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In Unreliable Narrators, Rochelle Voyles’s collages hold both a capacious nihilism and a hope to build stories from the void. From this fulcrum, I think of Joan Didion’s classic essay The White Album, and its opening truism: “We tell ourselves stories in order to live.” Voyles’s compositions of found photographs extend to viewers, a branch, a bone, a tool in making sense of the randomness that seems to rule our lives. Cutouts layered into loops capture chaos, but the care in each cut, the curation, and the collision of hyperspecific images betray a belief in an idiosyncratic order. These works are at once figurative mazes of manifold meaning, and objects calculated to short-circuit our thinking and experience pure sensation.

Writer: Will Kaplan @will.kaplan
Featured Show: Unreliable Narrators
Featured Artist: Rochelle Voyles @voylescurio
Featured Gallery: 81 Leonard Gallery @81leonardgallery 81 Leonard Street, New York, NY, 10013
On View through: April 11th, 2026,Tues – Sat, 12 PM – 6 PM

In Unreliable Narrators, Rochelle Voyles’s collages hold both a capacious nihilism and a hope to build stories from the void. From this fulcrum, I think of Joan Didion’s classic essay The White Album, and its opening truism: “We tell ourselves stories in order to live.” Voyles’s compositions of found photographs extend to viewers, a branch, a bone, a tool in making sense of the randomness that seems to rule our lives. Cutouts layered into loops capture chaos, but the care in each cut, the curation, and the collision of hyperspecific images betray a belief in an idiosyncratic order. These works are at once figurative mazes of manifold meaning, and objects calculated to short-circuit our thinking and experience pure sensation.

Writer: Will Kaplan @will.kaplan
Featured Show: Unreliable Narrators
Featured Artist: Rochelle Voyles @voylescurio
Featured Gallery: 81 Leonard Gallery @81leonardgallery 81 Leonard Street, New York, NY, 10013
On View through: April 11th, 2026,Tues – Sat, 12 PM – 6 PM

In Unreliable Narrators, Rochelle Voyles’s collages hold both a capacious nihilism and a hope to build stories from the void. From this fulcrum, I think of Joan Didion’s classic essay The White Album, and its opening truism: “We tell ourselves stories in order to live.” Voyles’s compositions of found photographs extend to viewers, a branch, a bone, a tool in making sense of the randomness that seems to rule our lives. Cutouts layered into loops capture chaos, but the care in each cut, the curation, and the collision of hyperspecific images betray a belief in an idiosyncratic order. These works are at once figurative mazes of manifold meaning, and objects calculated to short-circuit our thinking and experience pure sensation.

Writer: Will Kaplan @will.kaplan
Featured Show: Unreliable Narrators
Featured Artist: Rochelle Voyles @voylescurio
Featured Gallery: 81 Leonard Gallery @81leonardgallery 81 Leonard Street, New York, NY, 10013
On View through: April 11th, 2026,Tues – Sat, 12 PM – 6 PM

In Unreliable Narrators, Rochelle Voyles’s collages hold both a capacious nihilism and a hope to build stories from the void. From this fulcrum, I think of Joan Didion’s classic essay The White Album, and its opening truism: “We tell ourselves stories in order to live.” Voyles’s compositions of found photographs extend to viewers, a branch, a bone, a tool in making sense of the randomness that seems to rule our lives. Cutouts layered into loops capture chaos, but the care in each cut, the curation, and the collision of hyperspecific images betray a belief in an idiosyncratic order. These works are at once figurative mazes of manifold meaning, and objects calculated to short-circuit our thinking and experience pure sensation.

Writer: Will Kaplan @will.kaplan
Featured Show: Unreliable Narrators
Featured Artist: Rochelle Voyles @voylescurio
Featured Gallery: 81 Leonard Gallery @81leonardgallery 81 Leonard Street, New York, NY, 10013
On View through: April 11th, 2026,Tues – Sat, 12 PM – 6 PM

In Unreliable Narrators, Rochelle Voyles’s collages hold both a capacious nihilism and a hope to build stories from the void. From this fulcrum, I think of Joan Didion’s classic essay The White Album, and its opening truism: “We tell ourselves stories in order to live.” Voyles’s compositions of found photographs extend to viewers, a branch, a bone, a tool in making sense of the randomness that seems to rule our lives. Cutouts layered into loops capture chaos, but the care in each cut, the curation, and the collision of hyperspecific images betray a belief in an idiosyncratic order. These works are at once figurative mazes of manifold meaning, and objects calculated to short-circuit our thinking and experience pure sensation.

Writer: Will Kaplan @will.kaplan
Featured Show: Unreliable Narrators
Featured Artist: Rochelle Voyles @voylescurio
Featured Gallery: 81 Leonard Gallery @81leonardgallery 81 Leonard Street, New York, NY, 10013
On View through: April 11th, 2026,Tues – Sat, 12 PM – 6 PM

Latest post / Six artists meshing at Field Projects / Contributed by Will Kaplan / At the opening of “A Partial Refusal” at Field Projects, simmering conversation turned to a reverent hush within the gallery’s black painted walls. In this stirring exhibition, curator Weihui Liu has arranged the work of six artists into an immersive labyrinth that fosters a slow meander and even slower meditation in counterpoint to the preachiness and digital freneticism that surrounds us....

Link in Profile, Threads, Bluesky

@will.kaplan @fieldprojects @twocoatsofpaint @brooklyntintype @saran0a Mark

D. D. D. D. is pleased to share that Will Kaplan’s solo exhibition, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, has been reviewed beautifully in @twocoatsofpaint by Kate Sherman. The exhibition is up until January 11th alongside Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧.

Link to the article in our bio.

We hope everyone had a restful holiday season and we are wishing you all a wonderful 2026. D. D. D. D. is back to normal operating hours, Wednesday to Saturday 11-6pm.

@will.kaplan @scheiermank @dddd.pictures

D. D. D. D. is pleased to share that Will Kaplan’s solo exhibition, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, has been reviewed beautifully in @twocoatsofpaint by Kate Sherman. The exhibition is up until January 11th alongside Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧.

Link to the article in our bio.

We hope everyone had a restful holiday season and we are wishing you all a wonderful 2026. D. D. D. D. is back to normal operating hours, Wednesday to Saturday 11-6pm.

@will.kaplan @scheiermank @dddd.pictures

D. D. D. D. is pleased to share that Will Kaplan’s solo exhibition, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, has been reviewed beautifully in @twocoatsofpaint by Kate Sherman. The exhibition is up until January 11th alongside Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧.

Link to the article in our bio.

We hope everyone had a restful holiday season and we are wishing you all a wonderful 2026. D. D. D. D. is back to normal operating hours, Wednesday to Saturday 11-6pm.

@will.kaplan @scheiermank @dddd.pictures

Latest post / Lauren Clay’s organic sanctums /

[Link in Profile: Please contribute to the Two Coats of Paint year-end fund drive!]

Contributed by Will Kaplan / In her solo show “Solarium” at Picture Theory, Lauren Clay compresses different scales of time into tight, enchanting wall sculptures. In modernizing the timeless form of the archway, her work reflects the structure’s progression from functional to aesthetic. The series of torso-sized works foster an intimate viewing experience, comparable to an altarpiece. Traditionally, altarpieces hover behind the altar itself. The faithful kneel beneath them for their sacraments, like the Eucharistic transformation of wine into blood....

Link in Profile, Bluesky, Threads

@picture.theory @laurenclay_ @will.kaplan @twocoatsofpaint

Latest post / Lauren Clay’s organic sanctums /

[Link in Profile: Please contribute to the Two Coats of Paint year-end fund drive!]

Contributed by Will Kaplan / In her solo show “Solarium” at Picture Theory, Lauren Clay compresses different scales of time into tight, enchanting wall sculptures. In modernizing the timeless form of the archway, her work reflects the structure’s progression from functional to aesthetic. The series of torso-sized works foster an intimate viewing experience, comparable to an altarpiece. Traditionally, altarpieces hover behind the altar itself. The faithful kneel beneath them for their sacraments, like the Eucharistic transformation of wine into blood....

Link in Profile, Bluesky, Threads

@picture.theory @laurenclay_ @will.kaplan @twocoatsofpaint

Will Kaplan | 𝘈𝘳𝘮, 2025
Paint, collage, found object, carving on wood
35 x 7.50 x 10 inches

Part of Kaplan’s solo exhibition, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, now on view at D. D. D. D.

Kaplan collages found images, observational drawing, and structural presentations to probe the constantly evolving boundaries between people and their surroundings.

@will.kaplan @dddd.pictures

Will Kaplan | 𝘈𝘳𝘮, 2025
Paint, collage, found object, carving on wood
35 x 7.50 x 10 inches

Part of Kaplan’s solo exhibition, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, now on view at D. D. D. D.

Kaplan collages found images, observational drawing, and structural presentations to probe the constantly evolving boundaries between people and their surroundings.

@will.kaplan @dddd.pictures

Join us tomorrow night 6-8pm for the opening receptions of Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧, & Will Kaplan’s, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣!

D. D. D. D. is open Wednesday through Saturday 11-6pm

Join us tomorrow night 6-8pm for the opening receptions of Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧, & Will Kaplan’s, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣!

D. D. D. D. is open Wednesday through Saturday 11-6pm

Join us tomorrow night 6-8pm for the opening receptions of Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧, & Will Kaplan’s, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣!

D. D. D. D. is open Wednesday through Saturday 11-6pm

Join us tomorrow night 6-8pm for the opening receptions of Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧, & Will Kaplan’s, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣!

D. D. D. D. is open Wednesday through Saturday 11-6pm

Remember to mark your calendars for the opening receptions of Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧, & Will Kaplan’s, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, Friday December 5th 6-8pm!

If you can’t make the opening D. D. D. D. is open Wednesday through Saturday 11-6pm!

Slides one and two:
Logan Grider | No. 15 (Choir)
2023
Egg tempera on panel
11.50 x 8.50 inches

Slides three and four:
Will Kaplan | Isle
2024
Paint, collage, found object, and carving on wood

#logangrider @will.kaplan @dddd.pictures

Remember to mark your calendars for the opening receptions of Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧, & Will Kaplan’s, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, Friday December 5th 6-8pm!

If you can’t make the opening D. D. D. D. is open Wednesday through Saturday 11-6pm!

Slides one and two:
Logan Grider | No. 15 (Choir)
2023
Egg tempera on panel
11.50 x 8.50 inches

Slides three and four:
Will Kaplan | Isle
2024
Paint, collage, found object, and carving on wood

#logangrider @will.kaplan @dddd.pictures

Remember to mark your calendars for the opening receptions of Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧, & Will Kaplan’s, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, Friday December 5th 6-8pm!

If you can’t make the opening D. D. D. D. is open Wednesday through Saturday 11-6pm!

Slides one and two:
Logan Grider | No. 15 (Choir)
2023
Egg tempera on panel
11.50 x 8.50 inches

Slides three and four:
Will Kaplan | Isle
2024
Paint, collage, found object, and carving on wood

#logangrider @will.kaplan @dddd.pictures

Remember to mark your calendars for the opening receptions of Logan Grider’s, 𝘾𝙝𝙤𝙞𝙧, & Will Kaplan’s, 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, Friday December 5th 6-8pm!

If you can’t make the opening D. D. D. D. is open Wednesday through Saturday 11-6pm!

Slides one and two:
Logan Grider | No. 15 (Choir)
2023
Egg tempera on panel
11.50 x 8.50 inches

Slides three and four:
Will Kaplan | Isle
2024
Paint, collage, found object, and carving on wood

#logangrider @will.kaplan @dddd.pictures

D. D. D. D. is also pleased to present 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, a new series of work by writing artist, Will Kaplan. This will be the artist’s first solo exhibition with us! The opening reception will be on Friday, December 5th 2025, 6–8pm.

Kaplan collages found images, observational drawing, and structural presentations to probe the constantly evolving boundaries between people and their surroundings.

About the artist:
Will Kaplan graduated from Skidmore College in
2017 and currently lives and works in Queens. His exhibition reviews have been published in Two Coats of Paint, Artpsiel, and Copy. His work has appeared at Spring/Break Art Fair, the New Art Dealers Alliance, and Pete’s Candy Store. He has staged several solo shows including Remergency at Bob’s Gallery (2023), StoryRots on Governors Island, and Both Sides Now (2024) at Living Skin.

For more information, please DM or e-mail.
@will.kaplan @dddd.pictures

D. D. D. D. is also pleased to present 𝙍𝙚𝙨𝙥𝙖𝙬𝙣, a new series of work by writing artist, Will Kaplan. This will be the artist’s first solo exhibition with us! The opening reception will be on Friday, December 5th 2025, 6–8pm.

Kaplan collages found images, observational drawing, and structural presentations to probe the constantly evolving boundaries between people and their surroundings.

About the artist:
Will Kaplan graduated from Skidmore College in
2017 and currently lives and works in Queens. His exhibition reviews have been published in Two Coats of Paint, Artpsiel, and Copy. His work has appeared at Spring/Break Art Fair, the New Art Dealers Alliance, and Pete’s Candy Store. He has staged several solo shows including Remergency at Bob’s Gallery (2023), StoryRots on Governors Island, and Both Sides Now (2024) at Living Skin.

For more information, please DM or e-mail.
@will.kaplan @dddd.pictures

Made this poster for a collab of the besties! @nellywasnervous releasing her new album “when the house bears its teeth” at @cur.mudge.on’s new show “Dead Skin”!! Can’t wait to see you at @ni____________ne for a pairing of spooky art and music!! Costumes encouraged!!

The paintings in James Gold’s solo show, Infinite Scroll, act as intermediaries between past, present and future. These glimmering grids at Morgan Lehman gallery toggle between his deep reverence for history and his active aesthetic imagination. Talking with the painter about his wider practices in collaged artist books and archeological renderings revealed new means of perception and applications of art-making.

Writer: Will Kaplan @will.kaplan

Artist in Dialogue: James Gold @jamesgoldstudio

Featured Show: Infinite Scroll

Featured Venue: Morgan Lehman @morganlehmangallery 526 West 26th Street, Suite 410

On View through: October 18, 2025

#artspiel #jamesgold #morganlehman #willkaplan #artcollector #artinterview

The paintings in James Gold’s solo show, Infinite Scroll, act as intermediaries between past, present and future. These glimmering grids at Morgan Lehman gallery toggle between his deep reverence for history and his active aesthetic imagination. Talking with the painter about his wider practices in collaged artist books and archeological renderings revealed new means of perception and applications of art-making.

Writer: Will Kaplan @will.kaplan

Artist in Dialogue: James Gold @jamesgoldstudio

Featured Show: Infinite Scroll

Featured Venue: Morgan Lehman @morganlehmangallery 526 West 26th Street, Suite 410

On View through: October 18, 2025

#artspiel #jamesgold #morganlehman #willkaplan #artcollector #artinterview

The paintings in James Gold’s solo show, Infinite Scroll, act as intermediaries between past, present and future. These glimmering grids at Morgan Lehman gallery toggle between his deep reverence for history and his active aesthetic imagination. Talking with the painter about his wider practices in collaged artist books and archeological renderings revealed new means of perception and applications of art-making.

Writer: Will Kaplan @will.kaplan

Artist in Dialogue: James Gold @jamesgoldstudio

Featured Show: Infinite Scroll

Featured Venue: Morgan Lehman @morganlehmangallery 526 West 26th Street, Suite 410

On View through: October 18, 2025

#artspiel #jamesgold #morganlehman #willkaplan #artcollector #artinterview

The paintings in James Gold’s solo show, Infinite Scroll, act as intermediaries between past, present and future. These glimmering grids at Morgan Lehman gallery toggle between his deep reverence for history and his active aesthetic imagination. Talking with the painter about his wider practices in collaged artist books and archeological renderings revealed new means of perception and applications of art-making.

Writer: Will Kaplan @will.kaplan

Artist in Dialogue: James Gold @jamesgoldstudio

Featured Show: Infinite Scroll

Featured Venue: Morgan Lehman @morganlehmangallery 526 West 26th Street, Suite 410

On View through: October 18, 2025

#artspiel #jamesgold #morganlehman #willkaplan #artcollector #artinterview

The paintings in James Gold’s solo show, Infinite Scroll, act as intermediaries between past, present and future. These glimmering grids at Morgan Lehman gallery toggle between his deep reverence for history and his active aesthetic imagination. Talking with the painter about his wider practices in collaged artist books and archeological renderings revealed new means of perception and applications of art-making.

Writer: Will Kaplan @will.kaplan

Artist in Dialogue: James Gold @jamesgoldstudio

Featured Show: Infinite Scroll

Featured Venue: Morgan Lehman @morganlehmangallery 526 West 26th Street, Suite 410

On View through: October 18, 2025

#artspiel #jamesgold #morganlehman #willkaplan #artcollector #artinterview

The paintings in James Gold’s solo show, Infinite Scroll, act as intermediaries between past, present and future. These glimmering grids at Morgan Lehman gallery toggle between his deep reverence for history and his active aesthetic imagination. Talking with the painter about his wider practices in collaged artist books and archeological renderings revealed new means of perception and applications of art-making.

Writer: Will Kaplan @will.kaplan

Artist in Dialogue: James Gold @jamesgoldstudio

Featured Show: Infinite Scroll

Featured Venue: Morgan Lehman @morganlehmangallery 526 West 26th Street, Suite 410

On View through: October 18, 2025

#artspiel #jamesgold #morganlehman #willkaplan #artcollector #artinterview

The paintings in James Gold’s solo show, Infinite Scroll, act as intermediaries between past, present and future. These glimmering grids at Morgan Lehman gallery toggle between his deep reverence for history and his active aesthetic imagination. Talking with the painter about his wider practices in collaged artist books and archeological renderings revealed new means of perception and applications of art-making.

Writer: Will Kaplan @will.kaplan

Artist in Dialogue: James Gold @jamesgoldstudio

Featured Show: Infinite Scroll

Featured Venue: Morgan Lehman @morganlehmangallery 526 West 26th Street, Suite 410

On View through: October 18, 2025

#artspiel #jamesgold #morganlehman #willkaplan #artcollector #artinterview

An occult presence pervades the sylvan scenery of Comet Eater, a solo show from Terra Keck. In these nightswept graphite drawings, trees shimmer and sway. Leaves levitate and glow. Stars or fireflies illuminate ornate paths. Among other sources, Keck hybridizes the ghostly impressions of Anna Atkins’s botanical cyanotypes and the mystic geometry of Hilma af Klint’s paintings.

Special thanks to our writer: Will Kaplan @will.kaplan
Featured Artist: Terra Keck @herlovelyface
Featured Venue: Storage @storage.archive
On View through: August 30, 2025

#artreview #artspiel #storagegallery #terrakeck #willkaplan #artcollector #nycart

An occult presence pervades the sylvan scenery of Comet Eater, a solo show from Terra Keck. In these nightswept graphite drawings, trees shimmer and sway. Leaves levitate and glow. Stars or fireflies illuminate ornate paths. Among other sources, Keck hybridizes the ghostly impressions of Anna Atkins’s botanical cyanotypes and the mystic geometry of Hilma af Klint’s paintings.

Special thanks to our writer: Will Kaplan @will.kaplan
Featured Artist: Terra Keck @herlovelyface
Featured Venue: Storage @storage.archive
On View through: August 30, 2025

#artreview #artspiel #storagegallery #terrakeck #willkaplan #artcollector #nycart

An occult presence pervades the sylvan scenery of Comet Eater, a solo show from Terra Keck. In these nightswept graphite drawings, trees shimmer and sway. Leaves levitate and glow. Stars or fireflies illuminate ornate paths. Among other sources, Keck hybridizes the ghostly impressions of Anna Atkins’s botanical cyanotypes and the mystic geometry of Hilma af Klint’s paintings.

Special thanks to our writer: Will Kaplan @will.kaplan
Featured Artist: Terra Keck @herlovelyface
Featured Venue: Storage @storage.archive
On View through: August 30, 2025

#artreview #artspiel #storagegallery #terrakeck #willkaplan #artcollector #nycart

“Let Nature In” opens tonight at @thepaintingcenter thank you to curators @kathleenbeausoleil and @shazzileona for including my book “Plucked from the Vine,” which I made at @chanorthartresidency

Hope to see you there tn from 6-8!

“Let Nature In” opens tonight at @thepaintingcenter thank you to curators @kathleenbeausoleil and @shazzileona for including my book “Plucked from the Vine,” which I made at @chanorthartresidency

Hope to see you there tn from 6-8!

“Let Nature In” opens tonight at @thepaintingcenter thank you to curators @kathleenbeausoleil and @shazzileona for including my book “Plucked from the Vine,” which I made at @chanorthartresidency

Hope to see you there tn from 6-8!

“Let Nature In” opens tonight at @thepaintingcenter thank you to curators @kathleenbeausoleil and @shazzileona for including my book “Plucked from the Vine,” which I made at @chanorthartresidency

Hope to see you there tn from 6-8!