
––––––––––
#VianSora #Outerworlds #AsiaSocietyTexas #ContemporaryArt

‘Outerworlds,’ a multi-venue mid-career survey of Vian Sora (@viansora) is currently #OnView at Asia Society Texas (@asiasocietytx).

On view until 2 August 2026
📍Asia Society Texas, Houston, TX, USA

Following presentations at Santa Barbara Museum of Art (@sbmuseart) and Speed Art Museum (@speedartmuseum), the exhibition traveled to Houston with an expanded display. Sora’s visceral, multilayered paintings are presented in dialogue with works by sculptor John Chamberlain and painter Etel Adnan.

The exhibition is curated by James Glisson, Chief Curator and Curator of Contemporary Art, Santa Barbara Museum of Art; Tyler Blackwell (@tylerblackwell), Curator of Contemporary Art, Speed Art Museum; and Owen Duffy (@owieduffy), Nancy C. Allen Curator and Director of Exhibitions at Asia Society Texas.

Installation View: Vian Sora, Outerworlds, 2026, Asia Society Texas, TX, USA.

Tap on the link in bio for more information.
––––––––––
#VianSora #Outerworlds #AsiaSocietyTexas #ContemporaryArt

‘Outerworlds,’ a multi-venue mid-career survey of Vian Sora (@viansora) is currently #OnView at Asia Society Texas (@asiasocietytx).

On view until 2 August 2026
📍Asia Society Texas, Houston, TX, USA

Following presentations at Santa Barbara Museum of Art (@sbmuseart) and Speed Art Museum (@speedartmuseum), the exhibition traveled to Houston with an expanded display. Sora’s visceral, multilayered paintings are presented in dialogue with works by sculptor John Chamberlain and painter Etel Adnan.

The exhibition is curated by James Glisson, Chief Curator and Curator of Contemporary Art, Santa Barbara Museum of Art; Tyler Blackwell (@tylerblackwell), Curator of Contemporary Art, Speed Art Museum; and Owen Duffy (@owieduffy), Nancy C. Allen Curator and Director of Exhibitions at Asia Society Texas.

Installation View: Vian Sora, Outerworlds, 2026, Asia Society Texas, TX, USA.

Tap on the link in bio for more information.
––––––––––
#VianSora #Outerworlds #AsiaSocietyTexas #ContemporaryArt

‘Outerworlds,’ a multi-venue mid-career survey of Vian Sora (@viansora) is currently #OnView at Asia Society Texas (@asiasocietytx).

On view until 2 August 2026
📍Asia Society Texas, Houston, TX, USA

Following presentations at Santa Barbara Museum of Art (@sbmuseart) and Speed Art Museum (@speedartmuseum), the exhibition traveled to Houston with an expanded display. Sora’s visceral, multilayered paintings are presented in dialogue with works by sculptor John Chamberlain and painter Etel Adnan.

The exhibition is curated by James Glisson, Chief Curator and Curator of Contemporary Art, Santa Barbara Museum of Art; Tyler Blackwell (@tylerblackwell), Curator of Contemporary Art, Speed Art Museum; and Owen Duffy (@owieduffy), Nancy C. Allen Curator and Director of Exhibitions at Asia Society Texas.

Installation View: Vian Sora, Outerworlds, 2026, Asia Society Texas, TX, USA.

Tap on the link in bio for more information.
––––––––––
#VianSora #Outerworlds #AsiaSocietyTexas #ContemporaryArt

‘Outerworlds,’ a multi-venue mid-career survey of Vian Sora (@viansora) is currently #OnView at Asia Society Texas (@asiasocietytx).

On view until 2 August 2026
📍Asia Society Texas, Houston, TX, USA

Following presentations at Santa Barbara Museum of Art (@sbmuseart) and Speed Art Museum (@speedartmuseum), the exhibition traveled to Houston with an expanded display. Sora’s visceral, multilayered paintings are presented in dialogue with works by sculptor John Chamberlain and painter Etel Adnan.

The exhibition is curated by James Glisson, Chief Curator and Curator of Contemporary Art, Santa Barbara Museum of Art; Tyler Blackwell (@tylerblackwell), Curator of Contemporary Art, Speed Art Museum; and Owen Duffy (@owieduffy), Nancy C. Allen Curator and Director of Exhibitions at Asia Society Texas.

Installation View: Vian Sora, Outerworlds, 2026, Asia Society Texas, TX, USA.

Tap on the link in bio for more information.
––––––––––
#VianSora #Outerworlds #AsiaSocietyTexas #ContemporaryArt

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige) currently #OnView in ‘Shifting Crossroads | Beirut Contemporary,’ a group exhibition presented by Saikalis Bay Foundation (@saikalis_bay_foundation) at CIRCOLO (@circolo.art).

On view until 3 July 2026
📍CIRCOLO, Milan, Italy

‘Shifting Crossroads | Beirut Contemporary’ brings together ten artists whose practices explore Beirut as a living crossroads of the Mediterranean—a place where histories are layered, borders shift, and memory, politics, and personal histories remain alive. The exhibition spans works on paper, banners, porcelain sculpture, photography, and video, tracing connections from the late Ottoman period to the present.

Installation View: Shifting Crossroads | Beirut Contemporary, 2026, CIRCOLO, Milan. Photography by Andrea Rossetti. Courtesy of Saikalis Bay Foundation.

Tap on the link in our bio for more information.
––––––––––
#JoanaHadjithomasKhalilJoreige #CIRCOLO #ContemporaryArt

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige) currently #OnView in ‘Shifting Crossroads | Beirut Contemporary,’ a group exhibition presented by Saikalis Bay Foundation (@saikalis_bay_foundation) at CIRCOLO (@circolo.art).

On view until 3 July 2026
📍CIRCOLO, Milan, Italy

‘Shifting Crossroads | Beirut Contemporary’ brings together ten artists whose practices explore Beirut as a living crossroads of the Mediterranean—a place where histories are layered, borders shift, and memory, politics, and personal histories remain alive. The exhibition spans works on paper, banners, porcelain sculpture, photography, and video, tracing connections from the late Ottoman period to the present.

Installation View: Shifting Crossroads | Beirut Contemporary, 2026, CIRCOLO, Milan. Photography by Andrea Rossetti. Courtesy of Saikalis Bay Foundation.

Tap on the link in our bio for more information.
––––––––––
#JoanaHadjithomasKhalilJoreige #CIRCOLO #ContemporaryArt

Joana Hadjithomas & Khalil Joreige (@studiohadjithomasjoreige) currently #OnView in ‘Shifting Crossroads | Beirut Contemporary,’ a group exhibition presented by Saikalis Bay Foundation (@saikalis_bay_foundation) at CIRCOLO (@circolo.art).

On view until 3 July 2026
📍CIRCOLO, Milan, Italy

‘Shifting Crossroads | Beirut Contemporary’ brings together ten artists whose practices explore Beirut as a living crossroads of the Mediterranean—a place where histories are layered, borders shift, and memory, politics, and personal histories remain alive. The exhibition spans works on paper, banners, porcelain sculpture, photography, and video, tracing connections from the late Ottoman period to the present.

Installation View: Shifting Crossroads | Beirut Contemporary, 2026, CIRCOLO, Milan. Photography by Andrea Rossetti. Courtesy of Saikalis Bay Foundation.

Tap on the link in our bio for more information.
––––––––––
#JoanaHadjithomasKhalilJoreige #CIRCOLO #ContemporaryArt

The Third Line and The Third Line Shop wish everyone a peaceful and joyous Eid Al Adha with your family and loved ones 🌙 May this season of reflection and generosity bring light and inspiration.

We are closed throughout the Eid holidays. We look forward to welcoming you again on Saturday, 30 May.

Image: Ala Ebtekar, Zenith IV, 2023 - 2024, Acrylic and Charcoal Underdrawing on Cyanotype on, Canvas exposed by Sun, Moon, and Starlight, 182.88 x 182.88 x 5.08 cm
––––––––––
#EidAlAdha #TheThirdLine #Dubai #ContemporaryArt

@saranaim__ ‘s latest show ‘From the Perspective of Language’ at @thethirdlinedxb asks the public to reexamine our worldview with a microscopic lens.

We spoke with the artist to better understand the exhibition, her practice, and the thinkers who inspired the questions her work poses to viewers.

Words: @zeinkaram

Tap the link in bio to read the full interview 🔗

@saranaim__ ‘s latest show ‘From the Perspective of Language’ at @thethirdlinedxb asks the public to reexamine our worldview with a microscopic lens.

We spoke with the artist to better understand the exhibition, her practice, and the thinkers who inspired the questions her work poses to viewers.

Words: @zeinkaram

Tap the link in bio to read the full interview 🔗

@saranaim__ ‘s latest show ‘From the Perspective of Language’ at @thethirdlinedxb asks the public to reexamine our worldview with a microscopic lens.

We spoke with the artist to better understand the exhibition, her practice, and the thinkers who inspired the questions her work poses to viewers.

Words: @zeinkaram

Tap the link in bio to read the full interview 🔗

@saranaim__ ‘s latest show ‘From the Perspective of Language’ at @thethirdlinedxb asks the public to reexamine our worldview with a microscopic lens.

We spoke with the artist to better understand the exhibition, her practice, and the thinkers who inspired the questions her work poses to viewers.

Words: @zeinkaram

Tap the link in bio to read the full interview 🔗

@saranaim__ ‘s latest show ‘From the Perspective of Language’ at @thethirdlinedxb asks the public to reexamine our worldview with a microscopic lens.

We spoke with the artist to better understand the exhibition, her practice, and the thinkers who inspired the questions her work poses to viewers.

Words: @zeinkaram

Tap the link in bio to read the full interview 🔗

@saranaim__ ‘s latest show ‘From the Perspective of Language’ at @thethirdlinedxb asks the public to reexamine our worldview with a microscopic lens.

We spoke with the artist to better understand the exhibition, her practice, and the thinkers who inspired the questions her work poses to viewers.

Words: @zeinkaram

Tap the link in bio to read the full interview 🔗

@saranaim__ ‘s latest show ‘From the Perspective of Language’ at @thethirdlinedxb asks the public to reexamine our worldview with a microscopic lens.

We spoke with the artist to better understand the exhibition, her practice, and the thinkers who inspired the questions her work poses to viewers.

Words: @zeinkaram

Tap the link in bio to read the full interview 🔗

@saranaim__ ‘s latest show ‘From the Perspective of Language’ at @thethirdlinedxb asks the public to reexamine our worldview with a microscopic lens.

We spoke with the artist to better understand the exhibition, her practice, and the thinkers who inspired the questions her work poses to viewers.

Words: @zeinkaram

Tap the link in bio to read the full interview 🔗

@saranaim__ ‘s latest show ‘From the Perspective of Language’ at @thethirdlinedxb asks the public to reexamine our worldview with a microscopic lens.

We spoke with the artist to better understand the exhibition, her practice, and the thinkers who inspired the questions her work poses to viewers.

Words: @zeinkaram

Tap the link in bio to read the full interview 🔗

Our presentation in motion at ‘In Minor Keys’, the 61st International Art Exhibition of La Biennale di Venezia. Made in collaboration with artists, archaeologists, institutions, and friends across continents.



COLLABORATORS & ARTISTS
Palimpsests: Tina Baz, Talal Khoury, Joe Saade, Julien Hirsch, Hadi Choueri, Rana Eid, Charbel Haber, Belal Hibri, Studio DB, Lucid

Time Capsules: Mania Benessi, Hadi Choueri, Anastasia Kioussi, Sylvie Robin, Julien Avinain, Factum Arte

Zig Zag Over Time: Marie Doucedame, Sandrine Duval Laugier, Emilie Lesvignes, Pascaline Gaussein, Elodie Moreno, Marthe Mulkey, Roland Nespoulet

A State: Commissioned by V-A-C Foundation for Time, Forward!, curated by Dr. Omar Kholeif

Under The Cold River Bed: Maissa Maatouk, Hadi Choueri, Karim Chaya
Commissioned by the Taipei Biennial 2020, curated by Bruno Latour and Martin Guinard, CNRS-L Archaeology Team, Scientific Director: Dr. Assaad Seif, Aline Zgheib, Ahmad El Samou, Bassem Abou Ayash, Ansam El Sankar

Message with(out) a code: TextielLab, TextielMuseum, with support from Mécénat de la Fondation des Artistes (France)

Blow Up from Venice: Mania Benissi, Diego Calaon, Hadi Choueri, Alessandra Forti, Gilbert Debs, Jad Debs EDCO & MatterLab, Galerie In Situ – fabienne leclerc

INSTITUTIONAL & SUPPORTERS
MAMCO Collection, Carla Chammas, Musée Carnavalet – Histoire de Paris | Crypte archéologique de Notre-Dame de Paris, Valérie Guillaume, Onassis Foundation, Afroditi Panagiotakou, Saradar Foundation, Dina Saradar, Fonds de dotation Emerige (Paris), Laurent Dumas, Galerie In Situ – fabienne leclerc, Fabienne Leclerc, Antoine Laurent, Marine Lemoal, The Third Line Gallery, Sunny Rahbar, Gabriella Moore, Lionel Bovier, Jean-Marc Decrop, Clement Dirié, Paula Aisemberg, Factum Arte, Adam Lowe, Philippe Fayad, -scope Ateliers, Nadim Zablit, Tania Arwachan

STUDIO MANAGER
Tara El Khoury Mikhael @t.elkm

Lamya Gargash (@lamya_gargash) participates in ‘Space Enter Shift,’ the third edition of Asian Avant-Garde Film Festival (@aagff.mplus), with a large-scale presentation commissioned by M+ (@mplusmuseum)and developed with sound artist Vivian Wang (@wang_can_hang).

On view from 29 - 31 May 2026
📍M+ Moving Image Centre, Hong Kong

Lamya Gargash × Vivian Wang: Tracking Nomadism (2026) is a stunning large-scale presentation that blends Gargash’s evocative architecture photography and Wang’s live score performance to evoke the lingering presences, memories, and aspirations of people who move across time and place.

‘Space Enter Shift’ explores the concept of space through its cross-disciplinary framework, featuring filmmakers and artists. Through discursive programmes on power and capital, territorial divisions, surveillance, and increasing fluidity between physical and virtual realities, AAGFF 2026 forges surprising connections between artistic practices and finds new senses of community as a positive condition of a globalised and digital world in the face of ecological and geopolitical crisis.

Lamya Gargash, Al Hamra Cinema 3, Sharjah, UAE, 2024, Archival pigment print, 90 x 120 cm.

Tap on the link in our bio for more information.
––––––––––
#LamyaGargash #AAGFF #MPlus #FilmFestival #ContemporaryArt

The Third Line and The Third Line Shop will be closed for the Eid holidays from tomorrow until Friday, 29 May. Wishing everyone a peaceful and joyful celebration—we look forward to welcoming you back on Saturday, 30 May.

We’ll also be returning with updated gallery hours:
🕐 Monday to Saturday: 11am - 7pm
––––––––––
#TheThirdLine #AlserkalAvenue #ContemporaryArt #Dubai

Amir H. Fallah’s (@amirhfallah) new public sculpture, ‘Two of Me,’ commissioned by the Los Angeles County Department of Arts and Culture (@lacountyarts) as part of the Public Artists in Development (PAiD) Artist Council program, is currently #OnView at the Kenneth Hahn Hall of Administration in downtown Los Angeles.

‘Two of Me’ presents the body as both structure and story. The figure, assembled from a visual lexicon, spans the ancient and contemporary, the Eastern and Western, the intimate and the public. The work acts as both surface and archive of change, reflecting the immigrant experience of living between cultures. ‘Two of Me’ holds past and present, and assimilation and inheritance, in constant tension. Botanical patterns wrapping the form function as both armor and skin. The work evokes regeneration, resilience, and interconnectedness. As the viewer moves around it, the figure shifts, revealing multiple selves coexisting at once.

Through personal references reduced to silhouettes and deconstructed into traces that merge, fracture, and recombine, ‘Two of Me’ becomes a portrait of a body in flux. The artist examines how identity is constructed, performed, and protected, and how our experiences become embedded within us.

Image: Amir H. Fallah, Two of Me, 2026, Acrylic, aluminum, hardware, 182.9 cm × 133.4 cm.
––––––––––
#AmirHFallah #Sculpture #ContemporaryArt #LACountyArts

Amir H. Fallah’s (@amirhfallah) new public sculpture, ‘Two of Me,’ commissioned by the Los Angeles County Department of Arts and Culture (@lacountyarts) as part of the Public Artists in Development (PAiD) Artist Council program, is currently #OnView at the Kenneth Hahn Hall of Administration in downtown Los Angeles.

‘Two of Me’ presents the body as both structure and story. The figure, assembled from a visual lexicon, spans the ancient and contemporary, the Eastern and Western, the intimate and the public. The work acts as both surface and archive of change, reflecting the immigrant experience of living between cultures. ‘Two of Me’ holds past and present, and assimilation and inheritance, in constant tension. Botanical patterns wrapping the form function as both armor and skin. The work evokes regeneration, resilience, and interconnectedness. As the viewer moves around it, the figure shifts, revealing multiple selves coexisting at once.

Through personal references reduced to silhouettes and deconstructed into traces that merge, fracture, and recombine, ‘Two of Me’ becomes a portrait of a body in flux. The artist examines how identity is constructed, performed, and protected, and how our experiences become embedded within us.

Image: Amir H. Fallah, Two of Me, 2026, Acrylic, aluminum, hardware, 182.9 cm × 133.4 cm.
––––––––––
#AmirHFallah #Sculpture #ContemporaryArt #LACountyArts

Amir H. Fallah’s (@amirhfallah) new public sculpture, ‘Two of Me,’ commissioned by the Los Angeles County Department of Arts and Culture (@lacountyarts) as part of the Public Artists in Development (PAiD) Artist Council program, is currently #OnView at the Kenneth Hahn Hall of Administration in downtown Los Angeles.

‘Two of Me’ presents the body as both structure and story. The figure, assembled from a visual lexicon, spans the ancient and contemporary, the Eastern and Western, the intimate and the public. The work acts as both surface and archive of change, reflecting the immigrant experience of living between cultures. ‘Two of Me’ holds past and present, and assimilation and inheritance, in constant tension. Botanical patterns wrapping the form function as both armor and skin. The work evokes regeneration, resilience, and interconnectedness. As the viewer moves around it, the figure shifts, revealing multiple selves coexisting at once.

Through personal references reduced to silhouettes and deconstructed into traces that merge, fracture, and recombine, ‘Two of Me’ becomes a portrait of a body in flux. The artist examines how identity is constructed, performed, and protected, and how our experiences become embedded within us.

Image: Amir H. Fallah, Two of Me, 2026, Acrylic, aluminum, hardware, 182.9 cm × 133.4 cm.
––––––––––
#AmirHFallah #Sculpture #ContemporaryArt #LACountyArts

Amir H. Fallah’s (@amirhfallah) new public sculpture, ‘Two of Me,’ commissioned by the Los Angeles County Department of Arts and Culture (@lacountyarts) as part of the Public Artists in Development (PAiD) Artist Council program, is currently #OnView at the Kenneth Hahn Hall of Administration in downtown Los Angeles.

‘Two of Me’ presents the body as both structure and story. The figure, assembled from a visual lexicon, spans the ancient and contemporary, the Eastern and Western, the intimate and the public. The work acts as both surface and archive of change, reflecting the immigrant experience of living between cultures. ‘Two of Me’ holds past and present, and assimilation and inheritance, in constant tension. Botanical patterns wrapping the form function as both armor and skin. The work evokes regeneration, resilience, and interconnectedness. As the viewer moves around it, the figure shifts, revealing multiple selves coexisting at once.

Through personal references reduced to silhouettes and deconstructed into traces that merge, fracture, and recombine, ‘Two of Me’ becomes a portrait of a body in flux. The artist examines how identity is constructed, performed, and protected, and how our experiences become embedded within us.

Image: Amir H. Fallah, Two of Me, 2026, Acrylic, aluminum, hardware, 182.9 cm × 133.4 cm.
––––––––––
#AmirHFallah #Sculpture #ContemporaryArt #LACountyArts

Amir H. Fallah’s (@amirhfallah) new public sculpture, ‘Two of Me,’ commissioned by the Los Angeles County Department of Arts and Culture (@lacountyarts) as part of the Public Artists in Development (PAiD) Artist Council program, is currently #OnView at the Kenneth Hahn Hall of Administration in downtown Los Angeles.

‘Two of Me’ presents the body as both structure and story. The figure, assembled from a visual lexicon, spans the ancient and contemporary, the Eastern and Western, the intimate and the public. The work acts as both surface and archive of change, reflecting the immigrant experience of living between cultures. ‘Two of Me’ holds past and present, and assimilation and inheritance, in constant tension. Botanical patterns wrapping the form function as both armor and skin. The work evokes regeneration, resilience, and interconnectedness. As the viewer moves around it, the figure shifts, revealing multiple selves coexisting at once.

Through personal references reduced to silhouettes and deconstructed into traces that merge, fracture, and recombine, ‘Two of Me’ becomes a portrait of a body in flux. The artist examines how identity is constructed, performed, and protected, and how our experiences become embedded within us.

Image: Amir H. Fallah, Two of Me, 2026, Acrylic, aluminum, hardware, 182.9 cm × 133.4 cm.
––––––––––
#AmirHFallah #Sculpture #ContemporaryArt #LACountyArts

Amir H. Fallah’s (@amirhfallah) new public sculpture, ‘Two of Me,’ commissioned by the Los Angeles County Department of Arts and Culture (@lacountyarts) as part of the Public Artists in Development (PAiD) Artist Council program, is currently #OnView at the Kenneth Hahn Hall of Administration in downtown Los Angeles.

‘Two of Me’ presents the body as both structure and story. The figure, assembled from a visual lexicon, spans the ancient and contemporary, the Eastern and Western, the intimate and the public. The work acts as both surface and archive of change, reflecting the immigrant experience of living between cultures. ‘Two of Me’ holds past and present, and assimilation and inheritance, in constant tension. Botanical patterns wrapping the form function as both armor and skin. The work evokes regeneration, resilience, and interconnectedness. As the viewer moves around it, the figure shifts, revealing multiple selves coexisting at once.

Through personal references reduced to silhouettes and deconstructed into traces that merge, fracture, and recombine, ‘Two of Me’ becomes a portrait of a body in flux. The artist examines how identity is constructed, performed, and protected, and how our experiences become embedded within us.

Image: Amir H. Fallah, Two of Me, 2026, Acrylic, aluminum, hardware, 182.9 cm × 133.4 cm.
––––––––––
#AmirHFallah #Sculpture #ContemporaryArt #LACountyArts

#ClosingSoon Abbas Akhavan (@abbasakhavan) at ‘Les Fleurs du Mal,’ a group exhibition at Oakville Galleries (@oakvillegalleries) curated by Karen Kraven (@karenkraven).

On view until 23 May 2026
📍Oakville Galleries, Ontario, Canada

‘Les Fleurs du Mal’ brings together artworks that explore flowers, gardens, mourning, and remembrance. Grappling with the complexities of the thresholds between life and death, these works consider commemoration, materiality, and embodiment to imagine futures and elsewheres, while also reflecting on the disenchantment within those fantasies and the fleeting beauty of everyday life.

Image: Abbas Akhavan, untitled, 2017–ongoing, from the exhibition Les Fleurs du Mal, Oakville Galleries in Gairloch Gardens, 2026. Photo: Jimmy Limit. Image Courtesy of Oakville Galleries.

Tap on the link in our bio for more information.
––––––––––
#AbbasAkhavan #OakvilleGalleries #InstallationArt #ContemporaryArt

#ClosingSoon Abbas Akhavan (@abbasakhavan) at ‘Les Fleurs du Mal,’ a group exhibition at Oakville Galleries (@oakvillegalleries) curated by Karen Kraven (@karenkraven).

On view until 23 May 2026
📍Oakville Galleries, Ontario, Canada

‘Les Fleurs du Mal’ brings together artworks that explore flowers, gardens, mourning, and remembrance. Grappling with the complexities of the thresholds between life and death, these works consider commemoration, materiality, and embodiment to imagine futures and elsewheres, while also reflecting on the disenchantment within those fantasies and the fleeting beauty of everyday life.

Image: Abbas Akhavan, untitled, 2017–ongoing, from the exhibition Les Fleurs du Mal, Oakville Galleries in Gairloch Gardens, 2026. Photo: Jimmy Limit. Image Courtesy of Oakville Galleries.

Tap on the link in our bio for more information.
––––––––––
#AbbasAkhavan #OakvilleGalleries #InstallationArt #ContemporaryArt

#ClosingSoon Abbas Akhavan (@abbasakhavan) at ‘Les Fleurs du Mal,’ a group exhibition at Oakville Galleries (@oakvillegalleries) curated by Karen Kraven (@karenkraven).

On view until 23 May 2026
📍Oakville Galleries, Ontario, Canada

‘Les Fleurs du Mal’ brings together artworks that explore flowers, gardens, mourning, and remembrance. Grappling with the complexities of the thresholds between life and death, these works consider commemoration, materiality, and embodiment to imagine futures and elsewheres, while also reflecting on the disenchantment within those fantasies and the fleeting beauty of everyday life.

Image: Abbas Akhavan, untitled, 2017–ongoing, from the exhibition Les Fleurs du Mal, Oakville Galleries in Gairloch Gardens, 2026. Photo: Jimmy Limit. Image Courtesy of Oakville Galleries.

Tap on the link in our bio for more information.
––––––––––
#AbbasAkhavan #OakvilleGalleries #InstallationArt #ContemporaryArt