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Very very excited to introduce Katabasis (2026), my first video work, premiering at @photolondonfair next week.

Katabasis (2026, single channel 4K video, 5:35 min loop) is part of the larger body of work Heaving Stone, Winged Dream (2026), drawing on the cave as a living archive in response to ambiguous loss. Rooted in both archaeological and classical reference, the work follows a descent into and out of a cave in futile search of reunion. The cave seems alive, emerging and retreating in slow succession, breathing. Moving between weight and release, presence and absence, the familiar briefly surfaces and retreats again in a cycle without closure. Field recordings from the cave form the basis of the soundscape, developed in collaboration with sound designer NAKANO BLU (@nakanoblu ).

Katabasis will be screening next week at the new video section of @photolondonfair

14 - 17 may
Preview day on 13 May
Screening Room
Ground Floor, National Hall, Olympia, London (UK)

A big thank you to @culturemoveseurope for supporting this project and to @jeanmichelmabrukimussa for assisting me

Slide 1: video still
Slide 2: video fragment

Very very excited to introduce Katabasis (2026), my first video work, premiering at @photolondonfair next week.

Katabasis (2026, single channel 4K video, 5:35 min loop) is part of the larger body of work Heaving Stone, Winged Dream (2026), drawing on the cave as a living archive in response to ambiguous loss. Rooted in both archaeological and classical reference, the work follows a descent into and out of a cave in futile search of reunion. The cave seems alive, emerging and retreating in slow succession, breathing. Moving between weight and release, presence and absence, the familiar briefly surfaces and retreats again in a cycle without closure. Field recordings from the cave form the basis of the soundscape, developed in collaboration with sound designer NAKANO BLU (@nakanoblu ).

Katabasis will be screening next week at the new video section of @photolondonfair

14 - 17 may
Preview day on 13 May
Screening Room
Ground Floor, National Hall, Olympia, London (UK)

A big thank you to @culturemoveseurope for supporting this project and to @jeanmichelmabrukimussa for assisting me

Slide 1: video still
Slide 2: video fragment

Like a sculptur’d thing of stone, 2024

Oak bark-toned cyanotypes in stainless steel frame, 121 x 76 cm

@todaysalternative #todaysalternative #cyanotype #contemporaryphotography #contemporaryart #geology #humboldt

Like a sculptur’d thing of stone, 2024

Oak bark-toned cyanotypes in stainless steel frame, 121 x 76 cm

@todaysalternative #todaysalternative #cyanotype #contemporaryphotography #contemporaryart #geology #humboldt

My new publication ‘Mycelium’ is here

Order through dm or link in bio!

Design
@jord_noorbeek

Print
@npndrukkers

#artbooks #bookdesign #mycelium #contemporaryart #artphotography #photography

My new publication ‘Mycelium’ is here

Order through dm or link in bio!

Design
@jord_noorbeek

Print
@npndrukkers

#artbooks #bookdesign #mycelium #contemporaryart #artphotography #photography

Central to the new body of work Heaving Stone, Winged Dream (2026), the sculptural work Rite of Passage (2026) stems from a desire for ritual in response to the fluid, indistinct grief of ambiguous loss. Echoing the ritual placement of a bear skull in Chauvet Cave, the ceramic polar bear skull seeks a reclaimed agency: an act of petrification.

Rite of Passage, 2026. Ceramic and iron oxide, 38 x 17 x 17 cm

Thank you @lokiproject for your guidance in working with this medium🦇

• Screening times •
Katabasis (2026) will be premiering this week at @photolondonfair in their new video section, The Screening Room.

Screening times:

Wednesday 13 May (Preview)
16:00 - 17:30

Thursday 14 May
17:00 - 18:00

Friday 15 May
15:30 - 16:30

Saturday 16 May
15:30 - 16:30

Sunday 17 May
17:00 - 18:00

Ground floor, National hall, Olympia, London

Sound design @nakanoblu 🦇
Supported by @culturemoveseurope

• Screening times •
Katabasis (2026) will be premiering this week at @photolondonfair in their new video section, The Screening Room.

Screening times:

Wednesday 13 May (Preview)
16:00 - 17:30

Thursday 14 May
17:00 - 18:00

Friday 15 May
15:30 - 16:30

Saturday 16 May
15:30 - 16:30

Sunday 17 May
17:00 - 18:00

Ground floor, National hall, Olympia, London

Sound design @nakanoblu 🦇
Supported by @culturemoveseurope

Like a sculptur’d thing of stone, 2024
Toned cyanotype in steel frame, 61 x 46 cm
Ed. 3 + 2 AP

Like a sculptur’d thing of stone, 2024
Toned cyanotype in steel frame, 61 x 46 cm
Ed. 3 + 2 AP

A skull of a cave bear, left resting on a rock some 33,000 years ago in Chauvet Cave, subject of Werner Herzog’s The Cave of Forgotten Dreams (2010). Traces of charcoal surrounding the skull and archectonic modification of the Skull Chamber spark speculation about symbolic meaning, spirituality and ritual behavior in the Upper Paleolithic.

A skull of a cave bear, left resting on a rock some 33,000 years ago in Chauvet Cave, subject of Werner Herzog’s The Cave of Forgotten Dreams (2010). Traces of charcoal surrounding the skull and archectonic modification of the Skull Chamber spark speculation about symbolic meaning, spirituality and ritual behavior in the Upper Paleolithic.

In the cracked bark of trees, 2025

Toned cyanotype in steel frame, 32 x 60 cm

Really happy to be joining @flatlandgalleryamsterdam in their plans this fall, opening their doors for the public presentation days from 9 - 19 October, followed by PAN Amsterdam 2 - 9 November.

Looking forward to be in company of @vincent_munier_photographer @kimboske @stl_kar @leilajeffreys 🦇

Fall is Taking Shape
Public presentation days at FLAT // LAND Gallery
Artemisstraat 22, Amsterdam
9 - 19 October
Thu - Sun, 12 - 18h

Pan Amsterdam
2 - 9 November
RAI, Amsterdam
@pan_amsterdam

One is treated to the sight of the wild, 2024.
Toned cyanotype in steel frame, 61 x 46 cm.

Super happy to share that I’ve been selected as Judge’s Pick for the OD Photo Prize 2025!

Thank you Tom Page for selecting me
@odprintsales @odtakeovers

Looking forward to the end of year groupshow at Open Doors Gallery, London (UK) opening on Nov 27th.

Congrats to @_ja_youn_g for being the Grand Prize winner, very well deserved🫶

Super happy to share that I’ve been selected as Judge’s Pick for the OD Photo Prize 2025!

Thank you Tom Page for selecting me
@odprintsales @odtakeovers

Looking forward to the end of year groupshow at Open Doors Gallery, London (UK) opening on Nov 27th.

Congrats to @_ja_youn_g for being the Grand Prize winner, very well deserved🫶

Super happy to share that I’ve been selected as Judge’s Pick for the OD Photo Prize 2025!

Thank you Tom Page for selecting me
@odprintsales @odtakeovers

Looking forward to the end of year groupshow at Open Doors Gallery, London (UK) opening on Nov 27th.

Congrats to @_ja_youn_g for being the Grand Prize winner, very well deserved🫶

Super happy to share that I’ve been selected as Judge’s Pick for the OD Photo Prize 2025!

Thank you Tom Page for selecting me
@odprintsales @odtakeovers

Looking forward to the end of year groupshow at Open Doors Gallery, London (UK) opening on Nov 27th.

Congrats to @_ja_youn_g for being the Grand Prize winner, very well deserved🫶

The disguise of night often brings back these pictures of the past, 2025

Toned cyanotype in steel frame, 61 x 31 cm

The disguise of night often brings back these pictures of the past, 2025

Toned cyanotype in steel frame, 61 x 31 cm

In the early days of our planet, 2024

Toned cyanotypes in steel frame, 81 x 101 cm

In the early days of our planet, 2024

Toned cyanotypes in steel frame, 81 x 101 cm