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(ANNOUNCING) The poets (part 1!) for our bday celebrations this Wednesday!!

More tickets have been released, grab them while you can, link in bio ✨✨✨

Nisha Ramayya works across poetry, criticism, and collaborative performance, and teaches creative writing. She’s the author of two poetry collections, States of the Body Produced by Love (Ignota 2019; reissued by Spiral House Editions in 2025) and Fantasia (Granta, 2024), as well as the co-authored pamphlets Threads and Siblings, among other publications.

Will Harris is the author of RENDANG and Brother Poem, both published by Granta in the UK and Wesleyan in the US. He is currently working on a book about social care.

Alice Hill-Woods was Poetry and Nonfiction Editor at SPAM for almost three years, and even managed to get SPAM a shout-out in Elle UK, which she initially thought was a scam. She is in the final year of an AHRC-funded PhD at Bristol and holds an Art Writing MLitt from the Glasgow School of Art. She wrote HOTHOUSE (Saló Press, 2021). She works and lives in London.

Dom Hale’s recent books of poetry include First Nettles (The Last Books, 2025) and Faint Portal (Distance No Object, 2023), as well as two collaborations with the poet Tom Crompton, Mud Ramps and Earthstepper (both Gong Farm, 2025 and 2026). A pamphlet of translations of Pierre Reverdy is forthcoming. He co-edits Ludd Gang at poetshardshipfunduk.com

Jay Gao is a poet from Edinburgh, Scotland, living in New York City. He is the author of The Dead One, The Unconscious One, Thundering in Your Ear, Thriving Slumber, out soon with Nightboat Books in the USA and Carcanet Press in the UK, and Imperium (2022).

(ANNOUNCING) The poets (part 1!) for our bday celebrations this Wednesday!!

More tickets have been released, grab them while you can, link in bio ✨✨✨

Nisha Ramayya works across poetry, criticism, and collaborative performance, and teaches creative writing. She’s the author of two poetry collections, States of the Body Produced by Love (Ignota 2019; reissued by Spiral House Editions in 2025) and Fantasia (Granta, 2024), as well as the co-authored pamphlets Threads and Siblings, among other publications.

Will Harris is the author of RENDANG and Brother Poem, both published by Granta in the UK and Wesleyan in the US. He is currently working on a book about social care.

Alice Hill-Woods was Poetry and Nonfiction Editor at SPAM for almost three years, and even managed to get SPAM a shout-out in Elle UK, which she initially thought was a scam. She is in the final year of an AHRC-funded PhD at Bristol and holds an Art Writing MLitt from the Glasgow School of Art. She wrote HOTHOUSE (Saló Press, 2021). She works and lives in London.

Dom Hale’s recent books of poetry include First Nettles (The Last Books, 2025) and Faint Portal (Distance No Object, 2023), as well as two collaborations with the poet Tom Crompton, Mud Ramps and Earthstepper (both Gong Farm, 2025 and 2026). A pamphlet of translations of Pierre Reverdy is forthcoming. He co-edits Ludd Gang at poetshardshipfunduk.com

Jay Gao is a poet from Edinburgh, Scotland, living in New York City. He is the author of The Dead One, The Unconscious One, Thundering in Your Ear, Thriving Slumber, out soon with Nightboat Books in the USA and Carcanet Press in the UK, and Imperium (2022).

(ANNOUNCING) The poets (part 1!) for our bday celebrations this Wednesday!!

More tickets have been released, grab them while you can, link in bio ✨✨✨

Nisha Ramayya works across poetry, criticism, and collaborative performance, and teaches creative writing. She’s the author of two poetry collections, States of the Body Produced by Love (Ignota 2019; reissued by Spiral House Editions in 2025) and Fantasia (Granta, 2024), as well as the co-authored pamphlets Threads and Siblings, among other publications.

Will Harris is the author of RENDANG and Brother Poem, both published by Granta in the UK and Wesleyan in the US. He is currently working on a book about social care.

Alice Hill-Woods was Poetry and Nonfiction Editor at SPAM for almost three years, and even managed to get SPAM a shout-out in Elle UK, which she initially thought was a scam. She is in the final year of an AHRC-funded PhD at Bristol and holds an Art Writing MLitt from the Glasgow School of Art. She wrote HOTHOUSE (Saló Press, 2021). She works and lives in London.

Dom Hale’s recent books of poetry include First Nettles (The Last Books, 2025) and Faint Portal (Distance No Object, 2023), as well as two collaborations with the poet Tom Crompton, Mud Ramps and Earthstepper (both Gong Farm, 2025 and 2026). A pamphlet of translations of Pierre Reverdy is forthcoming. He co-edits Ludd Gang at poetshardshipfunduk.com

Jay Gao is a poet from Edinburgh, Scotland, living in New York City. He is the author of The Dead One, The Unconscious One, Thundering in Your Ear, Thriving Slumber, out soon with Nightboat Books in the USA and Carcanet Press in the UK, and Imperium (2022).

(ANNOUNCING) The poets (part 1!) for our bday celebrations this Wednesday!!

More tickets have been released, grab them while you can, link in bio ✨✨✨

Nisha Ramayya works across poetry, criticism, and collaborative performance, and teaches creative writing. She’s the author of two poetry collections, States of the Body Produced by Love (Ignota 2019; reissued by Spiral House Editions in 2025) and Fantasia (Granta, 2024), as well as the co-authored pamphlets Threads and Siblings, among other publications.

Will Harris is the author of RENDANG and Brother Poem, both published by Granta in the UK and Wesleyan in the US. He is currently working on a book about social care.

Alice Hill-Woods was Poetry and Nonfiction Editor at SPAM for almost three years, and even managed to get SPAM a shout-out in Elle UK, which she initially thought was a scam. She is in the final year of an AHRC-funded PhD at Bristol and holds an Art Writing MLitt from the Glasgow School of Art. She wrote HOTHOUSE (Saló Press, 2021). She works and lives in London.

Dom Hale’s recent books of poetry include First Nettles (The Last Books, 2025) and Faint Portal (Distance No Object, 2023), as well as two collaborations with the poet Tom Crompton, Mud Ramps and Earthstepper (both Gong Farm, 2025 and 2026). A pamphlet of translations of Pierre Reverdy is forthcoming. He co-edits Ludd Gang at poetshardshipfunduk.com

Jay Gao is a poet from Edinburgh, Scotland, living in New York City. He is the author of The Dead One, The Unconscious One, Thundering in Your Ear, Thriving Slumber, out soon with Nightboat Books in the USA and Carcanet Press in the UK, and Imperium (2022).

(ANNOUNCING) The poets (part 1!) for our bday celebrations this Wednesday!!

More tickets have been released, grab them while you can, link in bio ✨✨✨

Nisha Ramayya works across poetry, criticism, and collaborative performance, and teaches creative writing. She’s the author of two poetry collections, States of the Body Produced by Love (Ignota 2019; reissued by Spiral House Editions in 2025) and Fantasia (Granta, 2024), as well as the co-authored pamphlets Threads and Siblings, among other publications.

Will Harris is the author of RENDANG and Brother Poem, both published by Granta in the UK and Wesleyan in the US. He is currently working on a book about social care.

Alice Hill-Woods was Poetry and Nonfiction Editor at SPAM for almost three years, and even managed to get SPAM a shout-out in Elle UK, which she initially thought was a scam. She is in the final year of an AHRC-funded PhD at Bristol and holds an Art Writing MLitt from the Glasgow School of Art. She wrote HOTHOUSE (Saló Press, 2021). She works and lives in London.

Dom Hale’s recent books of poetry include First Nettles (The Last Books, 2025) and Faint Portal (Distance No Object, 2023), as well as two collaborations with the poet Tom Crompton, Mud Ramps and Earthstepper (both Gong Farm, 2025 and 2026). A pamphlet of translations of Pierre Reverdy is forthcoming. He co-edits Ludd Gang at poetshardshipfunduk.com

Jay Gao is a poet from Edinburgh, Scotland, living in New York City. He is the author of The Dead One, The Unconscious One, Thundering in Your Ear, Thriving Slumber, out soon with Nightboat Books in the USA and Carcanet Press in the UK, and Imperium (2022).

Of all the many, many things @full_nommunism and I have done together over the years, since meeting in 2015 as PhD student organisers for the first Race & Poetry & Poetics in the UK conference and poetry reading, followed by countless poetry readings, tea, sleepovers, tandoori paneer, correspondences, and cat time, I have so few photos! We’re doing our latest thing, a poetry reading and discussion at @lccsoundarts, chaired by @the87press, on Thursday April 30th, so I’ve scrounged around hard drives and come up with these. A foundational panel at the first RAPAPUK, an amazing research day at the George Padmore Institute, a sneaky shot of Fred Moten buying both of our books at Arika, sweet hangouts at SoundEye, dream poetry line up, and cat time! Come along - link to book in bio - we’ll share some new work, talk about echo, breath, and loop (and maybe the sonic poetics of purr). 🩷🖤🩷

Of all the many, many things @full_nommunism and I have done together over the years, since meeting in 2015 as PhD student organisers for the first Race & Poetry & Poetics in the UK conference and poetry reading, followed by countless poetry readings, tea, sleepovers, tandoori paneer, correspondences, and cat time, I have so few photos! We’re doing our latest thing, a poetry reading and discussion at @lccsoundarts, chaired by @the87press, on Thursday April 30th, so I’ve scrounged around hard drives and come up with these. A foundational panel at the first RAPAPUK, an amazing research day at the George Padmore Institute, a sneaky shot of Fred Moten buying both of our books at Arika, sweet hangouts at SoundEye, dream poetry line up, and cat time! Come along - link to book in bio - we’ll share some new work, talk about echo, breath, and loop (and maybe the sonic poetics of purr). 🩷🖤🩷

Of all the many, many things @full_nommunism and I have done together over the years, since meeting in 2015 as PhD student organisers for the first Race & Poetry & Poetics in the UK conference and poetry reading, followed by countless poetry readings, tea, sleepovers, tandoori paneer, correspondences, and cat time, I have so few photos! We’re doing our latest thing, a poetry reading and discussion at @lccsoundarts, chaired by @the87press, on Thursday April 30th, so I’ve scrounged around hard drives and come up with these. A foundational panel at the first RAPAPUK, an amazing research day at the George Padmore Institute, a sneaky shot of Fred Moten buying both of our books at Arika, sweet hangouts at SoundEye, dream poetry line up, and cat time! Come along - link to book in bio - we’ll share some new work, talk about echo, breath, and loop (and maybe the sonic poetics of purr). 🩷🖤🩷

Of all the many, many things @full_nommunism and I have done together over the years, since meeting in 2015 as PhD student organisers for the first Race & Poetry & Poetics in the UK conference and poetry reading, followed by countless poetry readings, tea, sleepovers, tandoori paneer, correspondences, and cat time, I have so few photos! We’re doing our latest thing, a poetry reading and discussion at @lccsoundarts, chaired by @the87press, on Thursday April 30th, so I’ve scrounged around hard drives and come up with these. A foundational panel at the first RAPAPUK, an amazing research day at the George Padmore Institute, a sneaky shot of Fred Moten buying both of our books at Arika, sweet hangouts at SoundEye, dream poetry line up, and cat time! Come along - link to book in bio - we’ll share some new work, talk about echo, breath, and loop (and maybe the sonic poetics of purr). 🩷🖤🩷

Of all the many, many things @full_nommunism and I have done together over the years, since meeting in 2015 as PhD student organisers for the first Race & Poetry & Poetics in the UK conference and poetry reading, followed by countless poetry readings, tea, sleepovers, tandoori paneer, correspondences, and cat time, I have so few photos! We’re doing our latest thing, a poetry reading and discussion at @lccsoundarts, chaired by @the87press, on Thursday April 30th, so I’ve scrounged around hard drives and come up with these. A foundational panel at the first RAPAPUK, an amazing research day at the George Padmore Institute, a sneaky shot of Fred Moten buying both of our books at Arika, sweet hangouts at SoundEye, dream poetry line up, and cat time! Come along - link to book in bio - we’ll share some new work, talk about echo, breath, and loop (and maybe the sonic poetics of purr). 🩷🖤🩷

Of all the many, many things @full_nommunism and I have done together over the years, since meeting in 2015 as PhD student organisers for the first Race & Poetry & Poetics in the UK conference and poetry reading, followed by countless poetry readings, tea, sleepovers, tandoori paneer, correspondences, and cat time, I have so few photos! We’re doing our latest thing, a poetry reading and discussion at @lccsoundarts, chaired by @the87press, on Thursday April 30th, so I’ve scrounged around hard drives and come up with these. A foundational panel at the first RAPAPUK, an amazing research day at the George Padmore Institute, a sneaky shot of Fred Moten buying both of our books at Arika, sweet hangouts at SoundEye, dream poetry line up, and cat time! Come along - link to book in bio - we’ll share some new work, talk about echo, breath, and loop (and maybe the sonic poetics of purr). 🩷🖤🩷

On 21st April, the Master’s in Creative Writing is hosting a poetry reading and reception at @newnhamcollege.

We’re thrilled to have guest readers Nisha Ramayya @headslice and Jay Bernard @cmmn_stance, this year’s Judith E Wilson Fellow, reading alongside three of our brilliant second-year students: Chandler Crump @chandlerbcrump, Bela Davidson @beladavidson, Helen Jens @helen_jenks. They’ll also be joined by recent alum Stephanie Ritzema @_stephritz and Tutor Joanne Limburg @joanne.limburg!

Doors are at 7.30pm and readings begin at 8.00pm. There will be an interval with free drinks, books for sale, author signings, and a chance to mingle and celebrate our community.

21st April 2026
Doors at 7.30pm at Newnham College, Cambridge
Interval & book signing at 8.45pm

Registration in bio. Learn more about our programme at @cambridge_pace

On 21st April, the Master’s in Creative Writing is hosting a poetry reading and reception at @newnhamcollege.

We’re thrilled to have guest readers Nisha Ramayya @headslice and Jay Bernard @cmmn_stance, this year’s Judith E Wilson Fellow, reading alongside three of our brilliant second-year students: Chandler Crump @chandlerbcrump, Bela Davidson @beladavidson, Helen Jens @helen_jenks. They’ll also be joined by recent alum Stephanie Ritzema @_stephritz and Tutor Joanne Limburg @joanne.limburg!

Doors are at 7.30pm and readings begin at 8.00pm. There will be an interval with free drinks, books for sale, author signings, and a chance to mingle and celebrate our community.

21st April 2026
Doors at 7.30pm at Newnham College, Cambridge
Interval & book signing at 8.45pm

Registration in bio. Learn more about our programme at @cambridge_pace

And thank you so much for @helchar for inviting me to contribute to Counterflows on Paper, a chance to revisit what I’d written/performed for Amina Claudine Myers last year, and to reflect on the conditions of writing from deep within the babyful haze, before and after childcare (sort of - the poems are way more haze than reflection!! 😶‍🌫️🥰😶‍🌫️). So much great writing, thinking, and art in here, from all the contributors and thanks to the ongoing collab with Project Ability. Edited by Helen and Joel White, and I think the whole thing will be available on the @counterflowsfest website in a bit.

And thank you so much for @helchar for inviting me to contribute to Counterflows on Paper, a chance to revisit what I’d written/performed for Amina Claudine Myers last year, and to reflect on the conditions of writing from deep within the babyful haze, before and after childcare (sort of - the poems are way more haze than reflection!! 😶‍🌫️🥰😶‍🌫️). So much great writing, thinking, and art in here, from all the contributors and thanks to the ongoing collab with Project Ability. Edited by Helen and Joel White, and I think the whole thing will be available on the @counterflowsfest website in a bit.

And thank you so much for @helchar for inviting me to contribute to Counterflows on Paper, a chance to revisit what I’d written/performed for Amina Claudine Myers last year, and to reflect on the conditions of writing from deep within the babyful haze, before and after childcare (sort of - the poems are way more haze than reflection!! 😶‍🌫️🥰😶‍🌫️). So much great writing, thinking, and art in here, from all the contributors and thanks to the ongoing collab with Project Ability. Edited by Helen and Joel White, and I think the whole thing will be available on the @counterflowsfest website in a bit.

And thank you so much for @helchar for inviting me to contribute to Counterflows on Paper, a chance to revisit what I’d written/performed for Amina Claudine Myers last year, and to reflect on the conditions of writing from deep within the babyful haze, before and after childcare (sort of - the poems are way more haze than reflection!! 😶‍🌫️🥰😶‍🌫️). So much great writing, thinking, and art in here, from all the contributors and thanks to the ongoing collab with Project Ability. Edited by Helen and Joel White, and I think the whole thing will be available on the @counterflowsfest website in a bit.

And thank you so much for @helchar for inviting me to contribute to Counterflows on Paper, a chance to revisit what I’d written/performed for Amina Claudine Myers last year, and to reflect on the conditions of writing from deep within the babyful haze, before and after childcare (sort of - the poems are way more haze than reflection!! 😶‍🌫️🥰😶‍🌫️). So much great writing, thinking, and art in here, from all the contributors and thanks to the ongoing collab with Project Ability. Edited by Helen and Joel White, and I think the whole thing will be available on the @counterflowsfest website in a bit.

And thank you so much for @helchar for inviting me to contribute to Counterflows on Paper, a chance to revisit what I’d written/performed for Amina Claudine Myers last year, and to reflect on the conditions of writing from deep within the babyful haze, before and after childcare (sort of - the poems are way more haze than reflection!! 😶‍🌫️🥰😶‍🌫️). So much great writing, thinking, and art in here, from all the contributors and thanks to the ongoing collab with Project Ability. Edited by Helen and Joel White, and I think the whole thing will be available on the @counterflowsfest website in a bit.

Another transcendent @counterflowsfest !! From start to finish, full of serene sounds & intervals between sounds; whiplash transitions between completely disparate, completely brilliant artists; time to chat in between all the listening; an unthinkable comeback (me at the Art School after ~15 years??); Annea Lockwood, Annea Lockwood, Annea Lockwood. I adored hearing Bayou-Borne and Becoming Air and the transplanted piano in action (Glasgow style), and was totally moved and thrilled by Los Thuthanaka, Garazi Navas, and local wonders Uzganc Choir and Kings Park Brass. Couldn’t catch everything, but so full up on what I was lucky to hear.

Another transcendent @counterflowsfest !! From start to finish, full of serene sounds & intervals between sounds; whiplash transitions between completely disparate, completely brilliant artists; time to chat in between all the listening; an unthinkable comeback (me at the Art School after ~15 years??); Annea Lockwood, Annea Lockwood, Annea Lockwood. I adored hearing Bayou-Borne and Becoming Air and the transplanted piano in action (Glasgow style), and was totally moved and thrilled by Los Thuthanaka, Garazi Navas, and local wonders Uzganc Choir and Kings Park Brass. Couldn’t catch everything, but so full up on what I was lucky to hear.

Another transcendent @counterflowsfest !! From start to finish, full of serene sounds & intervals between sounds; whiplash transitions between completely disparate, completely brilliant artists; time to chat in between all the listening; an unthinkable comeback (me at the Art School after ~15 years??); Annea Lockwood, Annea Lockwood, Annea Lockwood. I adored hearing Bayou-Borne and Becoming Air and the transplanted piano in action (Glasgow style), and was totally moved and thrilled by Los Thuthanaka, Garazi Navas, and local wonders Uzganc Choir and Kings Park Brass. Couldn’t catch everything, but so full up on what I was lucky to hear.

Another transcendent @counterflowsfest !! From start to finish, full of serene sounds & intervals between sounds; whiplash transitions between completely disparate, completely brilliant artists; time to chat in between all the listening; an unthinkable comeback (me at the Art School after ~15 years??); Annea Lockwood, Annea Lockwood, Annea Lockwood. I adored hearing Bayou-Borne and Becoming Air and the transplanted piano in action (Glasgow style), and was totally moved and thrilled by Los Thuthanaka, Garazi Navas, and local wonders Uzganc Choir and Kings Park Brass. Couldn’t catch everything, but so full up on what I was lucky to hear.

Another transcendent @counterflowsfest !! From start to finish, full of serene sounds & intervals between sounds; whiplash transitions between completely disparate, completely brilliant artists; time to chat in between all the listening; an unthinkable comeback (me at the Art School after ~15 years??); Annea Lockwood, Annea Lockwood, Annea Lockwood. I adored hearing Bayou-Borne and Becoming Air and the transplanted piano in action (Glasgow style), and was totally moved and thrilled by Los Thuthanaka, Garazi Navas, and local wonders Uzganc Choir and Kings Park Brass. Couldn’t catch everything, but so full up on what I was lucky to hear.

Another transcendent @counterflowsfest !! From start to finish, full of serene sounds & intervals between sounds; whiplash transitions between completely disparate, completely brilliant artists; time to chat in between all the listening; an unthinkable comeback (me at the Art School after ~15 years??); Annea Lockwood, Annea Lockwood, Annea Lockwood. I adored hearing Bayou-Borne and Becoming Air and the transplanted piano in action (Glasgow style), and was totally moved and thrilled by Los Thuthanaka, Garazi Navas, and local wonders Uzganc Choir and Kings Park Brass. Couldn’t catch everything, but so full up on what I was lucky to hear.

Another transcendent @counterflowsfest !! From start to finish, full of serene sounds & intervals between sounds; whiplash transitions between completely disparate, completely brilliant artists; time to chat in between all the listening; an unthinkable comeback (me at the Art School after ~15 years??); Annea Lockwood, Annea Lockwood, Annea Lockwood. I adored hearing Bayou-Borne and Becoming Air and the transplanted piano in action (Glasgow style), and was totally moved and thrilled by Los Thuthanaka, Garazi Navas, and local wonders Uzganc Choir and Kings Park Brass. Couldn’t catch everything, but so full up on what I was lucky to hear.

Another transcendent @counterflowsfest !! From start to finish, full of serene sounds & intervals between sounds; whiplash transitions between completely disparate, completely brilliant artists; time to chat in between all the listening; an unthinkable comeback (me at the Art School after ~15 years??); Annea Lockwood, Annea Lockwood, Annea Lockwood. I adored hearing Bayou-Borne and Becoming Air and the transplanted piano in action (Glasgow style), and was totally moved and thrilled by Los Thuthanaka, Garazi Navas, and local wonders Uzganc Choir and Kings Park Brass. Couldn’t catch everything, but so full up on what I was lucky to hear.

Another transcendent @counterflowsfest !! From start to finish, full of serene sounds & intervals between sounds; whiplash transitions between completely disparate, completely brilliant artists; time to chat in between all the listening; an unthinkable comeback (me at the Art School after ~15 years??); Annea Lockwood, Annea Lockwood, Annea Lockwood. I adored hearing Bayou-Borne and Becoming Air and the transplanted piano in action (Glasgow style), and was totally moved and thrilled by Los Thuthanaka, Garazi Navas, and local wonders Uzganc Choir and Kings Park Brass. Couldn’t catch everything, but so full up on what I was lucky to hear.

Join us at Newnham College @newnhamcollege to hear from this incredible line-up of poets!

On 21st April, the Master’s in Creative Writing is hosting a poetry reading and reception in Cambridge.

We’re thrilled to have guest readers Nisha Ramayya @headslice and Jay Bernard @cmmn_stance, this year’s Judith E Wilson Fellow, reading alongside three of our brilliant second-year students: Chandler Crump @chandlerbcrump, Bela Davidson @beladavidson, and Helen Jens @helen_jenks. They’ll also be joined by recent alum Stephanie Ritzema @_stephritz and Tutor Joanne Limburg @joanne.limburg.

Registration link in bio.

Doors are at 7.30pm and readings begin at 8.00pm. There will be an interval with free drinks, books for sale, author signings, and a chance to mingle and celebrate our community!

21st April 2026
Doors at 7.30pm at Newnham College, Cambridge
Interval & book signing at 8.45pm

Learn more about our programme at @cambridge_pace

Join us at Newnham College @newnhamcollege to hear from this incredible line-up of poets!

On 21st April, the Master’s in Creative Writing is hosting a poetry reading and reception in Cambridge.

We’re thrilled to have guest readers Nisha Ramayya @headslice and Jay Bernard @cmmn_stance, this year’s Judith E Wilson Fellow, reading alongside three of our brilliant second-year students: Chandler Crump @chandlerbcrump, Bela Davidson @beladavidson, and Helen Jens @helen_jenks. They’ll also be joined by recent alum Stephanie Ritzema @_stephritz and Tutor Joanne Limburg @joanne.limburg.

Registration link in bio.

Doors are at 7.30pm and readings begin at 8.00pm. There will be an interval with free drinks, books for sale, author signings, and a chance to mingle and celebrate our community!

21st April 2026
Doors at 7.30pm at Newnham College, Cambridge
Interval & book signing at 8.45pm

Learn more about our programme at @cambridge_pace

Exciting updates RE Subtexts: Elemental at @whitechapelgallery on Thursday 9th April!

An evening of sound, poetry, and performance that returns to the elemental, to explore what remains after so much has been lost, abandoned, or destroyed.

Bringing together their profound experiments in spoken and drawn poems, radio waves, and noise, four unique performers – Stephen Watts, Mengting Zhuo, Ayesha Hameed and Matt Cargill – will collaborate in a one-off performance in the Assembly Room at Whitechapel Gallery.

🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️

There will be vegetarian food provided by @oitijjo_kitchen, and a selection of wine, beer, and soft drinks. (Free with a ticket.)

Exciting updates RE Subtexts: Elemental at @whitechapelgallery on Thursday 9th April!

An evening of sound, poetry, and performance that returns to the elemental, to explore what remains after so much has been lost, abandoned, or destroyed.

Bringing together their profound experiments in spoken and drawn poems, radio waves, and noise, four unique performers – Stephen Watts, Mengting Zhuo, Ayesha Hameed and Matt Cargill – will collaborate in a one-off performance in the Assembly Room at Whitechapel Gallery.

🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️

There will be vegetarian food provided by @oitijjo_kitchen, and a selection of wine, beer, and soft drinks. (Free with a ticket.)

Exciting updates RE Subtexts: Elemental at @whitechapelgallery on Thursday 9th April!

An evening of sound, poetry, and performance that returns to the elemental, to explore what remains after so much has been lost, abandoned, or destroyed.

Bringing together their profound experiments in spoken and drawn poems, radio waves, and noise, four unique performers – Stephen Watts, Mengting Zhuo, Ayesha Hameed and Matt Cargill – will collaborate in a one-off performance in the Assembly Room at Whitechapel Gallery.

🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️

There will be vegetarian food provided by @oitijjo_kitchen, and a selection of wine, beer, and soft drinks. (Free with a ticket.)

Exciting updates RE Subtexts: Elemental at @whitechapelgallery on Thursday 9th April!

An evening of sound, poetry, and performance that returns to the elemental, to explore what remains after so much has been lost, abandoned, or destroyed.

Bringing together their profound experiments in spoken and drawn poems, radio waves, and noise, four unique performers – Stephen Watts, Mengting Zhuo, Ayesha Hameed and Matt Cargill – will collaborate in a one-off performance in the Assembly Room at Whitechapel Gallery.

🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️

There will be vegetarian food provided by @oitijjo_kitchen, and a selection of wine, beer, and soft drinks. (Free with a ticket.)

Very humbled to perform at the launch of Egg Meat’s new album at Vespers in Peckham this Thursday! These technicians of the most horribly abject, with their sicky mouths and skin crawling beats, are also the loveliest & best pals imaginable. Come and be infested, wretch and be merry! 🖤🖤🖤

Very humbled to perform at the launch of Egg Meat’s new album at Vespers in Peckham this Thursday! These technicians of the most horribly abject, with their sicky mouths and skin crawling beats, are also the loveliest & best pals imaginable. Come and be infested, wretch and be merry! 🖤🖤🖤

Very humbled to perform at the launch of Egg Meat’s new album at Vespers in Peckham this Thursday! These technicians of the most horribly abject, with their sicky mouths and skin crawling beats, are also the loveliest & best pals imaginable. Come and be infested, wretch and be merry! 🖤🖤🖤

Very humbled to perform at the launch of Egg Meat’s new album at Vespers in Peckham this Thursday! These technicians of the most horribly abject, with their sicky mouths and skin crawling beats, are also the loveliest & best pals imaginable. Come and be infested, wretch and be merry! 🖤🖤🖤

Very humbled to perform at the launch of Egg Meat’s new album at Vespers in Peckham this Thursday! These technicians of the most horribly abject, with their sicky mouths and skin crawling beats, are also the loveliest & best pals imaginable. Come and be infested, wretch and be merry! 🖤🖤🖤

Very humbled to perform at the launch of Egg Meat’s new album at Vespers in Peckham this Thursday! These technicians of the most horribly abject, with their sicky mouths and skin crawling beats, are also the loveliest & best pals imaginable. Come and be infested, wretch and be merry! 🖤🖤🖤

Very humbled to perform at the launch of Egg Meat’s new album at Vespers in Peckham this Thursday! These technicians of the most horribly abject, with their sicky mouths and skin crawling beats, are also the loveliest & best pals imaginable. Come and be infested, wretch and be merry! 🖤🖤🖤

Very humbled to perform at the launch of Egg Meat’s new album at Vespers in Peckham this Thursday! These technicians of the most horribly abject, with their sicky mouths and skin crawling beats, are also the loveliest & best pals imaginable. Come and be infested, wretch and be merry! 🖤🖤🖤

Subtexts: Elemental
6-8.30pm, Thursday 9th April, Whitechapel Gallery

An evening of sound, poetry, and performance that returns to the elemental, to explore what remains after so much has been lost, abandoned, or destroyed.

Rather than asking ‘why write’ or ‘why make art’ after catastrophes (historical, ecological, psychic), we admit the inevitability of poetry and art and find out what will be externalised through that impulse or reflex. What may be enabled or summoned or witnessed?

Featuring artists and writers Mengting Zhuo, Stephen Watts, and Ayesha Hameed in collaboration with Matt Cargill. Organised in partnership with the Centre for Contemporary Writing at Queen Mary, University of London and Whitechapel Gallery.

Refreshments will be provided. Link to book in bio. 🌬️

Details of the Inventions programme (2-5pm, Thursday 12 March, BLOC cinema on Mile End Road), part of a series of events responding to Frantz Fanon’s call to introduce ‘invention into existence’ via philosophy, restitution geography, and poetry.

Free and open to all. There will be dinner and drinks after the event. More info on our Eventbrite page!

Details of the Inventions programme (2-5pm, Thursday 12 March, BLOC cinema on Mile End Road), part of a series of events responding to Frantz Fanon’s call to introduce ‘invention into existence’ via philosophy, restitution geography, and poetry.

Free and open to all. There will be dinner and drinks after the event. More info on our Eventbrite page!

Details of the Inventions programme (2-5pm, Thursday 12 March, BLOC cinema on Mile End Road), part of a series of events responding to Frantz Fanon’s call to introduce ‘invention into existence’ via philosophy, restitution geography, and poetry.

Free and open to all. There will be dinner and drinks after the event. More info on our Eventbrite page!

LARGE THINGS INCOMING

Join us for our album launch at @vespersclub in Peckham on the 26th march!

Yes that’s right we’re ‘launching’ an ‘’’album’’’ - you will hear more about this very soon. Join us for a night of music, dance and poetry!

Extremely honoured to be joined by eggsteemed guests

Danny Hayward

SLUG (@xxs_slug : @ex.sses and @madi.plunkett)

Nisha Ramayya @headslice

Link in bio, egg on face

March 11, 7pm
Judith E Wilson Studio
Cambridge

DS Marriott
Dr Charissa Granger

An improvised evening -- texts, poems, extracts, riffs, songs --