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Had a lot of help with this one, in no particular order
DP: @toddmartin (LA loves you)

CLT: Eric Fahy
ACLT: @jkemps
Programmer: @cue.control
ELTs: @xuhkxz @standin_savant @davemcgrory @ash_bhasin ,Michael Laviolette, David Nakamura, Deiasha Lariviere

Key Grip: @bluerockmediacorp

Shout out to @tone_scold and @aputure.lighting for hooking us up with the infinimats which were clutch for this job.

The @kinoflolightingsystems mimic 120s and @assimilateinc were essential to help keep this moving. Our grip team built two movable structures to have 8x8 mimics floating around the set.

Much love to all involved!

#commercial #shootla #virtualproduction #volume #mimik120 #infinimat #lighting #cinematography

Had a lot of help with this one, in no particular order
DP: @toddmartin (LA loves you)

CLT: Eric Fahy
ACLT: @jkemps
Programmer: @cue.control
ELTs: @xuhkxz @standin_savant @davemcgrory @ash_bhasin ,Michael Laviolette, David Nakamura, Deiasha Lariviere

Key Grip: @bluerockmediacorp

Shout out to @tone_scold and @aputure.lighting for hooking us up with the infinimats which were clutch for this job.

The @kinoflolightingsystems mimic 120s and @assimilateinc were essential to help keep this moving. Our grip team built two movable structures to have 8x8 mimics floating around the set.

Much love to all involved!

#commercial #shootla #virtualproduction #volume #mimik120 #infinimat #lighting #cinematography

Had a lot of help with this one, in no particular order
DP: @toddmartin (LA loves you)

CLT: Eric Fahy
ACLT: @jkemps
Programmer: @cue.control
ELTs: @xuhkxz @standin_savant @davemcgrory @ash_bhasin ,Michael Laviolette, David Nakamura, Deiasha Lariviere

Key Grip: @bluerockmediacorp

Shout out to @tone_scold and @aputure.lighting for hooking us up with the infinimats which were clutch for this job.

The @kinoflolightingsystems mimic 120s and @assimilateinc were essential to help keep this moving. Our grip team built two movable structures to have 8x8 mimics floating around the set.

Much love to all involved!

#commercial #shootla #virtualproduction #volume #mimik120 #infinimat #lighting #cinematography

Had a lot of help with this one, in no particular order
DP: @toddmartin (LA loves you)

CLT: Eric Fahy
ACLT: @jkemps
Programmer: @cue.control
ELTs: @xuhkxz @standin_savant @davemcgrory @ash_bhasin ,Michael Laviolette, David Nakamura, Deiasha Lariviere

Key Grip: @bluerockmediacorp

Shout out to @tone_scold and @aputure.lighting for hooking us up with the infinimats which were clutch for this job.

The @kinoflolightingsystems mimic 120s and @assimilateinc were essential to help keep this moving. Our grip team built two movable structures to have 8x8 mimics floating around the set.

Much love to all involved!

#commercial #shootla #virtualproduction #volume #mimik120 #infinimat #lighting #cinematography

Had a lot of help with this one, in no particular order
DP: @toddmartin (LA loves you)

CLT: Eric Fahy
ACLT: @jkemps
Programmer: @cue.control
ELTs: @xuhkxz @standin_savant @davemcgrory @ash_bhasin ,Michael Laviolette, David Nakamura, Deiasha Lariviere

Key Grip: @bluerockmediacorp

Shout out to @tone_scold and @aputure.lighting for hooking us up with the infinimats which were clutch for this job.

The @kinoflolightingsystems mimic 120s and @assimilateinc were essential to help keep this moving. Our grip team built two movable structures to have 8x8 mimics floating around the set.

Much love to all involved!

#commercial #shootla #virtualproduction #volume #mimik120 #infinimat #lighting #cinematography

We lit this Honda Odyssey commercial down at thunder studios where we used a Fischer light as well as a truss with s60s, lustr x8s and some Prolycht 675Fs with their amazing fresnel to create the color on the white cyc practically. Had help from @heathcliffe67 @davemcgrory @xuhkxzand Ash Urvanti. DP Brig White. Thank you one and all! #gaffer #chieflightingtechnician #hollywood #commercial #lighting

We lit this Honda Odyssey commercial down at thunder studios where we used a Fischer light as well as a truss with s60s, lustr x8s and some Prolycht 675Fs with their amazing fresnel to create the color on the white cyc practically. Had help from @heathcliffe67 @davemcgrory @xuhkxzand Ash Urvanti. DP Brig White. Thank you one and all! #gaffer #chieflightingtechnician #hollywood #commercial #lighting

We lit this Honda Odyssey commercial down at thunder studios where we used a Fischer light as well as a truss with s60s, lustr x8s and some Prolycht 675Fs with their amazing fresnel to create the color on the white cyc practically. Had help from @heathcliffe67 @davemcgrory @xuhkxzand Ash Urvanti. DP Brig White. Thank you one and all! #gaffer #chieflightingtechnician #hollywood #commercial #lighting

We lit this Honda Odyssey commercial down at thunder studios where we used a Fischer light as well as a truss with s60s, lustr x8s and some Prolycht 675Fs with their amazing fresnel to create the color on the white cyc practically. Had help from @heathcliffe67 @davemcgrory @xuhkxzand Ash Urvanti. DP Brig White. Thank you one and all! #gaffer #chieflightingtechnician #hollywood #commercial #lighting

We lit this Honda Odyssey commercial down at thunder studios where we used a Fischer light as well as a truss with s60s, lustr x8s and some Prolycht 675Fs with their amazing fresnel to create the color on the white cyc practically. Had help from @heathcliffe67 @davemcgrory @xuhkxzand Ash Urvanti. DP Brig White. Thank you one and all! #gaffer #chieflightingtechnician #hollywood #commercial #lighting

We lit this Honda Odyssey commercial down at thunder studios where we used a Fischer light as well as a truss with s60s, lustr x8s and some Prolycht 675Fs with their amazing fresnel to create the color on the white cyc practically. Had help from @heathcliffe67 @davemcgrory @xuhkxzand Ash Urvanti. DP Brig White. Thank you one and all! #gaffer #chieflightingtechnician #hollywood #commercial #lighting

Taking the new toy out for a test run @aputure.lighting #storm1200x #gaffer #owneroperator #hollywood #chieflightingtechnician

Taking the new toy out for a test run @aputure.lighting #storm1200x #gaffer #owneroperator #hollywood #chieflightingtechnician

Blown away by how powerful this little transmitter is by @cinelex_dmx eliminating one wireless network on small shoots is a really big deal. A great addition to the Southwestern Torch toolbox.

Blown away by how powerful this little transmitter is by @cinelex_dmx eliminating one wireless network on small shoots is a really big deal. A great addition to the Southwestern Torch toolbox.

Really excited to work with Lebron, Iconoclast, and Nike for this one. Sometimes you only really have time for one set up and there may or may not be a whole other production doing something equally insnane with the same talent on the same day at the same location.

Employed many apurture units here: p600c with the f10 fresnel and the electrostormxt26.
20k mole beams in the nosebleeds.
And a 17’ diameter ring light made of Litemat 4 spectrums.

Due to time and location restrictions this all had to come together like a well choreographed opening night and we had zero rehearsals. Hats off to the whole team!

DP: Benoit Solair
CLT: Eric Fahy
ACLT: @heathcliffe67
Programmer: Josh Lowenstein
ELTs:
@xuhkxz @standin_savant Jay Guffey, Janos csoma, Jamey Dunford, Rob Doumott, Lou Ramos, Steve Trainor, David Nakamura
Key grip @bluerockmediacorp

Special thanks to
@aputure.lighting @litegear @cinelease @amplepowergenerators @molerichardson @iatselocal728 @jlgindustries

#letsseeifthisstaysup #lighting #gaffer #clt #ownerop #hollywood #commercial

Really excited to work with Lebron, Iconoclast, and Nike for this one. Sometimes you only really have time for one set up and there may or may not be a whole other production doing something equally insnane with the same talent on the same day at the same location.

Employed many apurture units here: p600c with the f10 fresnel and the electrostormxt26.
20k mole beams in the nosebleeds.
And a 17’ diameter ring light made of Litemat 4 spectrums.

Due to time and location restrictions this all had to come together like a well choreographed opening night and we had zero rehearsals. Hats off to the whole team!

DP: Benoit Solair
CLT: Eric Fahy
ACLT: @heathcliffe67
Programmer: Josh Lowenstein
ELTs:
@xuhkxz @standin_savant Jay Guffey, Janos csoma, Jamey Dunford, Rob Doumott, Lou Ramos, Steve Trainor, David Nakamura
Key grip @bluerockmediacorp

Special thanks to
@aputure.lighting @litegear @cinelease @amplepowergenerators @molerichardson @iatselocal728 @jlgindustries

#letsseeifthisstaysup #lighting #gaffer #clt #ownerop #hollywood #commercial

Really excited to work with Lebron, Iconoclast, and Nike for this one. Sometimes you only really have time for one set up and there may or may not be a whole other production doing something equally insnane with the same talent on the same day at the same location.

Employed many apurture units here: p600c with the f10 fresnel and the electrostormxt26.
20k mole beams in the nosebleeds.
And a 17’ diameter ring light made of Litemat 4 spectrums.

Due to time and location restrictions this all had to come together like a well choreographed opening night and we had zero rehearsals. Hats off to the whole team!

DP: Benoit Solair
CLT: Eric Fahy
ACLT: @heathcliffe67
Programmer: Josh Lowenstein
ELTs:
@xuhkxz @standin_savant Jay Guffey, Janos csoma, Jamey Dunford, Rob Doumott, Lou Ramos, Steve Trainor, David Nakamura
Key grip @bluerockmediacorp

Special thanks to
@aputure.lighting @litegear @cinelease @amplepowergenerators @molerichardson @iatselocal728 @jlgindustries

#letsseeifthisstaysup #lighting #gaffer #clt #ownerop #hollywood #commercial

Really excited to work with Lebron, Iconoclast, and Nike for this one. Sometimes you only really have time for one set up and there may or may not be a whole other production doing something equally insnane with the same talent on the same day at the same location.

Employed many apurture units here: p600c with the f10 fresnel and the electrostormxt26.
20k mole beams in the nosebleeds.
And a 17’ diameter ring light made of Litemat 4 spectrums.

Due to time and location restrictions this all had to come together like a well choreographed opening night and we had zero rehearsals. Hats off to the whole team!

DP: Benoit Solair
CLT: Eric Fahy
ACLT: @heathcliffe67
Programmer: Josh Lowenstein
ELTs:
@xuhkxz @standin_savant Jay Guffey, Janos csoma, Jamey Dunford, Rob Doumott, Lou Ramos, Steve Trainor, David Nakamura
Key grip @bluerockmediacorp

Special thanks to
@aputure.lighting @litegear @cinelease @amplepowergenerators @molerichardson @iatselocal728 @jlgindustries

#letsseeifthisstaysup #lighting #gaffer #clt #ownerop #hollywood #commercial

Really excited to work with Lebron, Iconoclast, and Nike for this one. Sometimes you only really have time for one set up and there may or may not be a whole other production doing something equally insnane with the same talent on the same day at the same location.

Employed many apurture units here: p600c with the f10 fresnel and the electrostormxt26.
20k mole beams in the nosebleeds.
And a 17’ diameter ring light made of Litemat 4 spectrums.

Due to time and location restrictions this all had to come together like a well choreographed opening night and we had zero rehearsals. Hats off to the whole team!

DP: Benoit Solair
CLT: Eric Fahy
ACLT: @heathcliffe67
Programmer: Josh Lowenstein
ELTs:
@xuhkxz @standin_savant Jay Guffey, Janos csoma, Jamey Dunford, Rob Doumott, Lou Ramos, Steve Trainor, David Nakamura
Key grip @bluerockmediacorp

Special thanks to
@aputure.lighting @litegear @cinelease @amplepowergenerators @molerichardson @iatselocal728 @jlgindustries

#letsseeifthisstaysup #lighting #gaffer #clt #ownerop #hollywood #commercial

Really excited to work with Lebron, Iconoclast, and Nike for this one. Sometimes you only really have time for one set up and there may or may not be a whole other production doing something equally insnane with the same talent on the same day at the same location.

Employed many apurture units here: p600c with the f10 fresnel and the electrostormxt26.
20k mole beams in the nosebleeds.
And a 17’ diameter ring light made of Litemat 4 spectrums.

Due to time and location restrictions this all had to come together like a well choreographed opening night and we had zero rehearsals. Hats off to the whole team!

DP: Benoit Solair
CLT: Eric Fahy
ACLT: @heathcliffe67
Programmer: Josh Lowenstein
ELTs:
@xuhkxz @standin_savant Jay Guffey, Janos csoma, Jamey Dunford, Rob Doumott, Lou Ramos, Steve Trainor, David Nakamura
Key grip @bluerockmediacorp

Special thanks to
@aputure.lighting @litegear @cinelease @amplepowergenerators @molerichardson @iatselocal728 @jlgindustries

#letsseeifthisstaysup #lighting #gaffer #clt #ownerop #hollywood #commercial

Really excited to work with Lebron, Iconoclast, and Nike for this one. Sometimes you only really have time for one set up and there may or may not be a whole other production doing something equally insnane with the same talent on the same day at the same location.

Employed many apurture units here: p600c with the f10 fresnel and the electrostormxt26.
20k mole beams in the nosebleeds.
And a 17’ diameter ring light made of Litemat 4 spectrums.

Due to time and location restrictions this all had to come together like a well choreographed opening night and we had zero rehearsals. Hats off to the whole team!

DP: Benoit Solair
CLT: Eric Fahy
ACLT: @heathcliffe67
Programmer: Josh Lowenstein
ELTs:
@xuhkxz @standin_savant Jay Guffey, Janos csoma, Jamey Dunford, Rob Doumott, Lou Ramos, Steve Trainor, David Nakamura
Key grip @bluerockmediacorp

Special thanks to
@aputure.lighting @litegear @cinelease @amplepowergenerators @molerichardson @iatselocal728 @jlgindustries

#letsseeifthisstaysup #lighting #gaffer #clt #ownerop #hollywood #commercial

Really excited to work with Lebron, Iconoclast, and Nike for this one. Sometimes you only really have time for one set up and there may or may not be a whole other production doing something equally insnane with the same talent on the same day at the same location.

Employed many apurture units here: p600c with the f10 fresnel and the electrostormxt26.
20k mole beams in the nosebleeds.
And a 17’ diameter ring light made of Litemat 4 spectrums.

Due to time and location restrictions this all had to come together like a well choreographed opening night and we had zero rehearsals. Hats off to the whole team!

DP: Benoit Solair
CLT: Eric Fahy
ACLT: @heathcliffe67
Programmer: Josh Lowenstein
ELTs:
@xuhkxz @standin_savant Jay Guffey, Janos csoma, Jamey Dunford, Rob Doumott, Lou Ramos, Steve Trainor, David Nakamura
Key grip @bluerockmediacorp

Special thanks to
@aputure.lighting @litegear @cinelease @amplepowergenerators @molerichardson @iatselocal728 @jlgindustries

#letsseeifthisstaysup #lighting #gaffer #clt #ownerop #hollywood #commercial

Really excited to work with Lebron, Iconoclast, and Nike for this one. Sometimes you only really have time for one set up and there may or may not be a whole other production doing something equally insnane with the same talent on the same day at the same location.

Employed many apurture units here: p600c with the f10 fresnel and the electrostormxt26.
20k mole beams in the nosebleeds.
And a 17’ diameter ring light made of Litemat 4 spectrums.

Due to time and location restrictions this all had to come together like a well choreographed opening night and we had zero rehearsals. Hats off to the whole team!

DP: Benoit Solair
CLT: Eric Fahy
ACLT: @heathcliffe67
Programmer: Josh Lowenstein
ELTs:
@xuhkxz @standin_savant Jay Guffey, Janos csoma, Jamey Dunford, Rob Doumott, Lou Ramos, Steve Trainor, David Nakamura
Key grip @bluerockmediacorp

Special thanks to
@aputure.lighting @litegear @cinelease @amplepowergenerators @molerichardson @iatselocal728 @jlgindustries

#letsseeifthisstaysup #lighting #gaffer #clt #ownerop #hollywood #commercial

Really excited to work with Lebron, Iconoclast, and Nike for this one. Sometimes you only really have time for one set up and there may or may not be a whole other production doing something equally insnane with the same talent on the same day at the same location.

Employed many apurture units here: p600c with the f10 fresnel and the electrostormxt26.
20k mole beams in the nosebleeds.
And a 17’ diameter ring light made of Litemat 4 spectrums.

Due to time and location restrictions this all had to come together like a well choreographed opening night and we had zero rehearsals. Hats off to the whole team!

DP: Benoit Solair
CLT: Eric Fahy
ACLT: @heathcliffe67
Programmer: Josh Lowenstein
ELTs:
@xuhkxz @standin_savant Jay Guffey, Janos csoma, Jamey Dunford, Rob Doumott, Lou Ramos, Steve Trainor, David Nakamura
Key grip @bluerockmediacorp

Special thanks to
@aputure.lighting @litegear @cinelease @amplepowergenerators @molerichardson @iatselocal728 @jlgindustries

#letsseeifthisstaysup #lighting #gaffer #clt #ownerop #hollywood #commercial

I have never been on a job so short that lasted so long and demanded and took so much from myself and the crew. To everyone a part of it, To everyone affected, Thank you and I’m sorry. We’re all family now. #spike4ever #callback @jkemps @3_pelicans @electriclightorchestrator David nakamura, @lucky_n_penny @xuhkxz @heathcliffe67 @brettsbo @cinesalas@christopherarata @robert.m.exner Lee Spencer @cue.control

I have a few puppet shows under my belt. The most recent was a kids show on Apple called slumberkins. 4~ of blue screen work… I was dreaming in blue. We had success lighting the blue screens with low intesnsity blue light. We also did high density @arri s60 soft boxes so we could have a decent chance in pixelating cloud chasing effects. Pixelated @creamsource vortex 8s to do effects on the ground. And @elationlighting artist Monet’s for our hard sun/moon sources we rigged on max menaces. DP: the amazing @ashotofdom programmer: I probably have a whole posts worth of pictures of @zane_blanchard ‘s power naps. @xuhkxz Brock and Taylor as the guys on the ground. It’s always surreal (read: fun or nightmare) working at the Jim Henson lot.

I have a few puppet shows under my belt. The most recent was a kids show on Apple called slumberkins. 4~ of blue screen work… I was dreaming in blue. We had success lighting the blue screens with low intesnsity blue light. We also did high density @arri s60 soft boxes so we could have a decent chance in pixelating cloud chasing effects. Pixelated @creamsource vortex 8s to do effects on the ground. And @elationlighting artist Monet’s for our hard sun/moon sources we rigged on max menaces. DP: the amazing @ashotofdom programmer: I probably have a whole posts worth of pictures of @zane_blanchard ‘s power naps. @xuhkxz Brock and Taylor as the guys on the ground. It’s always surreal (read: fun or nightmare) working at the Jim Henson lot.

I have a few puppet shows under my belt. The most recent was a kids show on Apple called slumberkins. 4~ of blue screen work… I was dreaming in blue. We had success lighting the blue screens with low intesnsity blue light. We also did high density @arri s60 soft boxes so we could have a decent chance in pixelating cloud chasing effects. Pixelated @creamsource vortex 8s to do effects on the ground. And @elationlighting artist Monet’s for our hard sun/moon sources we rigged on max menaces. DP: the amazing @ashotofdom programmer: I probably have a whole posts worth of pictures of @zane_blanchard ‘s power naps. @xuhkxz Brock and Taylor as the guys on the ground. It’s always surreal (read: fun or nightmare) working at the Jim Henson lot.

I have a few puppet shows under my belt. The most recent was a kids show on Apple called slumberkins. 4~ of blue screen work… I was dreaming in blue. We had success lighting the blue screens with low intesnsity blue light. We also did high density @arri s60 soft boxes so we could have a decent chance in pixelating cloud chasing effects. Pixelated @creamsource vortex 8s to do effects on the ground. And @elationlighting artist Monet’s for our hard sun/moon sources we rigged on max menaces. DP: the amazing @ashotofdom programmer: I probably have a whole posts worth of pictures of @zane_blanchard ‘s power naps. @xuhkxz Brock and Taylor as the guys on the ground. It’s always surreal (read: fun or nightmare) working at the Jim Henson lot.

I have a few puppet shows under my belt. The most recent was a kids show on Apple called slumberkins. 4~ of blue screen work… I was dreaming in blue. We had success lighting the blue screens with low intesnsity blue light. We also did high density @arri s60 soft boxes so we could have a decent chance in pixelating cloud chasing effects. Pixelated @creamsource vortex 8s to do effects on the ground. And @elationlighting artist Monet’s for our hard sun/moon sources we rigged on max menaces. DP: the amazing @ashotofdom programmer: I probably have a whole posts worth of pictures of @zane_blanchard ‘s power naps. @xuhkxz Brock and Taylor as the guys on the ground. It’s always surreal (read: fun or nightmare) working at the Jim Henson lot.

I have a few puppet shows under my belt. The most recent was a kids show on Apple called slumberkins. 4~ of blue screen work… I was dreaming in blue. We had success lighting the blue screens with low intesnsity blue light. We also did high density @arri s60 soft boxes so we could have a decent chance in pixelating cloud chasing effects. Pixelated @creamsource vortex 8s to do effects on the ground. And @elationlighting artist Monet’s for our hard sun/moon sources we rigged on max menaces. DP: the amazing @ashotofdom programmer: I probably have a whole posts worth of pictures of @zane_blanchard ‘s power naps. @xuhkxz Brock and Taylor as the guys on the ground. It’s always surreal (read: fun or nightmare) working at the Jim Henson lot.

I have a few puppet shows under my belt. The most recent was a kids show on Apple called slumberkins. 4~ of blue screen work… I was dreaming in blue. We had success lighting the blue screens with low intesnsity blue light. We also did high density @arri s60 soft boxes so we could have a decent chance in pixelating cloud chasing effects. Pixelated @creamsource vortex 8s to do effects on the ground. And @elationlighting artist Monet’s for our hard sun/moon sources we rigged on max menaces. DP: the amazing @ashotofdom programmer: I probably have a whole posts worth of pictures of @zane_blanchard ‘s power naps. @xuhkxz Brock and Taylor as the guys on the ground. It’s always surreal (read: fun or nightmare) working at the Jim Henson lot.

I have a few puppet shows under my belt. The most recent was a kids show on Apple called slumberkins. 4~ of blue screen work… I was dreaming in blue. We had success lighting the blue screens with low intesnsity blue light. We also did high density @arri s60 soft boxes so we could have a decent chance in pixelating cloud chasing effects. Pixelated @creamsource vortex 8s to do effects on the ground. And @elationlighting artist Monet’s for our hard sun/moon sources we rigged on max menaces. DP: the amazing @ashotofdom programmer: I probably have a whole posts worth of pictures of @zane_blanchard ‘s power naps. @xuhkxz Brock and Taylor as the guys on the ground. It’s always surreal (read: fun or nightmare) working at the Jim Henson lot.

I have a few puppet shows under my belt. The most recent was a kids show on Apple called slumberkins. 4~ of blue screen work… I was dreaming in blue. We had success lighting the blue screens with low intesnsity blue light. We also did high density @arri s60 soft boxes so we could have a decent chance in pixelating cloud chasing effects. Pixelated @creamsource vortex 8s to do effects on the ground. And @elationlighting artist Monet’s for our hard sun/moon sources we rigged on max menaces. DP: the amazing @ashotofdom programmer: I probably have a whole posts worth of pictures of @zane_blanchard ‘s power naps. @xuhkxz Brock and Taylor as the guys on the ground. It’s always surreal (read: fun or nightmare) working at the Jim Henson lot.

I have a few puppet shows under my belt. The most recent was a kids show on Apple called slumberkins. 4~ of blue screen work… I was dreaming in blue. We had success lighting the blue screens with low intesnsity blue light. We also did high density @arri s60 soft boxes so we could have a decent chance in pixelating cloud chasing effects. Pixelated @creamsource vortex 8s to do effects on the ground. And @elationlighting artist Monet’s for our hard sun/moon sources we rigged on max menaces. DP: the amazing @ashotofdom programmer: I probably have a whole posts worth of pictures of @zane_blanchard ‘s power naps. @xuhkxz Brock and Taylor as the guys on the ground. It’s always surreal (read: fun or nightmare) working at the Jim Henson lot.

More from the archives. I gaffed a commercial for the calm app featuring lebron. It was an insane prelight. 16 hours! One of the best thing we did was this practical setting sun set. 20x60 seamless muslin. We rigged about 30 @arri s60: for the color wash. Key Grip Carlos Escobar built a 12’ diameter snoot for a 20k we dimmed down to next to nothing and then added full straw to. Thanks to all involved! DP: Ryan Helfant

More from the archives. I gaffed a commercial for the calm app featuring lebron. It was an insane prelight. 16 hours! One of the best thing we did was this practical setting sun set. 20x60 seamless muslin. We rigged about 30 @arri s60: for the color wash. Key Grip Carlos Escobar built a 12’ diameter snoot for a 20k we dimmed down to next to nothing and then added full straw to. Thanks to all involved! DP: Ryan Helfant

More from the archives. I gaffed a commercial for the calm app featuring lebron. It was an insane prelight. 16 hours! One of the best thing we did was this practical setting sun set. 20x60 seamless muslin. We rigged about 30 @arri s60: for the color wash. Key Grip Carlos Escobar built a 12’ diameter snoot for a 20k we dimmed down to next to nothing and then added full straw to. Thanks to all involved! DP: Ryan Helfant

I had the great pleasure to be the Chief Lighting Technician on American Born Chinese. Some 35mm, some iPhone Bts. We shot at Fox and on location. DP @brettsbo KG @bluerockmediacorp Check it out if you haven’t yet! #gaffer #chieflightingtechnician #television #streaming #lighting #cinematography

I had the great pleasure to be the Chief Lighting Technician on American Born Chinese. Some 35mm, some iPhone Bts. We shot at Fox and on location. DP @brettsbo KG @bluerockmediacorp Check it out if you haven’t yet! #gaffer #chieflightingtechnician #television #streaming #lighting #cinematography

I had the great pleasure to be the Chief Lighting Technician on American Born Chinese. Some 35mm, some iPhone Bts. We shot at Fox and on location. DP @brettsbo KG @bluerockmediacorp Check it out if you haven’t yet! #gaffer #chieflightingtechnician #television #streaming #lighting #cinematography

I had the great pleasure to be the Chief Lighting Technician on American Born Chinese. Some 35mm, some iPhone Bts. We shot at Fox and on location. DP @brettsbo KG @bluerockmediacorp Check it out if you haven’t yet! #gaffer #chieflightingtechnician #television #streaming #lighting #cinematography

I had the great pleasure to be the Chief Lighting Technician on American Born Chinese. Some 35mm, some iPhone Bts. We shot at Fox and on location. DP @brettsbo KG @bluerockmediacorp Check it out if you haven’t yet! #gaffer #chieflightingtechnician #television #streaming #lighting #cinematography

I had the great pleasure to be the Chief Lighting Technician on American Born Chinese. Some 35mm, some iPhone Bts. We shot at Fox and on location. DP @brettsbo KG @bluerockmediacorp Check it out if you haven’t yet! #gaffer #chieflightingtechnician #television #streaming #lighting #cinematography

I had the great pleasure to be the Chief Lighting Technician on American Born Chinese. Some 35mm, some iPhone Bts. We shot at Fox and on location. DP @brettsbo KG @bluerockmediacorp Check it out if you haven’t yet! #gaffer #chieflightingtechnician #television #streaming #lighting #cinematography

I had the great pleasure to be the Chief Lighting Technician on American Born Chinese. Some 35mm, some iPhone Bts. We shot at Fox and on location. DP @brettsbo KG @bluerockmediacorp Check it out if you haven’t yet! #gaffer #chieflightingtechnician #television #streaming #lighting #cinematography

I had the great pleasure to be the Chief Lighting Technician on American Born Chinese. Some 35mm, some iPhone Bts. We shot at Fox and on location. DP @brettsbo KG @bluerockmediacorp Check it out if you haven’t yet! #gaffer #chieflightingtechnician #television #streaming #lighting #cinematography

I had the great pleasure to be the Chief Lighting Technician on American Born Chinese. Some 35mm, some iPhone Bts. We shot at Fox and on location. DP @brettsbo KG @bluerockmediacorp Check it out if you haven’t yet! #gaffer #chieflightingtechnician #television #streaming #lighting #cinematography

COBRA by Megan thee stallion was a rush. So much hard work on all fronts payed off. Thanks to all the people that came through and did the long days with us. @toddmartin is a genius behind the cam. Thanks @cue.control for nailing every request and never being behind. @cinelease came through for us with the bulk of the gear. Thank you @amplepowergenerators for the juice! Thanks one and all! #cinematography #musicvideo #chieflightingtechnician #gaffer #hollywood #lighting

COBRA by Megan thee stallion was a rush. So much hard work on all fronts payed off. Thanks to all the people that came through and did the long days with us. @toddmartin is a genius behind the cam. Thanks @cue.control for nailing every request and never being behind. @cinelease came through for us with the bulk of the gear. Thank you @amplepowergenerators for the juice! Thanks one and all! #cinematography #musicvideo #chieflightingtechnician #gaffer #hollywood #lighting

COBRA by Megan thee stallion was a rush. So much hard work on all fronts payed off. Thanks to all the people that came through and did the long days with us. @toddmartin is a genius behind the cam. Thanks @cue.control for nailing every request and never being behind. @cinelease came through for us with the bulk of the gear. Thank you @amplepowergenerators for the juice! Thanks one and all! #cinematography #musicvideo #chieflightingtechnician #gaffer #hollywood #lighting

COBRA by Megan thee stallion was a rush. So much hard work on all fronts payed off. Thanks to all the people that came through and did the long days with us. @toddmartin is a genius behind the cam. Thanks @cue.control for nailing every request and never being behind. @cinelease came through for us with the bulk of the gear. Thank you @amplepowergenerators for the juice! Thanks one and all! #cinematography #musicvideo #chieflightingtechnician #gaffer #hollywood #lighting

COBRA by Megan thee stallion was a rush. So much hard work on all fronts payed off. Thanks to all the people that came through and did the long days with us. @toddmartin is a genius behind the cam. Thanks @cue.control for nailing every request and never being behind. @cinelease came through for us with the bulk of the gear. Thank you @amplepowergenerators for the juice! Thanks one and all! #cinematography #musicvideo #chieflightingtechnician #gaffer #hollywood #lighting

COBRA by Megan thee stallion was a rush. So much hard work on all fronts payed off. Thanks to all the people that came through and did the long days with us. @toddmartin is a genius behind the cam. Thanks @cue.control for nailing every request and never being behind. @cinelease came through for us with the bulk of the gear. Thank you @amplepowergenerators for the juice! Thanks one and all! #cinematography #musicvideo #chieflightingtechnician #gaffer #hollywood #lighting

COBRA by Megan thee stallion was a rush. So much hard work on all fronts payed off. Thanks to all the people that came through and did the long days with us. @toddmartin is a genius behind the cam. Thanks @cue.control for nailing every request and never being behind. @cinelease came through for us with the bulk of the gear. Thank you @amplepowergenerators for the juice! Thanks one and all! #cinematography #musicvideo #chieflightingtechnician #gaffer #hollywood #lighting

COBRA by Megan thee stallion was a rush. So much hard work on all fronts payed off. Thanks to all the people that came through and did the long days with us. @toddmartin is a genius behind the cam. Thanks @cue.control for nailing every request and never being behind. @cinelease came through for us with the bulk of the gear. Thank you @amplepowergenerators for the juice! Thanks one and all! #cinematography #musicvideo #chieflightingtechnician #gaffer #hollywood #lighting

COBRA by Megan thee stallion was a rush. So much hard work on all fronts payed off. Thanks to all the people that came through and did the long days with us. @toddmartin is a genius behind the cam. Thanks @cue.control for nailing every request and never being behind. @cinelease came through for us with the bulk of the gear. Thank you @amplepowergenerators for the juice! Thanks one and all! #cinematography #musicvideo #chieflightingtechnician #gaffer #hollywood #lighting

A few years ago we did a promo for crime scene kitchen and the idea was to mix 3 colored spot lights into white light on a subject while giving us sharp multi colored shadows. I ended up using arrays of @robelighting BMFL blades to get bright saturated sources with crisp shadows. Thanks to all involved. #hashtag #hollywood #lighting #chieflightingtechnician #gaffer #cinematography #movinglight #blackout #onset #comingupwirhhashtagsisexhausting

A few years ago we did a promo for crime scene kitchen and the idea was to mix 3 colored spot lights into white light on a subject while giving us sharp multi colored shadows. I ended up using arrays of @robelighting BMFL blades to get bright saturated sources with crisp shadows. Thanks to all involved. #hashtag #hollywood #lighting #chieflightingtechnician #gaffer #cinematography #movinglight #blackout #onset #comingupwirhhashtagsisexhausting

A few years ago we did a promo for crime scene kitchen and the idea was to mix 3 colored spot lights into white light on a subject while giving us sharp multi colored shadows. I ended up using arrays of @robelighting BMFL blades to get bright saturated sources with crisp shadows. Thanks to all involved. #hashtag #hollywood #lighting #chieflightingtechnician #gaffer #cinematography #movinglight #blackout #onset #comingupwirhhashtagsisexhausting

Hello everyone! SWtorch has invaded your feed. Stay tuned for updates and sarcastic motion picture oriented content. See you soon! #hashtag #filmmaking #fresnel #television #lighting #chieflightingtechnician #gaffer #hollywood #thatshollywoodbaby