Lưu Câu Chuyện Instagram
Lưu Câu Chuyện, Reels, Ảnh, Video, Highlights, IGTV Instagram miễn phí trực tuyến
spatialcamera
Spatial Camera
Spa·tial /ˈspāSHəl/ : of rigs in motion, precision in space.
Drone | Arm Car | Helicopter
📍 Vancouver, BC | Available Worldwide
The ground can’t always get you there. That’s why we fly.
In-house we run a Shotover F1, with access to the Immortal 6-Axis system. Built to chase the impossible, from mountains to cityscapes, delivering locked, steady, cinematic frames at speed.
Specs that matter:
• Shotover F1 + Immortal 6-Axis Gimbal Systems
• Heavy-lift stabilization for cinema packages
• A-Star & Jet Ranger Helicopter Mounts
The ground can’t always get you there. That’s why we fly.
In-house we run a Shotover F1, with access to the Immortal 6-Axis system. Built to chase the impossible, from mountains to cityscapes, delivering locked, steady, cinematic frames at speed.
Specs that matter:
• Shotover F1 + Immortal 6-Axis Gimbal Systems
• Heavy-lift stabilization for cinema packages
• A-Star & Jet Ranger Helicopter Mounts
The ground can’t always get you there. That’s why we fly.
In-house we run a Shotover F1, with access to the Immortal 6-Axis system. Built to chase the impossible, from mountains to cityscapes, delivering locked, steady, cinematic frames at speed.
Specs that matter:
• Shotover F1 + Immortal 6-Axis Gimbal Systems
• Heavy-lift stabilization for cinema packages
• A-Star & Jet Ranger Helicopter Mounts
The ground can’t always get you there. That’s why we fly.
In-house we run a Shotover F1, with access to the Immortal 6-Axis system. Built to chase the impossible, from mountains to cityscapes, delivering locked, steady, cinematic frames at speed.
Specs that matter:
• Shotover F1 + Immortal 6-Axis Gimbal Systems
• Heavy-lift stabilization for cinema packages
• A-Star & Jet Ranger Helicopter Mounts
The sky isn’t the limit. It’s the canvas.
Our Inspire 3 package is built to fly faster and sharper for whatever story you’re chasing.
Fast. Flexible. Future-proof.
Specs that matter:
• 8K Full Frame ProRes or RAW codecs
• Interchangeable Lenses from 14mm - 90mm
• Dual-Op Control
• Pilots with Advanced Licences
The sky isn’t the limit. It’s the canvas.
Our Inspire 3 package is built to fly faster and sharper for whatever story you’re chasing.
Fast. Flexible. Future-proof.
Specs that matter:
• 8K Full Frame ProRes or RAW codecs
• Interchangeable Lenses from 14mm - 90mm
• Dual-Op Control
• Pilots with Advanced Licences
The sky isn’t the limit. It’s the canvas.
Our Inspire 3 package is built to fly faster and sharper for whatever story you’re chasing.
Fast. Flexible. Future-proof.
Specs that matter:
• 8K Full Frame ProRes or RAW codecs
• Interchangeable Lenses from 14mm - 90mm
• Dual-Op Control
• Pilots with Advanced Licences
The best shots don’t happen standing still.
Our 14ft Motocrane Radical was built to chase speed, precision, and every frame in between.
Smooth. Strong. Ready for anything.
Specs that matter:
• Titan LT or Ronin2 Remote Heads
• INS2 Stabilization
• Toyota 4Runner or Polaris RZR
The best shots don’t happen standing still.
Our 14ft Motocrane Radical was built to chase speed, precision, and every frame in between.
Smooth. Strong. Ready for anything.
Specs that matter:
• Titan LT or Ronin2 Remote Heads
• INS2 Stabilization
• Toyota 4Runner or Polaris RZR
Suspended In Space marked the beginning of our partnership with @nativefour, and this week the film was recognized across three categories at Clio Sports.
Up in the Yukon, Cam, Chris, and Zac set the tone in the mountains and came back with looks most people had never seen before. We were handed a pre-release Inspire 3, and it quickly became the perfect tool, letting a small, nimble crew capture the full essence of the north at scale.
A few of our favourite aerial driven moments from the film:
1. Inspire 3 tracking the heli → range + precision in the Yukon air.
2. Talent in scope → FPV speed + vast landscapes blended in-frame.
3. Texture vs speed → intimate details contrasted with high-speed FPV.
4. FPV as a helicopter nose dive → massive expanse in one move.
5. Roads as shapes → high-angle Inspire 3 shots to reveal scale.
Director: @cameronthuman
Production Company: @nativefour
Starring: @kajsal @celeste.pomerantz
Producer: @dilanmistry
DP: @christopherclark___
Aerial DP: @downtofilm @spatialcamera
Editor: @christianwhittemore
Composer: @liammour_
Colorist: @parkerjarvie
Sound Studio: @defactosound
Assoc. Producer: @dancounihan
Suspended In Space marked the beginning of our partnership with @nativefour, and this week the film was recognized across three categories at Clio Sports.
Up in the Yukon, Cam, Chris, and Zac set the tone in the mountains and came back with looks most people had never seen before. We were handed a pre-release Inspire 3, and it quickly became the perfect tool, letting a small, nimble crew capture the full essence of the north at scale.
A few of our favourite aerial driven moments from the film:
1. Inspire 3 tracking the heli → range + precision in the Yukon air.
2. Talent in scope → FPV speed + vast landscapes blended in-frame.
3. Texture vs speed → intimate details contrasted with high-speed FPV.
4. FPV as a helicopter nose dive → massive expanse in one move.
5. Roads as shapes → high-angle Inspire 3 shots to reveal scale.
Director: @cameronthuman
Production Company: @nativefour
Starring: @kajsal @celeste.pomerantz
Producer: @dilanmistry
DP: @christopherclark___
Aerial DP: @downtofilm @spatialcamera
Editor: @christianwhittemore
Composer: @liammour_
Colorist: @parkerjarvie
Sound Studio: @defactosound
Assoc. Producer: @dancounihan
Suspended In Space marked the beginning of our partnership with @nativefour, and this week the film was recognized across three categories at Clio Sports.
Up in the Yukon, Cam, Chris, and Zac set the tone in the mountains and came back with looks most people had never seen before. We were handed a pre-release Inspire 3, and it quickly became the perfect tool, letting a small, nimble crew capture the full essence of the north at scale.
A few of our favourite aerial driven moments from the film:
1. Inspire 3 tracking the heli → range + precision in the Yukon air.
2. Talent in scope → FPV speed + vast landscapes blended in-frame.
3. Texture vs speed → intimate details contrasted with high-speed FPV.
4. FPV as a helicopter nose dive → massive expanse in one move.
5. Roads as shapes → high-angle Inspire 3 shots to reveal scale.
Director: @cameronthuman
Production Company: @nativefour
Starring: @kajsal @celeste.pomerantz
Producer: @dilanmistry
DP: @christopherclark___
Aerial DP: @downtofilm @spatialcamera
Editor: @christianwhittemore
Composer: @liammour_
Colorist: @parkerjarvie
Sound Studio: @defactosound
Assoc. Producer: @dancounihan
Suspended In Space marked the beginning of our partnership with @nativefour, and this week the film was recognized across three categories at Clio Sports.
Up in the Yukon, Cam, Chris, and Zac set the tone in the mountains and came back with looks most people had never seen before. We were handed a pre-release Inspire 3, and it quickly became the perfect tool, letting a small, nimble crew capture the full essence of the north at scale.
A few of our favourite aerial driven moments from the film:
1. Inspire 3 tracking the heli → range + precision in the Yukon air.
2. Talent in scope → FPV speed + vast landscapes blended in-frame.
3. Texture vs speed → intimate details contrasted with high-speed FPV.
4. FPV as a helicopter nose dive → massive expanse in one move.
5. Roads as shapes → high-angle Inspire 3 shots to reveal scale.
Director: @cameronthuman
Production Company: @nativefour
Starring: @kajsal @celeste.pomerantz
Producer: @dilanmistry
DP: @christopherclark___
Aerial DP: @downtofilm @spatialcamera
Editor: @christianwhittemore
Composer: @liammour_
Colorist: @parkerjarvie
Sound Studio: @defactosound
Assoc. Producer: @dancounihan
Suspended In Space marked the beginning of our partnership with @nativefour, and this week the film was recognized across three categories at Clio Sports.
Up in the Yukon, Cam, Chris, and Zac set the tone in the mountains and came back with looks most people had never seen before. We were handed a pre-release Inspire 3, and it quickly became the perfect tool, letting a small, nimble crew capture the full essence of the north at scale.
A few of our favourite aerial driven moments from the film:
1. Inspire 3 tracking the heli → range + precision in the Yukon air.
2. Talent in scope → FPV speed + vast landscapes blended in-frame.
3. Texture vs speed → intimate details contrasted with high-speed FPV.
4. FPV as a helicopter nose dive → massive expanse in one move.
5. Roads as shapes → high-angle Inspire 3 shots to reveal scale.
Director: @cameronthuman
Production Company: @nativefour
Starring: @kajsal @celeste.pomerantz
Producer: @dilanmistry
DP: @christopherclark___
Aerial DP: @downtofilm @spatialcamera
Editor: @christianwhittemore
Composer: @liammour_
Colorist: @parkerjarvie
Sound Studio: @defactosound
Assoc. Producer: @dancounihan
Suspended In Space marked the beginning of our partnership with @nativefour, and this week the film was recognized across three categories at Clio Sports.
Up in the Yukon, Cam, Chris, and Zac set the tone in the mountains and came back with looks most people had never seen before. We were handed a pre-release Inspire 3, and it quickly became the perfect tool, letting a small, nimble crew capture the full essence of the north at scale.
A few of our favourite aerial driven moments from the film:
1. Inspire 3 tracking the heli → range + precision in the Yukon air.
2. Talent in scope → FPV speed + vast landscapes blended in-frame.
3. Texture vs speed → intimate details contrasted with high-speed FPV.
4. FPV as a helicopter nose dive → massive expanse in one move.
5. Roads as shapes → high-angle Inspire 3 shots to reveal scale.
Director: @cameronthuman
Production Company: @nativefour
Starring: @kajsal @celeste.pomerantz
Producer: @dilanmistry
DP: @christopherclark___
Aerial DP: @downtofilm @spatialcamera
Editor: @christianwhittemore
Composer: @liammour_
Colorist: @parkerjarvie
Sound Studio: @defactosound
Assoc. Producer: @dancounihan
The goal for this one was simple, let the drone and the arm car play off each other.
The arm couldn’t always squeeze into the tight roads the Trail Blazer lived on, so the drone filled in the gaps. Together, they gave us a perfect blend, shots that matched seamlessly, whether you knew it was an arm or a drone behind the camera.
1. Connecting water with land → FPV thrives in the gaps, stitching action and environment in one move.
2. Two for one → get close to the action, then pull back to reveal the full expanse.
3. The tree hallway → normally an arm move, but a reverse joust with the Inspire 3 nailed it.
4. A moment to breathe → not every shot needs to rip. Sometimes slow makes the fast feel faster.
5. Full 60s cut → the payoff.
Director: @cameronthuman
Production Company: @radketv @undefined.tv_
Executive Producer: @julianweiman
1st AD: @tnt_604
DP: @kristoferbonnell
Aerial Team: @spatialcamera
UAV Pilot: @downtofilm
UAV Op: @brodyjonescinema
UAV Tech: @kaddyfpv
U-Crane: Rapid Filmworks
Precision Drivers: @mab_stunts @helena.laliberte
The goal for this one was simple, let the drone and the arm car play off each other.
The arm couldn’t always squeeze into the tight roads the Trail Blazer lived on, so the drone filled in the gaps. Together, they gave us a perfect blend, shots that matched seamlessly, whether you knew it was an arm or a drone behind the camera.
1. Connecting water with land → FPV thrives in the gaps, stitching action and environment in one move.
2. Two for one → get close to the action, then pull back to reveal the full expanse.
3. The tree hallway → normally an arm move, but a reverse joust with the Inspire 3 nailed it.
4. A moment to breathe → not every shot needs to rip. Sometimes slow makes the fast feel faster.
5. Full 60s cut → the payoff.
Director: @cameronthuman
Production Company: @radketv @undefined.tv_
Executive Producer: @julianweiman
1st AD: @tnt_604
DP: @kristoferbonnell
Aerial Team: @spatialcamera
UAV Pilot: @downtofilm
UAV Op: @brodyjonescinema
UAV Tech: @kaddyfpv
U-Crane: Rapid Filmworks
Precision Drivers: @mab_stunts @helena.laliberte
The goal for this one was simple, let the drone and the arm car play off each other.
The arm couldn’t always squeeze into the tight roads the Trail Blazer lived on, so the drone filled in the gaps. Together, they gave us a perfect blend, shots that matched seamlessly, whether you knew it was an arm or a drone behind the camera.
1. Connecting water with land → FPV thrives in the gaps, stitching action and environment in one move.
2. Two for one → get close to the action, then pull back to reveal the full expanse.
3. The tree hallway → normally an arm move, but a reverse joust with the Inspire 3 nailed it.
4. A moment to breathe → not every shot needs to rip. Sometimes slow makes the fast feel faster.
5. Full 60s cut → the payoff.
Director: @cameronthuman
Production Company: @radketv @undefined.tv_
Executive Producer: @julianweiman
1st AD: @tnt_604
DP: @kristoferbonnell
Aerial Team: @spatialcamera
UAV Pilot: @downtofilm
UAV Op: @brodyjonescinema
UAV Tech: @kaddyfpv
U-Crane: Rapid Filmworks
Precision Drivers: @mab_stunts @helena.laliberte
The goal for this one was simple, let the drone and the arm car play off each other.
The arm couldn’t always squeeze into the tight roads the Trail Blazer lived on, so the drone filled in the gaps. Together, they gave us a perfect blend, shots that matched seamlessly, whether you knew it was an arm or a drone behind the camera.
1. Connecting water with land → FPV thrives in the gaps, stitching action and environment in one move.
2. Two for one → get close to the action, then pull back to reveal the full expanse.
3. The tree hallway → normally an arm move, but a reverse joust with the Inspire 3 nailed it.
4. A moment to breathe → not every shot needs to rip. Sometimes slow makes the fast feel faster.
5. Full 60s cut → the payoff.
Director: @cameronthuman
Production Company: @radketv @undefined.tv_
Executive Producer: @julianweiman
1st AD: @tnt_604
DP: @kristoferbonnell
Aerial Team: @spatialcamera
UAV Pilot: @downtofilm
UAV Op: @brodyjonescinema
UAV Tech: @kaddyfpv
U-Crane: Rapid Filmworks
Precision Drivers: @mab_stunts @helena.laliberte
The goal for this one was simple, let the drone and the arm car play off each other.
The arm couldn’t always squeeze into the tight roads the Trail Blazer lived on, so the drone filled in the gaps. Together, they gave us a perfect blend, shots that matched seamlessly, whether you knew it was an arm or a drone behind the camera.
1. Connecting water with land → FPV thrives in the gaps, stitching action and environment in one move.
2. Two for one → get close to the action, then pull back to reveal the full expanse.
3. The tree hallway → normally an arm move, but a reverse joust with the Inspire 3 nailed it.
4. A moment to breathe → not every shot needs to rip. Sometimes slow makes the fast feel faster.
5. Full 60s cut → the payoff.
Director: @cameronthuman
Production Company: @radketv @undefined.tv_
Executive Producer: @julianweiman
1st AD: @tnt_604
DP: @kristoferbonnell
Aerial Team: @spatialcamera
UAV Pilot: @downtofilm
UAV Op: @brodyjonescinema
UAV Tech: @kaddyfpv
U-Crane: Rapid Filmworks
Precision Drivers: @mab_stunts @helena.laliberte
When I first got into aerial filmmaking, the dream was simple on paper but far from simple to achieve: flying helicopters with a Shotover system. My first taste of aviation filmmaking at 14 felt like yesterday, the rush of leaving the ground, camera locked on wild landscapes, and me with a sht eating grin the entire flight. A few years later I saw a Shotover rig in action, something I thought was only reserved for legends. Ten years on, what once felt impossible is now real. Chase a dream long enough and it stops feeling out of reach, it becomes your reality.
@perrygershkow hit me up. Shooting in BC’s spring is always a gamble, one ridge covered in snow, another a beach that feels like summer, clouds shifting by the minute. We lucked out with a day that gave us everything: low clouds at sunrise, a perfect tide, and a blood moon to close. 1 director, 3 DPs, 3 countries, and some of the most contrasting textures on earth, tied together for the launch of Hamilton Watch’s new lineup.
Swipe for some of my favourite moments:
1. A-Star hot, fuel loaded, cameras locked, mission ready at sunrise.
2. Macro of plane and watch against endless BC skies.
3. From BC to Tahiti: a plane buzzing overhead dissolves into a surfer underwater.
4. Vancouver Island drops you from alpine to sea in minutes.
5. Lighting cues carried from Utah to BC, seamless on screen.
6. Campbell River blindsided by a blood-red moon.
7. Portrait locked, then breaking out to scale.
8. The full film, every thread tied together.
Director: @perrygershkow
Producer / Photographer: @zachxryj
Creative Director: @ericahnebrink
British Columbia
Specialty Team: @spatialcamera
DP + Shotover: @downtofilm
Shotover Tech: @kaddyfpv
AC: @noahshumka
Pilot: @mike11klein
Fixer: @natelav
Talent: @markcunningham
Tahiti
DP: @kyle_buthman
AC: @nick_alheit
Drone: @perrygershkow
Talent: @dmosqphoto
Utah
DP: @masonprendergast
AC + Drone: @rhoddyjensen
Talent: @anniemng @kyle__lieberman
Post
Editor / Color / Sound / Music: @erikklein.me
VO Script: @hansaschim
When I first got into aerial filmmaking, the dream was simple on paper but far from simple to achieve: flying helicopters with a Shotover system. My first taste of aviation filmmaking at 14 felt like yesterday, the rush of leaving the ground, camera locked on wild landscapes, and me with a sht eating grin the entire flight. A few years later I saw a Shotover rig in action, something I thought was only reserved for legends. Ten years on, what once felt impossible is now real. Chase a dream long enough and it stops feeling out of reach, it becomes your reality.
@perrygershkow hit me up. Shooting in BC’s spring is always a gamble, one ridge covered in snow, another a beach that feels like summer, clouds shifting by the minute. We lucked out with a day that gave us everything: low clouds at sunrise, a perfect tide, and a blood moon to close. 1 director, 3 DPs, 3 countries, and some of the most contrasting textures on earth, tied together for the launch of Hamilton Watch’s new lineup.
Swipe for some of my favourite moments:
1. A-Star hot, fuel loaded, cameras locked, mission ready at sunrise.
2. Macro of plane and watch against endless BC skies.
3. From BC to Tahiti: a plane buzzing overhead dissolves into a surfer underwater.
4. Vancouver Island drops you from alpine to sea in minutes.
5. Lighting cues carried from Utah to BC, seamless on screen.
6. Campbell River blindsided by a blood-red moon.
7. Portrait locked, then breaking out to scale.
8. The full film, every thread tied together.
Director: @perrygershkow
Producer / Photographer: @zachxryj
Creative Director: @ericahnebrink
British Columbia
Specialty Team: @spatialcamera
DP + Shotover: @downtofilm
Shotover Tech: @kaddyfpv
AC: @noahshumka
Pilot: @mike11klein
Fixer: @natelav
Talent: @markcunningham
Tahiti
DP: @kyle_buthman
AC: @nick_alheit
Drone: @perrygershkow
Talent: @dmosqphoto
Utah
DP: @masonprendergast
AC + Drone: @rhoddyjensen
Talent: @anniemng @kyle__lieberman
Post
Editor / Color / Sound / Music: @erikklein.me
VO Script: @hansaschim
When I first got into aerial filmmaking, the dream was simple on paper but far from simple to achieve: flying helicopters with a Shotover system. My first taste of aviation filmmaking at 14 felt like yesterday, the rush of leaving the ground, camera locked on wild landscapes, and me with a sht eating grin the entire flight. A few years later I saw a Shotover rig in action, something I thought was only reserved for legends. Ten years on, what once felt impossible is now real. Chase a dream long enough and it stops feeling out of reach, it becomes your reality.
@perrygershkow hit me up. Shooting in BC’s spring is always a gamble, one ridge covered in snow, another a beach that feels like summer, clouds shifting by the minute. We lucked out with a day that gave us everything: low clouds at sunrise, a perfect tide, and a blood moon to close. 1 director, 3 DPs, 3 countries, and some of the most contrasting textures on earth, tied together for the launch of Hamilton Watch’s new lineup.
Swipe for some of my favourite moments:
1. A-Star hot, fuel loaded, cameras locked, mission ready at sunrise.
2. Macro of plane and watch against endless BC skies.
3. From BC to Tahiti: a plane buzzing overhead dissolves into a surfer underwater.
4. Vancouver Island drops you from alpine to sea in minutes.
5. Lighting cues carried from Utah to BC, seamless on screen.
6. Campbell River blindsided by a blood-red moon.
7. Portrait locked, then breaking out to scale.
8. The full film, every thread tied together.
Director: @perrygershkow
Producer / Photographer: @zachxryj
Creative Director: @ericahnebrink
British Columbia
Specialty Team: @spatialcamera
DP + Shotover: @downtofilm
Shotover Tech: @kaddyfpv
AC: @noahshumka
Pilot: @mike11klein
Fixer: @natelav
Talent: @markcunningham
Tahiti
DP: @kyle_buthman
AC: @nick_alheit
Drone: @perrygershkow
Talent: @dmosqphoto
Utah
DP: @masonprendergast
AC + Drone: @rhoddyjensen
Talent: @anniemng @kyle__lieberman
Post
Editor / Color / Sound / Music: @erikklein.me
VO Script: @hansaschim
When I first got into aerial filmmaking, the dream was simple on paper but far from simple to achieve: flying helicopters with a Shotover system. My first taste of aviation filmmaking at 14 felt like yesterday, the rush of leaving the ground, camera locked on wild landscapes, and me with a sht eating grin the entire flight. A few years later I saw a Shotover rig in action, something I thought was only reserved for legends. Ten years on, what once felt impossible is now real. Chase a dream long enough and it stops feeling out of reach, it becomes your reality.
@perrygershkow hit me up. Shooting in BC’s spring is always a gamble, one ridge covered in snow, another a beach that feels like summer, clouds shifting by the minute. We lucked out with a day that gave us everything: low clouds at sunrise, a perfect tide, and a blood moon to close. 1 director, 3 DPs, 3 countries, and some of the most contrasting textures on earth, tied together for the launch of Hamilton Watch’s new lineup.
Swipe for some of my favourite moments:
1. A-Star hot, fuel loaded, cameras locked, mission ready at sunrise.
2. Macro of plane and watch against endless BC skies.
3. From BC to Tahiti: a plane buzzing overhead dissolves into a surfer underwater.
4. Vancouver Island drops you from alpine to sea in minutes.
5. Lighting cues carried from Utah to BC, seamless on screen.
6. Campbell River blindsided by a blood-red moon.
7. Portrait locked, then breaking out to scale.
8. The full film, every thread tied together.
Director: @perrygershkow
Producer / Photographer: @zachxryj
Creative Director: @ericahnebrink
British Columbia
Specialty Team: @spatialcamera
DP + Shotover: @downtofilm
Shotover Tech: @kaddyfpv
AC: @noahshumka
Pilot: @mike11klein
Fixer: @natelav
Talent: @markcunningham
Tahiti
DP: @kyle_buthman
AC: @nick_alheit
Drone: @perrygershkow
Talent: @dmosqphoto
Utah
DP: @masonprendergast
AC + Drone: @rhoddyjensen
Talent: @anniemng @kyle__lieberman
Post
Editor / Color / Sound / Music: @erikklein.me
VO Script: @hansaschim
When I first got into aerial filmmaking, the dream was simple on paper but far from simple to achieve: flying helicopters with a Shotover system. My first taste of aviation filmmaking at 14 felt like yesterday, the rush of leaving the ground, camera locked on wild landscapes, and me with a sht eating grin the entire flight. A few years later I saw a Shotover rig in action, something I thought was only reserved for legends. Ten years on, what once felt impossible is now real. Chase a dream long enough and it stops feeling out of reach, it becomes your reality.
@perrygershkow hit me up. Shooting in BC’s spring is always a gamble, one ridge covered in snow, another a beach that feels like summer, clouds shifting by the minute. We lucked out with a day that gave us everything: low clouds at sunrise, a perfect tide, and a blood moon to close. 1 director, 3 DPs, 3 countries, and some of the most contrasting textures on earth, tied together for the launch of Hamilton Watch’s new lineup.
Swipe for some of my favourite moments:
1. A-Star hot, fuel loaded, cameras locked, mission ready at sunrise.
2. Macro of plane and watch against endless BC skies.
3. From BC to Tahiti: a plane buzzing overhead dissolves into a surfer underwater.
4. Vancouver Island drops you from alpine to sea in minutes.
5. Lighting cues carried from Utah to BC, seamless on screen.
6. Campbell River blindsided by a blood-red moon.
7. Portrait locked, then breaking out to scale.
8. The full film, every thread tied together.
Director: @perrygershkow
Producer / Photographer: @zachxryj
Creative Director: @ericahnebrink
British Columbia
Specialty Team: @spatialcamera
DP + Shotover: @downtofilm
Shotover Tech: @kaddyfpv
AC: @noahshumka
Pilot: @mike11klein
Fixer: @natelav
Talent: @markcunningham
Tahiti
DP: @kyle_buthman
AC: @nick_alheit
Drone: @perrygershkow
Talent: @dmosqphoto
Utah
DP: @masonprendergast
AC + Drone: @rhoddyjensen
Talent: @anniemng @kyle__lieberman
Post
Editor / Color / Sound / Music: @erikklein.me
VO Script: @hansaschim
When I first got into aerial filmmaking, the dream was simple on paper but far from simple to achieve: flying helicopters with a Shotover system. My first taste of aviation filmmaking at 14 felt like yesterday, the rush of leaving the ground, camera locked on wild landscapes, and me with a sht eating grin the entire flight. A few years later I saw a Shotover rig in action, something I thought was only reserved for legends. Ten years on, what once felt impossible is now real. Chase a dream long enough and it stops feeling out of reach, it becomes your reality.
@perrygershkow hit me up. Shooting in BC’s spring is always a gamble, one ridge covered in snow, another a beach that feels like summer, clouds shifting by the minute. We lucked out with a day that gave us everything: low clouds at sunrise, a perfect tide, and a blood moon to close. 1 director, 3 DPs, 3 countries, and some of the most contrasting textures on earth, tied together for the launch of Hamilton Watch’s new lineup.
Swipe for some of my favourite moments:
1. A-Star hot, fuel loaded, cameras locked, mission ready at sunrise.
2. Macro of plane and watch against endless BC skies.
3. From BC to Tahiti: a plane buzzing overhead dissolves into a surfer underwater.
4. Vancouver Island drops you from alpine to sea in minutes.
5. Lighting cues carried from Utah to BC, seamless on screen.
6. Campbell River blindsided by a blood-red moon.
7. Portrait locked, then breaking out to scale.
8. The full film, every thread tied together.
Director: @perrygershkow
Producer / Photographer: @zachxryj
Creative Director: @ericahnebrink
British Columbia
Specialty Team: @spatialcamera
DP + Shotover: @downtofilm
Shotover Tech: @kaddyfpv
AC: @noahshumka
Pilot: @mike11klein
Fixer: @natelav
Talent: @markcunningham
Tahiti
DP: @kyle_buthman
AC: @nick_alheit
Drone: @perrygershkow
Talent: @dmosqphoto
Utah
DP: @masonprendergast
AC + Drone: @rhoddyjensen
Talent: @anniemng @kyle__lieberman
Post
Editor / Color / Sound / Music: @erikklein.me
VO Script: @hansaschim
When I first got into aerial filmmaking, the dream was simple on paper but far from simple to achieve: flying helicopters with a Shotover system. My first taste of aviation filmmaking at 14 felt like yesterday, the rush of leaving the ground, camera locked on wild landscapes, and me with a sht eating grin the entire flight. A few years later I saw a Shotover rig in action, something I thought was only reserved for legends. Ten years on, what once felt impossible is now real. Chase a dream long enough and it stops feeling out of reach, it becomes your reality.
@perrygershkow hit me up. Shooting in BC’s spring is always a gamble, one ridge covered in snow, another a beach that feels like summer, clouds shifting by the minute. We lucked out with a day that gave us everything: low clouds at sunrise, a perfect tide, and a blood moon to close. 1 director, 3 DPs, 3 countries, and some of the most contrasting textures on earth, tied together for the launch of Hamilton Watch’s new lineup.
Swipe for some of my favourite moments:
1. A-Star hot, fuel loaded, cameras locked, mission ready at sunrise.
2. Macro of plane and watch against endless BC skies.
3. From BC to Tahiti: a plane buzzing overhead dissolves into a surfer underwater.
4. Vancouver Island drops you from alpine to sea in minutes.
5. Lighting cues carried from Utah to BC, seamless on screen.
6. Campbell River blindsided by a blood-red moon.
7. Portrait locked, then breaking out to scale.
8. The full film, every thread tied together.
Director: @perrygershkow
Producer / Photographer: @zachxryj
Creative Director: @ericahnebrink
British Columbia
Specialty Team: @spatialcamera
DP + Shotover: @downtofilm
Shotover Tech: @kaddyfpv
AC: @noahshumka
Pilot: @mike11klein
Fixer: @natelav
Talent: @markcunningham
Tahiti
DP: @kyle_buthman
AC: @nick_alheit
Drone: @perrygershkow
Talent: @dmosqphoto
Utah
DP: @masonprendergast
AC + Drone: @rhoddyjensen
Talent: @anniemng @kyle__lieberman
Post
Editor / Color / Sound / Music: @erikklein.me
VO Script: @hansaschim
When I first got into aerial filmmaking, the dream was simple on paper but far from simple to achieve: flying helicopters with a Shotover system. My first taste of aviation filmmaking at 14 felt like yesterday, the rush of leaving the ground, camera locked on wild landscapes, and me with a sht eating grin the entire flight. A few years later I saw a Shotover rig in action, something I thought was only reserved for legends. Ten years on, what once felt impossible is now real. Chase a dream long enough and it stops feeling out of reach, it becomes your reality.
@perrygershkow hit me up. Shooting in BC’s spring is always a gamble, one ridge covered in snow, another a beach that feels like summer, clouds shifting by the minute. We lucked out with a day that gave us everything: low clouds at sunrise, a perfect tide, and a blood moon to close. 1 director, 3 DPs, 3 countries, and some of the most contrasting textures on earth, tied together for the launch of Hamilton Watch’s new lineup.
Swipe for some of my favourite moments:
1. A-Star hot, fuel loaded, cameras locked, mission ready at sunrise.
2. Macro of plane and watch against endless BC skies.
3. From BC to Tahiti: a plane buzzing overhead dissolves into a surfer underwater.
4. Vancouver Island drops you from alpine to sea in minutes.
5. Lighting cues carried from Utah to BC, seamless on screen.
6. Campbell River blindsided by a blood-red moon.
7. Portrait locked, then breaking out to scale.
8. The full film, every thread tied together.
Director: @perrygershkow
Producer / Photographer: @zachxryj
Creative Director: @ericahnebrink
British Columbia
Specialty Team: @spatialcamera
DP + Shotover: @downtofilm
Shotover Tech: @kaddyfpv
AC: @noahshumka
Pilot: @mike11klein
Fixer: @natelav
Talent: @markcunningham
Tahiti
DP: @kyle_buthman
AC: @nick_alheit
Drone: @perrygershkow
Talent: @dmosqphoto
Utah
DP: @masonprendergast
AC + Drone: @rhoddyjensen
Talent: @anniemng @kyle__lieberman
Post
Editor / Color / Sound / Music: @erikklein.me
VO Script: @hansaschim
Story Save - Công cụ miễn phí tốt nhất để lưu Câu Chuyện, Reels, Ảnh, Video, Highlights, IGTV về điện thoại của bạn.
Story-save.com là công cụ trực tuyến dễ sử dụng giúp người dùng tải về và lưu trữ nhiều loại nội dung, bao gồm câu chuyện, ảnh, video và các tài liệu IGTV từ Instagram. Với Story-Save, bạn không chỉ dễ dàng tải về nhiều nội dung từ Instagram mà còn có thể xem lại bất cứ lúc nào, ngay cả khi không có kết nối internet. Công cụ này lý tưởng cho những lúc bạn gặp những nội dung thú vị trên Instagram và muốn lưu lại để xem sau. Hãy sử dụng Story-Save để không bỏ lỡ cơ hội lưu giữ những khoảnh khắc Instagram yêu thích của mình!
Lợi ích của chúng tôi:
Không cần đăng ký
Tránh tải ứng dụng và đăng ký, lưu trữ câu chuyện trực tuyến.
Chất lượng cao độc quyền
Câu chuyện Hãy tạm biệt nội dung chất lượng kém, chỉ lưu trữ những câu chuyện độ phân giải cao.
Có thể truy cập trên tất cả các thiết bị
Tải xuống Câu Chuyện Instagram bằng bất kỳ trình duyệt nào, iPhone, Android.
Hoàn toàn miễn phí
Hoàn toàn không có phí. Tải xuống bất kỳ câu chuyện nào mà không tốn tiền.
Câu hỏi thường gặp
- 1. Truy cập công cụ Tải Câu Chuyện Instagram.
- 2. Tiếp theo, nhập tên người dùng của hồ sơ Instagram vào ô đã cung cấp và nhấn nút Tải về.
- 3. Bạn sẽ thấy tất cả các câu chuyện có sẵn trong vòng 24 giờ. Chọn những câu chuyện bạn muốn và nhấn Tải về.