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⛓️⛓️‍💥🏁⚙️The Chain of Events by Jan Šabach @codeswitchpics | CZ

#typetext #typeposter #revolution

⛓️⛓️‍💥🏁⚙️The Chain of Events by Jan Šabach @codeswitchpics | CZ

#typetext #typeposter #revolution

⛓️⛓️‍💥🏁⚙️The Chain of Events by Jan Šabach @codeswitchpics | CZ

#typetext #typeposter #revolution

⛓️⛓️‍💥🏁⚙️The Chain of Events by Jan Šabach @codeswitchpics | CZ

#typetext #typeposter #revolution

Just like last year I decided to ignore the algorithm and pick my own favorites. Work for @knihypaseka @umassamhersttheater @greenesean @stanfordupress @stanfordupress.design @triumph_praha @graphis #graphicdesign #posterdesign #bookcoverdesign #whenindoubtmakeitred #designinspiration

I finally got the Czech version of “Identity: The Story of Czech Graphic Design.” This incredible book offers a unique insight into the world of Czech graphic design and typography. Congratulations to @lindatypo @filipdesigniq @migregorini and everyone else involved in the @projektidentita on this monumental undertaking. I’m so honored to have one #bookcover one #magazinecover, and one #brandidentity piece in this monograph. English version is also available in the @projektidentita shop (linking their bio) Anyone interested in #czech #graphicdesign and its place in the European and the world context needs to get it. This is a once in a generation project and I’ll be spending my holidays with this beauty. And thank you @knihypaseka !

I finally got the Czech version of “Identity: The Story of Czech Graphic Design.” This incredible book offers a unique insight into the world of Czech graphic design and typography. Congratulations to @lindatypo @filipdesigniq @migregorini and everyone else involved in the @projektidentita on this monumental undertaking. I’m so honored to have one #bookcover one #magazinecover, and one #brandidentity piece in this monograph. English version is also available in the @projektidentita shop (linking their bio) Anyone interested in #czech #graphicdesign and its place in the European and the world context needs to get it. This is a once in a generation project and I’ll be spending my holidays with this beauty. And thank you @knihypaseka !

I finally got the Czech version of “Identity: The Story of Czech Graphic Design.” This incredible book offers a unique insight into the world of Czech graphic design and typography. Congratulations to @lindatypo @filipdesigniq @migregorini and everyone else involved in the @projektidentita on this monumental undertaking. I’m so honored to have one #bookcover one #magazinecover, and one #brandidentity piece in this monograph. English version is also available in the @projektidentita shop (linking their bio) Anyone interested in #czech #graphicdesign and its place in the European and the world context needs to get it. This is a once in a generation project and I’ll be spending my holidays with this beauty. And thank you @knihypaseka !

I finally got the Czech version of “Identity: The Story of Czech Graphic Design.” This incredible book offers a unique insight into the world of Czech graphic design and typography. Congratulations to @lindatypo @filipdesigniq @migregorini and everyone else involved in the @projektidentita on this monumental undertaking. I’m so honored to have one #bookcover one #magazinecover, and one #brandidentity piece in this monograph. English version is also available in the @projektidentita shop (linking their bio) Anyone interested in #czech #graphicdesign and its place in the European and the world context needs to get it. This is a once in a generation project and I’ll be spending my holidays with this beauty. And thank you @knihypaseka !

I finally got the Czech version of “Identity: The Story of Czech Graphic Design.” This incredible book offers a unique insight into the world of Czech graphic design and typography. Congratulations to @lindatypo @filipdesigniq @migregorini and everyone else involved in the @projektidentita on this monumental undertaking. I’m so honored to have one #bookcover one #magazinecover, and one #brandidentity piece in this monograph. English version is also available in the @projektidentita shop (linking their bio) Anyone interested in #czech #graphicdesign and its place in the European and the world context needs to get it. This is a once in a generation project and I’ll be spending my holidays with this beauty. And thank you @knihypaseka !

I finally got the Czech version of “Identity: The Story of Czech Graphic Design.” This incredible book offers a unique insight into the world of Czech graphic design and typography. Congratulations to @lindatypo @filipdesigniq @migregorini and everyone else involved in the @projektidentita on this monumental undertaking. I’m so honored to have one #bookcover one #magazinecover, and one #brandidentity piece in this monograph. English version is also available in the @projektidentita shop (linking their bio) Anyone interested in #czech #graphicdesign and its place in the European and the world context needs to get it. This is a once in a generation project and I’ll be spending my holidays with this beauty. And thank you @knihypaseka !

I finally got the Czech version of “Identity: The Story of Czech Graphic Design.” This incredible book offers a unique insight into the world of Czech graphic design and typography. Congratulations to @lindatypo @filipdesigniq @migregorini and everyone else involved in the @projektidentita on this monumental undertaking. I’m so honored to have one #bookcover one #magazinecover, and one #brandidentity piece in this monograph. English version is also available in the @projektidentita shop (linking their bio) Anyone interested in #czech #graphicdesign and its place in the European and the world context needs to get it. This is a once in a generation project and I’ll be spending my holidays with this beauty. And thank you @knihypaseka !

I finally got the Czech version of “Identity: The Story of Czech Graphic Design.” This incredible book offers a unique insight into the world of Czech graphic design and typography. Congratulations to @lindatypo @filipdesigniq @migregorini and everyone else involved in the @projektidentita on this monumental undertaking. I’m so honored to have one #bookcover one #magazinecover, and one #brandidentity piece in this monograph. English version is also available in the @projektidentita shop (linking their bio) Anyone interested in #czech #graphicdesign and its place in the European and the world context needs to get it. This is a once in a generation project and I’ll be spending my holidays with this beauty. And thank you @knihypaseka !

I finally got the Czech version of “Identity: The Story of Czech Graphic Design.” This incredible book offers a unique insight into the world of Czech graphic design and typography. Congratulations to @lindatypo @filipdesigniq @migregorini and everyone else involved in the @projektidentita on this monumental undertaking. I’m so honored to have one #bookcover one #magazinecover, and one #brandidentity piece in this monograph. English version is also available in the @projektidentita shop (linking their bio) Anyone interested in #czech #graphicdesign and its place in the European and the world context needs to get it. This is a once in a generation project and I’ll be spending my holidays with this beauty. And thank you @knihypaseka !

I finally got the Czech version of “Identity: The Story of Czech Graphic Design.” This incredible book offers a unique insight into the world of Czech graphic design and typography. Congratulations to @lindatypo @filipdesigniq @migregorini and everyone else involved in the @projektidentita on this monumental undertaking. I’m so honored to have one #bookcover one #magazinecover, and one #brandidentity piece in this monograph. English version is also available in the @projektidentita shop (linking their bio) Anyone interested in #czech #graphicdesign and its place in the European and the world context needs to get it. This is a once in a generation project and I’ll be spending my holidays with this beauty. And thank you @knihypaseka !

Submission No.2for the Things That Almost Happened international poster exhibition.
P.S. No, I am not quite 6 feet tall… well, I’m 5’10” but this is more dramatic:)
#graphicdesign #posterdesign #ttah2026

Submission No.1 for the Things That Almost Happened international poster exhibition. #graphicdesign #posterdesign #ttah2026 #graphicdesigncommunity

A #bookcover for Narrativized Space by Aaron Santesso.
Art direction: Michele Wetherbee @stanfordupress.design

Typeface: Atyp BL by @suitcasetypefoundry #graphicdesign #typography #academia#graphicdesigncommunity

David Foster Wallace was incredibly smart, funny, and troubled. In 2005, he gave a commencement speech at Kenyon College that later became known as This Is Water. This timeless essay offers graduating students a path through life. Path, that is grounded in mindfulness (before it was a thing), and a freedom we have in choosing our own interpretation of reality.
This was more than 20 years ago. Some of my students weren’t born yet, some were taking their first steps. Most of them have never heard the speech, and I’m always curious to see how they’ll absorb it.
As a last project in my introductory graphic design class, we reimagine this essay as something more than “a booklet.” We try to think of the book as an art object. Paying attention to materials, binding methods, and layout. This is a personal interpretation of the essay, and every result is as unique as the student who created it. As in Phoebe’s translucent and custom die-cut pages, Ben’s “mixtape” CD with a track selected to match a specific part in the story. Ali’s tactile, natural materials with an embroidered cover, Vic’s experimental lettering, or Jiaqi’s amazing dragon scale binding. I mean, how cool is that?! #graphicdesign #education @umass_art_ @umass

David Foster Wallace was incredibly smart, funny, and troubled. In 2005, he gave a commencement speech at Kenyon College that later became known as This Is Water. This timeless essay offers graduating students a path through life. Path, that is grounded in mindfulness (before it was a thing), and a freedom we have in choosing our own interpretation of reality.
This was more than 20 years ago. Some of my students weren’t born yet, some were taking their first steps. Most of them have never heard the speech, and I’m always curious to see how they’ll absorb it.
As a last project in my introductory graphic design class, we reimagine this essay as something more than “a booklet.” We try to think of the book as an art object. Paying attention to materials, binding methods, and layout. This is a personal interpretation of the essay, and every result is as unique as the student who created it. As in Phoebe’s translucent and custom die-cut pages, Ben’s “mixtape” CD with a track selected to match a specific part in the story. Ali’s tactile, natural materials with an embroidered cover, Vic’s experimental lettering, or Jiaqi’s amazing dragon scale binding. I mean, how cool is that?! #graphicdesign #education @umass_art_ @umass

David Foster Wallace was incredibly smart, funny, and troubled. In 2005, he gave a commencement speech at Kenyon College that later became known as This Is Water. This timeless essay offers graduating students a path through life. Path, that is grounded in mindfulness (before it was a thing), and a freedom we have in choosing our own interpretation of reality.
This was more than 20 years ago. Some of my students weren’t born yet, some were taking their first steps. Most of them have never heard the speech, and I’m always curious to see how they’ll absorb it.
As a last project in my introductory graphic design class, we reimagine this essay as something more than “a booklet.” We try to think of the book as an art object. Paying attention to materials, binding methods, and layout. This is a personal interpretation of the essay, and every result is as unique as the student who created it. As in Phoebe’s translucent and custom die-cut pages, Ben’s “mixtape” CD with a track selected to match a specific part in the story. Ali’s tactile, natural materials with an embroidered cover, Vic’s experimental lettering, or Jiaqi’s amazing dragon scale binding. I mean, how cool is that?! #graphicdesign #education @umass_art_ @umass

David Foster Wallace was incredibly smart, funny, and troubled. In 2005, he gave a commencement speech at Kenyon College that later became known as This Is Water. This timeless essay offers graduating students a path through life. Path, that is grounded in mindfulness (before it was a thing), and a freedom we have in choosing our own interpretation of reality.
This was more than 20 years ago. Some of my students weren’t born yet, some were taking their first steps. Most of them have never heard the speech, and I’m always curious to see how they’ll absorb it.
As a last project in my introductory graphic design class, we reimagine this essay as something more than “a booklet.” We try to think of the book as an art object. Paying attention to materials, binding methods, and layout. This is a personal interpretation of the essay, and every result is as unique as the student who created it. As in Phoebe’s translucent and custom die-cut pages, Ben’s “mixtape” CD with a track selected to match a specific part in the story. Ali’s tactile, natural materials with an embroidered cover, Vic’s experimental lettering, or Jiaqi’s amazing dragon scale binding. I mean, how cool is that?! #graphicdesign #education @umass_art_ @umass

David Foster Wallace was incredibly smart, funny, and troubled. In 2005, he gave a commencement speech at Kenyon College that later became known as This Is Water. This timeless essay offers graduating students a path through life. Path, that is grounded in mindfulness (before it was a thing), and a freedom we have in choosing our own interpretation of reality.
This was more than 20 years ago. Some of my students weren’t born yet, some were taking their first steps. Most of them have never heard the speech, and I’m always curious to see how they’ll absorb it.
As a last project in my introductory graphic design class, we reimagine this essay as something more than “a booklet.” We try to think of the book as an art object. Paying attention to materials, binding methods, and layout. This is a personal interpretation of the essay, and every result is as unique as the student who created it. As in Phoebe’s translucent and custom die-cut pages, Ben’s “mixtape” CD with a track selected to match a specific part in the story. Ali’s tactile, natural materials with an embroidered cover, Vic’s experimental lettering, or Jiaqi’s amazing dragon scale binding. I mean, how cool is that?! #graphicdesign #education @umass_art_ @umass

David Foster Wallace was incredibly smart, funny, and troubled. In 2005, he gave a commencement speech at Kenyon College that later became known as This Is Water. This timeless essay offers graduating students a path through life. Path, that is grounded in mindfulness (before it was a thing), and a freedom we have in choosing our own interpretation of reality.
This was more than 20 years ago. Some of my students weren’t born yet, some were taking their first steps. Most of them have never heard the speech, and I’m always curious to see how they’ll absorb it.
As a last project in my introductory graphic design class, we reimagine this essay as something more than “a booklet.” We try to think of the book as an art object. Paying attention to materials, binding methods, and layout. This is a personal interpretation of the essay, and every result is as unique as the student who created it. As in Phoebe’s translucent and custom die-cut pages, Ben’s “mixtape” CD with a track selected to match a specific part in the story. Ali’s tactile, natural materials with an embroidered cover, Vic’s experimental lettering, or Jiaqi’s amazing dragon scale binding. I mean, how cool is that?! #graphicdesign #education @umass_art_ @umass

David Foster Wallace was incredibly smart, funny, and troubled. In 2005, he gave a commencement speech at Kenyon College that later became known as This Is Water. This timeless essay offers graduating students a path through life. Path, that is grounded in mindfulness (before it was a thing), and a freedom we have in choosing our own interpretation of reality.
This was more than 20 years ago. Some of my students weren’t born yet, some were taking their first steps. Most of them have never heard the speech, and I’m always curious to see how they’ll absorb it.
As a last project in my introductory graphic design class, we reimagine this essay as something more than “a booklet.” We try to think of the book as an art object. Paying attention to materials, binding methods, and layout. This is a personal interpretation of the essay, and every result is as unique as the student who created it. As in Phoebe’s translucent and custom die-cut pages, Ben’s “mixtape” CD with a track selected to match a specific part in the story. Ali’s tactile, natural materials with an embroidered cover, Vic’s experimental lettering, or Jiaqi’s amazing dragon scale binding. I mean, how cool is that?! #graphicdesign #education @umass_art_ @umass

David Foster Wallace was incredibly smart, funny, and troubled. In 2005, he gave a commencement speech at Kenyon College that later became known as This Is Water. This timeless essay offers graduating students a path through life. Path, that is grounded in mindfulness (before it was a thing), and a freedom we have in choosing our own interpretation of reality.
This was more than 20 years ago. Some of my students weren’t born yet, some were taking their first steps. Most of them have never heard the speech, and I’m always curious to see how they’ll absorb it.
As a last project in my introductory graphic design class, we reimagine this essay as something more than “a booklet.” We try to think of the book as an art object. Paying attention to materials, binding methods, and layout. This is a personal interpretation of the essay, and every result is as unique as the student who created it. As in Phoebe’s translucent and custom die-cut pages, Ben’s “mixtape” CD with a track selected to match a specific part in the story. Ali’s tactile, natural materials with an embroidered cover, Vic’s experimental lettering, or Jiaqi’s amazing dragon scale binding. I mean, how cool is that?! #graphicdesign #education @umass_art_ @umass

Where are we now with the new #trumpgoldenstatue I’d say about 1, 1:30? #iconoclock

What do Václav Hrabě, @krisandrewsmall @pentagramdesign and @treehousebrewco have in common? Me reading the new issue of the @poetryfoundation #poetry magazine.Treehouse makes a great Pilsner, and Hrabě was born in Příbram, where I was in a hospital when I was little and broke my back building a fort with my cousin. Mind blown.

Congratulations to the graduating class of 26! @umass_art_You guys are amazing artists. You actually have the ability to create things that never existed before. Don’t let the people who cannot create anything boss you around, they couldn’t exist without you! #art #education @umass

It is the attention to details that makes @jacksonandconnor Northampton’s Savile Row. Every contact with the brand supports that promise and commitment to quality. I designed their #logo and #brand identity 7 years ago and it makes me so happy to see how it thrives.

It is the attention to details that makes @jacksonandconnor Northampton’s Savile Row. Every contact with the brand supports that promise and commitment to quality. I designed their #logo and #brand identity 7 years ago and it makes me so happy to see how it thrives.

It is the attention to details that makes @jacksonandconnor Northampton’s Savile Row. Every contact with the brand supports that promise and commitment to quality. I designed their #logo and #brand identity 7 years ago and it makes me so happy to see how it thrives.

It is the attention to details that makes @jacksonandconnor Northampton’s Savile Row. Every contact with the brand supports that promise and commitment to quality. I designed their #logo and #brand identity 7 years ago and it makes me so happy to see how it thrives.

A #bookcover for the Thresholds of Existence by Jan Söffner. A question of what is real is no longer the no-brainer it once was.
Art direction: Michele Wetherbee @stanfordupress.design

Typeface: Area Inktrap by @blazetype #graphicdesign #academia #philosophy #graphicdesigncommunity