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@blknws

Stories From a Place Where All Dirt Roads Taste of Salt, the book to accompany the directorial debut film by Raven Jackson both an extraordinary exploration of the soul. Featuring poetry, lyrical writings, words from cast and crew and photography from the making. From the bottom of my heart, thank you Raven for trusting me and inviting me into this world. Forever changed by this moment in time and so proud to share it with the world. Book now available @a24 !

Stories From a Place Where All Dirt Roads Taste of Salt, the book to accompany the directorial debut film by Raven Jackson both an extraordinary exploration of the soul. Featuring poetry, lyrical writings, words from cast and crew and photography from the making. From the bottom of my heart, thank you Raven for trusting me and inviting me into this world. Forever changed by this moment in time and so proud to share it with the world. Book now available @a24 !

Stories From a Place Where All Dirt Roads Taste of Salt, the book to accompany the directorial debut film by Raven Jackson both an extraordinary exploration of the soul. Featuring poetry, lyrical writings, words from cast and crew and photography from the making. From the bottom of my heart, thank you Raven for trusting me and inviting me into this world. Forever changed by this moment in time and so proud to share it with the world. Book now available @a24 !

Stories From a Place Where All Dirt Roads Taste of Salt, the book to accompany the directorial debut film by Raven Jackson both an extraordinary exploration of the soul. Featuring poetry, lyrical writings, words from cast and crew and photography from the making. From the bottom of my heart, thank you Raven for trusting me and inviting me into this world. Forever changed by this moment in time and so proud to share it with the world. Book now available @a24 !

Stories From a Place Where All Dirt Roads Taste of Salt, the book to accompany the directorial debut film by Raven Jackson both an extraordinary exploration of the soul. Featuring poetry, lyrical writings, words from cast and crew and photography from the making. From the bottom of my heart, thank you Raven for trusting me and inviting me into this world. Forever changed by this moment in time and so proud to share it with the world. Book now available @a24 !

Stories From a Place Where All Dirt Roads Taste of Salt, the book to accompany the directorial debut film by Raven Jackson both an extraordinary exploration of the soul. Featuring poetry, lyrical writings, words from cast and crew and photography from the making. From the bottom of my heart, thank you Raven for trusting me and inviting me into this world. Forever changed by this moment in time and so proud to share it with the world. Book now available @a24 !

first look of Rami Malek in The Man I Love directed by IRA SACHS with a world premiere at Cannes Film Festival 🤍🤍🤍Congratulations to the filmmakers and entire crew behind this one who truly saved me from nearly giving up on this industry 🤍🤍🤍

@thedrama 💐 @zendaya

a hairy knife

Charlie x Emma 4 ever. April 3 💌

photography for THE DRAMA directed by Kristoffer Borgli 🙃

Preparation for the Next Life directed by Bing Liu.
Photographs from the last days of production in beautiful New Mexico.

Preparation for the Next Life directed by Bing Liu.
Photographs from the last days of production in beautiful New Mexico.

Preparation for the Next Life directed by Bing Liu.
Photographs from the last days of production in beautiful New Mexico.

Preparation for the Next Life directed by Bing Liu.
Photographs from the last days of production in beautiful New Mexico.

Preparation for the Next Life directed by Bing Liu.
Photographs from the last days of production in beautiful New Mexico.

Preparation for the Next Life directed by Bing Liu.
Photographs from the last days of production in beautiful New Mexico.

Preparation for the Next Life directed by Bing Liu.
Photographs from the last days of production in beautiful New Mexico.

10 years ago on the first narrative feature I was welcomed to photograph in Bulgaria titled Bezbog, or ‘Godless.’ Not a single clue what I was doing. Never been more cold in my life. Having probably gone through a Béla Tarr phase. Somehow I can look back and appreciate these low res 12mp grainy images from a Leica Dlux I bought myself for my 25th birthday as more honest than anything I think I’ve done since.

10 years ago on the first narrative feature I was welcomed to photograph in Bulgaria titled Bezbog, or ‘Godless.’ Not a single clue what I was doing. Never been more cold in my life. Having probably gone through a Béla Tarr phase. Somehow I can look back and appreciate these low res 12mp grainy images from a Leica Dlux I bought myself for my 25th birthday as more honest than anything I think I’ve done since.

10 years ago on the first narrative feature I was welcomed to photograph in Bulgaria titled Bezbog, or ‘Godless.’ Not a single clue what I was doing. Never been more cold in my life. Having probably gone through a Béla Tarr phase. Somehow I can look back and appreciate these low res 12mp grainy images from a Leica Dlux I bought myself for my 25th birthday as more honest than anything I think I’ve done since.

10 years ago on the first narrative feature I was welcomed to photograph in Bulgaria titled Bezbog, or ‘Godless.’ Not a single clue what I was doing. Never been more cold in my life. Having probably gone through a Béla Tarr phase. Somehow I can look back and appreciate these low res 12mp grainy images from a Leica Dlux I bought myself for my 25th birthday as more honest than anything I think I’ve done since.

10 years ago on the first narrative feature I was welcomed to photograph in Bulgaria titled Bezbog, or ‘Godless.’ Not a single clue what I was doing. Never been more cold in my life. Having probably gone through a Béla Tarr phase. Somehow I can look back and appreciate these low res 12mp grainy images from a Leica Dlux I bought myself for my 25th birthday as more honest than anything I think I’ve done since.

10 years ago on the first narrative feature I was welcomed to photograph in Bulgaria titled Bezbog, or ‘Godless.’ Not a single clue what I was doing. Never been more cold in my life. Having probably gone through a Béla Tarr phase. Somehow I can look back and appreciate these low res 12mp grainy images from a Leica Dlux I bought myself for my 25th birthday as more honest than anything I think I’ve done since.

10 years ago on the first narrative feature I was welcomed to photograph in Bulgaria titled Bezbog, or ‘Godless.’ Not a single clue what I was doing. Never been more cold in my life. Having probably gone through a Béla Tarr phase. Somehow I can look back and appreciate these low res 12mp grainy images from a Leica Dlux I bought myself for my 25th birthday as more honest than anything I think I’ve done since.

10 years ago on the first narrative feature I was welcomed to photograph in Bulgaria titled Bezbog, or ‘Godless.’ Not a single clue what I was doing. Never been more cold in my life. Having probably gone through a Béla Tarr phase. Somehow I can look back and appreciate these low res 12mp grainy images from a Leica Dlux I bought myself for my 25th birthday as more honest than anything I think I’ve done since.

10 years ago on the first narrative feature I was welcomed to photograph in Bulgaria titled Bezbog, or ‘Godless.’ Not a single clue what I was doing. Never been more cold in my life. Having probably gone through a Béla Tarr phase. Somehow I can look back and appreciate these low res 12mp grainy images from a Leica Dlux I bought myself for my 25th birthday as more honest than anything I think I’ve done since.

10 years ago on the first narrative feature I was welcomed to photograph in Bulgaria titled Bezbog, or ‘Godless.’ Not a single clue what I was doing. Never been more cold in my life. Having probably gone through a Béla Tarr phase. Somehow I can look back and appreciate these low res 12mp grainy images from a Leica Dlux I bought myself for my 25th birthday as more honest than anything I think I’ve done since.

BLKNWS: Terms and Conditions directed by Kahlil Joseph will have its New York premiere tomorrow October 4 @thenyff

I wish I could convey the importance and the insane joy of witnessing the making of this film 🖤