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Untitled 3 m. long lightbox from duo show w. @wwwebpresence

“Verba Volant, Scripta Manent”

At the Danish printmakers Association back in February.

Untitled 3 m. long lightbox from duo show w. @wwwebpresence

“Verba Volant, Scripta Manent”

At the Danish printmakers Association back in February.

Untitled 3 m. long lightbox from duo show w. @wwwebpresence

“Verba Volant, Scripta Manent”

At the Danish printmakers Association back in February.

From a very special group show at COI “HOME TOWN”

Donau Insel, Screen Print on Aluminium. 2025.

From a very special group show at COI “HOME TOWN”

Donau Insel, Screen Print on Aluminium. 2025.

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi
Hand/Eye
Curated by @ladymuckbet

At the core of Coverley Turan’s practice lies an exploration of language, learning processes, and censorship, articulated through sculpture and installation and informed by both personal and collective histories. Her focus on materiality and its relation to memory emerges in Cluttered Paradise (2023–2025), a series of small copper matchbox sculptures that resemble tiny portable architectures, sometimes containing perishable elements such as sugar cubes and pistachio shells. These works consider how objects hold memories, how we project lost histories, events and feelings onto material things, and how belonging is shaped through everyday rituals.

Savi’s practice engages with the fluidity of form and the instability of written communication. He
uses cursive exercises—often associated with childhood learning— as a motif to explore how
letters and symbols emerge from abstract gestures and how meaning is continually constructed
and dissolved. The series Postcards from Rome (2025) was hand-printed by the Bulla sisters at Litografia Bulla using the Eugène Brisset star press and later reworked through layered applications of color. Referencing Piranesi’s etchings and early postcards of Roman cityscapes, these works are also inspired by Savi’s recent explorations of the city, opening a dialogue between past and present modes of representation.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 2,3,5,7,8,10
Benjamin Savi, Postcards from Rome, 2025

Ph. 1,3,4,6,9,11
Aia Sofia Coverley Turan, Cluttered Paradise, 2023–2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi , Hand/Eye
Curated by @ladymuckbet

The exhibition Hand/Eye brings together for the first time the works of Aia Sofia Coverley Turan and Benjamin Savi, featuring newly produced pieces. The title refers to hand–eye coordination as an intuitive and fundamental process shaping how we learn, perceive, and articulate meaning. Through distinct yet conceptually interwoven practices, the artists explore the transformation from form to language and the dissolution of linguistic structures, proposing alternative modes of communication.

—

La mostra Hand/Eye riunisce per la prima volta le opere di Aia Sofia Coverley Turan e Benjamin Savi, presentando lavori inediti. Il titolo rimanda alla coordinazione occhio–mano come processo intuitivo e fondamentale che plasma il nostro modo di apprendere, percepire e produrre senso. Attraverso pratiche distinte ma intrecciate, le artistx indagano il passaggio dalla forma visiva al linguaggio verbale e la dissoluzione delle strutture linguistiche, proponendo modalità alternative di comunicazione.

——

Aia Sofia Coverley Turan (Copenhagen, 1994) lives and works in Denmark. Her practice explores everyday life through wordless narratives and alternative forms of communication. She has exhibited at Huset for Kunst and Design, 44Møen, Den Frie (DK), and Heerz Troya (BG), among others, with works in the Danish Arts Foundation and Copenhagen Municipality collections.

Benjamin Savi (Copenhagen, 1992) lives and works in Denmark. His work spans painting, drawing, graphic art, and installation, and is marked by a strong dialogue with the stylistic and historical traditions of each medium. He has exhibited at Kastrupgårdsamlingen, COI (DK), Fea Initiative (GR), and The Elizabeth Foundation for the Arts (USA), among others.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo, with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 1-2) Benjamin Savi, Untitled, 2025
Ph. 3-9) Aia Sofia Coverley Turan, Ziman zahmete, welat dure, birîn di giyan de kûr dibe, 2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi , Hand/Eye
Curated by @ladymuckbet

The exhibition Hand/Eye brings together for the first time the works of Aia Sofia Coverley Turan and Benjamin Savi, featuring newly produced pieces. The title refers to hand–eye coordination as an intuitive and fundamental process shaping how we learn, perceive, and articulate meaning. Through distinct yet conceptually interwoven practices, the artists explore the transformation from form to language and the dissolution of linguistic structures, proposing alternative modes of communication.

—

La mostra Hand/Eye riunisce per la prima volta le opere di Aia Sofia Coverley Turan e Benjamin Savi, presentando lavori inediti. Il titolo rimanda alla coordinazione occhio–mano come processo intuitivo e fondamentale che plasma il nostro modo di apprendere, percepire e produrre senso. Attraverso pratiche distinte ma intrecciate, le artistx indagano il passaggio dalla forma visiva al linguaggio verbale e la dissoluzione delle strutture linguistiche, proponendo modalità alternative di comunicazione.

——

Aia Sofia Coverley Turan (Copenhagen, 1994) lives and works in Denmark. Her practice explores everyday life through wordless narratives and alternative forms of communication. She has exhibited at Huset for Kunst and Design, 44Møen, Den Frie (DK), and Heerz Troya (BG), among others, with works in the Danish Arts Foundation and Copenhagen Municipality collections.

Benjamin Savi (Copenhagen, 1992) lives and works in Denmark. His work spans painting, drawing, graphic art, and installation, and is marked by a strong dialogue with the stylistic and historical traditions of each medium. He has exhibited at Kastrupgårdsamlingen, COI (DK), Fea Initiative (GR), and The Elizabeth Foundation for the Arts (USA), among others.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo, with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 1-2) Benjamin Savi, Untitled, 2025
Ph. 3-9) Aia Sofia Coverley Turan, Ziman zahmete, welat dure, birîn di giyan de kûr dibe, 2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi , Hand/Eye
Curated by @ladymuckbet

The exhibition Hand/Eye brings together for the first time the works of Aia Sofia Coverley Turan and Benjamin Savi, featuring newly produced pieces. The title refers to hand–eye coordination as an intuitive and fundamental process shaping how we learn, perceive, and articulate meaning. Through distinct yet conceptually interwoven practices, the artists explore the transformation from form to language and the dissolution of linguistic structures, proposing alternative modes of communication.

—

La mostra Hand/Eye riunisce per la prima volta le opere di Aia Sofia Coverley Turan e Benjamin Savi, presentando lavori inediti. Il titolo rimanda alla coordinazione occhio–mano come processo intuitivo e fondamentale che plasma il nostro modo di apprendere, percepire e produrre senso. Attraverso pratiche distinte ma intrecciate, le artistx indagano il passaggio dalla forma visiva al linguaggio verbale e la dissoluzione delle strutture linguistiche, proponendo modalità alternative di comunicazione.

——

Aia Sofia Coverley Turan (Copenhagen, 1994) lives and works in Denmark. Her practice explores everyday life through wordless narratives and alternative forms of communication. She has exhibited at Huset for Kunst and Design, 44Møen, Den Frie (DK), and Heerz Troya (BG), among others, with works in the Danish Arts Foundation and Copenhagen Municipality collections.

Benjamin Savi (Copenhagen, 1992) lives and works in Denmark. His work spans painting, drawing, graphic art, and installation, and is marked by a strong dialogue with the stylistic and historical traditions of each medium. He has exhibited at Kastrupgårdsamlingen, COI (DK), Fea Initiative (GR), and The Elizabeth Foundation for the Arts (USA), among others.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo, with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 1-2) Benjamin Savi, Untitled, 2025
Ph. 3-9) Aia Sofia Coverley Turan, Ziman zahmete, welat dure, birîn di giyan de kûr dibe, 2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi , Hand/Eye
Curated by @ladymuckbet

The exhibition Hand/Eye brings together for the first time the works of Aia Sofia Coverley Turan and Benjamin Savi, featuring newly produced pieces. The title refers to hand–eye coordination as an intuitive and fundamental process shaping how we learn, perceive, and articulate meaning. Through distinct yet conceptually interwoven practices, the artists explore the transformation from form to language and the dissolution of linguistic structures, proposing alternative modes of communication.

—

La mostra Hand/Eye riunisce per la prima volta le opere di Aia Sofia Coverley Turan e Benjamin Savi, presentando lavori inediti. Il titolo rimanda alla coordinazione occhio–mano come processo intuitivo e fondamentale che plasma il nostro modo di apprendere, percepire e produrre senso. Attraverso pratiche distinte ma intrecciate, le artistx indagano il passaggio dalla forma visiva al linguaggio verbale e la dissoluzione delle strutture linguistiche, proponendo modalità alternative di comunicazione.

——

Aia Sofia Coverley Turan (Copenhagen, 1994) lives and works in Denmark. Her practice explores everyday life through wordless narratives and alternative forms of communication. She has exhibited at Huset for Kunst and Design, 44Møen, Den Frie (DK), and Heerz Troya (BG), among others, with works in the Danish Arts Foundation and Copenhagen Municipality collections.

Benjamin Savi (Copenhagen, 1992) lives and works in Denmark. His work spans painting, drawing, graphic art, and installation, and is marked by a strong dialogue with the stylistic and historical traditions of each medium. He has exhibited at Kastrupgårdsamlingen, COI (DK), Fea Initiative (GR), and The Elizabeth Foundation for the Arts (USA), among others.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo, with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 1-2) Benjamin Savi, Untitled, 2025
Ph. 3-9) Aia Sofia Coverley Turan, Ziman zahmete, welat dure, birîn di giyan de kûr dibe, 2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi , Hand/Eye
Curated by @ladymuckbet

The exhibition Hand/Eye brings together for the first time the works of Aia Sofia Coverley Turan and Benjamin Savi, featuring newly produced pieces. The title refers to hand–eye coordination as an intuitive and fundamental process shaping how we learn, perceive, and articulate meaning. Through distinct yet conceptually interwoven practices, the artists explore the transformation from form to language and the dissolution of linguistic structures, proposing alternative modes of communication.

—

La mostra Hand/Eye riunisce per la prima volta le opere di Aia Sofia Coverley Turan e Benjamin Savi, presentando lavori inediti. Il titolo rimanda alla coordinazione occhio–mano come processo intuitivo e fondamentale che plasma il nostro modo di apprendere, percepire e produrre senso. Attraverso pratiche distinte ma intrecciate, le artistx indagano il passaggio dalla forma visiva al linguaggio verbale e la dissoluzione delle strutture linguistiche, proponendo modalità alternative di comunicazione.

——

Aia Sofia Coverley Turan (Copenhagen, 1994) lives and works in Denmark. Her practice explores everyday life through wordless narratives and alternative forms of communication. She has exhibited at Huset for Kunst and Design, 44Møen, Den Frie (DK), and Heerz Troya (BG), among others, with works in the Danish Arts Foundation and Copenhagen Municipality collections.

Benjamin Savi (Copenhagen, 1992) lives and works in Denmark. His work spans painting, drawing, graphic art, and installation, and is marked by a strong dialogue with the stylistic and historical traditions of each medium. He has exhibited at Kastrupgårdsamlingen, COI (DK), Fea Initiative (GR), and The Elizabeth Foundation for the Arts (USA), among others.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo, with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 1-2) Benjamin Savi, Untitled, 2025
Ph. 3-9) Aia Sofia Coverley Turan, Ziman zahmete, welat dure, birîn di giyan de kûr dibe, 2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi , Hand/Eye
Curated by @ladymuckbet

The exhibition Hand/Eye brings together for the first time the works of Aia Sofia Coverley Turan and Benjamin Savi, featuring newly produced pieces. The title refers to hand–eye coordination as an intuitive and fundamental process shaping how we learn, perceive, and articulate meaning. Through distinct yet conceptually interwoven practices, the artists explore the transformation from form to language and the dissolution of linguistic structures, proposing alternative modes of communication.

—

La mostra Hand/Eye riunisce per la prima volta le opere di Aia Sofia Coverley Turan e Benjamin Savi, presentando lavori inediti. Il titolo rimanda alla coordinazione occhio–mano come processo intuitivo e fondamentale che plasma il nostro modo di apprendere, percepire e produrre senso. Attraverso pratiche distinte ma intrecciate, le artistx indagano il passaggio dalla forma visiva al linguaggio verbale e la dissoluzione delle strutture linguistiche, proponendo modalità alternative di comunicazione.

——

Aia Sofia Coverley Turan (Copenhagen, 1994) lives and works in Denmark. Her practice explores everyday life through wordless narratives and alternative forms of communication. She has exhibited at Huset for Kunst and Design, 44Møen, Den Frie (DK), and Heerz Troya (BG), among others, with works in the Danish Arts Foundation and Copenhagen Municipality collections.

Benjamin Savi (Copenhagen, 1992) lives and works in Denmark. His work spans painting, drawing, graphic art, and installation, and is marked by a strong dialogue with the stylistic and historical traditions of each medium. He has exhibited at Kastrupgårdsamlingen, COI (DK), Fea Initiative (GR), and The Elizabeth Foundation for the Arts (USA), among others.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo, with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 1-2) Benjamin Savi, Untitled, 2025
Ph. 3-9) Aia Sofia Coverley Turan, Ziman zahmete, welat dure, birîn di giyan de kûr dibe, 2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi , Hand/Eye
Curated by @ladymuckbet

The exhibition Hand/Eye brings together for the first time the works of Aia Sofia Coverley Turan and Benjamin Savi, featuring newly produced pieces. The title refers to hand–eye coordination as an intuitive and fundamental process shaping how we learn, perceive, and articulate meaning. Through distinct yet conceptually interwoven practices, the artists explore the transformation from form to language and the dissolution of linguistic structures, proposing alternative modes of communication.

—

La mostra Hand/Eye riunisce per la prima volta le opere di Aia Sofia Coverley Turan e Benjamin Savi, presentando lavori inediti. Il titolo rimanda alla coordinazione occhio–mano come processo intuitivo e fondamentale che plasma il nostro modo di apprendere, percepire e produrre senso. Attraverso pratiche distinte ma intrecciate, le artistx indagano il passaggio dalla forma visiva al linguaggio verbale e la dissoluzione delle strutture linguistiche, proponendo modalità alternative di comunicazione.

——

Aia Sofia Coverley Turan (Copenhagen, 1994) lives and works in Denmark. Her practice explores everyday life through wordless narratives and alternative forms of communication. She has exhibited at Huset for Kunst and Design, 44Møen, Den Frie (DK), and Heerz Troya (BG), among others, with works in the Danish Arts Foundation and Copenhagen Municipality collections.

Benjamin Savi (Copenhagen, 1992) lives and works in Denmark. His work spans painting, drawing, graphic art, and installation, and is marked by a strong dialogue with the stylistic and historical traditions of each medium. He has exhibited at Kastrupgårdsamlingen, COI (DK), Fea Initiative (GR), and The Elizabeth Foundation for the Arts (USA), among others.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo, with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 1-2) Benjamin Savi, Untitled, 2025
Ph. 3-9) Aia Sofia Coverley Turan, Ziman zahmete, welat dure, birîn di giyan de kûr dibe, 2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi , Hand/Eye
Curated by @ladymuckbet

The exhibition Hand/Eye brings together for the first time the works of Aia Sofia Coverley Turan and Benjamin Savi, featuring newly produced pieces. The title refers to hand–eye coordination as an intuitive and fundamental process shaping how we learn, perceive, and articulate meaning. Through distinct yet conceptually interwoven practices, the artists explore the transformation from form to language and the dissolution of linguistic structures, proposing alternative modes of communication.

—

La mostra Hand/Eye riunisce per la prima volta le opere di Aia Sofia Coverley Turan e Benjamin Savi, presentando lavori inediti. Il titolo rimanda alla coordinazione occhio–mano come processo intuitivo e fondamentale che plasma il nostro modo di apprendere, percepire e produrre senso. Attraverso pratiche distinte ma intrecciate, le artistx indagano il passaggio dalla forma visiva al linguaggio verbale e la dissoluzione delle strutture linguistiche, proponendo modalità alternative di comunicazione.

——

Aia Sofia Coverley Turan (Copenhagen, 1994) lives and works in Denmark. Her practice explores everyday life through wordless narratives and alternative forms of communication. She has exhibited at Huset for Kunst and Design, 44Møen, Den Frie (DK), and Heerz Troya (BG), among others, with works in the Danish Arts Foundation and Copenhagen Municipality collections.

Benjamin Savi (Copenhagen, 1992) lives and works in Denmark. His work spans painting, drawing, graphic art, and installation, and is marked by a strong dialogue with the stylistic and historical traditions of each medium. He has exhibited at Kastrupgårdsamlingen, COI (DK), Fea Initiative (GR), and The Elizabeth Foundation for the Arts (USA), among others.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo, with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 1-2) Benjamin Savi, Untitled, 2025
Ph. 3-9) Aia Sofia Coverley Turan, Ziman zahmete, welat dure, birîn di giyan de kûr dibe, 2025

Ph. @jacopo__rinaldi

@aia_sct and @benjamin_savi , Hand/Eye
Curated by @ladymuckbet

The exhibition Hand/Eye brings together for the first time the works of Aia Sofia Coverley Turan and Benjamin Savi, featuring newly produced pieces. The title refers to hand–eye coordination as an intuitive and fundamental process shaping how we learn, perceive, and articulate meaning. Through distinct yet conceptually interwoven practices, the artists explore the transformation from form to language and the dissolution of linguistic structures, proposing alternative modes of communication.

—

La mostra Hand/Eye riunisce per la prima volta le opere di Aia Sofia Coverley Turan e Benjamin Savi, presentando lavori inediti. Il titolo rimanda alla coordinazione occhio–mano come processo intuitivo e fondamentale che plasma il nostro modo di apprendere, percepire e produrre senso. Attraverso pratiche distinte ma intrecciate, le artistx indagano il passaggio dalla forma visiva al linguaggio verbale e la dissoluzione delle strutture linguistiche, proponendo modalità alternative di comunicazione.

——

Aia Sofia Coverley Turan (Copenhagen, 1994) lives and works in Denmark. Her practice explores everyday life through wordless narratives and alternative forms of communication. She has exhibited at Huset for Kunst and Design, 44Møen, Den Frie (DK), and Heerz Troya (BG), among others, with works in the Danish Arts Foundation and Copenhagen Municipality collections.

Benjamin Savi (Copenhagen, 1992) lives and works in Denmark. His work spans painting, drawing, graphic art, and installation, and is marked by a strong dialogue with the stylistic and historical traditions of each medium. He has exhibited at Kastrupgårdsamlingen, COI (DK), Fea Initiative (GR), and The Elizabeth Foundation for the Arts (USA), among others.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo, with support from the @statenskunstfond

Hand/Eye will be open by appointment until October 24, 2025. To reserve an appointment: info@lateralroma.eu

——

Ph. 1-2) Benjamin Savi, Untitled, 2025
Ph. 3-9) Aia Sofia Coverley Turan, Ziman zahmete, welat dure, birîn di giyan de kûr dibe, 2025

Ph. @jacopo__rinaldi

SAVE THE DATE: Opening Friday September 12, 6–9 pm: @aia_sct and @benjamin_savi , Hand/Eye
Curated by @ladymuckbet

The exhibition Hand/Eye brings together for the first time the works of artists Aia Sofia Coverley Turan and Benjamin Savi. The title refers to hand–eye coordination as an intuitive and fundamental process shaping how we learn, perceive, and articulate meaning. Through distinct yet conceptually interwoven practices, Coverley Turan and Savi explore the transformation from form to language and the dissolution of linguistic structures, proposing alternative modes of communication.

—

La mostra Hand/Eye presenta per la prima volta insieme le opere delle artistx Aia Sofia Coverley Turan e Benjamin Savi. Il titolo fa riferimento alla coordinazione occhio–mano come processo intuitivo e fondamentale che plasma le modalità con cui apprendiamo, percepiamo e produciamo senso. Attraverso pratiche distinte ma concettualmente intrecciate, Coverley Turan e Savi esplorano il passaggio dalla forma visiva al linguaggio verbale e la dissoluzione delle strutture linguistiche, proponendo modalità alternative di comunicazione.

——

Hand/Eye was realized in collaboration with @litografiabulla and @circoloscandinavo , with support from the @statenskunstfond

Cinema/Kino

Index Series, 1-3, multicolored unika screen prints made on an improvised setup. 29 x 42 cm.

Thanks to arv.i for hosting.
@heerz_tooya

Index Series, 1-3, multicolored unika screen prints made on an improvised setup. 29 x 42 cm.

Thanks to arv.i for hosting.
@heerz_tooya

Index Series, 1-3, multicolored unika screen prints made on an improvised setup. 29 x 42 cm.

Thanks to arv.i for hosting.
@heerz_tooya

Index Series, 1-3, multicolored unika screen prints made on an improvised setup. 29 x 42 cm.

Thanks to arv.i for hosting.
@heerz_tooya

Index Series, 1-3, multicolored unika screen prints made on an improvised setup. 29 x 42 cm.

Thanks to arv.i for hosting.
@heerz_tooya

“METROPOLIS AND MEENTAL II”

Curated by COI

@f.e.a._initiative Athens

“In The Future It Is Always Raining”1, 2.

Fotogravure and chine collé

“METROPOLIS AND MEENTAL II”

Curated by COI

@f.e.a._initiative Athens

“In The Future It Is Always Raining”1, 2.

Fotogravure and chine collé

Midnight green

Fiber optic fuck up

Hyper real dry wall construction

CMYK Silkscreen

Cardboard,
Sympathetic magic