Instagram Story speichern

SG GEAR

Cop your piece on our website

No AI

SG GEAR

Cop your piece on our website

No AI

SG GEAR

Cop your piece on our website

No AI

SG GEAR

Cop your piece on our website

No AI

SG GEAR

Cop your piece on our website

No AI

SG GEAR

Cop your piece on our website

No AI

SG GEAR

Cop your piece on our website

No AI

SG GEAR

Cop your piece on our website

No AI

We are opening several new full time positions, in-house.
Happy to meet new talents, willing to join our team long term !

CGI ARTIST (Mid to Senior)
PARIS-BASED
FLUENT ENGLISH
STARTING SOON
+3-4 YEARS OF EXP C4D AND/OR HOUDINI
OCTANE AND/OR REDSHIFT
AI SKILLS

Email us using "JOB: CGI ARTIST " as the subject

• Full job descriptions on our website
• Include your Portfolio + Few words about yourself
• Please apply only if you truly fit the description 🙃

Looking forward to meet you ! 🖤

This and high-speed internet.

This and high-speed internet.

This and high-speed internet.

This and high-speed internet.

This and high-speed internet.

This and high-speed internet.

This and high-speed internet.

This and high-speed internet.

This and high-speed internet.

NIKE TRAINING

Campaign directed by @servicesgeneraux
Production @maemybad @aldricmenanteau @__kotro

Nike Training: @niketraining
Nike Art Directors: @99.figs @lulubi_garcia
Nike Lead Designer: @lulubi_garcia
Nike Production: @yoging_around

DOP: @vicmorisse
1st AD: @pim.caloni
1st AC: @lucastourret
2nd AC: @mathis_bonnaeu
Steadicam Operator: @steadi_carl
Gaffer: @hadrien.perrot
Light: @alexsbogart @french_brt @cha_nd_@enzo_sayag
Machinists: @edouardbordier @mathis_liabeuf

Movement Director @manondubourdeaux
Technical Movement Director @jeson.lngdn

Production Designer: @prudencepalle
Builders: @build.paris
Assistants Set Designer: @alexisdougha @felzinx k__zam

Stylist: @damese
Assistant Stylist: @gaux.hinas @alex100drame
HMU: @paulinesuze

Models:
Djamal
Maé
Marvin
Edwige

CREATIVE POST-PRODUCTION BY @servicesgeneraux

[No AI]

NEW! Casting the myth of Sisyphus into a digitally manipulated environment, image-making studio Services Généraux builds a cinematic meditation on free will for the experimental film ‘SISYPHE’ – echoing Albert Camus’ interpretation of the myth as a reflection of modern life⁠ 🪨⁠
⁠
Between encounters with beauty and harsh confrontations, the experimental film reinstates the free will of its absurd hero, handing him the reins to take back control through a radical act of autonomy ⁠
⁠
Tap the link in bio to watch the full film on NOWNESS 🎬⁠
⁠
Director @servicesgeneraux (Antoine + Valentin)⁠
Executive Production & Post Production @servicesgeneraux ⁠
PR @cc__system⁠
Model @antuuu__⁠
Original Music @paraoner

NEW! Casting the myth of Sisyphus into a digitally manipulated environment, image-making studio Services Généraux builds a cinematic meditation on free will for the experimental film ‘SISYPHE’ – echoing Albert Camus’ interpretation of the myth as a reflection of modern life⁠ 🪨⁠
⁠
Between encounters with beauty and harsh confrontations, the experimental film reinstates the free will of its absurd hero, handing him the reins to take back control through a radical act of autonomy ⁠
⁠
Tap the link in bio to watch the full film on NOWNESS 🎬⁠
⁠
Director @servicesgeneraux (Antoine + Valentin)⁠
Executive Production & Post Production @servicesgeneraux ⁠
PR @cc__system⁠
Model @antuuu__⁠
Original Music @paraoner

NEW! Casting the myth of Sisyphus into a digitally manipulated environment, image-making studio Services Généraux builds a cinematic meditation on free will for the experimental film ‘SISYPHE’ – echoing Albert Camus’ interpretation of the myth as a reflection of modern life⁠ 🪨⁠
⁠
Between encounters with beauty and harsh confrontations, the experimental film reinstates the free will of its absurd hero, handing him the reins to take back control through a radical act of autonomy ⁠
⁠
Tap the link in bio to watch the full film on NOWNESS 🎬⁠
⁠
Director @servicesgeneraux (Antoine + Valentin)⁠
Executive Production & Post Production @servicesgeneraux ⁠
PR @cc__system⁠
Model @antuuu__⁠
Original Music @paraoner

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

About last night

Thanks for coming
Sorry for the line and the heat

Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert

PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )

SISYPHE

A short film by Services Généraux.
Coming soon.

Actor: Antoine Puylaert @antuuu__
Soundtrack: Para One @paraoner
DoP: Victor Morisse @vicmorisse
Edit: Vincent Fleischmann @vincentfleischmann
Color: John O’Riordan @_johngrades_
Post: Services Generaux
Styling: Camille Cabanis @k1000reloaded
Production: @maemybad

SISYPHE
J-7

This was our last party at La Station.
4 years, 4 legendary parties.

All thanks to @_fetva_ and all these amazing DJs

SG26
Scenography :
@aleksandrkontini
DJs :
@angeparadiz
@ouri.riou
@badgalmelv
@aamne__
@babypantera
@bamaoyende

Vidéo by @yvoaracy and @ashes_____________________

The Plane

Services Généraux for Balenciaga

The Closet

Services Généraux for Balenciaga

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights

MOCKING (UP)

In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.

On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.

On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.

Mocking up the thing is not doing the thing.

To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!

Download link in stories highlights