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Homicide: New York — Season 2

Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.

Grateful to be part of a team that approached these stories with care, discipline, and trust.

@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries

Homicide: New York — Season 2

Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.

Grateful to be part of a team that approached these stories with care, discipline, and trust.

@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries

Homicide: New York — Season 2

Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.

Grateful to be part of a team that approached these stories with care, discipline, and trust.

@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries

Homicide: New York — Season 2

Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.

Grateful to be part of a team that approached these stories with care, discipline, and trust.

@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries

Homicide: New York — Season 2

Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.

Grateful to be part of a team that approached these stories with care, discipline, and trust.

@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries

Homicide: New York — Season 2

Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.

Grateful to be part of a team that approached these stories with care, discipline, and trust.

@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries

Homicide: New York — Season 2

Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.

Grateful to be part of a team that approached these stories with care, discipline, and trust.

@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries

Homicide: New York — Season 2

Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.

Grateful to be part of a team that approached these stories with care, discipline, and trust.

@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries

Homicide: New York — Season 2

Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.

Grateful to be part of a team that approached these stories with care, discipline, and trust.

@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries

Homicide: New York — Season 2

Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.

Grateful to be part of a team that approached these stories with care, discipline, and trust.

@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries

Check out the latest season of Homicide NY on @netflix. For this 3rd installment of the series we got to return back to New York to capture 5 #truecrime stories culminating in a very powerful final episode about 9/11. Thanks to a fantastic team in New York, the excellent recre crew in Los Angeles and the passionate leadership of our Show Runner and Director Adam Kassen! Thank you all! #netflix #dickwolf @artistry.agency #Cinematographer #documentary #sonyvenice #docuseries

Last summer I got to team up with director @jackmacinnes to capture the Black Hawk flight sequences along with some of the soldier reenactments for his @netflix doc series Surviving Black Hawk Down coming out Feb 10th. Ridley Scott Associates produced the 3 episodes telling the stories of the Somali people and soldiers who survived this battle. To capture the aerial sequences we deployed Sony Venice cameras with the Rialto extension which allowed us to move around the Black Hawk with ease while the camera bodies were secured to the @moviehawk. It made for an intense, successful day of flying. Thanks to the whole team!

Last summer I got to team up with director @jackmacinnes to capture the Black Hawk flight sequences along with some of the soldier reenactments for his @netflix doc series Surviving Black Hawk Down coming out Feb 10th. Ridley Scott Associates produced the 3 episodes telling the stories of the Somali people and soldiers who survived this battle. To capture the aerial sequences we deployed Sony Venice cameras with the Rialto extension which allowed us to move around the Black Hawk with ease while the camera bodies were secured to the @moviehawk. It made for an intense, successful day of flying. Thanks to the whole team!

Last summer I got to team up with director @jackmacinnes to capture the Black Hawk flight sequences along with some of the soldier reenactments for his @netflix doc series Surviving Black Hawk Down coming out Feb 10th. Ridley Scott Associates produced the 3 episodes telling the stories of the Somali people and soldiers who survived this battle. To capture the aerial sequences we deployed Sony Venice cameras with the Rialto extension which allowed us to move around the Black Hawk with ease while the camera bodies were secured to the @moviehawk. It made for an intense, successful day of flying. Thanks to the whole team!

Last summer I got to team up with director @jackmacinnes to capture the Black Hawk flight sequences along with some of the soldier reenactments for his @netflix doc series Surviving Black Hawk Down coming out Feb 10th. Ridley Scott Associates produced the 3 episodes telling the stories of the Somali people and soldiers who survived this battle. To capture the aerial sequences we deployed Sony Venice cameras with the Rialto extension which allowed us to move around the Black Hawk with ease while the camera bodies were secured to the @moviehawk. It made for an intense, successful day of flying. Thanks to the whole team!

Last summer I got to team up with director @jackmacinnes to capture the Black Hawk flight sequences along with some of the soldier reenactments for his @netflix doc series Surviving Black Hawk Down coming out Feb 10th. Ridley Scott Associates produced the 3 episodes telling the stories of the Somali people and soldiers who survived this battle. To capture the aerial sequences we deployed Sony Venice cameras with the Rialto extension which allowed us to move around the Black Hawk with ease while the camera bodies were secured to the @moviehawk. It made for an intense, successful day of flying. Thanks to the whole team!

Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure

Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure

Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure

Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure

Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure

Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure

Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure

Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure

Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure

Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure

Now on @netflix Season 1 of HOMICIDE - New York. Check it out if you like true crime! Thanks to our fearless leader #adamkassen and his fantastic producing team. Grateful for an excellent crew both in NY and LA! I appreciate the trust by @wolfentertainment & @dickwolf to get to create the visuals for this new show. Thank you all! #netflix #dickwolf @ddatalentagents #Cinematographer #documentary @sonycine #sonyvenice #docuseries

We didn’t clinch the win but had a fun night at the Doc Emmys last night! Thank you to the @televisionacad for our nomination in “Outstanding Lighting & Scenic Design” of our @cnn @nytimes docu series “The Murdochs: Empire of Influence”. Thank you Erica Sashin, Banks Tarver, Ken Druckerman, the amazing production team of Left/Right and the fantastic work by my camera and G&E friends! Emmy we shall meet again :-)

WRITTEN, DIRECTED, & PRODUCED BY @sheldoncandis
STARRING @meaganholder
CINEMATOGRAPHY BY 🤚
EDITED BY @kristinyawata
KEY GRIP @c_stalsworth
STEADICAM @danielwurschl
1st AC Isaiah Fortajada
PRODUCTION DESIGN BY @tonylovespizza21
SOUND DESIGN & MIX BY @branfreeze
COSTUME DESIGN BY @salsatilidie
VFX BY Avocado Toast
ORIGINAL SCORE BY @theechosociety
PRODUCED BY @daaaaav
EXECUTIVE PRODUCED BY @qadreeholmes

YOUNG BESS @marajacksons

POST PRODUCTION BY @littlefarmpost
POST SOUND BY @formosagroup

CINEPHILE SOCIETY & @quriosityproductions

@netflix @strongblacklead @filmindependent

100 years ago an American Aviatrix reached for new heights and inspired future generations far beyond aviation. Thankful to be able to help amplify her inspiring story with our passion project together with director @sheldoncandisfor @filmindependent @netflixfilm . Looking forward to share this short film with everyone next week!

A few more from tonight’s foggy twilight walk

A few more from tonight’s foggy twilight walk

A few more from tonight’s foggy twilight walk

A few more from tonight’s foggy twilight walk

Fog rolled in up here in the mountains and made for a moody evening walk.

Fog rolled in up here in the mountains and made for a moody evening walk.

Fog rolled in up here in the mountains and made for a moody evening walk.

Fog rolled in up here in the mountains and made for a moody evening walk.

Deep gratitude to all the fantastic moms that love, teach, protect, nourish, inspire and hold us tight. Thank you!

Family adventures